Filmmaker Jordan Mitchell

"Much of Jordan Mitchell's work, be it film, animation or video, makes the effort not simply to represent, but to engage viewers in thought. She creates stories that are complex, creative, and complete. She is always looking to go beyond what is expected of her and to make a statements about how she sees the world." - Mark Lewis, Digital Media Professor.

Follow Jordan on Twitter @JFilmsCinema

Check out Jordan's projects on YouTube at http://www.youtube.com/liljaha13

What is the current project you are working on? - I'm currently working on two projects. One is a series called Sessions, a light hearted comedy about a young man's life and therapy sessions. The other project is DIG, a stop motion film I'm expanding on.

How do you handle rejection? - Rejection is always hard, no matter what the circumstances may be. I see rejection as a test of how well we can pick ourselves up again. Each rejection is a stepping stone that leads to where we're really meant to be. When I'm rejected, it inspires me to work ten times harder so I can improve and grow as a filmmaker.

Did you always want to be a filmmaker? - When I was younger I actually wanted to be a writer. I was constantly writing stories but when I discovered filmmaking everything changed. It was then that I discovered the difference between what came easy, and what I was passionate for. If I had become a writer I'm sure I would have been content in my life, but I would always want more. Filmmaking gives me a true happiness I've never known before.

What inspired you to become filmmaker? - When I was fifteen one of my friends sent me an e-mail. She had heard about a contest, Fresh Films, that she thought I would do well in. She knew I wanted to be a writer, so she thought I might be interested in script writing. I was selected along with nine other kids to go to Los Angeles for a week and be apart of a film crew. That week changed the rest of my life. Every part of the process, from scripting, casting, preproduction, production, etc. was incredible and got me hooked.

What is the best thing about being one? - The best part is the creative freedom it gives you. No matter what you make, no one can tell you it's wrong or that it's not right. If you don't like the way a story goes, you have the power to change it. What I love the most about it, the ability to connect a theater full of strangers to one another through your film. They're watching your story unfold on screen and experiencing similar emotions. Every so often I look around the theater during a movie to see how people are reacting, what makes their eyes light up. A majority of the time, the reaction I see on someone's face is similar to the person's next to them and they don't even realize they're sharing a moment. When the movie's over, there's nothing better than side conversations you hear while leaving the theater. It's those little things that I live for in the industry.

What is the worst thing about being one? - The worst thing for me would be the problems that come about while editing, especially on a deadline. There have been a few times where I've made a nice project, but the software stops responding. You try everything to save it, but the only option is to exit and start all over again. So my suggestion is to save as you go!

What is the estimated number of projects you have worked on? - Overall I've worked on 30 projects that range from commercials, short films, animation, and stop motion projects.

Who is is your favorite filmmaker? - I am a big fan of Jon Favreau and Steven Spielberg. I love that Favreau not only directs his own films, but stars in them as well. I enjoy Spielberg's work because the stories have substance, real depth that we can relate to. That's what I wish to accomplish in my films, not just to entertain but to engage the audience and make them think.

How has your life changed since you became a filmmaker? - My family has always described me as "shy" or "bashful." Filmmaking has helped me gain more confidence and given me a voice. To a complete stranger, a camera would be nothing more than a piece of machinery. In my eyes it's not a cold and unfeeling fabrication, to me it is passion, excitement, and everything I am and hope to be. I've found my identity through filmmaking, and I hope to continue doing what I love.

What is one piece of advice you can give to someone who also wants to make it in the business? - Never give up. Rejection is not a bad thing, it only pushes you in the right direction. So no matter how many people tell you no, keep going.

How would you describe your film education? - I was blessed with two professors who really inspired and pushed me to do my best. Professor Erik Jacobson and Mark Lewis taught me a lot not only about film, but about life as well. Professor Jacobson taught us the history of film, but he also taught the importance of human decency. We were always reminded that we should be kind to everyone, no matter how big or small their job is. They are an essential part of the process and without them, production is not possible. Professor Lewis taught us editing and animation, but he stressed the importance of creativity, giving us no boundaries. Our projects were not only art, but they were statements about who we were as individuals. I do not believe I would be who I am today without their guidance and support.

How does independent film differ from the mainstream? - I feel independent films have a little more heart than mainstream. I love them both, but when I watch an independent film I feel like I'm getting to know the filmmaker better. The subjects are usually close to home, so they put their heart and soul into it. They're not censored as much, and when you stand next to them as they show the film, watch their reaction after the credits. I've had a few of my friends screen their work and I see this immense pride come over them. As independent filmmakers, they're honored to have a few people view their work, and it's a very humbling experience.

You could go back in time and see any classic film being made. Which film would it be and why? - I would love to go back and see how Jaws was created. I know there were a lot of problems with the mechanical shark and it would be interesting to see how it was handled. Spielberg named the shark "Bruce" after his lawyer. Another film I would love to see being made is Larry Crowne. It's a newer film with Tom Hanks and Julia Roberts, but it is amazing. I feel it really portrays what many people are facing today with the economy, job loss, and education system.

What's your favorite movie quote? - "That's part of your problem. You haven't seen enough movies. All of life's riddles are answered in the movies." - Steve Martin as Davis in Grand Canyon (1991)

What is your opinion on movie remakes and sequels? - Most of the time, I don't feel a movie should be remade or have sequels. It takes away from the original creation, but there are a few that have been well done. It really depends on the quality and if they stick to the same outline.

