Ryan Francis Actor in "ThanksKilling"

Ryan started acting at the young age of 5 years, and has been performing ever since. He played drums in a female-fronted political punk band called Overated for 9-years, before shooting his first full-length film, "Thankskilling". Overated toured all over the Midwest, appearing with bands such as The Riverboat Gamblers, The Misfits, Killola, Strike Anywhere, and many more. During that time, Ryan had a huge interest in film, attending Ohio University in 2005, right after high school, for a short amount of time, working as a sound tech for various college projects. One in particular, called "Pinned", directed by Patrick Norman, was favored by Ryan. He is residing in Columbus, OH where he runs his record label, REF Records, and performs as a nerd-core hip-hop artist that the locals know as "Huge Euge".

What was it like on the set of "Thankskilling"?

Well, set was always a good time! The location we shot at most was Jordan's (dir) fathers home... and it was out in the Middle of Nowhere, OH. Since the cast/crew was very very small, we all became friends pretty quick! So it was just like going to work with all of your buddies. Some nights, after lack of sleep was starting to take a toll, there were times when we'd have to shoot a scene 10 different times because we were laughing so much! I recall the scene when we're all around the campfire, and the baby bunny flies into it. AH! Hilarious. Such great days/nights on the TK set!

What's it like acting with a puppet?

Oh this was fun! I mean, you've got a little shit puppet being treated as an actor. It made it easier to realize how funny the movie is actually going to be. It was MUCH better than delivering dialogue to a green carpet or a steel rod or a football!

Did you always want to be an actor?

Eh, acting has always been a hobby of mine. When Jordan approached me with the idea for TK, of course I hopped on it. If you've seen the film, you can see, acting is not my forte'. However, it's very fun! I'm currently working as a referee (along with my good buddy CHUCK LAMB) for an all-female amateur wrestling league called, "Saturday Night Pillow Fights" based right here in Columbus, OH. Things are looking just amazing! Hey, at least I'm still getting acting gigs after this film! haha!

What inspired you to become an actor?

I've grown up in theater! Acting has always been something fun for me. Just not the passion I used to have. Believe it or not, I had a full ride to a university in Ohio for acting... I turned it down for full tuition at a state school to pursue video production. I think that was the day that turned it around. HOWEVER! I'm still always very eager to work on set! So, if anyone out there, anywhere in the world, needs an ex-Thankskilling actor in their horror-comedy-drama.... give me a call! (seriously!)

What is the worst thing about being one?

Eh, there's nothing too horrible. I hate the fucking makeup. Lets just be honest. Always have.

What is the estimated number of projects you have worked on?

TK is obviously the only one you'll ever hear about... but I've worked with so many different people on so many projects. I just love staying busy.

Who is your favorite filmmaker?

I'm totally old school when answering this question. John Carpenter and Wes Craven could really put on a good horror show in the 70's, 80's, and early 90's. We lack that today. The monotony of remakes is absolutely classless and "Hollywood". All it's going to take is for ONE bright filmmaker, to make another original film. Quit taking gems and remaking them. It's hard to say anymore, though, who I like. Pockets are deep, and greed is way worse. Everyone wants to be the next MIchael Bay. Shut the fuck up.

How has your life changed since you became an actor?

Since Thankskilling, I've met SO MANY cool people! From all over the world. Between emails, and sometimes friend requests on Facebook, I try and stay in contact with everyone! I've met fans from all over the US! It's really pretty sweet. Sometimes, if I'm drunk enough, and its some poor blokes birthday on Facebook, and the sap has his number public, I'll give 'em a call. I mean, I remember being a kid and watching B-horror films... and if some random shitty guy from the movie called me on my birthday, I'd be stoked as fuck. I called one fan... and she was stoned out of her mind. She didn't believe it was me. And I think there's another guy I'm friends with, I'm thinking about swinging by a music venue in a couple of weeks to see his band play because he invited me! It's just really cool how many badass people out there share a passion for horror films! AND these fans are the GREATEST! Shit. Everyone I've met through TK knows who Bad Religion is. And Frank Turner. And No Use For a Name. Good shit guys!

