Interview With The Comedians Of Shrug Life 2: Home for the Holidays"

Why did you create "Shrug Life 2: Home for the Holidays"

Vincent: For me, Shrug Life is all about bringing people together to celebrate and have a good time. Christmas is a special time of the year where folks are typically happy. Shrug Life is an opportunity to celebrate this time of the year with family/friends/strangers, through laughter. It's like a christmas present to my hometown.

Alex: We started shrug life, after having a few conversations juggling the idea around. Next thing I knew, we were setting up venues and writing our bits. With a second show coming up with even more interest its kind of crazy how fast everything has picked up. Even if it was just for friends and family in the beginning. It seems to be growing into something much bigger.

Jimmy: That was all Vinny and Alex. This thing was their baby all the way and I couldn't be happier to just be a part of it.

If you could punch one comedian in the face. Who would it be and why?

Vincent: Carrot Top…because he's Carrot Top.

Alex: I would gladly sucker punch Carlos Mencia, and feel no problems about it. Just as long as I never have to hear "Duuuh Daaa Daaa" ever again!

Jimmy: I'm more or less a pacifist but I suppose I would have to go with Dennis Leary.

Do you ever get nervous before stepping out on stage?

Vincent: Not really. I get anxious and excited.

Jimmy: Yeah, prior to that first laugh it's pretty frightening. But when the ice breaks you loosen up and then it comes out.

What is your process for writing a joke?

Vincent: I pull topics/experiences from my own life and put them to paper. Then I record an audio track of me performing the whole set and listen to it for a week while I'm at work, at the gym, driving etc. If something isn't funny after a week, I remove it and restructure.

Alex: I feel awkward giving advice for writing jokes because I my self am very new at it. But I recall things from my past that I think are funny, remember them and go over it in my head a hundred times before I write it down to paper. And write out each bit as a cliff note. Run the whole show in my head and rehearse it once or twice out load before the show. I get more nervous practicing in front of mirror then when I am doing it live with a real audience. The crowd determines whats funny, your reflection does not.

Jimmy: For as long as I can remember I always write things down I thought of. Good ideas, bad ideas, anything I think of that is somewhat original. Then I look back in my pads and see if I can build on it and make it funny.


Who is the funniest comedian?

Vincent: Robin Williams. His speedy deliveries, his high-energy, and his amazing impressions…he's in a league of his own. He covers so many different topics in such a limited time, by time his set is over, you don't know what you just witnessed.

Alex: The one comedian, I have grown to respect recently is Jim Jefferies. He is the perfect mix of dirty humor and religious satire. I own his HBO special "I Swear to God", and it has become my personal bible. It is without a doubt the funniest and near perfect comedy bit I have ever watched.

Jimmy: That's tough. I have so many comedians that I absolutely love but if you put a gun to my head I would have to give it to George Carlin or Bill Hicks. Even though they have both passed on, you can look back at every one of their jokes and they are timeless

Who are the performers that have influenced you the most?

Vincent: Andy Kaufman. He did things differently…the way he wanted. In my life, I always strive to be on a different level than everyone else. Be unpredictable and daring…it'll keep everyone else guessing.

Jimmy: George Carlin, Bill Hicks, Louis C.K. and Marc Maron. Carlin and Hicks were truth-tellers that were the best at what they did. More recently Louis C.K. and Maron because I admire how they talk about the minutae of their own lives and make it hilarious.

How do you deal with "Hecklers"? 

Vincent: I've never experienced negative heckling. It's easy to casually respond to a heckler, but sticking to your set is what actually requires effort.

Alex: I only delt with "hecklers" once, my first time doing a stand up routine five or six years ago, which ironically was one of the few times I ever did a stand up routine. I had allot of support from friends in the audience and I turned his annoying yelps into jokes against him. turned out fairly well. Never been put in that situation since. Kinda of rewarding though, when you do it right.

Jimmy: Its been pretty rare that I have ran into them but generally I just try to get into it with them and make them feel a little silly for taking away from the show.

What does stand-up comedy mean to you?

Vincent: It's an opportunity to enjoy life and bring out the best in yourself and others. I'm not a comedian. Doing a show, I feel like I'm just taking advantage of a talent that I have. Let's call it a hobby.

Alex: I haven't done it enough to say it means much to me just yet, but it does give you an amazing boost of self esteem. I can see why comedians travel in a bus from city to city to perform. It's an amazing bonding experience with the people you do it with, and an amazing opportunity. Not many people can say they have tried stand up comedy.

Jimmy: That's a heavy question. I don't entirely know but I think it's just been really therapeutic for me. It's been a nice creative outlet.

What are qualities that a good comedian should have? 

Vincent: They should have a loose sense of humor and a lot of confidence. Whether you kill it or bomb at a show, you need to be confident. If you are confident, you can accomplish anything.

Alex: Once again i feel award giving advice, because I my self don't feel like I should be giving it. But if I had to say one thing, it would be don't hold back. If you think its funny, it probably is. But not nearly as funny as you think it is.

Jimmy: I don't think there is any definitive qualities a comedian should have. If there are, I hope I have them.


Is there anything else you would like to add?

Vincent: Love your life, be confident, and take risks. Most importantly,  don't forget to call your mother...

Alex: Regardless if its stand up comedy or something else, if you have ever wanted to do it. Try it, at least once.

Kendra Doshier Founder Of Number6 Films

Kendra Doshier is the founder of Number6 Films, an independent company run out of San Antonio, Texas. A senior Communication major at Trinity University, Doshier has concentrated her studies in Creative Writing and TV/Film Production and has broadcasted feature projects as well as several shorts. She has professional experience in writing, directing, narrative cinematography, editing, casting, and post-production. Doshier has completed several original screenplays, including Number6's upcoming feature, Rapture Police. She specializes in entertainment writing, cinematography, all aspects of Film & TV production, foreign languages, and social media. She is a champion of no-budget independent films and an industry rookie looking to expand her network! After she graduates from college, she plans to move to Los Angeles to build on her independent portfolio and continue her passion for screenwriting. At some point, she would love to work towards upgrading to better production equipment, and pursue a career in the TV & Film industry as a writer and director.

What is the current project you are working(and/or promoting) on?

Right now I'm in the middle of a few projects... a few promos here and there, and I do a lot of multimedia/videography work for theatrical productions and corporations alike (most recently:Hamletmachine, Tragedy: A Tragedy, State of Alaska Department of Revenue). For the past two years, I've been working on a drama feature called Rapture Police; the film follows a well-rounded college student caught between the academic world and the drug world, and her misadventures along the way. I directed, edited, and co-wrote the film with my good friend, Adan Gonzalez. Adan is a brilliant writer, musician, and creative thinker, so it was definitely a treat to work with him on a big project like this. The film is in post-production right now and I'm taking my time to really refine the final cut so we can premiere it at its absolute best. It was scheduled to premiere this Fall, but obviously the nature of this craft is very unpredictable and contingent upon several different factors - and since I'm a full-time college student, I had to adjust my timeframe. Right now, Rapture Police is due to premiere in the Spring of 2012. Everybody involved worked so hard to make the film come to life, so we are definitely excited to see the finished product!


How do you define success?

Fulfillment. Success is that feeling at the end of the day where you can sit down, take a deep breath, and know with every fiber of your being that you've done everything you could and you've benefitted from the choices you've made. A lot of it is accepting your struggles as part of a process, and knowing you'll be alright; being able to say "What I've done is enough, and I am happy with where I am right now." I can't really base success off of material things, trophies, winning titles, or an edge in a competition. Those things might be nice, but they don't really show for anything. Comparing your success to someone else's is just as toxic as it is counterproductive. At the end of the day, the thing that leaves me with the most hope is knowing that my success is tailored to who I am and what my goals are. So, in that sense... to me, success is knowing that you're on the right track and that you've still got a lot to look forward to. Success is momentum.

How do you handle rejection?

All across the board, rejection is a necessary evil. It's definitely something that will never go away, as it comes with the whole package of growth and self-improvement. With every gain, somewhere there is a loss. That's really the only way I can rationalize it. I really do believe that rejection builds character, as do most of the tougher things in life (Thanks, Mom!). In my professional life, I try to keep myself in check and take it as an opportunity to improve. I'm fairly competitive, so something like that will always sit at the back of my mind. There's a definite motivator there. As for my personal life, rejection stings a little less every time. I don't profess to be the almighty Oprah when it comes to personal rapports, but in the wise words of every badass in history: "Shit happens." Honestly, I'm pretty sure by the time I'm an old lady, I'll let those kind of things roll off my back and go for another bloody mary.