Writer/Director Of Vampire Mob Joe Wilson

[caption id="attachment_1695" align="aligncenter" width="300" caption="Joe Wilson (Middle) With John Colella & Kirsten Vangsness @ The VMob Premiere"][/caption]

Joe Wilson is an award-winning filmmaker and the creator, writer. director and editor of the Indie TV series "Vampire Mob.”  Wilson's short “The Swear Police” won its category at the L.A. Comedy Shorts Film Festival and his first short “Tickle Me Harder” was described by Gawker as “a celebrity sex tape worth our time.”   Wilson also made international news auctioning a “Jar of Celebrity Air” on eBay, which became the subject of his one-man show by the same name.  You can find him on Twitter, probably right now  @VampireMob @JoeWilsonTV

What is the current project you are working on?

I am currently making an Indie TV series with an amazing cast of 21 actors - It's a comedy with murder and swearing called "Vampire Mob."

Indie TV is like Indie Filmmaking, stories told independent of a television network and distributed to our worldwide audience via the internet. And yes, you can watch "Vampire Mob" on your television by using a Boxee or Apple TV streaming right off the net in HD, like Netflix does.

The show is about Don Grigioni, a hitman and a vampire, who just found out his mother-in-law is moving in for eternity.

In the role of Don is John Colella, who guest starred on Criminal Minds and Desperate Housewives this season and who you may also run into if you're playing the videogame "L.A. Noire." Don's very patient wife. Annie, is played by Reamy Hall (Criminal Minds), his sister-in-law is Laura is Kirsten Vangsness, who you might know as Penelope Garcia on "Criminal Minds."

The mother-in-law, Virginia, is played by Emmy-winning actress, Marcia Wallace, who you might also know as the voice of Mrs. Krabappel on "The Simpsons." In season two, Tony winner Rae Allen joins the cast as Don's mother, Carlina Grigioni. There's a very fun dinner scene later in season two that stars John Colella, Reamy Hall, Marcia Wallace, Rae Allen, Jim Roof & Kirsten Vangsness that is a tremendous amount of fun!

How do you handle rejection?

I keep going.

Did you always want to be a filmmaker?

It always looked like fun, but I never said, "I want to be a director." I saw how other directors interpreted my scripts and I disagreed with the handling of the comedy and tone, so I learned how to make my own stuff.

What is the best thing about being one?

Getting to talk to audience members all over the world who really like our story and cast.

What is the worst thing about being one?

Trying to raise enough money to keep going.

How has your life changed since you became a filmmaker?

I'm a lot busier and I have a lot more fun.

What do you like to do besides filmmaking?

Sleep.

Have you had any other jobs before you decided to become a filmmaker?

Private investigator, background investigator, bartender, performance artist, installation artist, photographer, stand up comedian, waiter, pool installer, flower delivery guy.

What are some of your favorite American films? Foreign films? Television shows?

This list constantly rotates but here's what popped in my head.

Movies: Apocalypse Now, The Usual Suspects, Snatch, Let The Right One In, Glengarry GlenRoss, Blood Simple, Do The Right Thing, Following, Jackass.

The TeeVee: The Venture Bros, Fawlty Towers, Trailer Park Boys, Torchwood, Parks and Recreation, Community, Modern Family, The Simpsons, 30 Rock, Robot Chicken.

How would you describe your film education?

D.I.Y.

How has social media changed the independent film industry?

If you're a storyteller and you're not using social media to talk to your audience, you are making a mistake. There's never been a better time to be a storyteller than right now because there's never been so many affordable tools available, along with distribution, ever.

I think audiences will continue to fragment as more content, be it television or movies, is made available on demand and streaming. Our audience mainly finds the show because of Twitter.

What's your opinion on crowdfunding?

Without our audience donating over $10,000 we could not have continued to make "Vampire Mob." So, I'm pretty psyched about it.

It's not easy, it's like a full-time job and we struck out on Kickstarter, failing at $6,212 of the $10,000 we didn't raise - so we lost it all. It took six months to raise the budget, while the script was being written, and all during pre-production, production and even during post-production, right now, we're still fundraising. We had to shut down production because we ran out of money during season two and when "the VMob" (the nickname our audience somehow took on) found out, they had us back in production in a week. That was amazing.

What is the casting process like?

We didn't have any auditions, which I was very happy about. I've auditioned plenty of times as an actor and it's always an odd process. Having now seen what casting is like from my favorite side of the camera, behind it, I get the "not right" thing a lot better now.

John Colella knows a lot of talented actors and I also know quite a few, some of whom I've seen on stage at the Ruskin Group Theatre in Santa Monica, where I also write plays once a month.

I wrote a lot of the 21 roles in season two of "Vampire Mob" with the the actors in mind and in the case of Marcia Wallace, I wrote it for her before I ever thought I'd actually ask her to do the show. It's been another very lucky part of making the show, we've been able to put together a stellar cast.

How does independent film differ from the mainstream?

I think that depends on your definition of independent.

Mainstream, to me, means mass-marketing to a mass audience who will see the movie on a large number of screens. Or not, as the case may be.

The definition of independent is changing with the advent of video on demand, iTunes and other forms of digital distribution. The reality of an indie film hitting the festivals, getting a distribution deal that gets the filmmakers a big fat check and a theatrical run is very much over, for the most part.

Most people are seeing films at home on a device that has nothing to do with a movie theatre. Per capita, most human beings see most of the movies they watch in their lifetime on a screen other than a movie theater screen. If that's the case and cheap distribution is available for indie filmmakers with features in the can, the challenge, as always, getting the word out, marketing.

What's your favorite movie quote and why?

"Life moves pretty fast. If you don't stop and look around once in a while, you could miss it. " - from Ferris Bueller's day off.

I like it because Matthew Broderick once said that he thought his character in this film was satan.

What is your opinion on movie remakes and sequels?

It's indicative of fear-based decision making by publicly traded companies who think the only way to make a profit on a story is to retell a pre-existing story with a built-in audience.