What is one piece of advice you can give to someone who also wants to make it in the movie business?

It's all about originality. Stop making zombie films. Just. Stop. You're wasting YOUR time and your actors time. Who gives a fuck? Find an ORIGINAL IDEA, write an AMAZING script, and SAVE MONEY!!!!!!!! I recommend Lloyd Kauffmans book, "Make Your Own Damn Movie". It's got some pretty great tips in there about making amateur films.

What are some of your favorite American films? Foreign films? Television shows?

Cloudy with a Chance of Meatballs, Wall-E, Armageddon, Jesus Camp, Catfish, and Texas Chainsaw Massacre. I don't watch a lot of TV, but I've been watching LOST recently on Netflix (Season 3, now)... and I love Law and Order: SVU, Judge Judy, Peoples Court, Doug, Rugrats, Are You Afraid of the Dark, and The Price is Right.

How would you describe the film "scene" where you live?

Columbus has a good amount of filmmakers here! There are a plethora of projects for people to get into, in any aspect of filmmaking. Genres are widespread! The 48-Hour film fest is a pretty big hit every year, too! I've met so many cool people here locally who have their game faces on. But let's face it. You want the big bucks as an actor? Get to LA or NYC. Don't fuck around locally. Follow your dream! Get out there!

How has social media changed the independent film industry?

Oh, absolutely. It gives people the ability so share an opinion to potentially hundreds of people in mere seconds. It's great for the filmmaker and consumer. It's SO MUCH easier to get your movie out there, however, it requires a more unique marketing scheme in order for people to give a shit about what you're posting about.

What is the casting process like?

Honestly? Haha. Well, for TK, it was an absolute mind fuck. Aka, we shoot in 2 days... for 2 weeks straight... and there was no Kristen. It involved Jordan and I, sitting at a 24 hour doughnut shop late at night, while I sifted through name after name after name in my phone to find someone WILLING to be in it (Thanks Lindsey). So... other than that situation, I don't know. haha.

What's your favorite movie quote and why?

"I wanted to run away that day, but you can't run away from your own feet" - Flint Lockwood (Cloudy with a Chance of Meatballs)

Flint was a nerd. Flint invented "Spray-on Shoes". He couldn't take them off after he sprayed them on, and even when people gave him shit about what he did, he realized that he can't run away from it. They'll be with him forever. And he's just gotta accept that and move on. As the movie progresses, we know that Flint finally becomes comfortable with himself... and ultimately, he's very very happy. Bottom line: Be who you want to be, do what you want to do, and don't let anyone tell you no.

Is there anything else you would like to add?

Just a big thank you to all of the TK fans! Jordan and Kevin are not lying when they say this sequel is being made because of you guys. Trust me. I know how close it got to NOT being made... but you DEMANDED it... and it's really fun to watch from the outside.

Thanks for doing the interview Ryan.  I'm  going to check out your band "Overated".   While I'm at it I'll rewatch  the original TK. I'm looking forward to the sequel.

Filmmaker Bernardo Villela

For news on Bernardo’s upcoming projects you can visit http://www.miller-villela.com/ or if you just want to chat with him you can follow him on Twitter: @BernardoVillela




What is the current project you are working on?

I am currently in pre-production on a horror feature entitled All Hallows’ Eve, which I wrote. I have also toyed with the idea of a micro-budget chamber drama, which I also wrote as an alternative to the former.

How do you handle rejection?

 

I try not to focus on it too much, and move on to the next opportunity.

Did you always want to be a filmmaker?

It wasn’t always a conscious notion but I believe so, yes. In Junior High School my friend and I would discuss films and frequently complain about not finding anything good to watch." We’d say things like “You know what would make a great movie?” and go on from there. One day I just started writing the ideas down. It didn’t occur to me for a while that it was something I could actually pursue, so it was quite a natural thing.