Did you always want to be a filmmaker?

I went through several phases of wanting to pursue different creative occupations. It was always something creative. I first wanted to be a writer and illustrator, because all I did was draw and write stories since I was able to hold a pencil. I used to write stories phonetically before I knew how to spell, and my mom kept all those "books" I made. Then at some point I wanted to be a singer. Then a print journalist (for newspapers - what the hell was I thinking?). Then an actress. Then a playwright. Then a magazine columnist. Since the beginning, it always came down to being a writer. I am more creatively inclined and not very skilled in left-brained tasks (sciences, logic, analyzing data, long division, other various things that most normal people can do with ease, but I cannot), so I was always in love with telling stories rather than solving problems. I was always an observer before a learner. Now that I know I want to be a writer and director, I feel like I have a lot to look forward to.

What inspired you to become a filmmaker?

People-watching. I love painting abstract pictures of people through the lens of film. While I adore cinematography and the idea of setting a tone through the picture, I spend a lot of time tending to dialogue, as it's the very stuff that gives film substance. Dialogue is my favorite aspect of writing, because it tells you a lot about characters without explicitly spelling it out for the audience. I love linguistics and self-expression, and I believe that merely learning the intricacies of a human is enough of a story by itself.


What is the best thing about being one?

Having my vision come to life is a very surreal and rewarding experience. Getting to work with new talent is always a reward on its own, but seeing that transformation from a mere idea to a full-blown creation is the best feeling in the world. It is the ultimate gift, to see and feel something so real that used to be just a thought in the back of your head.

What is the worst thing about being one?

My struggle is not so much about being a filmmaker as it is being a female filmmaker. While I am very proud of who I am and work very hard, I know my career path will be a bit more of an uphill journey than that of my male counterparts. I know at the end of the day, it comes down to passion, initiative, and savvy - but I have had instances in the past where I was the only female in a male-dominated creative field and I wasn't taken seriously. It was frustrating, but I worked very diligently at establishing myself. The catch is that I completely realize that this was just the little leagues -- I've still got a ways to go, bigger fish to fry, and more hard work ahead of me. As far as the filmmaking process goes, I never knew just how much time I'd have to sacrifice in order to carry out my vision and create a film. Editing alone has probably taken 5 years off my life. It has certainly altered my sleeping schedule forever, but I am perfectly at peace with that. I'll sleep when I'm dead. At this early juncture in my career, one of the hardest things to deal with is scheduling. Production managers are so important. When you're doing things on your own and managing a cast of 10+ actors and having to coordinate their schedules along with your own... it changes you! I don't know how I've done it for this long, but I can't wait to have a real production team one day. I know by then I will truly value all the small production roles that make up the process. The things you thought wouldn't matter all that much -- they totally matter.

What is the estimated number of projects you have worked on?

2 independent features, about 10 shorts, 8 corporate videos, and a few promos. I'd love to work on a TV series in the future; I love the idea of a continued episodic storyline.

Who is is your favorite filmmaker?

Sofia Coppola is absolutely brilliant. She has one of the most distinct styles I've seen and she approaches storytelling with such a tenderness towards detail. That's something I find to be very rare, because a lot of filmmakers sometimes get caught up in the bells and whistles that go into a production. She goes for the raw complexities of a character and doesn't lose sight of the importance of portraiture. Her ability to create a portrait, rather than just construct a scene, is remarkable. Her film Somewhere is a perfect example of her ability to tell something without spelling it out for people; she merely introduced the audience to a character, and that was it. I think she is fairly underrated, and maybe that could be attributed to her under-the-radar, muted public persona or the possibility that people are hesitant to approach her work with such confidence due to her family relations. I can't really put my finger on it. I do look forward to her future projects. I would love to achieve that caliber of abstract storytelling!

How has your life changed since you became a writer/filmmaker?

I never wasn't a writer. Since I've ventured into filmmaking, I can confidently say that I sleep less.

What is some advice you can give to someone who also wants to become a filmmaker?

1. Use Twitter

2. Buy a camera

3. Start small, use your friends as actors

4. Find internships tailored to your interests

5. Write, write, write

6. Grow a thick skin and keep trudging through


What do you like to do besides writing and filmmaking?

I like to go people-watching. Airports, coffee shops, malls, restaurants... as horrifyingly creepy as it sounds, I just love observing people. I think it helps my writing, because I can get a sense of how different people operate and I can have a realistic gage of human interaction. It's not like I sit outside a complete stranger's house and throw pebbles at their window at 4 AM - I am just a professional eavesdropper. Also, I love to perform. Most of my friends know me as this sort of creative volcano/goofy troll. I like to participate in theatre, especially improv comedy. I am a member of an all-female a cappella group, Trinity AcaBellas and I arrange all our music. The catch is that I can't read music! I think maybe it's more that I refuse to learn how to read music, so I just arrange by ear. Honestly, when I'm not writing and directing, I'm happiest when making music. In short: the right side of my brain is the only side that really works.


Have you had any other jobs before you decided to become a filmmaker?

I wrote for the Anchorage Daily News for four years in high school; I was a staff member for a teen column, Perfect World, and got paid to basically be a typewriter monkey who lived off caffeine, pop culture, offensive jokes, and deadlines. Every week I cranked out strange and irrelevant articles about painfully idiotic topics, but I always had a snarky approach to journalism, so I didn't chew my own legs off out of pure boredom. I've done several internships, but the most interesting one was for the State of Alaska Department of Revenue. I worked in media management and made corporate videos for the Alaska Pipeline Office for the entire summer; I basically learned a lot about the oil industry (Oh God) as well as how to troll downtown Anchorage for cheap art and free hotdogs (useful life skills). It was the ideal Summer job because it was so different and out of my comfort zone, and my coworkers were absolutely fantastic to work with. They thought I was a multimedia angel sent from Heaven above, when I was really just a poor college kid who was really good at Twitter, website building, and Final Cut Pro. I lucked out.

How would you describe your film education?

Self-taught with a few courses in video production, broadcasting, and screenwriting. I've had plenty of hands-on experience to sort of circumvent the formal teachings, but I'm always open to learn more.

What are some of your favorite American films? Foreign films? Television shows?

AMERICAN FILM

Eternal Sunshine of the Spotless Mind, Virgin Suicides, Annie Hall, Chicago, Cool Hand Luke, Rachel Getting Married, Running With Scissors, Brief Interviews With Hideous Men, Girl, Interrupted, Somewhere.

FOREIGN FILM

Dogtooth (Greece), Io Non Ho Paura (Italy), Martyrs (France), Respiro (Italy), Angela’s Ashes (Ireland), Circumstance (Iran), Alexandra’s Project (Australia).

TELEVISION

Six Feet Under, The L Word, 30 Rock, Curb Your Enthusiasm, Glee, The Walking Dead, Modern Family, Golden Girls.

How would you describe the film "scene" where you live?

In Anchorage, the film scene has just exploded over the past few years (tax breaks, hey!). A buddy of mine has worked on a couple of really cool projects already, and they're so eager to hire local talent and crew. They did a Drew Barrymore flick called "The Miracle" (used to be "Everybody Loves Whales") and just recently wrapped "Frozen Ground" with John Cusack, Nic Cage, and Vanessa Hudgens. John Voight was also doing a couple of projects up there - I know he was in Anchorage for quite a while working on a TV pilot. I'm not quite sure where things are headed as of right now, but I definitely know that Alaska has a lot of promise for those who are looking for hands-on experience in film. I'm considering going back for a while just so I can jump right into things. As for San Antonio, Texas - this place is pretty lame. Not a whole lot going on over here unless you're interested in public broadcast or guerilla indie projects. Head west like the rest of 'em.

 How has social media changed the independent film industry?

Let's be real, social media has changed every industry. It makes distribution and word-of-mouth much easier on independent filmmakers. There is power in the Retweet! Personally, I think social media has helped me in terms of spreading the word about my upcoming projects... and without Twitter, I'd incessantly spout off useless crap and make sassy comments regarding pop culture to my friends and would end up being a cat lady. Thanks, Twitter. You've given me a channel to spread the sass.


How does independent film differ from the mainstream?

There's this grainy, edgy, raw aspect of independent film that is completely absent in mainstream film. I can't quite put my finger on it, but it's awesome. And I know how much independent filmmakers pour their heart and soul into their projects, and usually that is very evident when you see their productions. That's priceless.