What is your opinion on book to movie adaptions?

They are always better than book adaptations of movies.

Thanks for doing the interview Joe. I'm a HUGE fan of "Vampire Mob".  I'd love to interview the cast if they are interested. Readers don't forget "Vampire Mob" is 100% audience funded. You can donate to this great show  here.

Filmmaker/Actor Blayne Weaver

A native of Bossier City, Louisiana, Weaver has studied in New York, Oxford and graduated from UCLA with a degree in English Literature. In 2002 he co-wrote and acted in the critically acclaimed feature film Manic, which stars Don Cheadle and premiered at the Sundance Film Festival. Weaver then formed Secret Identity Productions and produced the short film Losing Lois Lane, which Weaver co-wrote,directed and starred in as Superman. He then wrote, directed and starred in Secret Identity's first feature film Outside Sales, which won awards on the film festival circuit and was released nationwide through Echo Bridge Entertainment. Weaver wrote, directed and played a small role in SIP’s next feature Weather Girl with an ensemble cast that boasted Tricia O’Kelley, Mark Harmon, Jon Cryer and Jane Lynch. Weather Girl had an extensive festival run followed by a ten city theatrical and a worldwide television and DVD release. Weaver wrote, directed and stars in SIP’s next feature 6 Month Rule which  hit the festival circuit in the fall of 2011.

What is the current project you are working on?

I starred in the thriller “Favor” for writer/director Paul Osborne this Summer and I have just finished post production on “6 Month Rule” which I wrote/directed and starred in.  “6 Month Rule” is a relationship dramedy about a single guy who teaches his best friend his rules on avoiding emotional attachment.  The cast includes Martin Starr (“Freaks and Geeks”, “Party Down”), Natalie Morales (“Parks and Rec”, “The Middle Man”), Patrick J. Adams (USA’s new hit “Suits”, “Weather Girl”) Dave Foley (“Kids in the Hall”), Jaime Pressly (“My Name is Earl”) and John Michael Higgins (“Bad Teacher”).

And HEY, feel free to check out: www.6monthrulemovie.com

How do you handle rejection?

Not well.  Making a film is a constant battle and if you’re not pissed off when you get rejected, you’re not fighting hard enough.

Did you always want to be a filmmaker?

For a brief stint I wanted to be a secret agent and then Batman, other than that I’ve always wanted to work in this industry. I started my career as an actor, then began writing, then moved into directing.  Now I do all three as well as produce through my company Secret Identity Productions.  And HEY, feel free to check out: www.secretidentityproductions.com

What inspired you to become filmmaker?

I became a writer because I was frustrated with the parts I was auditioning for. I just felt I could write better material. I became a director because I didn’t care for the way my writing was being treated by the directors.  I guess I’m a filmmaker because I have a real problem with authority.  I’m okay with that.

What is the best thing about being one?

The best thing about being a filmmaker is getting to craft a story from the beginning all the way through to its completion.  You get to write scenes you see in your head, choose actors who will bring that vision to life, create a look and visual feel, choose the music, the color palate, then decide how to market the film and finally, you get to stand in front of an audience and present your work.  It’s really a great job.

What is the worst thing about being one?

The bullshit that comes with getting your film to the next level.  Everyone wants to be on a date with Fonzie.  So you’re constantly looking for ways to make your movie Fonzie.  Maybe it’s by casting a movie star or being accepted by a film festival or a sales rep, whatever.  It has almost nothing to do with the quality of the film but who is willing to stand behind your film.  And it’s fickle and it’s annoying.  That’s the worst part.

What is the estimated number of projects you have worked on?

As an actor, I have no idea.  I’ve been working in commercials, television shows and films since I was sixteen years old.

As a writer I have seven produced screenplays… and I directed three of those: “6 Month Rule”, “Weather Girl and “Outside Sales”.

And HEY, feel free to check out: www.weathergirlmovie.com

Or purchase “Outside Sales” at http://www.amazon.com/Outside-Sales-Lucas-Fleischer/dp/B001AYX77I/ref=sr_1_5?ie=UTF8&qid=1313465319&sr=8-5

How has your life changed since you became a filmmaker?

Once you’ve completed the enormous task of making a film, you realize how much one is actually capable of.  There are so many out there who are terribly anxious to tell you what can’t be done.  Being a filmmaker gave me a real sense that I can accomplish anything if I work hard at it.  I mean I’m a teacher’s kid from Bossier City, Louisiana who just finished directing his third feature film.  No one could have guessed that I would end up here but I wanted it… so here I am.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

It’s all about the team.  No one person can make a good film.  You need to surround yourself with the most talented people you can find and then listen to them when they talk.  You don’t have to take their advice or criticism but you need to have heard it.

What do you like to do besides filmmaking?

If I wasn’t working in this industry… and I couldn’t bankroll a career as Batman… I would like to work in politics.  A behind the scene kind of job where I could help build a campaign and fight hard for something I believe in.  My bet is that a political campaign is not that different from making a movie.

Have you had any other jobs before you decided to become a filmmaker? 

Are we counting the hundreds of hours I’ve spent carrying a tray and asking people if they would like another glass of Chardonnay?

How would you describe your film education?

My film education began with my time on sets as an actor.  I saw what worked and what didn’t.  I saw the directors who knew what they wanted when they walked on set and those who decided to make it up on the day, You have to have respect for the script, the talent you’re working with and the film you want to make.  You’d be surprised how many don’t. 

How would you describe the film "scene" where you live?

 

I’ve got a core group of friends and collaborators that work in the film world.  It’s great to have experienced friends you can learn from as well as greener friends you can help along.  I’ve been very lucky with the talented human beings I’m lucky enough to call a friend.  Sometimes a conversation with someone who has been there can be priceless.