 What inspired you to become filmmaker?

 

It goes back to that same time and place where I’d either watch movies or think about making one. That was the initial idea was to just write them. I was hooked on writing and writing screenplays and from then on once I put my finger on that passion I knew it’s what I wanted.

 What is the best thing about being one?

 

The creation. To be more specific the evolution of creation from taking to notes to writing a script to the meetings about the film to figuring out how to do certain things, to principal photography, to the edit. I know it sounds like I said everything but it’s really the journey I enjoy most; bringing a concept to fruition.

 

 What is the worst thing about being one?

 

Waiting for the next project to start.

What is the estimated number of projects you have worked on?

As a director I’d say the safe bet there is nine. There are a lot of exclusions taken into account when coming up with that number (projects shot in film school, projects solely for upload on YouTube and so on) basically what it boils down to is seven shorts and two television commercials.

Who is your favorite filmmaker?

 

Oh, that’s a hard one. I’m afraid I’d forget one. I’ll name a few and they’re each a bit different. The first filmmaker I remember searching for in video stores by name was Hitchcock. I love Bergman. I’ve always loved Spielberg, even more so after taking a course on him in college. My favorite, out of the New Wave, is Truffaut. I have an affinity for Argento. I could probably go on and on. I’m always seeking inspiration anew.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

 

Stick with it, don’t stop pursuing it. There are plenty of stories out there of those who’ve gotten their breaks later on. Don’t give up.

 

 

 

What are some of your favorite American films? Foreign films? Television shows?

 

I try not to draw too much of a distinction between foreign films and American films. Each nation will have its own aesthetic, of course, but I like to watch and learn from as many different cultures as I can. I have a particular fondness for Hungarian cinema Satantango and The Annunciation being two of my favorite films I’ve seen from that nation. While on my blog I do have an annual film award, where I like to single out the best I’ve seen, I haven’t made a comprehensive list of my all-time favorites. Some of the films I have at one time or another cited as a favorite would be Who Framed Roger Rabbit?, My Girl, Milk Money, Artificial Intelligence: A.I. and Citizen Kane but I also love films like Psycho, Winter Light, Cinema Paradiso, I could just go on and on and on.

 

I don’t watch as much TV as I used to but of shows currently on the air I love Modern Family, R. L. Stine’s The Haunting Hour and Game of Thrones. Some of my favorite shows of all-time regardless of format are Family Guy, ALF, Seinfeld, Pit Pony and Alfred Hitchcock Presents.

How would you describe your film education?

Long and varied. I went into college very green with regards to the technical aspects of filmmaking both creatively and crew-wise. As I said before it was sort of a natural thought: “Why couldn’t I study that?” I was always very interested in the arts but wasn’t one of those kids who grew up shooting and editing my own Super 8 and video pictures. I was a commuter traveling a great distance so when I went to Fairleigh Dickinson University-Madison I took a lot of electives and got grounded in theory. I took most if not all the courses they had to offer in that regard. Finally, when the commute caught up to me I transferred to C.W. Post- Long Island University. With a little help I was able to do a crash course in all the production courses, which I had done few of, and got a very well-rounded six year undergraduate education. I’m sure I’m not the only one and I no longer say that with a knot in my stomach and a grimace on my face because I think if I hadn’t I’d be worse off for it.

 How would you describe the film "scene" where you live?

 

Where I live in at the moment, it’s virtually non-existent. If and when my feature gets started, if it does shoot locally, we’d be re-invigorating the scene. The Delaware Film Office doesn’t even produce a production guide anymore so it may be necessary to lean on Pennsylvania and the GPFO for support. Obviously, I hope that’ll change but it’s not in the cards right now.

 How has social media changed the independent film industry?