 What's your opinion on crowdfunding?

Without it, a lot of brilliant projects would never have come to life. It's daunting to think about, and I've never tried it, but I am completely open to it for future endeavors. Sometimes, we all need a little push! I've helped with a couple indie projects in the past, but I'm hesitant to immediately trust who I'm helping. I know every dollar counts. Crowdfunding is a fantastic work in progress, and I think sites like Indie Go-Go and Kickstarter have the right idea. Sometimes it's an all-encompassing effort in order to make art and execute quality productions - we get by with a little help from our friends! (Not sorry for that tacky Beatles ref)

You could go back in time and see any film being made. Which film would it be and why?

Ghost. I would have loved to be a fly on the wall of that set while they were filming that excruciating clay-wheel scene with Demi Moore and Patrick Swayze. To burst into hysterical laughter, or not to burst into hysterical laughter? But... in all seriousness, I would want to go back and watch them make Dawn of The Dead or any of the Harry Potter films. I can't even begin to think of how cool that would be.

What's your favorite movie quote and why?

If this were open to television, anything that Sue Sylvester from Glee says is pure gold. As far as movies go... it's a three-way tie between these:

"What's your name?"

"Claire."

"CLAIRE?"

"Yeah, it's a family name."

"No, it's a fat girl name."  - The Breakfast Club

"What a loss to spend that much time with someone, only to find out that she's a stranger." -Eternal Sunshine of the Spotless Mind

"The fourth dimension will collapse upon itself. You stupid bitch." - Southland Tales


What is your opinion on movie remakes and sequels?

I'm of the class of thought that sequels and remakes are never as good as the original. What immediately comes to mind: I nearly keeled over when I saw them remake Dirty Dancing andFootloose. They're just revamped with light shows, sluttier actors, and hip-hop music. Appalling.


What is your opinion on book to movie adaptions?

I'm sure the books are always better, but I respect those who try to make the films just as good. On the other hand, if it's a bad book - probably a bad movie. It's a coin toss.

Is there anything else you would like to add?

Thanks so much for the interview, I'm so honored! Your support of all the starving artists is so awesome... without people like you to notice us, we'd still be starving.

Number6 Website: www.number6films.com

Vimeo: www.vimeo.com/doshier6

Twitter: @LaKendrus

Filmmaker Chris LaMartina

Chris LaMartina is a 26 year old filmmaker from Baltimore, MD. To date, he's produced five features films, created the web series, "Lost Trailer Park: Never Coming Attractions", and has won numerous awards at film festivals across the country... the latest being "Best Director" at the 2011 Killer Film Fest for his role on the film, "Witch's Brew".

What is the current project you are working on?

We're currently writing three screenplays. Two of which are horror-comedies we're looking to produce ourselves (can't reveal the titles/concepts just yet), and the other is a more serious horror/thriller for a buddy of ours in LA.

Why did you decide to create "Witch's Brew"?

"Witch's Brew" stemmed from the title first. I really wanted to produce a film about witches because I thought they'd been under-utilized in modern horror flicks. We came up with the title and from the title, the concept seemed obvious: a horror flick about cursed beer. Since most people drown their horror film screenings in alcohol abuse, a horror film about hexed beer seemed like a perfect fit for our core audience.

Will you share some behind the scenes "fun facts" about "Witch's Brew?

"Witch's Brew" was shot in about thirty days during the summer of 2010. Our total budget was around $16K ($13K was funded through the online donation site, Kickstarter). Three weeks before shooting, I got laid-off from my job as a producer/director for the Baltimore city government tv channel. It was a rough time for me personally, but my amazing cast and crew pulled me through it. It was an intense, grueling summer... one of the hottest on record. There were a million things that went wrong: actors losing their voice, locations falling through, props breaking, make-up sweating off (cuz of the heat), thunderstorms, exploding spray cans, and minor injuries. It all pulled together though, mostly under the supervision of my amazing producing partner, Jimmy George, who oversaw an epic production - gratuitous nude scenes, a dozen wild locations, forty speaking roles, and over sixty practical make-up effects. It was a huge undertaking, but somehow... it all came together.

How do you measure success?

How I measure success changes with every film I make. I find myself becoming more and more self-critical as I progress as an artist/filmmaker. I think you're selling yourself short if you aren't your own worse critic. Walking out of a premiere or a screening and hearing folks discuss their favorite scenes or character is always a rewarding experience. I got into filmmaking because I wanted to tell stories, and when I hear an audience connecting with one of my tales... it's just a fantastic experience.

On a similar token, getting fan mail or a nice email about someone's affinity for one of my film is very inspiring. It keeps me going as a storyteller.



How do you handle rejection?

Getting mean-spirited reviews is tough sometimes. When they're right in their criticism, I don't mind (I know when my shit sucks... and I have yet to make a 'perfect film'..... hell, I probably never will) ... but some reviewers have a tendency of being excessively-rude to pander to a cynical fan base who value reading angry reviews more than enjoying a micro budget film for 'what it is' and not what they 'wish it was'.

I'm not worried about getting film festival rejections or distributer turn-downs. You never know why someone says 'no'... everything is so different and subjective. Our film, "Book of Lore" was rejected by own distributer in 2007 only to be released by the same distributer three years later. Maybe it was just a bad morning the first time they checked it out? Who knows? I don't and I try not to fester my insecurities on 'what could have beens'. We just move on to the next project, knowing it's going to be better because we're stronger with every consecutive flick.
Did you always want to be a filmmaker?


I grew up telling stories. As the youngest of three, I had a natural inclination to 'show-off' and make ridiculous tales up. I used to make my Aunt sit down at her typewriter and dictate scary stories to her. As I got older, I wanted to be a cartoonist (and I used to write comics for my college paper and I've produced a few animation shorts). Eventually, I stumbled across my family camcorder, caught the filmmaking bug, and ruined any chance of having a 'real career'. Oh well I guess...

What inspired you to become filmmaker?

I just love telling stories and telling them visually is an amazing avenue. When I was younger, watching someone's reactions or making someone laugh from telling a tale was a very rewarding encounter. I wanted to get an emotional response from folks just like I responded to my favorite films/tv shows. I grew up watching fun, trashy cinema and I enjoy creating work that draws on the films of my youth, especially horror comedies and ensemble films.

What is the best thing about being one?

Making art and having someone enjoy your art (or at the very least... react to it in any capacity) is one of the best feelings in the world. It's never been about publicity or "exposure" for me (although, I'd be lying if I didn't say those are nice too)... it's about sharing stories with an audience: the modern equivalent of telling tales around the campfire. It keeps you warm, too.
What is the worst thing about being one?

It's not lucrative... at least I haven't figured out that part yet. It puts intense emotional strain on plenty of relationships (friends, family, lovers). You sacrifice a lot of your personal life to bring your words to life. It's labor-intensive and swallows up many, MANY waking-hours.  There's a financial burden if you're self-funding them (as we have done) and if you're using investors, there's a potential threat of having your vision (all you have, really) compromised and shifted in a direction you might not believe in. It definitely has its moments... but not without a lot of agony. A wise man once told me, "Nothing worth doing in life is easy"... so I try to consider that every time a filmmaking venture hits a bumpy patch (and trust me, they ALL do).

What is the estimated number of projects you have worked on?

I've directed five features to date - "Dead Teenagers", "Book of Lore", "Grave Mistakes", "President's Day", & "Witch's Brew". The last four were co-produced by my best friend/frequent writing partner, Jimmy George. Outside of that, I created the web series "Lost Trailer Park: Never Coming Attractions" and produced countless short films (both live action and animation).
Who is is your favorite filmmaker?


I can't just pick one. Some of my favorite filmmakers are: John Carpenter, Todd Solondz, Fred Dekker, Tom Holland, Rob Reiner, Wes Craven, Robert Rodriguez, JR Bookwalter, the list goes on... but those are the ones I consistently come back to.

How has your life changed since you became a filmmaker?

I have tendency of zoning-out every ten minutes and scheming movie titles. I eat horribly for two months and then spend the rest of my year trying to lose weight. I sacrifice a good social life to tell a good story. I'm really great at getting fake blood stains out of carpet. I can convince your mother-in-law to let me shoot a nude scene in her basement. Those are things that have changed for me. I wasn't like that before.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

If you want to pursue filmmaking as a career, go to college for BUSINESS, not filmmaking. If I could go back in time, I'd major in business and minor in film. Outside of that, say "Thank You"... that's most important factor on set. People work a lot harder for folks who treat them with respect and dignity.

