The Cast Of "Anne Darling"

TAG LINE: Tonight, a lonely writer, a mother and a dreamer will try to escape sadness by partying, romancing and having sex with strangers.

http://www.kickstarter.com/projects/normanyeung/anne-darling

SYNOPSIS: Daniel hopes to break out of his depression by having sex. So he calls a chat line and meets Marnie. Their encounter becomes more intimate than they expected -- she reminds him of his mother, he reminds her of her son. Both are haunted by family troubles. Later, Daniel's friend Charlie sets him up with Maggie, a young writer who wants to run away from her ill mother. They offer each other a way out, but first they have to break their family bonds. Will Daniel break his new bond with Marnie?

Norman Yeung [also writer/director] ("Resident Evil: Afterlife", "Todd and the Book of Pure Evil") http://www.imdb.com/name/nm2034510/?ref_=fn_al_nm_1

Norman works in film, theatre, and visual arts.

Films he has written and directed include "Marnie Love", "Hello Faye", and "Light 01", which have screened at international film festivals, on Movieola Channel, Mini Movie International Channel (Europe), and on Air Canada.  He was Second Unit Director on "The Tracey Fragments", a feature film directed by Bruce McDonald.

As an actor, Norman's recent film and television credits include a supporting role in "Resident Evil: Afterlife" (Sony/Screen Gems), a series regular role in "Todd and the Book of Pure Evil" (SPACE/CTV), and roles in “Rookie Blue” (ABC/Global) and “King” (Showcase). He recently played the role of Hassan in Theatre Calgary and Citadel Theatre’s production of “The Kite Runner”.

Plays he has written include "Pu-Erh", "Oolong", "Theory", and "Lichtenstein's an 8: A New Formula to Quantify Artistic Quality".  "Pu-Erh" premiered in 2010 at Theatre Passe Muraille in Toronto and was nominated for four Dora Mavor Moore Awards, including Outstanding New Play.  "Pu-Erh" was a finalist for the 2009 Herman Voaden National Playwriting Competition.  His performance piece “In this moment.” premiered at Scotiabank Nuit Blanche in 2012.  His opera “Black Blood” (Norman Yeung, librettist; Christiaan Venter, composer) premiered at Tapestry New Opera Showcase in 2012 in Toronto.  He was a member of Canadian Stage's BASH! artist development program and fu-GEN's Kitchen Playwrights Unit.  He was a member of the 2011 Tapestry New Opera Composer-Librettist Laboratory.  He is featured in the book "Voices Rising: Asian Canadian Cultural Activism" by Xiaoping Li.

Since 1993, his graffiti and street art can be found under bridges, on freight trains, behind warehouses, in transit tunnels, and on living room walls, from New York City to Brisbane.  He has exhibited his paintings and drawings in such venues as FRCP/Galerie Youn (Montreal), Art Gallery of Ontario (Toronto), Art Gallery of Mississauga, Board of Directors (Toronto), Milk Glass (Toronto), and curcioprojects (New York City).  His painting and illustration clients include LVMH, Bruce Mau Design, National Film Board of Canada, MTV, CBC, Eye Weekly, Rice Paper Magazine, and many more.  He was featured on CBC Radio 3's "MAKE: Next Generation Canadian Creators", CBC's ZeD TV, MuchMusic, MTV, and in numerous publications and documentaries.

Norman has lectured at Central Technical School (Toronto) about urban art, at Lord Byng Secondary School (Vancouver) about a career in the arts, spoken at The Humanitas Festival (Toronto) about responsible casting of minorities in media, and received a Toronto Clean and Beautiful City Appreciation Award for his mural work.  He was a playwriting mentor for the 2011 Paprika Festival (Toronto).

He holds a BFA in Acting/Theatre from the University of British Columbia and a BFA (Honours) in Film Studies from Ryerson University.  He was born in Guangzhou, China, grew up in East Vancouver, and is currently based in Toronto.

Allison Scagliotti ("Warehouse 13", "Losers Take All", "Chastity Bites", "Drake & Josh") http://www.imdb.com/name/nm1270095/?ref_=nv_sr_1

Cara Gee ("Empire of Dirt", Toronto International Film Festival 2013 Rising Star) http://www.garygoddardagency.com/clients/cara-gee

Janet Lo ("Cracked", "The Listener", "Diary of the Dead", "To Die For") http://www.imdb.com/name/nm0516305/?ref_=fn_al_nm_1

Janet Lo is currently creating a play about Madame Mao. Earlier this year, she appeared in a pilot entitled Second Jen. For 30 years, Janet Lo has been an actor in Theatre, Film, Television and Radio. She has worked internationally, portraying roles across Canada as well as appearing in Los Angeles and China. She travelled to Shanghai as part of the Red Snow Collective, after debuting the role of Lily at Theatre Passe Muraille. Stage highlights include Tout Comme Elle (Necessary Angel/ Luminato), Pu-Erh (K’nowTheatre), Hana’s Suitcase (the Grand Theatre), M. Butterfly (MTC/NAC and ATP), Amazon Dreams (Factory Theatre), Powder Blue Chevy (Theatre Tamahnous), Simpleton of the Unexpected Isles and Shall We Join the Ladies? (Shaw Festival).