 

I think its likely changed things for the better. Democratization seems to be the modus operandi of most of the advancements of the computer age. People can crowd-fund, they can promote, they can contact people and spread the word about their project better than ever before and there is perhaps more of an opportunity to get out there and make a splash. I think it’s rather exciting and the possibilities seem limitless.

 

What's your opinion on crowdfunding?

 

It’s not a method I’d be comfortable using myself but I don’t begrudge anyone doing what they feel necessary to make their project happen.

 How does independent film differ from the mainstream?

 

It’s obvious it differs in terms of budget and other reasons, but it shouldn’t. It should all be about the story. Regardless of whether one is salaried, and what that payment might be, professionalism should be paramount. All things serve the film and anything less is unacceptable, whether on a shoestring or blockbuster budget.

 You could go back in time and see any classic film being made. Which film would it be and why?

 

Wow, that’s a great question. I could answer it any number of different ways but if I can only pick one I just might have to say Casablanca. Simply due to the stories I’ve read about what a living organism that film was while it was in production, the script was constantly in flux and always being tweaked yet the end result is so polished and brilliant. That would’ve been a sight to behold.

 What's your favorite movie quote and why?

 

To pluck one favorite quote out of all of the films I’ve loved, to single out as the best, would be impossible. What I will do instead is cite a quote by Lillian Gish in The Night of the Hunter, which I think best describes my storytelling approach, my voice as some would call it: “You know, when you’re little, you have more endurance than God is ever to grant you again. Children are man at his strongest. They abide.” I pick that over something like John Hughes’ famous quote “I don’t think of kids as a lower form of the human species” because it’s in a positive place. In my writing I frequently feature characters who are children and the point isn’t necessarily “Kids are people too” but they’re better, stronger and more evolved in certain cases, Suffer the Little Children notwithstanding but there’s enough gray area in that movie that I can likely twist it to fit that logic too.

 What is your opinion on movie remakes and sequels?

I try and take each of those films on a case-by-case basis as I do not like to deal in absolutes. Therefore, I consider would I want to see a sequel to that film or should that film be remade but do not cast aspersions on either as a whole.

Sequels have been a part of film since time immemorial. What I do ask is that a story be done, sequels can happen whether you leave ample room for them or not but tell the story before you to its conclusion. Similarly, I wouldn’t say I’d never work on a remake I’d just have very different criteria for picking that project than most: I’d seek out a film that just missed greatness, or had a lot of potential and want to fine tune it.

 

What is your opinion on book to movie adaptations?

Considering that the film I directed just out of college, Suffer the Little Children, is an adaptation of a Stephen King short story, of course, I am fine with adaptations. I was very grateful to be allowed to make that film under his Dollar Baby program. I would not be averse to doing another adaptation someday. Adaptations, similar to sequels and remakes, are nothing new. It’s a much different process for both the viewer and the writer. However, it is a creative endeavor it’s not merely transcription but transformation.

Filmmaker Eva Sweeney

[caption id="attachment_1799" align="aligncenter" width="214" caption="Photo Credit: Sara MacFarlane"][/caption]

Eva Sweeney was born with a condition called cerebral palsy, which means that she cannot walk, speak, or use her muscles in conventional ways. She uses a power wheelchair to get around and spells out what she wants to say on a letter board. She requires assistance with everything from eating to communicating. Sweeney got her BA in gender studies from Occidental College in 2008.

What is the current project you are working on?

I’m making a documentary about the relationship between people with disabilities and their aides. It focuses on on my personal experiences and that of another woman with Cerebral Palsy named Allison Gray. The film also provides insightful interviews with the people who have worked for us. This is my first film.

Why did you want to make this documentary?

I am very disheartened by the amount of stories that just focus on the negative aspects of having attendants. While I understand that that aspect is very important to show, their needs to be more of a balance between negative stories and positive stories. I hope my documentary gives another perspective.

How do you handle rejection?