What do you like to do besides filmmaking?

Outside of filmmaking, I play in various punk bands (guitar/bass/drums/vocals), watch way too much C-Span (I'm a political junkie), explore abandoned buildings, collect spoken word records, and read lots about folklore.
Have you had any other jobs before you decided to become a filmmaker?

Let's see here. My first job was a copy boy at Kinkos. Man, that was a horrible job, but I learned a lot about work ethic and met many crazy characters (some of which will undoubtedly be in a film sooner or latter). During college, I worked a vintage clothing shop, at a used cd/dvd store, and even as projectionist at a small Afrocentric movie house. It was a great experience and I was exposed to a ton of weird flicks. I even booked screenings and bought film prints during that time period. It ruled. After school, I worked three years as a producer/director for the Mayor's Office of Cable & Communication here in Baltimore. I got laid-off there right before we shot "Witch's Brew". Currently, I work as an editor at a production company in Baltimore.

What are some of your favorite American films? Foreign films? Television shows?

My favorite film of all time is "Harold & Maude" - I even have the back patch sewn on my hoodie to prove my affinity. Most of my favorite films are American. I just love eighties American cinema... especially regional low budget horror flicks and ensemble pictures. Foreign wise, "Let the Right One In" ranks pretty high, as does "Wild Zero", and the films of Peter Jackson.  As for television, I love "The Wire" (best television show ever... I'd fight someone over this fact), "The Daily Show", and anthology tv shows ("Tales from the Darkside", "Monsters" etc).




How would you describe your film education?

I went to Towson University where I get a BS in Electronic Media and Film Production. Some people think film school is a waste of time, but I'll say this: it's what you make it. I did a ton of networking which continues to help me to this day, I learned a ton about theory, and I made some solid professional friendships. Productionwise, I could have learned everything outside of the classroom... which is just fine. You have to learn inside and outside of the classroom. Education does not exist in a vacuum.

How would you describe the film "scene" where you live?

Baltimore has a very vibrant film community. There is a long history of exploitation/genre films being made here... going back to John Waters and Don Dohler. Currently, there are dozens of filmmakers who I consider good friends that produce movies here as well. My buddies, Mark Colegrove and Mark Leake produced an amazing low cannibal spoof, "Isle of the Damned". My fx guy, Jason Koch is in the middle of editing his first feature, "7th Day". My sound guy, Jonathan Boushell is premiering his feature, "Fang" in a few weeks. There are tons of great avenues to meet kindred spirits. We host "Mondo Baltimore" (a monthly meeting of trashy cinema enthusiasts) at the Wind-up Space (where we shot "Witch's Brew"). There are places like the Creative Alliance where you can book screenings and rent film gear. It's a wonderful environment to create and co-exist in. Baltimore is definitely something special.

How has social media changed the independent film industry?

Social media has made the pre-production agony a lot easier. Organizing casting call, gathering last minute extras, finding cheap props and locations are just some of the perks to a more interconnected world. On the downside, now... everyone is a filmmaker, and while, that's great to a degree (we can see more diverse story lines and styles) the market is unbelievably over-saturated and it's hard to get through a old of phony movies. So many IMDB pages exist for films that aren't going to happen. It can be very frustrating to siphon through the fake projects produced by folks who are more talk than anything else.
What's your opinion on crowd funding?

Well, we raised $13K of the "Witch's Brew" budget on Kickstarter. So, I'm definitely pro-crowd funding, but on the flip side, I would NOT do it for every project. Hell, I don't know if I can ever do it again. For a minute, everyone was using that site or Indiegogo and we began to see "Kickstarter Fatigue". Some projects saw no donations because everyone had already given to another link or were tired of donating to creative endeavors.

Some people have written off crowd-funding as internet panhandling, which I completely disagree with. Sites like Kickstarter are ways for your friends, family, "fans", and even complete strangers to help out  even if they can't aid you physically. A $50 donation is just as valuable as someone letting you borrow their cop costume or shooting a scene in their backyard (well, ok... I might have a slightly awkward take on the 'barter system', but you get the idea).
How does independent film differ from the mainstream?

Well, this depends how we define "independent". There are million-dollar 'independent movies' that are produced fairly similarly to mainstream motion pictures... generally. As a whole, an artist has more creative control as an independent filmmaker, but less resources. The studio system has built-in infrastructure for production, marketing, and distribution. Independent filmmakers have to figure out their own path. It's tricky most of the time, but some of the most successful films of all time have been independent productions and I think that's testament to the fact that independent films can take 'chances' that mainstream films won't take because they are worried about 'broad audience appeal'.

You could go back in time and see any film being made. Which film
would it be and why?

Man... that's tough. Hmmm... Y'know, I'd have to say (and perhaps this is ridiculous, I don't know...) "Dead Next Door". I think the entire existence of a Super8 zombie epic being produced in the mid-eighties is incredibly fascinating. So much value and energy ends up in the final version of that flick, that I would have loved to see what went into production. I've seen behind-the-scene videos, but I'd love to know what it was like for Bookwalter, as a young director, to be at the helm of such an intense project. It's remarkable.

What's your favorite movie quote and why?

"Harold and Maude". When Maude says, "You see, Harold... I believe most of the world's sorrow comes from people who are this, but allow themselves to be treated like that". Why is this my favorite movie quote? Because it's true.

What is your opinion on movie remakes and sequels?

I can't hate on remakes because there are some remakes that are generally great (John Carpenter's "The Thing", "The Blob" (88), I even enjoyed "Hills Have Eyes). There are obviously some that are atrocious and those ones were most-likely produced by folks with dollar-signs in their eyes, not with passion for the original. Generally, I kind-of love sequels... even the bad ones, because when as a horror film series progresses it starts to lean toward self-parody ("Leprechaun in the Hood", anyone?) and that's entertaining too. It's enjoyable in a different sense, but enjoyable none the less. Sure, there are some sequels that are so bad... that they are bad, but I'm speaking generally.

What is your opinion on book to movie adaptions?

A lot of times you lose intricate/intimidate details of a story when try to crunch a  300 page novel into a 90 minute movie. Obviously, there are a ton of great book-to-film adaptations, but it's a sneaky beast. The screenwriter has to be a master surgeon and figure out what are the essential elements to the story without losing the heart of its style. That's the essence, really... figuring out a way to show the atmosphere visually that is only implied in the reader's imagination. If the author has done the groundwork with strong visuals in their book, it will work itself out more easily... but there are some stories that can't be easily shown (the work of HP Lovecraft comes to mind).
Is there anything else you would like to add?

Thanks so much for the interview! I really appreciate it. If anyone's interested in speaking further, they can find me on Facebook. Cheers!

Author Joyce Mitchell

Joyce Mitchell is a writer/teacher and resides in LaGrange, Georgia with her husband and has two children. She is the author of four books. Her debut novel, Unheard Cries: A Marriage Horror, won a 5-star review and badge from Readers Favorite in November. Her other works include a collection of short stories, Rock Store Short Stories, and two children's books, Dink and Daisy, and Toby the Trout. She's currently working on a sequel to Unheard Cries.

She's devoted to her family and church and spends her days writing and helping underprivileged children.

To find out more about Joyce and her work, please visit www.rockstorebooks.com

Twitter @Joyce5577

Facebook http://www.facebook.com/pages/Rock-Store-Books-Fans-rockstorebookscom/173380646033727

http://www.facebook.com/profile.php?id=100001554756574

What is the current project you are working on?

I’m working on a sequel to Unheard Cries: A Marriage Horror, which will be out the first part of 2012.  Aside from that, I have just finished some children’s books, Dink and Daisy, and Toby the Trout.

How do you set your book apart from other books in the genre?

I think perhaps because of the details of the scenes on each page, as well as the dialogue written. Many times reading some novels I find myself not being able to “step” into the storyline because of wording that is not “real world.” I love to write about the things that affect people’s lives every day.

What inspired you to become a writer?

I suppose the desire to reveal some things that are often overlooked, as well as wanting to express my thoughts in word. Also to leave something behind for my family to better understand my inner thoughts.

What is the best thing about being a writer?

For me I think it is knowing that I have written something that might stay around for a long time, also there is a certain fulfillment of accomplishment. Also to see someone that was inspired by something I may have written to help them is the most rewarding of all.

What is the worst thing about being one?

For me in the beginning it was learning the “ropes” as far as what will work on paper, as well as the hardships of publishing and marketing of my books.