With her theatre Company, Vandalay, Janet co-produced  Powder Blue Chevy for Summerworks 1993, and A Language of Their Own in 1997, which she also directed. Both pieces centered around Chinese North American characters and created employment and skill-building opportunities for Asian Canadian actors and stage technicians.

Film and Television Credits include Satisfacton, Cracked, The Listener, The Clark Rockefeller Story, The Border, Diary of the Dead, Kojak, Missing, Why I Wore Lipstick to My Mastectomy, Madtv, City of Angels, Nikita, Prince Street, Riverdale, Robocop, Kung Fu, To Die For, Montreal vu Par: Vue D’Allieurs.

What is "Anne Darling" about?

NORMAN: We will all feel deep sadness. Many of us will feel something more profound than sadness, a depression that will prevent you from moving forward. But you must. How? You can distract yourself with booze, smokes, parties, and sex, but those are only temporary bandages. “Anne Darling” is about breaking out of sadness to become happier. And you never know who you’ll meet tonight – that stranger you’re about to dance with, that woman you’re about to hook up with for anonymous sex… they might be your key to happiness. Even if the woman reminds you of your mom. Woops! Tonight, all the characters in this film will feel the happiest they have felt in a long time. “Anne Darling” is about hope.

ALLISON: The escapist techniques of artistic urban young people. Smoking, sexing, and that awesome moment when someone holds a mirror up to your bullshit. Or something like that.

JANET: Since other people will be answering this question, I will answer who is Marnie [the character I play]. Marnie is a woman who is basically lonely. She is now divorced 3 years and her son moved away when that was happening. She also suffers from depression. Since the divorce, she no longer has the same circle of friends that she used to when she was part of a couple. So she meets people on chat lines. One night, she meets a man on a chat line, and after feeling a certain connection with him, invites him over for a mutually agreed intimate encounter. When he arrives, she is surprised to see that Daniel [Norman’s character] is not what she imagined (add suspense music here).

Why do you want this film to be made?

ALLISON: I want talented cats like Norman to bring their art to the world. Maybe this is cliché, but I worry that we'll never hear beautiful music, read beautiful words, see powerful theatre and film because the tools of distribution are still largely controlled by Johnson & Johnson. Or Rogers. Norman has brought his art to the streets, to the canvas, to the stage and screen, and “Anne Darling” deserves a place in his canon of completed projects that deserve an audience and various ribbons of recognition. Also, I wanna do an art house short.

CARA: I want this film to be made because it's exactly the kind of film I would want to watch. Straight up. Norman Yeung is one of my favourite artists and to be a part of his vision is an honour. He is seriously the most amazing human and we should all be so lucky to see what goes on inside his brain.

JANET: After being in his play “Pu-Erh”, I would love to be in another project with Norman. He is absolutely lovely, and I would love to share the screen with him in a kind of role that I am not usually cast in. So that is very exciting to me.

NORMAN: These three women are making me blush in areas that aren’t supposed to get red. The appreciation is mutual. We’ve assembled a highly talented and rather babely cast whose chemistry is genuine. The crew is pretty hot, too. We trust each other as artists and care about each other as friends. This good will and shared spirit can be rare for some productions; now that we’ve got it, we will fulfill it. “Anne Darling” is a self-contained short film that is one chapter of a bigger story. Each of the characters, and new ones, will have their own chapters, and their narratives will intersect. Making this a feature film is the bigger goal, but first I’d like to make this chapter happen.

What are the similarities/differences between you and your character?

ALLISON: Similarities? Maggie and I are both young creative chicks who like music and PBR and think Norman is good looking. We both take care of our family. We both want to invigorate our careers. Differences? I'm a grown-up child actor who does not live with her mom anymore. Not that there'd be anything wrong with that.

CARA: Hahahah I don't want to take anything away from my cred as an actor, but this character is pretty much exactly me. Charlie and I are both party monsters always at the ready to wingman a pal. Also, Norman and I are best friends in real life.

JANET: Well, I'm a mother. Other than that, not a lot of similarities. I have, in the past, in a previous life, had bouts of loneliness, but I was never able to just have a physical encounter and not want it to be more. Or perhaps for Marnie either, although I'm sure she will want to keep a relationship with Daniel, just have it not be a physical one.

NORMAN: This film isn’t autobiographical, which is what many people assume when the actor is also the writer. But having felt stuck in my life, and seeing a surprisingly large number of friends deal with depression, I understand why Daniel would want instant stimulation. It’s easier to get drunk and distract ourselves from problems than it is to solve them with professional help. Differences? I’ve had relations with older women but I knew their names. And none of them reminded me of my mom. My relationship with my mom is completely unsexual. Sorry to be boring, guys.

What is your opinion on crowdfunding?

ALLISON: It's the future. The system of ad-based content generation is broken, long live Kickstarter and Indiegogo and RocketHub. In an era where the tools of filmmaking are available to nearly anyone – you can shoot a movie on your phone, edit it using free software on your computer, distribute it on YouTube, and promote it on Twitter – it makes sense for independent creators to skip the bureaucracy of taking meetings with people who majored in business in the late nineties and speak in corporate euphemisms. You want to make something? You tailor it to the people who want to see it and promise them levels of involvement in exchange for their bucks. Boom. Socialized art making.

CARA: GIVE THE PEOPLE WHAT THEY WANT!!!! I love it.