Because of my disability I have always been told “You can’t do...”. Rather than say okay and just give up I use that as a challenge. I have the same view when people say “you know nothing about film making etc.” It fuels me!

Did you always want to be a filmmaker?

No. But I’ve always liked telling stories.

 What is the best thing about being one?

Well hopefully, being able to give people a new perspective on something they have never thought of before.

What is the estimated number of projects you have worked on?

This will be the first complete film I have worked on. But I have a well known blog called The Deal with Disability where I capture peoples reactions to me ( being non-verbal, using a powerchair and having aides) on film. I’ve been doing that for several years.

What do you like to do besides filmmaking?

I’m an advocate for disability rights. I also free-lance write for various magazines and websites. I love dogs and enjoy taking my labradoodle Bailey to the dog park.

Have you had any other jobs before you decided to become a filmmaker?

Yes. I am a free-lance writer and have contributed pieces to several magazines and websites. I also travel the country giving workshops on disability.

 What are some of your favorite American films? Foreign films? Television shows?

My all time favorite television show is Six Feet Under. I think everything about that show is just brilliant! -From the writing to the cinematography to the acting.

 How has social media changed the independent film industry?

Social media has made it way easier to promote smaller independent films. Almost everyone has a facebook now. So that’s a great way to keep your fans up to date on all of your projects. Also social media reaches a larger audience versus just your home town or personal circle of friends.

What's your opinion on crowdfunding?

I wouldn’t be able to make my current project without crowdfunding. I think it’s a great way for independent artists to get their ideas made into realities.

Thanks for doing the interview Eva. I wish you all the best with your documentary. I'll be sure to spread the word about "Joy Of Aides".

Documentary Filmmakers Tom and Sumner Burstyn

Sumner Burstyn is an independent film producer and writer based in Auckland New Zealand. Her most recent film, This Way of Life, won a jury prize at the prestigious Berlin Film Festival, the two top documentary awards in New Zealand and was shortlisted for an Oscar and has sold to numerous countries. Her documentary One Man, One Cow, One Planet has won numerous awards and screened in 18 countries. She has previously worked as a journalist, winning Best Columnist of the Year award at the 2004 Qantas awards.

Tom Burstyn CSC, FRSA is an Emmy nominated filmmaker with 30 years experience as a cinematographer. He trained at the National Film Board of Canada as a documentary maker, before moving into feature films. Tom directed the multi-award winning This Way of Life, One Man, One Cow, One Planet and If Brains were Dynamite You Wouldn’t Have Enough To Blow Your Nose. He also directed Flash William about a hermit filmmaker in the Rocky Mountains. Le Patriote about a milestone nightclub in Montreal and Profiles in Rock a series of profiles of rock legends including Super Tramp, The OJ’s, Cool and Gang, Chic, Earth, Wind and Fire, the Bellamy Brothers and Smokey Robinson.

What is the current project your working on?

Yolanda's Last Portrait: https://www.facebook.com/pages/Yolandas-Last-Portrait/138288412897040
see attached card.

Why is it important to be socially conscious with regard to the people you film?

They are real people with real lives and every time you point a camera at someone it alters their lives. For us it would be unconscionable to take away a film about them and not return something to them. so we share profit and do other things to assist.

How do you manage a balance between filming and giving privacy to the people you film?

This is an excellent question. In the end we always come down on the side of privacy. So there have been times when we've captured something that would be amazing in the film but have decided not to use it because it would affect someone in a negative and unwarranted way.

How do you handle rejection?

Good question too - basically we ignore it - in the sense that we consciously turn away from it and focus elsewhere. Rejection is outside your control so there's no point in giving it any thought beyond 'oh bugger.' And we've had lots of it so this is our coping mechanism. The hardest one was making it all the way to being shortlisted for this years Oscars (top 15 films) but not getting a nomination. We really wanted our film to be nom'ed. Oh well. Next.

Did you always want to be a filmmaker?

Sumner: No. I'm a control freak and I was a columnist and journalist and so it was a pretty natural progression to producing film.