What advice would you give to an aspiring writer?

Don’t give up, be ready for challenges that are ahead and by all means always speak from the heart on the pages - readers can relate to heartfelt words.

What is the estimated number of projects you have worked on?

About seven or eight to date.

What do you like to do besides writing?

I love reading, homemaking, working in my church, and enjoying my family.

Who is your favorite author?

My favorite author is Karen Kingsbury because she’s a powerful Christian fiction writer.




Some of my favorite books are the Bible, Every Now & Then by Karen Kingsbury, and The Glass Castle: A Memoir by Jeannette Walls (similar to my life).

How would you describe the writing “scene” where you live?

I’ve done my work as well as received most of my inspiration sitting in a black leather desk chair in a large “sunroom” with lots of windows at my home in semi-rural Georgia.  Most of the time I write listening to music, drinking black coffee, watching squirrels and birds around the oak trees.

How has social media changed the publishing industry?

I think social media has made some major changes in the industry, in that it has made it more possible (I hesitate to say easier) for independent authors, self- published authors, etc. to reach out and find potential readers on the web. Of course, as more and more authors jump into the social media scene, that means that one's voice or work can get crowded out in the mass of authors unless one does a really good job of targeting people who might be interested in one's work. However, I still think social media makes that locating and targeting one's audience much more possible.

What is your thought process like when you’re writing?

First of all, starting early in the morning is the key to writing, hopefully before it gets all noisy around the house.  When writing Unheard Cries: A Marriage Horror, I didn’t have an outline.  I knew the characters and I wrote mostly about incidents from my daily life, or from some of the haunting childhood memories.  All the thoughts were in my head, remembered just like it was yesterday and it was a relief to get it all on paper.

It was different with my children’s books - I had a brainstorm, started typing, let my imagination run wild (talking flowers and fish) and then I’d laugh at myself, wondering where that came from.

You could have any super power.  What would it be?

If I could have a super power, I’d like for it to be a power to heal our people and our land.




Do you believe in life on other planets?

No, I have no reason to even wonder about it.

What is your opinion on book to movie adaptations?

I love movies and I love books, so I'm always excited to see a movie coming that adapts a loved book. Having said that though, I usually keep my expectations low so as not to be disappointed. I've rarely seen a movie as good as the book.  Several of Jane Austen's novels were adapted to the screen pretty well. From what I've read many authors who have their books adapted to a movie usually have at least some complaints. However, if after writing a book and someone was interested in adapting it to a movie, then I'd certainly be willing to check out the possibilities.

If you could have any first addition book.  Which would it be and why?

I would like to have had the very first Bible ever printed (King James Version) because this book has been my guide over my life, and the most wisdom-filled book ever written.

Filmmaker Christin Mell

Christin is co-founder & Chief Executive Officer of tello Films, she spends every waking moment trying to figure out how to produce more and more projects for tello and scheming how to get Katee Sackhoff in one of those projects.  Christin's favorite discussion topics include new media, the economic model of web distribution (if you have ideas about this please e-mail her), and great lesbian webseries (and if you know about any of THESE, please e-mail her). You can find her on at @christintello - follow at your own risk.

What is tellofilms.com?

It is a video website that has original content made for, by and about lesbians. We have an open site with projects and series that everyone can view and then we have a separate section that is called Premium Content section that has original high quality work that people can view for $3.99 a month.  80% of the subscription fees go back to the content producers.  Our #1 purpose is to support film makers who are telling our stories and giving back to them in order to help produce more.

Why do you believe there should be marriage equality for all?

Everyone should be treated the same – shouldn’t matter who you love.  I never felt super strong about marriage equality- I mean I believed in it just because of equal right- but after I married my partner I saw why people had been fighting so hard.  It is different when you marry someone.  There’s something about the institution that is important and good.  It’s not fair that everyone can’t get married.

What's your opinion on gay marriage vs civil union? 

I asked a friend that once because I was suggesting that it was semantics and she said something that I’ve always remembered. “Christin, it’s like two water fountains- one says white and one says colored.  It’s the same water but we should be able to drink from the same fountain?”

I think the government should issue all Civil Unions and let the churches issue marriages.  All straight and gay people should be seen as equal under the state and federal law – if churches want to discriminate then let them do that but the separation of church and state should mean something.  In this debate it is too muddied.  I don’t care if the Baptist religion or Methodist religion doesn’t recognize my marriage but I sure want to be able to go into a hospital if my wife is sick and make decisions or allow her to get my retirement.  We should be equal under the eyes of the law- how a church views it should be different but not infringe on my rights.


What is the current project you are working on?

The big focus is the play/webseries “I Hate Tommy Finch”.  We opened the play in Chicago to nearly sold out crowds and now we are editing together a webseries for tellofilms.com’s premium content section.  What is unique and ground breaking about this project is how the story works as a play and as a webseries.  It was a huge gamble we took to do this kind of radical storytelling.  We wrote it to be both and rolled the dice and are so lucky it works.  I can say that because I saw a rough cut of “I Hate Tommy Finch” and it’s really beautiful and the storytelling works.


How do you define success?

I define success everyday that the website is up and working.  It can be as simple as that.  I do have a big goal for subscription numbers and that is 80,000.  Glen Beck, when he launched his subscription website, had 80,000 subscribers and I figure if he can get that then we can too.

How do you handle rejection?

It depends on what kind of rejection we are talking about.  On a creative level I don’t really have to worry about rejection- I mean I run the site so I can choose what goes on it and what doesn’t.  I think that’s what I like most about the new way of filmmaking.  I don’t have a script to shop around or a project that someone has to say “yes” to get made.  If I like something I figure out how to make it. I am telling stories that interest me and if they interest other people then great- if someone doesn’t like it then it’s okay.  There are lots of things I don’t like so I take it with a grain of salt.

On a personal level, like with friends I’m a mess if I get rejected.


Did you always want to be filmmaker?

I was always making videos when I was a kid.  We’d make music videos or do parodies of Saturday Night Live or commercials we saw.  In school I’d use video for presentations when I could.  I don’t think I ever thought “I want to do this as a job” it was just fun.  When I got into college I realized that I could major in it and everything changed.

What inspired you to become a filmmaker?

I have no idea.

What is the best thing about being one?

The creative process with a group of people you enjoy being around.  There’s something awesome about bring people together with various talents and working for a common goal.  I love to see something start and then finish.  There’s a huge sense of accomplishment and people are able to use their talents and have this awesome sense of confidence and pride for this great project.  It’s like an adult version of playing.

What is the worst thing about being one?

When someone in the group goes rogue and doesn’t recognize the larger picture.  In order for a project to be great everyone must work for the good of the project and not for the good of themselves.  When someone stops seeing the larger picture it’s frustrating and makes things harder than it should be.

What is the estimated number of projects you have worked on?

Oh lord- I have no idea.  I should menton- I’m not a full time filmmaker.  I have a 9-5 job that I love and I do this on the side.  I have worked in the film/television industry but I don’t now and wouldn’t consider myself a full time filmmaker.

That being said it depends on how involved we are talking.  I was a PA on music videos long long ago so I’m going to count those.  15 projects- ranging from shorts, to web series, music videos and movies.

Who is your favorite filmmaker?

I usually hate this question because I never had an answer that I really liked.  I put the most thought into this question and so thank you for making me really think and come up with an answer that I love and that represents everything I want to be as a filmmaker and storyteller and what I want tellofilms.com to be.

My answer is: Pixar

How has your life changed since you became a filmmaker?

It hasn’t- I don’t feel like I ever wasn’t one.


What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be patient.  Many people go to LA with a 3 year plan to make it or leave.  If you have that plan- don’t even go.  You have to work your butt off for years.  Very very few people have just hit- the stars who are “break out” stars have been working in the industry for 8-10 years.  After all of your friends give up and leave stay there and keep plugging away.


What do you like to do besides filmmaking?

Spending time with my wife and exercising.  I’m a big runner so I love to run.


How would you describe your film education?

I majored in TV Production in college and minored in English and Theater.  I couldn’t think of a more enjoyable time in college!  I was able to use cameras and editing equipment so I was familiar with it when I graduated.  I think I was one of those rare people who have been able to use what I learned in college in my work and passion.


How would you describe the film "scene" where you live?