JANET: Crowdfunding, as a concept, is wonderful. With the internet and social networking, it is a great way to get your ideas out to a very large group of people around the globe. The drawback is that there are so many projects out there that I get quite inundated with requests and may not pay attention to them unless something really exciting catches my eye.

NORMAN: Asking friends for money is excruciating. Otherwise, crowdfunding is genius.

What do you think is the key to happiness?

ALLISON: In my mind, happiness doesn't look like a key. It looks like a tiny dot of paint on the end of George Seurat's paint brush. If you're lucky you get a lot of those tiny little micro moments of happiness collected over your whole life. I don't know. I'm 23 and trying really hard to figure it out and also sound eloquent in interviews.

CARA: I think that for the most part, the key to happiness is deciding to be happy.

JANET: Strangely, just being happy. I do believe that being happy is a muscle that one needs to use or it will atrophies. There are people that have said to me, yes, I know that I have all these things (gotten all these gigs, have great friends, etc.) and I should be grateful. And I say fuck gratitude, just be happy. Exercise that muscle.

NORMAN: Asking friends for money is excruciating. It totally blows and sucks mad hard, dude. I’m hating every moment of what feels like begging. But when some friends do contribute, I’m struck by emotion. I almost cried to Aaron Kopff (one of our producers) when our buddy donated to our Kickstarter: “He’s not rich! I can’t believe he donated so much!” Other friends too, any amount. For what? So I can “make” a “film”? But it’s not about money. It’s not about film. It’s about their faith in me, their belief, their support… I am absolutely nothing without my friends. My happiness is the people who care about me, and I care about them. This Kickstarter experience has instilled in me a new generosity; I want to return the support to my friends, whether monetarily or just being there for them. I guess crowdfunding can be a happy experience after all.

Say something nice about another member of the AD cast?

ALLISON: Everyone in the cast is this totally titillating blend of attractive and intelligent. I have talent crushes on ALL of them. And I'm jealous of Norman's pompadour.

CARA: I'm going to do my very best to get Norman to add a scene where I get to make out with Allison. What a babe.

JANET: Like I said, I would love to be in another project playing a character that I feel Norman wrote specifically for me. A couple of years ago I was in a play with Cara called “Tout Comme Elle”. Although we will not have any screen time together in “Anne Darling”, it's great to be in the same project together again. I met the rest of the production team recently and they are just fabulous. And fun.

NORMAN: The way Allison conducts herself intellectually, artistically, and style-ly makes me die thirteen times before noon. If anyone took Cara away from me, I would destroy them, then take a DeLorean back 2,000 years and destroy their whole lineage. Janet is like a cross between my older sisters and my mom, which I find very comforting. No, I don’t have any Freudian family issues, but I do miss my family. Misty Fox is the sweetest and I want to play her best friend in a show ‘cause it would go over stellar. Omar Alex Khan gives us hope that we can remain cool forever.

How does working on an indie project differ from a mainstream one?

ALLISON: It's more relaxed. We don't have the thrall of a standards and practices department, and we're DEFINITELY not getting network notes about "tone".

CARA: The level of professionalism is the same, the only difference is cash money.

JANET: The indie projects that I have been involved with seem to have lots of heart. They all have been passion projects for the producers and they surround themselves with artists that share this passion as well. As a result, I've never received as much respect as I have on these projects. Everyone involved wants to be there – they are either working for no pay, reduced pay or deferred pay, but they believe in the project and want to give it their all. And they are lots of FUN.

NORMAN: You’ll probably wear your own clothes on an indie project.

What else do you do besides acting?

ALLISON: I play music and pretend I'm a rockstar. I take dance class and pretend I'm a ballerina. I write poetry and pretend I'm Charles Bukowski, just without all the misogynistic alcoholism.

CARA: Watch hockey with Norman Yeung.

JANET: I am currently creating a play about Madam Mao. And I am a Mom. So these days it's all about being a Mom in one form or other. Go figure.

NORMAN: Watch hockey with Cara Gee. And Meredith Cheesbrough.

What are some of your favorite indie projects?

ALLISON: That I've worked on? “Losers Take All”. “My Name is Jerry”. “Redemption Maddie”. “Reliance”, which has yet to grace the internet. That I've seen? “SLC Punk”. “Zombie in a Penguin Suit”. A Sam Taylor-Wood short called “Love You More”.

CARA: I'm pretty stoked about “Empire of Dirt”, my film that's opening at the end of November. We just premiered at Toronto International Film Festival, which was the most exciting thing of all time. I hope people check it out.

JANET: At the beginning of this year, I was involved in a pilot called “Second Jen”, a comedy about second-generation kids and their immigrant families. It was so much fun and I got to play a crazy Mom. Here is their website: www.secondjenseries.com.

NORMAN: “Wild Style”, directed by Charlie Ahearn, 1982. Fab Five Freddy, Lee, Lady Pink, Zephyr, Grandmaster Flash, Rocksteady Crew, Cold Crush Brothers, Busy Bee, Double Trouble, DJ Grandwizard Theodore… Are you kidding me? A gem of an ultra-indie, ultra-low-budge, ultra-important film. Is it in the Library of Congress? It will be. Also, I really enjoyed being in Seth Mendelson’s video for Bad Passion’s “Get Results”. It’s on YouTube.

Is there anything you'd like to add?

ALLISON: How lucky we are that this is our job. I get to live my life from one character to the next, filling the in-between spaces with music, dance, theatre, art... I can't believe how lucky I am. That, and I really miss Lou Reed.