Tom: Yes - from about 12 years old. Started out as a documentary maker in Canada at the National Film Board, got sidetracked into commercial films and the Hollywood dream and found my way back to documentary and making films I'm really proud of.

 What inspired you to become filmmaker?

Sumner: It's way more fun than being a print journalist and it feels as though images on screen underpinning a profound story can really affect change.

Tom: In my blood. Never ever wanted to be or do anything else. Worked for free for years till I got some experience.

 What is the best thing about being one?

Tom: Being an artist. Telling stories.

What is the worst thing about being one?

Sumner: Lack of money. Having to beg

What is the estimated number of projects you have worked on?.
Tom: well over 100

Sumner: 4

Who is your favorite filmmaker?

Tom: Bertolucci, Tony Gatlif, David Lean

Sumner: Ridley Scott

 How has your life changed since you became a filmmaker?

Tom: I've always been a filmmaker

Sumner: I'm learning to view the world in a more visual way. And we've given up holidays, a nice car and house in return for the privilege of making films.

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

Sumner: Shut up and shoot. When I was a journalist people were always saying - oh I love to be a writer and I'd always think - well writers write. That's how you become a writer. It's a little more difficult to be a filmmaker - more time, more money, a broader vision, more collaboration - but if it's what you really want to do then you'll find a way.


What do you like to do besides filmmaking?
Sleep, read, grow veggies, walk, drink coffee - not necessarily in that order.

Have you had any other jobs before you decided to become a filmmaker?

Tom: parking cars while shooting stuff for free to get started as a teenager.

Sumner: event's manager, business owner, journalist, parent.

 What are some of your favorite American films? Foreign films? Television shows?

Tom: Five Easy Pieces. (City of Industry - but then I would say that). Foreign: The Conformist. Boston Legal

Sumner: Bladerunner. Foreign: Besieged. The Good Wife

 How would you describe your film education?

Tom: On set apprentice and work experience

Sumner: Work experience

How would you describe the film "scene" where you live?

Interesting question. Auckland has a great little industry. It's lively. There's lots of young filmmakers coming up, there's a few old hands, an active festival scene. There's definitely a developed film making community here.

 How has social media changed the independent film industry?

I can only speak for our experience but yes totally. This Way of Life came alive on Facebook and we've managed all our releases via the very active facebook family that has gathered around the film. almost 8000 people so far.

What's your opinion on crowdfunding?

It takes a lot of work but if you are dedicated it is a great way to raise funds and the start your film family - get your key audience involved with a sense of ownership in your film right from the beginning.

 How does independent film differ from the mainstream?

No fucking money. Way more integrity. Focus on story, story story, heart, and authentic characters over Angelina Jolie.

 You could go back in time and see any classic film being made. Which film would it be and why?

Bladerunner. Because it explores issues of identity and belonging and I think identity is the existential crisis of our time. And this is actually the subject of a documentary we have in early production: Search for the Gentleman Racer

 What's your favorite movie quote and why?

"I'm sort of an orphan," Daryl Hannah's Pris in BR. Because I think that's how most of us feel. This is the liquid modern age where identity is no longer fixed and must be found over and over and this one quote foretold our current society.




What is your opinion on movie remakes and sequels?
Mostly don't like them and don't bother with them and anyway in our independent film world no one is doing them. They're mainly a financial investment scheme for the idea-free.

What is your opinion on book to movie adaptions?

I'm sure some can be good but I'm struggling to think of any other than Slaughterhouse Five. It was brilliant.

 

 

 

 

 

 

 

Thank you Sumner and Tom for doing the interview.  Thanks to you I got to see This Way of Life. It was interesting seeing how the Karena family lived and dealt with the hardships and joys of live. I lhope I can see your next film Yolanda's Last Portrait when it is completed.