In Chicago we are very lucky to have this great improv community so there’s wonderful talent that’s here as well as great theater.  What we are missing a bit is a robust group of crew folks.  I’ve been lucky as there’s a great lesbian community that’s active in making small films.  After 5 years of working on small projects in Chicago I found Jessica King and Julie Keck who have been amazing to work with on projects.  They are now part of tellofilms.com staff too.  We have cobbled together this great little crew that I use on most of my shoots.  The great thing about Chicago filmmakers is that they are scrappy and adventurous and willing to do and try just about anything.

How has social media changed the independent film industry?

For a niche market like we have it’s great because we can tell our community about our projects.  It makes it easy to get the word out – and cheap.  It helps us gather a supportive audience which is critical to independent film making if you want your projects to succeed.


What's your opinion on crowdfunding?

I love it!  It’s a way to further break down the barriers to get stories out there.  For so many years the entertainment industry has been this top down institution with people telling you yes or no.  With crowd funding it’s a bottom up approach.  Let the people support what they want to see and the people who can communicate that will get funded and not have decision makers telling them no.

You could go back in time and see and film being made. Which film would it be and why?

Oh man- Star Wars.  Did they know when they were making it how it was going to change everything?  I want to see the decision making process used on set.


Whose hotter Angelina Jolie or Megan Fox?

Angelina Jolie


What's your favorite movie quote and why?

I was in NYC with Julie Keck working on tello stuff and we were preparing for an interview.  She asked me a question that went something like “Do you want me to change the…you don’t want me to change the language on this.”   I looked at her and said “Are you trying to use the force on me?  These aren’t the droids you’re looking for.”  We started laughing and I started re-living that Star Wars moment-  l remember being so nervous as a kid, storm troopers were so scary, that they were going to get busted and then realizing what Obi-Whan did and how the force really works- it’s a very distinct memory for me and so that’s my favorite line.

“These aren’t the droids you’re looking for.”


What is your opinion on movie remakes and sequels?

Toy Story 2 is the greatest sequel ever.


What is your opinion on book to movie adaptions?

They are different mediums and the same story that’s in the book usually doesn’t work on the big screen.  Oprah tried with “Beloved” to put exactly what was in the book in a movie and it was a disaster.  Some images need to stay in the book and be in a person’s mind.  If you can respect that then it’s fine.  “The Girl With the Dragon Tattoo” adaptation (foreign film) is one of the best I’ve ever seen.  I think they choose what stayed in the book and what went to the movie correctly.

I understand why movie studios make them but you’ll never see what you read on the screen and you shouldn’t- it doesn’t work like that.


Is there anything else you would like to add?

Be bold and don’t be afraid to try new things.  Even if it’s a huge disaster you’ll learn something from it.  The more scared you are- the more creative chance you’re taking and the more you are living life.  Also I agree with Jessica King and Julie Keck’s advice – don’t go into debt making your movie.

Filmmaker Joe Davison

Joe Davison was born in Zephyrhills Florida on November, 14th 1975. Joe left the small town of New Port Richey and moved to Tampa, Florida in 1996. There he performed Improv comedy with several other comedians. With them he started "Beat the Dead Horse," a rogue Improvisational comedy troupe that played local comedy clubs and bars. In April of 2003 Joe moved to England with his wife Jori, there he worked closely with the Cambridge Film Makers Network and produced four short films and created an everlasting friendship with Carl Homer, a renowned composer. Joe moved back to Tampa in 2005 and started the Tampa Film Network (with fellow film maker Chris Woods), and his production company Pop Gun Pictures. The Tampa Film Network is a community organization to help independent film makers achieve their goals by providing them with connections to equipment, cast, crew, and locations.

What is the current project you are working on?

Currently I'm working a few projects. First, is Dead Buzz, written and directed by Johnny Brajdic, a very different take on the zombie apocalypse. It's a pilot episode for a series we want to do titled “The Dark Hours”. It'll be very Ray Bradbury and Twilight Zoney. Each episode will be  a stand alone. We haven't really toyed with the idea of having reoccurring characters just yet. Second, is Journey into Hell, a 1950s styled crime noir horror film. Think The Thing meets Maltese Falcon. It's a groovy piece for sure. Plenty of scares, blood, and action. Journey stars Alex Vincent [Childs Play], Clint Glenn [Flesh Keepers, The Quick and the Undead], and Deneen Melody [Slices of Life, Western X]. Then theres a few short films I'm producing locally. And a music video I'm directing.


Is a sequel planned for "As Night Falls"?

Originally there was a ending that was going to lead up to a part two. But, with budget constraints we had to cut it down to like three shots. So it really just seems silly. But, maybe we can bring the gang back. I wanted to have Lily Cardone character [Holy Croft] dragged to hell at the end of the film and Elizabeth [Deneen Melody], Otto [Dwight Cenac], and Charlie [Myself] go in after her. The premise was to fight through demons to get our sister back. This still might happen maybe. We'll see.

How do you measure success?

Gradually. With each new film I achieve I try and learn from it. I'm always making mistakes that I can learn from. In the beginning they were quiet substantial mistakes. Not so much any more. Simple, little mistakes. And as I progress through the learning curve I always find that I'm enjoying it. But, I measure it with the amount of crew I work with. It's always the same group. They are always there for me. Us. They're there for us and the project.

How do you handle rejection?

Listen, I grew up as fat kid. So, getting rejected happened a lot!! When you're making a film rejection is easy. If some one says no. Then so be it. You move on. It's when they say yes and hand you a check does it really start to become troublesome. Yes means, oh shit now we have to work and prove ourselves to this guy. When it comes to rejection I would prefer a flat out no we're not interested instead of a three week or three month drag a long while some one thinks about investing or continues to make insane request. Brokers are the worst. “So, you need 2 million, Well, get us 200 thousand and we can get you 2 million!” If I had 200 thousand I'd just shoot the damn movie. Some people just don't understand the need and want to make a film.

Did you always want to be a filmmaker?

No. I wanted to be a comic book artist. I wanted to draw for Marvel or DC or Darkhorse or Image or anyone. I would draw all day long. Pages and pages of comic stuff. Unfortunately back in my day it wasn't a 10^th of as cool as it is today to  be a geek. I was always drawing Silver Surfer or Spider Man or Wolverine or The Ninja Turtles. Anything and everything I could. I remember once I wasn't allowed to enter into a school wide art festival because my art teacher thought I traced all of my pictures. Douche. LOL! But, with directing I can draw my own story boards and that's huge plus for me. I love to put the concept to page in comic fashion.

What inspired you to become filmmaker?

I was reading comics and watching horror films on the weekends with my buddy Todd Brown, and he and I would draw some wicked stuff. But, I didn't get into film making in 1996ish. That was two years after I graduated high school. I met this guy who was doing improv and I started doing improv comedy on the weekends. That lead to acting, the acting lead to film. I eventually began taking my scripts and putting them to picture. Now, my art work was in motion. With actors that is. I had also been writing all my life. Since I was in like fifth grade. I use to write little short stories for my mother. Mostly about Vampires and Werewolves. No. Mine didn't sparkle. I just want to tell stories in any medium and hope the the reader or viewer is interested in what story I'm telling.

What is the best thing about being one?

I love film making. Being a producer is such a rewarding experience some times. Other times you want to slam your face into a rack of rusty kitchen knives, but that comes with any business I guess. I would have to say the best thing about being a film maker is dedicating you life to art and hard work. If you don't mind getting muddy and bloody sometimes this is the job for you! I can't think of anything else I would rather do. I can't do anything else. I don't know anything else. I barely know how to do this. LOL!

What is the worst thing about being one?

Broken friendships. You lose a lot of friends making films. Egos can crush you as well as everyone you love. So, I try really hard not to have an ego. So, I try helping everyone I can who is working on a project. I want everyone to have change to succeed and make the best project they can make. I feel bad because some of the guys I really want to work with I can't quite afford just yet on some projects. So, you can't bring them on because you can't pay them enough. And everyone deserves to get paid what they're worth. No matter what they do for a living.

What is the estimated number of projects you have worked on?

Man, somewhere around fifty, I think. Between, commercials, sketches, short films, features, and music videos. I've never really tallied them all up. I just keep my head down and working hard.

Who is your favorite filmmaker?

Kevin Smith. He has built up a Smuniverse between his movies, touring talk shows, and smod cast he really knows how to bring in his audience and he can identify with them. He doesn't mind being self deprecating. And he's a great film maker. Not all his films are block busters but he never started out to be the next Brian De Palma. Now, for a guy who makes mostly horror film I understand that Kevin Smith is a far reach for me but he has a continuous track record on an independent level. He knows his audience and enjoys his own films. Now, I'm a fan of Sam Raimi, Peter Jackson, James Gunn, and of course guys like Richard Donner, Ridley Scott, Stanly Kubrick, Gore Vorbinski and Wayne Kramer. [These larger then life action guys] But, Kevin Smith could have his own amusement park based on his world.