CARA: Check out our Kickstarter campaign and toss us some coin. Even the smallest bit helps and we are all eternally grateful. This will be a really cool film and I believe it's worth investing in.

NORMAN: Kickstarter is all or nothing, so if we don’t reach our funding goal, then we will get $0 to make this film. If you contribute (please and thanks!), you'll get a nuanced, emotionally honest film with odd relationships that will make you consider your own choices to be happier. You’ll also get cool gifts in return. Stuff you can wear, use, and boast about. Also, I always call John Hoff III by his full name.

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Thank You to Norman. Allison, Cara, Janet for doing the interview.  I wish you all the best with "Anne Darling" and future projects. Spread the word about Kickstarter: http://www.kickstarter.com/projects/normanyeung/anne-darling For all things "Anne Darling" visit https://www.facebook.com/annedarlingfilm

Matthew Forcella creator of "One Die Short"

Matthew Forcella grew up in New York where he received his BA in Anthropology. After teaching elementary school for a year, he moved to Phoenix where he began working as an artist, displaying his paintings and illustrations in numerous galleries. From there he moved on to Graduate School in San Francisco where he received an MA in Philosophy and Religion and began teaching middle school. After secondary education, he switched gears again, working as a University Instructor and Scholarship Adviser. It was during this time that he began blogging about Roleplaying games and all things Geek, as well as publishing his weekly D&D Webcomic, One Die Short. Thanks to a successful Kickstarter campaign he is currently in the process of adapting his Webcomic into a live action web series of the same name.

What is One Die Short?

Other than the obvious (a web series about Dungeons & Dragons players), it's about people, friendship and adults learning to how to be adults.  The main intention of the series is to show how roleplaying games, creativity and a healthy fantasy life can actually help a person become confident and successful.

I'm trying to break through the stereotype of the roleplayer and the geek/nerd being a socially awkward and inept person that will be forever doomed to live in their mother's basement.  The show will largely be about each of the characters' individual transformations, and how those transformations are helped along by roleplaying and the friendships forged around the gaming table.

What inspired you to make the webcomic and now the webseries?

The webcomic has existed in one form or another for well over a decade now.  I didn't publicly put it out there until about 3 years ago when I was beginning to reconnect with my geek roots.  Like a lot of geeky teenagers, at some point I found myself straying from all things nerdy because of the many negative stereotypes associated with them.  Some of this was me being insecure, and some of it was a result of the people around me rejecting the things we once shared, and me finding it hard to seek out new friends.

When I finally decided that roleplaying was an integral part of my growth, development, and who I had become as a person, I went full force with it and started a blog and the webcomic.  The web series is the natural progression of the webcomic, and is how I originally envisioned the comic, but at the time I felt I didn't have the know-how or resources for film.

Will you tell us about the actors cast in ODS?

The actors are all local Colorado film and theater actors, mostly from Denver and the surrounding area.  They're all fantastic people (and many of them roleplayers). Aside from writing, producing and directing, I'm also playing the lead role of the Dungeon Master. Though many of the characters might not physically fit their counterparts from the webcomic, we chose everyone based on how much they felt like the characters, and as a result, we've got a really stellar cast that's doing an amazing job of bringing my vision to life. You can learn a lot more about each of the actors on our website: http://onedieshort.com/the-web-series/

What's the key to being a good Dungeon Master?

It took me a long time to figure this out.  When I was younger, being a Dungeon Master was about being in control; crafting a world and a story and sharing it (whether the players liked it or not) with other people.  I held lives in the balance and was responsible for the fate of an entire Universe.  I realize now how terrible I was at the job back then.  To truly be a great Dungeon Master, you need to let go (the same can be said of life in general I think).

Roleplaying is about co-creation and collaborative story-telling.  The Players are in charge as much as you are, and that means a good Dungeon Master needs to be flexible, and be able to recognize what best serves the story, rather than what best serves his or her own needs.

Have you seen The Strong brothers short film "Dungeon Master"?

Unfortunately I haven't yet, though I would like to.  There has been so much great media produced in recent years about roleplaying and the geek world; it's tough to keep up with it all. It's nice to see that most of it is well received if not embraced.  I think what that means for One Die Short is that we've chosen a great time to make our series.

What was it like being interviewed by John over at EatPrayMedia?

It was great!  John's a fantastic guy with a great website.  I often say this, but I'll reiterate it again: one of the best parts of making this web series has been experiencing the outpouring of support from the gaming/nerd/geek world.  It makes me proud to identify with the community.

Is there anything you'd like to add?

It's been a long road, and we've got a lot of hard work ahead of us still, but it's been a very humbling experience to see how much work talented people are willing to do to help make my vision come to life.  So, I would just like to thank everyone that has helped bring One Die Short to life so far: the cast, crew, backers, and of course, all of the fans, old and new.

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Thank you for doing the interview Matt. I strongly suggest readers of this interview check out Matt's interview over at EatPrayMedia. Also, like the "One Die Short" Facebook page.

"Tiger Within" Director Rafal Zielinski

Rafal Zielinski has directed over 20 feature films ranging from award winning independent films (where his heart truly lies) to more mainstream Hollywood projects and television.

His early years were spent in Eastern Europe. While in grade school he was lucky to travel several times around the world and gain a global perspective, an 8mm camera always at his eye. He was schooled in North America, the Middle East and the Orient.