Composer Tzuriel Kastel

Tzuriel Kastel is a composer in various musical genres. His work has been described as similar to Tom Petty, Cheap Trick and Mozart meets Huey Lewis and The News. He is influenced by Todd Rundgren and John Lennon. You can hear Tzuriel's songs and compositions on his Soundcloud page at soundcloud.com/tzuriel. Follow him on Twitter at http://twitter.com/audiowizard25.



What is the current project you are working on?

Neighbor Nate. A new comedy web series directed by Nate Phillips (@narcherFILMS, http://neighbornate.com/). We plan to launch a crowd-funding effort soon. The pilot episode is already done and ready to launch!

How do you handle rejection?

I hope that I remember quickly that each rejection means I'm closer to the next "Yes"! I try not to dwell on it and focus on at least one thing that was positive from the whole experience. Sometimes that's a new piece that will get used later or a new technique I learned while preparing the music I submitted.

Did you always want to be a composer?

I originally wanted to be a Rock Star. Then a singer/songwriter. Then just a songwriter and now a composer/songwriter.

What inspired you to become a composer?

Keith Emerson and Rick Wakeman were HUGE inspirations when I started playing piano. John Lennon made me want to write my own stuff and Todd Rundgren made me want to record it. These days I am inspired to compose by various composers I hear in movies and tv including Chris Tilton (www.christilton.com) who composes for the TV show, 'The Fringe' and Bear McCreary (www.bearmccreary.com/)who composed for Battlestar Galactica, Human Target, Eureka, and many other shows. On the indie side of things, Rob Gokee (robgokee.com) and Christine Wu (www.christine-wu.com) are major inspirations to me.

What is the best thing about being one?

The possibilities of communicating emotionally with so many people via music. To make a diffence in how the picture makes the viewer feel.

What is the worst thing about being one?

There's a lot of competition and getting started is challenging. Sometimes, the inspiration is slow and it's frustrating to wait for the right notes to materialize.

What is the estimated number of projects you have worked on?

Recently, I've worked on or am working on 3 different projects.

Who is your favorite composer?

I really like Mark Snow from the X-Files a lot. The aforementioned Bear McCreary and Chris Tilton are 2 favorites and then of course the classic soundtrack composers: John Williams, Ennio Morricone, James Newton Howard. I'm also a huge fan of Frank Zappa, Edgar Varese, Anton Webern, and Igor Stravinsky. Recently I was turned on to Olivier Messiaen who is really fabulous.

What do you like to do besides composing?

I have 7 children so that keeps my wife and I pretty busy. I'm a big Green Bay Packers fan so I watch the games when I can. Otherwise, I listen to lots of music to stay current and inspired.

Have you had any other jobs before you decided to become a composer?

I still have other jobs until composing/songwriting earns me enough to go fulltime. I have worked in IT for the last 10 years as a Network Engineer and Systems Administrator.

Did you go to school to become a composer? 

Nope.  Although I have been reading PRINCIPLES OF ORCHESTRATION by Rimsky-Korsakov and some other Orchestration texts to learn more.


How would you describe the music "scene" where you live?

I have met several local musicians and composers through Twitter and we have developed relationships. I am not really sure about the local scene from a band perspective because I haven't performed in a band in many many years. However, I try to keep up with what's going on musically and there are many musical opportunities to enjoy in Milwaukee.

How has social media changed the independent music industry?

For me, it's changed it completely. 6 months ago, I had virtually no connections or relationships with directors or producers in any media. Today, I have become friends with many all through twitter and facebook. These networks have helped me locate composers here in Milwaukee as I mentioned and I have actually spoken on the phone with a few of my twitter friends. Social media has made everything feel a little smaller and less overwhelming. Reaching one's audience is not as daunting as it once was.

What's your opinion on crowdfunding?

I am fascinated by it. I remember my first exposure to it was Victoria Westcott's (@VWescott) Locked in A Garage Band. The idea that movies could be made through donations was simply tremendous. It was through the crowdfunding process that I connected with several of my favorite people on twitter. I hope it continues to be successful as it has presented great art to many people who may not have found out it any other way.