How has social media changed the independent film industry?

Social Media has, in a way, changed the business as much as digital technology.  New inexpensive high quality cameras came on the market and made it so that a guy like me could make a feature film without studio backing.  Social Media has allowed a guy like me to reach out to the marketplace without spending a fortune on publicity.  I think it’s awesome.

What's your opinion on crowdfunding?

I think it’s great but I also think it’s life span is a short one.  Three months ago I helped raise some money through Kickstarter for Paul Osborne’s film “Favor”.  It was great.  Friends came out from all corners and were really supportive.  Paul worked hard to include the investors in the filmmaking process and, as a result, I think it was a positive experience for everyone.

That being said, I can’t really ask those friends for help again.  It was a one time shot for a one-time project and, at least for me, that was it.  Some great things are getting made.  It’s an exciting time.

What is the casting process like?

For all of my films I’ve cast primarily through making offers.  I love to get to hear actors audition and read the scenes but there is something really cool about looking at someone’s body of work and making an offer based on “I would love to see them do this”.  For “Weather Girl” we made an offer to Mark Harmon to play this sleazy local television news anchor.  I just loved the idea of this charming, stoic, badass playing this total tool.  Luckily, Mark Harmon liked the idea too.

For “6 Month Rule” I had a great opportunity.  Patrick J. Adams was one of the stars of “Weather Girl”.  He played a laid back, under achieving everyman.  I offered him the part of an amped up, self-absorbed rock star.  I love that I had worked with Patrick and knew how great he was and that he could play someone totally opposite in another of my films.  He could do the job, even though it was so different from the work we did before.  So many people get cast in things because it’s all they do… or all they’re allowed to do.  I like to switch it up.

How does independent film differ from the mainstream?

I think the biggest difference, aside from the exposure that the final film receives, is the creative control.  In my experience writing for studios, there are just so many cooks in the kitchen.  I’ve often received notes that do nothing to improve the film so then you end up just jumping through hoops.  This is not to say that all independent films are great while all studio films are terrible… but in Independent film, at least you have the opportunity to bring your vision to the screen without having cut through the red tape of a studio.

You could go back in time and see any classic film being made. Which film would it be and why?

I wanna go see that “Three Men and a Baby” ghost boy.

What's your favorite movie quote and why?

“I’ve got a job to do, too and where I’m going, you can’t follow.  What I’ve got to do, you can’t be any part of.  I’m no good at being noble but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world.  Someday you’ll understand that… Now, now.  Here’s looking at you, kid.“

-Casablanca

Why is that my favorite quote?  Because it’s freaking awesome, that’s why.

Is there anything else you would like to add?           

Go see “6 Month Rule” and “Favor” in 2012.  Do it.

 

 

 

Thanks for doing the interview Blayne. I  await my chance to see "favor" and “6 Month Rule” when they come to a festival near me. I will check out  “Weather Girl”.

INTERVIEW WITH GENE BLALOCK (director) and JAMES BORING (writer) for UNLUCKY GIRL

[slideshow]

WHAT IS THE CURRENT PROJECT YOU ARE WORKING ON?

GENE: I’m always involved in several different projects, but with James, we are currently working on a short film entitled UNLUCKY GIRL.

 DID YOU ALWAYS WANT TO BE A FILMMAKER?

JAMES:  No. I am drawn to film, but I'm not sure it’s my passion.

GENE: I’ve had three passions my entire life: music, art, and film.  Every since I was a child, all three have played a huge part of my life.  As it relates to film, my sister and I used to write short stories and act them out.  As I got older and got my hands on cameras, my friends and I would go into the woods and shoot these little shorts.  It was not until university that I realized that perhaps I could do this full-time.

WHAT INSPIRED YOU TO BECOME FILMMAKERS?

JAMES: Gene inspired me to do this project.

GENE: As I mentioned, I have always loved film.  There is something about going to the cinema and seeing these amazing images tell a story in front of you.   I love every aspect of it, from framing a shot to seeing your story come to life with sound, music, and images… it’s really an amazing experience.  I love that escapism that cinema allows.  The viewer is swept away into something they do not get to experience on a daily basis.  Every since my parents took me to see my very first film, I knew there was something magical there that I wanted to be a part of.

WHAT IS THE BEST THING ABOUT BEING ONE?

JAMES: You get to create and experience film as it is made.

GENE: Yes, like James said, it’s amazing to be able to have this image in your head and see it come to life before your eyes.  That pure form of expressiveness… you do not get it from many other things.

WHAT IS THE WORST THING ABOUT BEING ONE?

JAMES: You have to worry about money.

GENE:  The business side of it, absolutely.  I hate having to concentrate on that part of it.  It’s the worse part of the entire project.  People seem to think that films just happen, but at least on the indie level, it’s a lot of hard work with very long hours.  There are months of pre-production, scheduling, budgeting, fundraising, and other grueling task that go into a film before the first frame is shot.  It’s an amazingly long and painstaking process.  However, when you finally see your film complete on a 60-foot screen, there is nothing like it.

WHAT IS THE ESTIMATED NUMBER OF PROJECTS YOU HAVE WORKED ON?

GENE: That’s hard to calculate.  I’ve worked on a lot of projects – most of them not my own... I’m not really sure…  A LOT!

JAMES:  I used to co-curate an Independent film showcase. This is my only film credit I have moving to Los Angeles.

WHO IS YOUR FAVORITE FILMMAKER?