During high school he was fortunate to attend the prestigious Stowe School in England where he received the Duke of Edinburgh Award enabling him to make his first documentary film about the temples in southern India.

He went on to graduate from M.I.T. with a Bachelor of Science in Art and Design focusing on the new field of art and technology, and studied cinéma vérité documentary filmmaking with veteran Richard Leacock.

As an independent filmmaker Rafal has always generated his own projects either by creating an original story that he was passionate about then collaborating with several screenwriters or adapting works from the theater in collaboration with the respective playwright. On most of the independent films that he directed he also served as his own producer often producing through his own company.

To learn more about Rafal and his films please visit http://www.tigerwithin.info/about/filmaker/

Visit  http://www.kickstarter.com/projects/rafal-zielinski/tiger-within-from-the-writer-of-the-princess-diari to learn about "Tiger Within"

What is "Tiger Within" about?

"Tiger Within" is a film about an unlikely friendship between a young skinhead and a Holocaust survivor. Both have lost their families and face the struggle to love and forgive. Samuel has lost his family in the war, and Casey has a broken family who doesn't love her unconditionally. Their circumstances and loss establish a connection between them that they never would have thought existed.

What does forgiveness mean to you?

Forgiveness is a powerful process. If we all learn to fully forgive, there would be an extreme peace that would radiate throughout the world. I believe in its force and in our ability to heal ourselves through forgiveness. However, there are certain types of pain and loss that are nearly impossible to forgive. Samuel has experienced those and Casey has only just begun to know the harshness and reality of the world.

Is there a proper way to grieve and heal after a loss?

Everyone is unique in their grieving process, so it's all relative to that person's emotions. Someone like Samuel has held onto his grief for such a long time that it's interfered with his every day life. Part of his soul was lost with the loss of his daughters, but Casey's appearance in his life brings about a light that he thought was dimmed forever.

Can an elderly person learn something from a teenager (and vice-versa)?

Absolutely. History gets lost from generation to generation. Casey has lived in a bubble surrounded by her own pain, completely unaware of others' life experiences. Samuel has shut himself off, basically preparing to be alone forever. Casey learns about history and true suffering from Samuel. They learn that they aren't alone in their pain, and it's comforting.

Why do you want to make this film?

Writer Gina Wendkos and I have wanted to make this film for over 20 years, since our "spirits melded", as she said in a recent interview. This film's story is timeless, universal and pure: Two individuals from different generations, a homeless punk teen and a war survivor, overcome their pain stemming from loss and "choose" each other as family. We are not all born into a family that is best for us, so sometimes, choosing a new family is necessary, even often life saving.

Why did you choose Kickstarter to finance the film?

I love the idea of crowdfunding, and really believe it to be a superior financing route than than relying on businessmen sitting behind a desk to get funded. It's more inspiring to have everyone be a part of the film who truly believe in the story and want to see it made.

How do you think you experiences from your previous films will help you make this one?

Quite a few of my films have given voices to the rebels, misfits, and outsiders of society. My first film, "Hey Babe", featured an 11 year old Yasmine Bleeth whose character was orphaned. She befriends a homeless man who is played by the legendary Buddy Hackett. My film "Fun", starring Alicia Witt and Renee Humphrey, is based on a true story of two girls who commit a senseless crime. Both girls are from abusive and broken homes, but establish a sisterhood because of their pain. These types of characters breathe much-needed life into film.

Do you have any advice for aspiring filmmakers?

I would suggest researching heavily, as well as envisioning the actors who you'd like to play the part as you write or create. Also, do not give up when trying to get your film made! As I mentioned, this film has been 20 years in the making, and we feel that now is the right time. Luckily, for us, the film's subject is timeless.

Advice to aspiring filmmakers:

https://www.youtube.com/watch…

https://www.youtube.com/watch…

https://www.youtube.com/watch…

https://www.youtube.com/watch…

Is there anything you'd like to add?

Believe in your film..believe in your characters. Keep them close.

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Thank you for doing the interview Rafal. I wish you all the best with "Tiger Within".

The Team Of "Blood Kiss"

MICHAEL REEVES



Michael Reaves has written and produced literally hundreds of scripts for various TV series, including Star Trek: The Next Generation, Twilight Zone, Sliders, The Flash, Father Dowling Mysteries, and Disney's Gargoyles (the only animated TV series ever to be reviewed in The New York Times). He won an Emmy and was nominated for a second Emmy as a story editor and writer on Batman: The Animated Series. He also won a Howie Award for his H.P. Lovecraft-related work in film, as well as the prestigious Hampton's Award.

Why did you write "Blood Kiss"?

Hopefully so that it would get made.

How did you come up with the title?

Honestly don't remember; it's been that long .

Which character do you relate to the most?

I try never to relate to characters; it keeps me from being objective.

Is there anything you'd like to add?

Yes:

THE END

TOM MANDRAKE



Tom Mandrake is a freelance artist and writer. His work in comic books includes Batman, The X-Files 30 Days of Night, Fringe, The Spectre and Swamp Thing for DC Comics. The Punisher, The Hulk Unchained and various X-Men books for Marvel Comics. Tom has also worked on a variety of graphic novels ranging from Shakespeare's Hamlet to Pat Novak For Hire which is based on an old time radio show of the same name.