How has your life changed since you became a filmmaker?

I'm busier more now then ever and that's a good thing. But, not much has changed. Still have to walk the dogs, Hunter and Lucky. Hunter is a lab and Lucky is a Beagle. And I still have to make sure the wife is happy. But now I can go to work and watch actors get covered in blood all day or I can story board the afternoon away. I never really have a day off. I might actually get to go on a cruise soon, but that's to shoot a horror film on boat. So, it's  really a vacation.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Work hard. If you've never made a film get in with the local film community and help out there first. In Tampa Chris Woods and Myself founded the Tampa Film Network about six years ago. An online community that helps lndie film makers find tools, equipment, locations, directors, producers, and actors for their projects. Now, it's run by Dan Brienza and has about 1700 members from the bay area. Find one of these networks and start on the ground floor. If there isn't one create it. Www.tampafilmnetwork.com


What do you like to do besides filmmaking?

Video games. A lot of video games. If I'm not working on a novel, script, or film 'which is rare' I just want to go kill something and veg out for hours. I actually have a video game concept in the works. It's an RPG first person shooter. Just a huge open campaign. I really want to meet the right people to get that off the ground.

Have you had any other jobs before you decided to become a filmmaker?

Well, even as I was making films I was waiting tables at Chili's, or T.G.I. Friday's, or [insert name here]. I got fired a lot because I was willing to shoot all night and not give up on film. I had a manager once tell me “Why don't you give up this film making nonsense and just work here? You'll never reach Hollywood.” I guess at this point she's right but I can't help but abuse myself and risk everything all the time.

What are some of your favorite American films? Foreign films? Television shows?

Hmmmm... well, American Werewolf in London should cover all that. American Beauty? Born in East L.A.? Captain America?! No. Just kidding man! The Thing is one of my all time favorite movies ever. Jaws. Close Encounters of the Third Kind. Now would “The Professional” be considered American or Foreign? Evil Dead. The Legend of Duey Cox. Long Kiss Goodnight. So many.

Foreign is a little tougher. District 13. Let the right on in. A Better Tomorrow. The Host.

T.V.; Modern Family. Alfred Hitchcock Presents. Tales from the Dark Side. The X-Files. Ghost Hunters. Destination Truth. River Monsters. Ancient Aliens. Anything on the history or discovery channel or Food Network.

How would you describe your film education?

Nonexistent. I learned on set. Honestly. When we started making films there really wasn't schools for it. Sure, you could try and get into UCLA or The New York Film Academy or NYU for film but for a guy like me from Ocala, FL with no knowledge of film making? That wasn't going to happen. So, we just started doing it ourselves. Shooting on old VHS recorders and editing VCR to VCR. Now there are Canon 5d Mark twos and T2i's and 7ds out there. You can shoot a feature in about two weeks. I've done it. Twice! In the beginning I learned the hard way. Just like when we were doing improv.  It was all hands on. But it was the need to know. I wanted all the knowledge I could get. I read a lot of film making books, those don't help. Impractical solutions written by guys who never made a film. It just took me going to every short film shoot I could find and being a slave for weekend. I wish I could have gone to Full Sail University or NYU for sure. But, now I get to teach the kids coming out of there, who are all talented the old ways. It's funny to see the look on their faces sometimes. “What do you mean you didn't use an iPad to regulate your lights?”


How would you describe the film "scene" where you live?

In Tampa Bay Area its awesome! With the community out reach system like The Tampa Film Network, recently changed to the Florida Film Network because we have over 1700 members. We have a weekend film school and teach everything from script writing to lighting. We bring in A-Listers to teach things like Cinematography and Directing. Recently we have combined our efforts with Indian film community and are now trying to connect a nice bridge between the two communities. We're really want to help them bring Bollywood into Florida.

How has social media changed the independent film industry?

It's made the indie-stream into a river that's for sure. Now it's even more easier to get noticed. The use of ipads and other digital devices that can access the internet at a moments notice has allowed many independent film makers to take advantage of resources such as Facebook, Myspace, Twitter, and various other media sites. Promotion has almost doubled with the use of Facebook pages, likes, Fan Pages, event planning, and the ability to purchase ad space directly on Facebook. Other sites like Flicklaunch has dedicated themselves to distributing films directly on line. If the proper film distribution site comes along it could do for the indie film maker what iTunes did for the garage band.

What's your opinion on crowdfunding?

Indie go-go comes to mind. I haven't really tried the crowdfunding aspect. I did a small video to help raise money for a book series about two years ago and it never reached its goal. I haven't been back to try again since. I think that it is an obvious solution to many companies, events, charities, and independent films. Using a cross marketing scheme in association with Facebook, Myspace, and Twitter crowdfunding can help us little guys successfully raise enough funds to complete indie feature films. Me personally, I like to sit down with one or two investors and plead my case for funding. I like to know our investors. I want them to know me. I want them to know that I'm going to work as hard as I can and do as much as possible to create the best product I can. And that I will give them a return in the future.

How does independent film differ from the mainstream?

Independent and mainstream only differ in budget size. Each offer quality film makers, actors, producers, and directors. The only difference is funding. Mainstream Hollywood will produced a 40 million film where as an indie film maker will produce a 40 thousand feature film, with less equipment, cast, and crew, but the heart is there. I feel that in both cases it's all heart.


You could go back in time and see any film being made. Which film would it be and why?

Goonies! For sure! I would love to see all these young actors working together on a giant adventure. Pirate ships, and gangsters! I would want to learn from Spielberg and be there first hand to watch the producing side of things. Organizing the ship and the water slide sets and that giant octopus. I would turn the thing into a study hall for myself.


What's your favorite movie quote and why?

When some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol' Jack Burton always says at a time like that: "Have ya paid your dues, Jack?" "Yessir, the check is in the mail."- Jack Burton, Big Trouble in Little China.

First of all. I love Big Trouble in Little China. It's a fast witted action fantasy with flying ninjas, gods of elements, Lo Pan, and two girls with green eyes. It's amazing and Kurt Russell was in his prime. Simply amazing. I wish they would have had made a part 2. I swear one day I get a pork chop express tattoo. Also, there was the geeky fan boy rumor going around that Jack Burton was a Brown Coat, you know? From Bukaroo Banzai. And I always wanted to see a movie where Bukaroo and his gang met up with Jack Burton and they battled some crazy 30 foot tall monster. And for those kids out there reading this and you've never seen either of those films go out and rent them or better yet buy them. You will watch them over and over again. Trust me!


What is your opinion on movie remakes and sequels?

Sequels yes. Die Hard series, Mission Impossible, Sherlock Holmes, Iron Man, are all okay.  Remakes no. I mean they just did a re-imagining of Spider Man and it's not even cold yet. Sam Raimi did a great job with the films. Regardless of what happen between him and the studios. But, to just go out and make another one shortly after the last one with a new cast and crew is ridiculous! Then they remake Friday the 13^th, Nightmare on Elm St, The Hills Have Eyes, and every frigin' foreign film to hit the market! And for the most part poorly. I mean why remakes? Because they know there's a built in audience and they need a positive cash cow for the summer. But it take some one like Peter Jackson four studios turn downs to get Lord of the Rings made.


What is your opinion on book to movie adaptions?

Comic Book movies don't count so sometimes yes. But, mostly no. Time Line was the worst movie adaption there is. I love the book. It was awesome. But the movie sucks so bad and it's a Richard Donner film. I mean WTF mate? And The Stand was a horrible adaption as well. But then there's Green Mile, extremely well executed. Harry Potter is a prime example of proper movie adaptions. Yes, they don't have everything in the films and they add a little for the movie but they're about spot on for the most part. The Jurassic Park series was interesting. This part was in the second book but first film, but this part was in the first book second film. I understand that sometimes they take the best of all of it and try to make one movie because they assume that's all they're gonna get. Until that film breaks box office records and they decide to another film. -see above question- [he laughs].

Is there anything else you would like to add?

Thank you so much for the opportunity and I had a blast.

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Thanks so much for doing the interview Joe. I saw "As Night Falls" and think it's awesome. I hope there is a sequel.  I also love  "Big Trouble in Little China". I will be renting "Bukaroo Banzai" in the near future. You should check out the book "Three Weeks With The Goonies".