GENE: That’s tough… it really depends on the day.  I love Tim Burton – defiantly one of my top. Richard Kelly, Todd Haynes, Baz Luhrmann – all great.  Recently, Christopher Nolan, John Favreau, and JJ Abrams have all impressed me.  But this list could go on forever including Hitcock, Kubrick, David Lynch, and so on…

JAMES: That's really hard to say. Kubrick I guess.

 HOW HAS YOUR LIFE CHANGED SINCE YOU BECAME A FILMMAKER?

JAMES: It’s become busier as I have to work on the days we don't film.

GENE: It hasn’t really.  I’ve been fortunate enough to do what I love, so my life is fairly constant.

WHAT IS ONE PIECE OF ADVICE YOU CAN GIVE TO SOMEONE WHO ALSO WANTS TO MAKE IT IN THE MOVIE BUSINESS?

JAMES: I like Tim Curry's advice, "Wait to be asked."

GENE: It depends on what side of the business you want to be on.  There are certainly a lot of office jobs in this profession.  However if you want to make films, my best advice is to just get out there and do it.  Don’t wait for Hollywood to knock on your door to hand you a load of cash.  Just get out there and make movies.  Borrow friends and family for talent and crew and shoot on whatever camera you can get your hands one.  Just create great stories and the rest will fall into place.

WHAT ARE SOME OF YOUR FAVORITE AMERICAN FILMS? FOREIGN FILMS? TELEVISION SHOWS?

JAMES: American, The Shining, Nightmare on Elm Street, Maltese Falcon, Jaws, Psycho, Night of the Living Dead, Halloween, Poltergeist, and many others. Forging films, Deep Red, Kronos, High Tension, Zombie, Shaun of the Dead, Demons 1 & 2, The Birds, Frenzy... TV, Twin Peaks, Reaper, Deadwood.

GENE: I don’t watch television really… my film list could get way too long for this interview… I talked about some of my favorites directors, so their films would be among my favorites.

HOW WOULD YOU DESCRIBE YOUR FILM EDUCATION?

JAMES: self-educated I guess. Gene's the filmmaker; I'm just a person with ideas.

GENE: I went to film school, though I admit, I’ve learned far more just by being out there doing it. Nothing beats hands on experience.

HOW WOULD YOU DESCRIBE THE FILM "SCENE" WHERE YOU LIVE?

JAMES: It's very competitive here. Indie filmmaking is sort of frowned at by some people.

GENE: Well, being in Hollywood, there is a plethora of filmmakers here trying to break in and as James said, there can be some competition. But on the indie level, there are a lot of us that like helping each other out.  There is a cool little community of indie guys that just want to make great films.  It can get frustrating at times here since everything you asked for has a huge price tag on it, but that is when you just have to get creative and embrace gorilla filmmaking at it’s core.  But I will say this, there is no better place to be able to have access to everything you need to make a great film than right here in Hollywood.

HOW HAS SOCIAL MEDIA CHANGED THE INDEPENDENT FILM INDUSTRY?

JAMES: Well the Internet is going to change all entertainment eventually. Right now there's a good opportunity for Indie filmmakers to get funding and reach an audience without going through the studio system.  I think it’s a unique opportunity for those willing to seize on it.

GENE: Like James said, there has never been a better time to be a filmmaker.  You can create something and potentially reach thousand or millions of people.  But in the end, it still comes down to content.  You have to have a compelling story, otherwise people will not watch.

WHAT IS THE CASTING PROCESS LIKE?

JAMES: We're using people that we are already acquainted with for this project.

GENE: Traditionally we would have casting calls, auditions, call backs, and final selection, much like they would in the mainstream setting, but UNLUCKY GIRL was easy.  When James approached me with the idea, he had already thought and talked to most everyone he wanted involved.

HOW DOES INDEPENDENT FILM DIFFER FROM THE MAINSTREAM?

JAMES: You have no money, but you also have total creative control.

GENE: James hit it on the head.  Getting funded is harder and you never have the budget or time that you wish… But that is offset by the control you have; you do not have a lot of suits asking you to change everything.  There is a bit of freedom on the indie level, but that comes with some sacrifice as well.  You often will not be able to get the perfect shot or you have to settle for a less than ideal location… but that also forces creativity.  So I suppose it all evens out.

YOU COULD GO BACK IN TIME AND SEE ANY CLASSIC FILM BEING MADE. WHICH FILM WOULD IT BE?

JAMES: THE BIRDS (1963) or TOUCH OF EVIL (1958).

GENE: I suppose it depends on what you consider classic… STAR WARS (1977) would have been an amazing film to be apart of.  Before that, probably The Wizard of OZ (1939).

YOU COULD BE ANY ANIMAL. WHICH WOULD YOU BE?

JAMES: Humans are animals.

GENE: What James said.

YOU COULD HAVE ANY SUPER POWER. WHAT WOULD IT BE?

JAMES: I could stand to be a better judge of character.

GENE: I already have a super power – I’m vegan.

DO YOU BELIEVE ON LIFE ON OTHER PLANETS?

JAMES: I don't have beliefs about things that have no evidence to back them up. Statistically, I think there's a decent chance of it.

GENE: I’m  skeptic in every sense of the word.  However, of all the stars out there, it stands to reason that a least a small portion of them could possibly have life orbiting them. Though, if there is intelligent life out there, I don’t think they have any interest in this planet, nor have they bothered to visit and abduct our country folk for probing.  I’m sure they would see us as a far more uncivilized species that will inevitably destroy our planet and ourselves.

Writer/Director Aaron Hultgren

Aaron Hultgren has been writing since before you were born (if you were born after 2005).  Having studied screenwriting at UCLA, he now writes screenplays, teleplays and 160-character tweets. 

What is the current project you are working on?