Tom has illustrated books such as Wild Cards IV, Aces Abroad, GRRM: The George RR Martin RRetrospective and the young adult novel The Forest King: The Woodlarks Shadow.

Why/how did you become involved with the project?

Several years ago Michael contacted me regarding doing a few samples for a Blood Kiss comic book/graphic novel. I produced 1 page of pencils, fell ill with Lyme disease and begged off at that point. Michael was very understanding, it wasn't that I didn't want to do it, I was just struggling to do anything at that point. Jump forward to a few months ago and I got the e-mail, would I like to get involved with Blood Kiss again, a graphic novel tied to a movie as a Kickstarter! Getting a second shot at a great project doesn't happen very often so I said yes!

Can you talk a little about the "Blood Kiss" graphic novel?

An interesting aspect of the graphic novel is that I'll be creating it at the same time the film is being made. That is something I have never tried before, traditionally you create a comic book/graphic novel with an eye towards a movie later or do a graphic novel to follow up a movie release. I like the feeling of uncertainty I get from this, the idea that I'll have to figure out the process as I go!

What are the differences between working on mainstream and independent comics?

When you find yourself working on a mainstream title, Batman, Spider-Man etc. you have some readers that have been with the character for decades, a built-in fan base! Do a good job and they will appreciate it. You may even pick up new readers, fans whose first introduction to a classic character is your work and they may come to regard your vision of that character as the standard. I grew up reading Marvel and DC books and still get a charge out of being able to contribute to the legends! On the other hand, being in on the ground floor of a new, independent title means flying without a net, no built in fan base and no idea if anybody will give a damn about a project you are totally committed to. I've been in both situations with some successes and a couple...not so much, but it's all good. Both paths are well worth the journey!

What's it like to draw character renditions of Amber Benson and Neil Gaiman?

It's always a little intimidating at first, drawing real people who have fans that want to see the likeness. The important thing is to accept that you will blow it a few times, don't get stressed out and over time you will figure out what makes each face unique. Amber and Neil each have very distinctive looks, that always helps when you're trying to key in on the character.

Is there anything you'd like to add?

Please join us on the Blood Kiss journey!

DAVID  RAIKLEN AND DANIELA DI MASE



David Raiklen wrote, directed and scored his first film at age 9. He began studying keyboard and composing at age 5. He attended, then taught at UCLA, USC and CalArts. Among his teachers are John Williams and Mel Powel. He has worked for Fox, Disney and Sprint. David has received numerous awards for his work, including the 2004 American Music Center Award. Dr. Raiklen has composed music and sound design for theater (Death and the Maiden), dance (Russian Ballet), television (Sing Me a Story), cell phone (Spacey Movie), museums (Museum of Tolerance), concert (Violin Sonata ), and film (Appalachian Trail). His compositions have been performed at the Hollywood Bowl and the first Disney Hall. David Raiken is also host of a successful radio program, Classical Fan Club.



Daniela was born and raised in Caracas, Venezuela from an Italian decent. Since a young age she had a passion for acting. Early on, she could tell good and bad performances apart and somehow understood the visceral process involved in acting and performing. However, for many years, she denied herself that passion thinking that it was not a respectable career path. At 15, her family moved to Italy where she started exploring filmmaking and storytelling. Filmmaking was the invisible line that still connected her to acting. When she graduated high school she moved to Paris, to study French language, Civilizations and Culture. During this time she began taking film courses in the Sorbonne University and in UCLA.

When she turned 20 she moved to South Florida where she continued her film studies in the University of Miami and The Art Institute of Fort Lauderdale. Daniela loved production and all the elements that went into narrating a well crafted story yet she was always restless because she knew that she was not honoring her Truth. Finally one day, she decided she couldn't deny It anymore, so she went to London to study Meisner at The Actor's Temple. That's where she had an epiphany. "Acting was everything I had hoped it would be. It was the missing piece in my life. I traveled the world, explored many cultures and studied languages and yet I found that acting gave the means to explore the human psyche and emotions that I longed for. More than that, there is no better way to be in "The Now" than when you are acting. When I'm immersed in a scene and emotions surge, they become so real that I understand what it is to "live truthfully in imaginary circumstances."

After that revelation, she decided to honor her calling and at 27, she moved to LA where she has continued to study with some of the great acting teachers today such as Janet Alhanti and Ivana Chubbuck. She also continued her studies in Film Production at The Art Institute of California. Currently, she is working on indie projects, balancing herself from behind and in front of the camera.

How/Why did you become involved  the project?

David: A mutual friend told me that Michael was looking into crowdfunding a new film and asked me to consult. At first I consulted a bit to help out. But after a while the project became irresistible with a great story, setting and cast. I wanted to work these amazing people.

What other things do you do besides producing?

David: I'm a virtuoso composer and have scored hundreds of projects with everything from electronics to live orchestra and chorus. I also host a successful podcast on soundtracks, the Hugo winning Starship Sofa.

How do you properly pronounce your last name?

David: RAKE-LEN

What makes the film and" Kickstarter different from others?

David: Golden Age Hollywood with Vampires. Neil Gaiman and Amber Benson. Our videos.

How important is interaction with fans and/or backers when running a campaign?

David: We love all our fans and interact with them every day on Twitter, Facebook, Kickstarter, interviews. This is a new world and fans get to choose what gets made.