Dave of Dave's Travel Corner

Dave is an International travel writer who has been writing professionally since 1996. He is a member of the International Food Travel & Wine Writers Association and the North American Travel Journalists Association. California raised, he co-founded a collegiate Solar Racing Team which designed & built a solar car from scratch. He runs a website promoting currently undefeated WBA World Super Middleweight champion, Andre Ward ( www.andre-ward.com)  is involved with VinoVisit (a reservation service for wineries) and is a partner in MyVideoVisa.com, a new online personal travel video sharing site.

His latest endeavor is The Napa Wine Project (www.napawineproject.com ) which has taken more than 5 years to date and is expected to be an initial 8-10 year project that involves wine tasting at all Napa Valley commercial wine producers. He has personally visited, tasted & reviewed 650+ commercial Napa wine
producers to date. His first book titled 'The Freeways of Los Angeles' was published in 2010.

He enjoys the outdoors, writing, photography, mountain climbing, meeting people, the Internet and experiencing other cultures. What could possibly combine all these varied interests....why, travel of course! Dave is most at home in Bangkok, Los Angeles, the Napa Valley or California's Eastern or far Northern Sierra Nevada mountains. Contact: http://www.About.Me/davestravelcorner

What is the current place you are traveling to?

Every winter my wife and I visit her country (Thailand) for at least 6-8 weeks. This year we are leaving in two weeks for a short stay in Thailand and then continuing to South Africa and Botswana for all of January and will visit Ethiopia before heading back to Thailand. Neither one of us enjoys cold weather - and not only is this not only an opportunity for us to "warm" up - but to visit her family as well, and use Bangkok as a hub to visit other regions.

What is your thought process like when you're writing an article?

I try to make an article interesting - my writing usually takes two forms - free form which is more journalistic in style and guide book type writing where I'm highlighting where I stayed, what I ate, visited etc - to create an itinerary for someone who wants to visit the same region. My free form journalistic writing is mostly for myself and my guide book writing is to help others. Since most of my articles are online - aside from trying to make my own writing engaging for the reader, I also try to include video and photography.

You could have any super power. What would it be?

To immediately place myself anywhere on the planet. This of course would eliminate the "journey" but at the same time logistical nightmares that invariably crop up with International travel, not to mention jet lag!

How do you define success?

I define success as a lifestyle - its not necessarily monetary in nature although having enough money for a comfortable but no extravagant living is important. It is a lifestyle where I follow what makes me happy and at the same time help enrich the lives of others.

How do you handle rejection?

I immediately pound one of my fists through the wall! No seriously, I deal with it and move on. I try to find out the reasons for the rejection. I don't have time to dwell on negativity.

Did you always want to create your own company?

No. Growing up I had no idea I would be in business for myself and or involved in a variety of interesting projects. I thought I would get a 9-5 job and work for someone else. I met someone during college who turned me on to trying new things, foods, culture, experiences etc and that broadly opened my horizons. My passions and interests never integrated with office work.

What inspired you to create "Dave's Travel Corner"?

I took a life changing trip to Nepal in 1996. It was the first major International trip that opened my eyes to a non 'western' culture and way of living. I began writing a journal while I was on the trip and it was my notes from this journal that became the foundation for Dave's Travel Corner. I also became deathly sick from food poisoning and altitude sickness while trekking up to Everest Base Camp and had to be carried down in the dark in the middle of the night on the back of our guide's shoulders. He left me with a woman in a stone hut (she also descended with us) where I promptly filled up a large bowl by throwing up all night. It was frozen solid in the morning and I was so weak I could not stand up or walk.

The lady had a backpack with her as well as my small pack. She would carry both our packs ahead on the trail some distance, drop them down, come back for me, pick me up and hang me from her back in a crudely fashioned sling we made from one of the sleeping bags and then carry me further down the trail past the backpacks, drop me off and repeat it again. This happened all day until we finally reached a low enough elevation where I could get some help, lie down and recover.

What is the best thing about traveling?

For me it is exploring. Whether it is going to countries that do not see a lot of tourists, or visiting places I have never been before. This can be both in rural environments or in big cities. I'm very comfortable in both situations. I also enjoy interacting with "locals".

As one of my favorite singers, Don Williams says in one of his songs:

"Well, I love to wander ... On a sandy shore And I love to wander ...Down the streets of towns I’ve never been before".

What is the worst thing about it?

Jet lag, getting sick, getting taken advantage of.

What is the estimated number of projects you have worked on?

As far as projects that have meant something in my life - somewhere near 20 or so...ranging from a solar car, to Internet work to travel to video to wine.

How has your life changed since you started your company?

It has given me the flexibility to work for myself and create my own hours. Part of my work can be done anywhere in the world as long as I have an Internet connection. I would love to be entirely "location independent" but some of my projects require I be at home. A travel writer must travel - and this career has certainly opened up trips perhaps I otherwise would not have taken.

What is one piece of advice you can give to someone who also wants to start their own company and/or travel?

It takes time and be prepared to put in long hours. However, if its a passion then the long hours almost become irrelevant for a number of years. Be persistent - talk to those who are already doing what you want to do. Pick their brain. Find out what works and what doesn't. With that said, experience is still a good teacher. Make mistakes and learn from them.

What do you like to do when your not working?

Work and play have almost become integrated for me. However non work activities include mountain biking, gold mining (it is California after all!) and the rare trips where I take a break from writing. I love the mountains so if things get too crazy I drop everything and head out for some camping for a few days. Every year I love just "being" in my wife's small village in Thailand. This involves doing a lot of "nothing" or a little bit of something - usually helping in the garden or shopping for food in small nearby markets.

We didn't have land line phone service or Internet in the village until two years ago. It was nice to be able to take a break from this. I was just at the Biltmore in Santa Barbara yesterday and was reminded of how busy and fractured people's lives have become even during meals. I was surrounded by people eating who weren't talking to each other but rather were sitting at a table with each other engrossed in their respective phones or the film producer talking on a phone the entire time while his guest sat at the table buried in his own cell phone. The Santa Barbara Biltmore is certainly not a bad place to be - especially on a clear warm day with beauty of the Channel Islands lingering just offshore.

Have you had any other jobs before you decided to create your company?

Other than odd temporary jobs when I was in high school and college, no.

What are some of the most dangerous places you've traveled to?

I drove out to the Iraq border a few years ago from Kuwait City - an area where trucks had been attacked or bombed in prior years. Security was fairly adamant about getting me away from the border as soon as possible. Parts of Eastern Kenya on the coastline felt a bit dodgy (north of Mombasa) - especially with men patrolling the beaches all night, armed with machine guns. I was in Abidjan, Cote d'Ivoire before the violence earlier this year and parts of the cityat night certainly felt unsafe.

Have you ever been hurt while you were traveling?

I haven't been hurt physically - but I've gotten altitude sickness and food poisoning many times while traveling. Both are terrible and completely disrupt a trip but at least you do recover.

How does independent film differ from the mainstream?

From my limited perspective I think Independent film makers can take more risks than those making traditional mainstream Hollywood produced movies. Independent film makers can also appeal to more niche audiences than a Hollywood film which in my opinion is focused entirely on the bottom line. It becomes a big business. Hollywood is a massive business. When I'm driving in Los Angeles I always wonder what percentage of people driving next to me are involved somehow in the entertainment industry. When you have huge amounts of money involved I think compromise becomes key - and perhaps the Hollywood film director may not always have the final say or be allowed to express their own creativity throughout the film.

You could time travel to any ancient city? Which one would it be and why?

Giza during the construction of the great Pyramids. I visited the pyramids for the first time last year and was amazed at just how huge these are - especially taking into account that they were the tallest "buildings" for 4000 years! I would have loved to have seen the process first hand of how these were built and the sheer effort that went into constructing these.

Do you believe in life on other planets?

Yes. There are too many stars and planets in our own galaxy and all the other galaxies in the universe for it to be otherwise - and at our period in history our perspective and knowledge is probably the size of a neutron in relation to the entire universe. We know its big - just how big is it really? This can become complicated real fast.

What's your favorite quote and why?

This one happens to be my own:

"Ownership of most things is overrated. Ownership of worldly experiences is not."

Is there anything else you would like to add?

John - thanks for reaching out to do this interview.People can connect with me on twitter @davedtc - or through my travel site, Dave's Travel Corner - www.davestravelcorner.com