We're deep in the bowels of post-production on The Last Man(s) On Earth feature film.  It's an action-comedy in which the Blind Kid from Dumb and Dumber and the Golf Pro from High School Musical IIset out to stop the man-made destruction of the end of the world.

Season Two of the Last Man(s) webseries is also just getting underway.  If you haven't seen Season One, visit: http://www.youtube.com/thelastmansonearth.  You may or may not be disappointed.

Overall, a lot of Last Man(s) business is going on.

How do you handle rejection?

As a lover, pretty poorly.  As a writer, rather well.

It's a competitive business.  The key for me is being my own harshest critic, which if anything ensures that I love my work.  Not everyone is going to love what you create.  At the very least, you can love what you've created.

Did you always want to be a filmmaker?

I always wanted to be in the entertainment business.  For a long time I thought I'd be entertaining people as a professional baseball player.  Then I turned twelve.

 What inspired you to become filmmaker?

Sitting in a cubicle for three years as a public relations professional was the most inspiring thing I've ever done.  It motivated me to stop wasting away and to do what I really wanted to do.  It motivated me to get into UCLA and learn to become a better screenwriter.

 What is the best thing about being one?

The best thing about being a filmmaker is the writing process and the collaboration of bringing a script to life.

 What is the worst thing about being one?

The worst thing about being a filmmaker is the length of time it takes to bring a script to life.

 Who is is your favorite filmmaker?

If I had to pick one filmmaker, I'd pick three: Wes Anderson, Spike Jonze and Edgar Wright.

 How has your life changed since you became a filmmaker?

I'm much happier.  And much more excited when I get a paycheck.

 What are some of your favorite American films? Foreign films? Television shows?

I watch a lot of documentaries.  Like a lot lot.  Great films make you care.  They make you laugh, cry, feel something deep down inside-- whether fiction or nonfiction.  There are so many great American and foreign films.  And like best friends, they come in all shapes and sizes and names.

As for TV shows, I'd love to be a television writer.  The shows I DVR include: Modern Family; It's Always Sunny In Philadelphia; Archer; Party Down; Parks and Recreation; and reruns of Arrested Development (thanks, G4!).  I'm also known not to change the channel when The Bachelor comes on.

 How would you describe your film education?

Excellent on paper.  But in reality the best film education is experience.

 How would you describe the film "scene" where you live?

I'm in LA.  So it's OK.

 How has social media changed the independent film industry?

It's opened opportunities to market your film directly to new audiences.  It also gives viewers the chance to interact directly with those same filmmakers bugging them to watch their movies.  It's great.

What's your opinion on crowdfunding?

Heart it.

 How does independent film differ from the mainstream?

To me indie film means that it doesn't have studio funding or a clear distribution channel in place when it's produced.  But with advances in film making technologies, many indie films employ the same cameras, editing software, actors and below-the-line talent as mainstream movies.  In a way, indie films have become-- if not more mainstream-- more commonplace than studio films.

 You could go back in time and see any classic film being made. Which film would it be and why?

Casablanca because the ending was up in the air for so long and the script was still being written while shooting.  Film making is a magical and collaborative process.  This revered film proves it.

 What's your favorite movie quote and why?

"Luke, I am your father." -- The Empire Strikes Back.  I remember seeing this on TV when I was a kid and freaking out.

Is there anything else you would like to add?

I love film making and combining with other talented people to turn an idea into an entertaining story.  That's what makes working on Last Man(s) so enjoyable.  Producer and co-director Joe England is a good friend from UCLA; Eric Dove is a terrific cinematographer; Adam Krupowicz has so much talent as a sound tech; Charan Prabhaker and Brady Bluhm are such great actors; and Kenlon Clark, our editor, is bringing so much style to the edit of the feature.  I'm also greatly looking forward to working with Kevin Lee, our composer.

In sum, let me just say that I'm honored to have written and directed this film.  It's the most rewarding project I've worked on to date.

Thanks for doing the interview Aaron. I'm in the process of watching The Last Man(s) On Earth. I'll be on the look our for season two. Good luck with the feature film.

Filmmaker Sean J.S. Jourdan

Originally from Albuquerque, New Mexico, Sean J.S. Jourdan now lives and works from Denver, Colorado where he relocated after receiving a MFA degree in film and video at Columbia College Chicago. Following his graduation and employment as a chemical engineer from the University of Missouri-Columbia, a lifelong interest in storytelling and human nature led him to Washington University in St. Louis where he earned a MA in drama. His work gradually developed from theater to film where he has worked as an award-winning screenwriter and director. A Top 5 Finalist in the MTVu Best Filmmaker on Campus Competition, Sean's award-winning short films are currently distributed by Shorts International, via iTunes and BigStar.tv. His feature length screenplay, The Beekeeper, was recently a finalist for the Sundance Screenwriter’s Lab.

What is the current project you are working on?

Currently working on a couple of things. The major project on my plate right now is getting my first feature off the ground, “Teddy Boy.” It’s a thriller about a rising tennis star who becomes entangled in a savage charade with a grieving middle-aged couple while staying in their picturesque mountain home. The screenplay just finished 3rd in the thriller category of the Wood’s Hole Film Festival is or has been a finalist in a number of other competitions (Beverly Hills Film Festival, Cinestory, Big Bear Lake Film Festival). It was written to specifically take advantage of all that Colorado has to offer in terms of talent, crew, and amazing locations. The other feature screenplay on that I’m looking to get off the ground is a drama – “The Beekeeper.” A finalist for the Sundance Screenwriters Lab it just missed the cutoff for the Nicholls Screenwriting Fellowship this year. We shot the first part of the script as a short that’s currently on iTunes. The other is a short doc on local Colorado filmmaker/psychedelic guru John Hartman and his latest film “Planet Diva.” The project was recently highlighted by the Onion’s AV Club.