What has been the greatest thing you've learned from being part of the
"Blood Kiss" team?

David:  Neil Gaiman, Amber Benson, Michael Reaves, Daniela Di Mase and Tom Mandrake are warm, funny, creative, and inspiring. Every day one of them says or
does something that makes me think, laugh, and do better than I could
before.

What would you do if you ever found vampire living in your basement?

David: Depends- nice and sexy or evil fiend?

Is there anything you'd like to add?

David: Thanks for having us over.

Daniela: Our backers have been amazing. The support for Michael and Blood Kiss has been quiet touching! We want to sincerely thank you all!

"Mile High" webseries Episode 2 "Foos"

http://www.youtube.com/watch?v=wRGTt_NzjE8

My likeness is featured in this episode.

Wolfblood Creator and Writer Debbie Moon

Debbie Moon is a film and television writer living in mid-Wales. She has had over fifty short stories published in the UK and US, and her novel, Falling (Honno Press) was shortlisted for Welsh Book Of The Year. She has written for CBBC's The Sparticle Mystery, and is the creator and lead writer of the RTS-award-winning CBBC fantasy drama series Wolfblood. She also has several feature scripts, and a supernatural drama series, in development.

Why do you think the CBBC and Disney promos for "Wolfbood" each give a slightly different perception of the show?

Wolfblood is a show that seems to appeal to a cry wide audience. The stated audience for CBBC is 8 to 12-year-olds, the Disney audience is more like 8 to 14 - and we have quite a lot of adult fans! So it's a question of working out how to market the show to different target audiences. In the end, I'm not sure it matters, because Wolfblood's themes - friendship, loyalty, family, the tension between being different and fitting in, the search for identity -  appeal across all ages.

What are some of your favorite independent films and shows?

'Independent' is a tricky word, especially when applied to television, but… I'm a big fan of intelligent but fun science fiction and supernatural fiction, so things like Pacific Rim, Looper, Source Code, and on the small screen, Being Human and In The Flesh. I'm also a huge fan of The Shield and Leverage, both incredibly underrated shows. And I have an embarrassing weakness for The Fast And The Furious movies...

What sort of things do you study and consider when watching a film or show?

Like most people, if I'm really enjoying a show, I'm too into it to really analyse any thing. Once I've watched it enough times to get down to thinking about, however… Character is the key to everything. Interesting, unpredictable characters who aren't necessarily nice but whom we empathise with. Then a plot that's plausible but unpredictable, the richness of the world the writers are creating, and the balance of action, tension and character scenes.

 What are five things you're thankful for?

I expect most people say the same worthy things here, so just to ring the changes, I'm going to pick some less worthy but very enjoyable things!  Good walking boots. Bakewell tarts. Acting - I'm constantly in awe of what actors do… Computers (I started off writing on a typewriter, and boy, computers are easier…) And the Welsh countryside.

What's the most recent book you've read? Did you enjoy it?

The last book I read was A Cowboy Detective, by Charles Siringo; the true story of the author's exploits as an undercover detective in the Wild West. It wasn't quite as rich and detailed as I would have liked - more a fairly bare record of facts -  but it was a fascinating read, and a whole new perspective on the 'lawless' West.

What is one thing you wish you could tell your younger self?

Follow your instincts. But I was a pretty bolshie kid, so I probably wouldn't have listened anyway!

Would you ever use crowdfunding to fund a future project?

Crowdfunding is fantastic for producers and directors - the people who enjoy actually getting things done. I'm very much a writer - I want to do the writing, then hand it over to someone who can make it all happen, so I can go off an do more writing! So personally, probably not...

Is there a film or show that you believe everyone must see without question and why?

That's a tough one, because the great stories are so personal - what leaves one viewer cold might touch another person deeply. For anyone interested in storytelling, which on a  screen or in any other form, I'd say The Prestige, which is a superb piece of adaptation, of visual storytelling, of world-building. The way Christopher Nolan uses time, scene order, POV and the withholding of information in the film is extraordinary  (inspired by Christopher Priest's amazing novel, of course).

KARL KENZLER & CHRISTOPHER GERSON of Darwin: The Series

KARL KENZLER is an actor and writer. He co-wrote the comedy pilot A/V CLUB which screened at NYTVF and was described by Mitchell Hurwitz as "an inventive and original piece that mixes Strangers with Candy and Thomas Pynchon's penchant for writing about secret societies." His critically acclaimed one-man show, FIRE IN THE HEAD, helped earn him a prestigious Charles and Eva Fox Fellowship.

As an actor, he can be seen in the recurring role of “Senator Charles Holburn” in the Netflix original series HOUSE OF CARDS and appeared in the recurring role of “Father Denis” on LAW & ORDER: SVU. Other guest appearances include PERSON OF INTEREST, MADE IN JERSEY, THE GOOD WIFE, FRINGE, RESCUE ME, ALL MY CHILDREN, LAW & ORDER, NOW & AGAIN and TRINITY. He lives in Jersey City with his wife and daughter where they have a lovely view of the Manhattan skyline -- without the headache.



CHRISTOPHER GERSON has worked as a producer and editor for the Sundance Film Festival; creating content for Sundance Online. He is an editor and video producer for Trifecta Multimedia and is proud to create video content for the Great River Shakespeare Festival (http://www.youtube.com/user/GreatRiverShakes). He recently edited and acted in the short film FORT GREENE which premiered at the Brooklyn Academy of Music.
As an actor, he has appeared in many theater productions across the country and recently appeared in the New Georges Theatre production of Lynn Rosen's play "GOLDOR $ MYTHICA".