How do you handle rejection?

It’s tough out there and that’s something I’ve learned very early. Rejection happens more than acceptance. In my opinion, it’s a part of being a filmmaker – of putting yourself and your work out there. Really it’s like being a ballplayer. If you’re hitting .300 you’re doing well. I try to never take anything personally. Whoever rejects you today could accept you tomorrow – ALWAYS leave that door open. Life is too short.

Did you always want to be a filmmaker?

It’s been a long journey. I’ve always loved art, math and science so graduated as a chemical engineer from college and was employed as an environmental engineer. I thought I could combine my love of both into that profession but, for me, filmmaking is a better fit. It’s a great profession for a curious mind – you get to research people and subjects that interest you as part of your research. You become a student of human nature plus you get to implement technology creatively. But mostly I like to see my imagination come to life.

What inspired you to become filmmaker?

In college I took a film class where we watched Jean-Luc Goddard’s Breathless. I was blown away. A theatre actor at that time, I later moved into directing for the stage. Intimacy was paramount. What could be greater than being a fly in Willy Loman’s living room? Film provided a medium to achieve this intimacy so that’s what I eventually gravitated to.

What is the best thing about being one?

Working with your friends. Going on adventures. Most of all, as I mentioned before, seeing your imagination come to life. That’s priceless.

What is the worst thing about being one?

The grinding work and rejection that is a part of daily life. It’s akin to running a small business. There’s really no days off. You have to do something every day that furthers a project and/or your career. If you don’t open the shop, no one will.

What is the estimated number of projects you have worked on?

Good question – 20+.

Who is your favorite filmmaker?

That’s tough. Roman Polanski, if pressed. Ingmar Bergman. Stanley Kubrick. Michael Hennke. John Cassavetes.

How has your life changed since you became a filmmaker?

I make a lot less money than when I was an engineer! But I get to make up shit for a living. How great is that?

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be a problem solver and add value to whatever you work on (and work on everything). The rise is meteoric.

What do you like to do besides filmmaking?

Holding and playing with my baby daughter. Spending time with my family. Reading. Napping. Swimming in waterfalls. Colorado is a beautiful place to spend outdoors winter or summer.

Have you had any other jobs before you decided to become a filmmaker?

Environmental engineer for a large privately owned mining and manufacturing firm.

What are some of your favorite American films? Foreign films? Television shows?

Knife in the Water, Apocalypse Now, Vertigo, Diary of a Country Priest, Solaris, White Ribbon. Always loved reruns of The Twilight Zone.

How would you describe your film education?

Excellent. Went to Columbia College where you have access to great instructors, crew and gear. But they don’t give you everything – you have to hustle. Good prep for life outside of film school.

How would you describe the film "scene" where you live?

The film scene in Denver is small but growing and dedicated. We’re fortunate to have a new commissioner, Donald Zuckerman, who, having produced over 20+ features brings a ton of experience and knowledge. The talent is here – both in front of and behind the camera – the locations are amazing. Really, it’s only a matter of time before things take off. I certainly hope to be a part of it.

How has social media changed the independent film industry?

Tremendously. In many ways it’s an avenue to inexpensive (free) marketing that was previously unavailable. More importantly, it’s an easy and public way to engage with an audience. Access easily flows both ways. I enjoy it in that I can keep up to date with what my friends are up to. It’s a great way to promote people and projects you believe in.

What's your opinion on crowdfunding?

Fund raising, in my opinion, is the hardest part of filmmaking. It truly separates the wheat from the shaft. If crowdfunding helps a project get off the ground – more power to it. It’s not really about begging – it’s about validation. Really the greatest amount of validation when people believe in you so much they’re willing to contribute money to help you realize your dream. How unselfish is that? It’s a great platform that I hope will spark a new wave in art, not just film.

What is your process for conducting interviews for your narrative project?

For crew positions it’s mostly word of mouth. I typically ask someone I trust who they would recommend. In this business a person’s reputation is critically important and when someone vouches for you – it’s a good sign. Then we’ll usually meet for coffee to see if there’s a mutual interest/fit. The interview goes both ways and the same goes for auditions. I’ll often cast a wide net for cast – recommendations, postings, etc. – and everyone gets a read. You never ever know when you’ll find a diamond in the rough. Also, I try to attend as many local screenings as I can and if I’m impressed with someone’s work, I’ll definitely make an effort to introduce myself.

How does independent film differ from the mainstream?

Good question. I’m familiar with the independent world much more than the mainstream. I imagine in the mainstream the budget’s are larger and the casts more well known but there’s also more pressure. I don’t think it ever gets easier… well, maybe a little.

You could go back in time and see any classic film being made. Which film would it be and why?

I would love to see Alfred Hitchcock at work. His meticulous attention to detail. His relationship to his actors and crew as well as his tremendous visual story telling ability.

What's your favorite movie quote and why?

I don’t remember a lot of movie quotes but the one I do is from Blade Runner when the replicant, played by Rutger Hower, dies:

“I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tanhauser Gate. All those moments will be lost in time, like tears in rain. Time to die.”

So moving in it’s proper context. Poetry.

What is your opinion on movie remakes and sequels?

Sometimes they work (The Godfather, Batman) and sometimes they don’t. I wish more original material would be produced but the remakes and sequels make money. And they keep my talented friends employed and at the top of their game. I couldn’t be more grateful.

What is your opinion on book to movie adaptions?

They’re two entirely different mediums. Rather than an adaptation it should be more of an “inspiration.” Though some of my favorite films have been created using short stories and novels as source material. American Psycho is one.

Is there anything else you would like to add?