To learn more about "Darwin: The Series" click on the links below:

Kickstarter link:

http://www.kickstarter.com/projects/370925295/darwin-the-series

Darwin links:
DarwinTheSeries.com

Facebook.com/DarwinTheSeries

Twitter.com/darwinstree

What is "Darwin: The Series" about?

KARL: "Darwin: The Series" is about Leo Darwin -- a life coach whose life is falling apart. He's a guy who appears to have everything. But in reality, he's a train wreck. The story revolves around a love triangle between Leo, his wife Charlie (a former street performer and current kleptomaniac) and his client Michael (a genius inventor and millionaire crippled by social phobias).

Can you explain the symbolism in the series?

KARL: I'm not really sure about the symbolism. But as a writer, I'm very intrigued by how deceptive appearances can be. Most people have a very rich interior life. We all harbor secrets, dreams, fantasies. But you reach a certain point in your life where you realize that those things may never come to pass. And how do you deal with that? That's very much a theme in the series. In a very funny way, these characters are all dealing with the compromises they've made in their lives.

Why do you want to make this series?

CHRIS: The two of us had been talking for years about doing a web series. But our ideas were too big, they were unmanageable.  So we hit on this idea of a life coach who was actually the opposite of everything he was trying to teach. We approached our co-creator, Lynn Rosen, and the three of us immediately hit it off. Lynn has a really unique point of view as a writer. It was a great fit.

KARL: The thing is, we weren't finding the kind of stories that we wanted to see online. Web content is often aimed at a particular audience: gamers, sci-fi fanboys and that sort of thing. And those tend to skew younger. But in the last ten years the online audience has grown up. So there's an appetite out there for stories about what happens later in life: the Big Questions that come up when you're married, when you have a kid, when you're in the midst of your career. My favorite shows are about flawed people who are trying their very best -- even when they don't behave that way. So that's what we tried to write. And we knew it had to be smart, funny, honest storytelling or else people would click away to something else.

Why did you decide to shoot two episodes before launching your campaign?

CHRIS: It was important to me to have something that we could present to an audience. We wanted to be able to say "Hey, we've created something here that's compelling. Come take a look!" We could have just pitched it. Or done a trailer. But if you start telling a good story, people become involved. And from a fundraising point of view, it's then much easier to ask for help in finishing it.

KARL: Also, a trailer or pitch would never have worked because it's not a high concept sell. No one's fighting zombies or living in a post-apocalyptic wasteland here. No one's saving the world or solving crimes. It's a character-driven story and what draws people in is the way it's told.

How did you come up with such interesting update videos for your Kickstarter?

KARL: We really just started doing those for us!

CHRIS: It's true, we've had a lot of fun with the updates! We throw out some ideas to each other on the phone, then go meet up and shoot it. Karl will write a brief outline -- talking points and a few of the jokes -- and then we just riff on that. We'll feed each other a lot.

KARL: Shooting it's a lot of fun but I think the real brilliance is in Chris' editing. That's where the funny comes from.

CHRIS: But that's already in the footage. Really, the update videos are pretty easy because we have a history. We've known each other since college. We used to make movies with one of those three-hundred pound VHS cameras. This is the same thing really, just with a purpose.

KARL: And the camera's lighter.

Please talk about the people involved with "Darwin".

CHRIS: We couldn't have done this without the help of so many people. Carrie Preston is so smart and creative. As an editor I've worked with a lot of directors that have far more opinions than they do ideas.  Although Carrie has plenty of strong opinions she has far more ideas. Good ideas. I really love how she's able to take the script and translate it into a visual language that matches the tone perfectly. She puts the viewer squarely into the world that Karl and Lynn have written.

KARL: That's right! And while we're mentioning her, the truth is, without Lynn Rosen we wouldn't have a Charlie. She's brought her sharp perspective to this project. There's a madness in her writing that is so funny and raw and real. It's indispensable.

CHRIS: Our production team is fantastic. Our amazing DP, Matt Bucy, and our hardworking and patient crew. Producers Greg Ivan Smith and Kate Fonville.

KARL: And our newest member of the family, producer Kim Sherrell. Kim actually came on board after discovering "Darwin" through our Kickstarter campaign! She's been incredibly helpful in getting the word out!

CHRIS: We're also very lucky to have such a talented cast. And they all have such great "day jobs"! Celia Keenan-Bolger (Charlie) is appearing right now in Broadway's "Glass Menagerie". Joel de la Fuente (Qui-Na) is back as the "Hemlock Grove" resident mad scientist. Bill Heck (Jansen) is known to indie audiences from his movies "Pit Stop", "Nonames" and the upcoming "Happy Baby".

KARL: I have to say, our real find is Tarah Flanagan as Gaye. Tarah did us a favor and came in for a casual writers' read-through and she just crushed it. We left the room and everyone immediately said "She's perfect for this!" It was like we were writing for her before we even knew it.

Is there anything you'd like to add?

CHRIS: Yeah, we're just a few days away from finishing our Kickstarter campaign. So please check out our page and watch the first two episodes!

KARL: And if you like it, join us. Come help us finish the story of "Darwin"!

CHRIS: Thanks!