This is a very difficult and highly competitive industry where working a 12-hour day is normal. Don’t ever ever quit. And don’t forget to have fun doing it.

 

 

 

Thanks for doing the interview Sean. Keep me posted on the progress of your film.  It's inspiring to see independent filmmakers follow there dreams.

Dennis Hurley: Actor, Writer, Comedian, Albino

Dennis began his career as a performer at Ithaca College (http://www.ithaca.edu/hs/depts/theatre/)   in New York, receiving improvisational training from the Upright Citizens Brigade Theatre in NYC and the Massachusetts-based ImprovBoston.  (www.improvboston.com)

Dennis Hurley’s television and film credits include: The Daily Show (under 5), Let Them Chirp A While, and the role of "Michael" in Running With Scissors (scene deleted)One of his original film productions, The Albino Code  (www.7fluidoz.com/albinocode) , a parody of The DaVinci Code which he wrote and starred in, has been met with international acclaim, being featured on CNN, MSNBC, Inside Edition, Entertainment Tonight, Good Morning America, FOX News, as well as in articles in People Magazine, The New York Post, The Hollywood Reporter, and The Boston Globe in a review by top film critic Ty Burr.Dennis has performed live in over 40 states across the US, including the lead role in the original play Diamond In The Rough at the Kennedy Center in Washington DC. He has acted in such Off-Off Broadway productions asRosencrantz and Guildenstern are Dead, A Christmas Carol, Naked, Killing The Great White Tiger, Where's Charley?, Measure For Measure, Macbeth, Titus Andronicus, The Girl Most Likely To..., The Magic Of Mrs. Crowling and his original comedic play, Dating Grim. (http://www.datinggrim.com)
Dennis maintains an active presence in the Boston comedy scene, performing in the sketch group , Sawyer and Hurley. (www.sawyerandhurley.com)  He regularly produces, writes and performs in short films with local companiesCastparty Productions (www.castparty.com), No Spoon Productions (http://www.nospoon.tv), ImprovBoston, and his own DownCellar Films  (www.myspace.com/downcellar).

Coming up....
A lead role in the feature length comedy Inventory (www.inventorymovie.com), various parts in upcoming films such as Cost Of The Living (www.lovethyjob.com/zomromcom), Meet The Mayfarers(http://www.mayfarers.com) and he will soon be wrapping production on his short thriller, Once Again with Mfish Productions. (http://www.themfish.com)

What is the current project you are working on?

ONCE AGAIN, a thriller about a man who has given up. The entrance of a woman makes him believe they were reincarnated lovers from the past.

Did you always want to be a filmmaker?

I always wanted to be an actor. I had considered film when I turned 18. Acting or Filmmaking? – was the question I was struggling with then. Acting just came naturally to me.

What inspired you to become filmmaker?

All I really ever thought about in junior high and high school was going to the movies and making my own movies on the weekends.

What is the best thing about being one?

Creating compelling characters. Characters that audiences either root for or condemn. I love the devotion that happens between fictional characters and audiences.

What is the worst thing about being one?

All my time is consumed by thinking about bills. Time that could be spent writing and performing.

What is the estimated number of projects you have worked on?

Over 100.

Who is your favorite filmmaker?

A tie.
P.T. Anderson and Charlie Kauffman.

How has your life changed since you became a filmmaker?

Since I've been producing my own work, I’ve been able to specify my brand as an actor. I feel my own voice is in more of my work

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Figure out Exactly what you want to do within the entertainment industry before you move anywhere. Figure out what you love about film and then chase that at all costs. Start a savings account.

What do you like to do besides filmmaking?

Traveling, downhill skiing, hanging out with good friends, performing live sketch comedy.

Have you had any other jobs before you decided to become a filmmaker?

Oh yeah. Lord and Taylor, KFC, CVS, Starbucks, a call center, data entry, office temp work, character at a theme retaurant. There's not much I HAVEN'T done.

What are some of your favorite American films? Foreign films? Television shows?

The films of Christopher Guest, Robert Zemekis, Christopher Nolan, P.T. Anderson, Arrested Development, Mr. Show. Basically any Sketch Comedy show that pushes the envelope in an intelligent way.


How would you describe your film education?

As an actor.

How would you describe the film "scene" where you live?

Boston has a large, growing independent film community. Lots of local projects in addition to Hollywood features have shot here.

How has social media changed the independent film industry?

It’s pushed my actor brand out there like never before. It’s gotten me recognized on the street as my character in HURLEY BROTHERS HOME FURNITURE:

http://www.youtube.com/watch?v=NouSJPSuJ3M

What's your opinion on crowdfunding?

I love meeting people online who want to watch the kind of work that I want to make.

What is the casting process like?

There is No "one way" to do it. Lots of people just cast their friends, some hold auditions at their office or local community centers, some look at online reels and headshots.

How does independent film differ from the mainstream?

I think the 2 worlds are merging, as of late. Every Huge Hollywood Production company has their own “independent” division. As for grassroots ultra low budget independent filmmaking, the best thing about that is you have more creative control over your film.

You could go back in time and see any classic film being made. Which film would it be and why?

The Shinning. I wonder how he chose some of the beautiful shots.

What's your favorite movie quote and why?

"My whole purpose in life is to make people laugh." - Roger Rabbit

When an audience is laughing at my material, that is when I am at my happiest.

What is your opinion on movie remakes and sequels?

It can be done well. - Back To The Future 2 and 3

It can be done poorly - Jaws 2.

What is your opinion on book to movie adaptions?

It’s all in the director’s hands. I love some of the Harry Potter films and some of them, I don’t care for. and i think that’s mostly because of the choices of each director.

Is there anything else you would like to add?

Please check out Please check out www.dennis-hurley.com for all updates.