What is your process for composing?

It sort of depends on the project. Usually, I play around with melodies while watching the picture, if it's already available. When it's not, I read over the notes I took during the conversations with producers/directors and try and play the emotions that I am feeling when reading about the concept for the picture. Once I have an idea for the melody, I record it to the sequencer and start to add instruments, effects, other sounds, and anything else that makes sense at the time. Eventually, something starts to develop and I edit the orchestration and arrangement that suits the mood of the scene I am working on.

What's your favorite lyric and why?

Out here in the fields

I fight for my meals

I put my back into my livin'

Pete Townshend, Baba O'Riley

I really like the raw energy and image it conveys. Even though things might be challenging, we keep working hard towards our goals.

What is your opinion on song covers?

I like a good cover version. Ideally, the cover version adds something to the original and is not just a clone. I like when the cover emphasizes a certain nuance or mood that enhances the original and makes me feel something different.

Is there anything else you would like to add?

I really want to say thank you for this opportunity. I was really surprised when you asked me if I was interested in being interviewed. You have interviewed so many of my Indie heroes and I am truly honored to be among them on your blog!

 

 

 

 

Thanks for doing the interview Tzuriel. I'm really glad you allowed me to interview you. I checked out your work and I really enjoy your music.I wish you the best of luck with your crowd-funding effort for Neighbor Nate.

Joe Pezzula: Filmmaker And Screen/Comic Book Writer

Joe Pezzula is a filmmaker as well as a screen/comic book writer, living in Los Angeles. Joe has co-written The UnderGrounds webcomic as well as the series Sim-I. His directing debut was for the short film Making Friends, based on his father's short story, which hits the festival circuit this Fall. He is currently working on his latest short film, Tarantula, as well as developing a feature length screenplay based on a true crime that takes place in his home city of Albany, NY.  For more information on Joe and his project please visit www.joepezzula.com

What is the current project you are working on?

I'm about to direct "Tarantula", from a script I wrote, a short horror film in which a terrifying tarantula takes revenge on a man who kills it. It's a really short monster film in the vein of an 80s B-movie, and my producer (Katie Schwartz) and I are making it to enter into the ABCs of Death contest. Beyond that I've got two feature scripts that I'm hashing out and rewriting, a process I typically dislike but this time I feel like the refining is working better than the original construction of the stories.

How do you handle rejection?

Not very well, unfortunately. About the only thing worse is a harsh criticism about my abilities as a writer or filmmaker. I understand that not every story or film is everyone's cup of tea, but it still sucks to hear that something I've created, or even worked on, is not being accepted or included in someone's viewing or reading material.

Did you always want to be a filmmaker?

Mostly, yes. Since I was twelve and watched "The Usual Suspects" and "Se7en" back to back in a theater with my Uncle Billy. Before that, I guess I was unsure.

What inspired you to become filmmaker?

See above. Also, the feeling of hopefulness at the end of "The Shawshank Redemption". I thought to myself, wouldn't it be great to make people feel such a strong emotion at the end of a MOVIE, something I can create?

What is the best thing about being one?

The collaborative camaraderie on set. There's nothing like being on a hot set, setting a shot or working together to fix a problem - be it a logistical issue or something to do with script or with a character.

What is the worst thing about being one?

The waiting, the requirement of patience. The process is a lengthy one, it's tough to get support for a film, whether it's financial or a crew.

What is the estimated number of projects you have worked on?

Mostly short films, with a few features here and there. I'd say a good estimate is 15 total -- again, mostly shorts.

Who is your favorite filmmaker?

Pedro Almodovar is at the top of my list, currently. His films are all unique yet very similar in technique, tone, and skill. He writes his characters so well, with minimal exposition necessary. I'm also enjoying pretty much all of Woody Allen's work.

How has your life changed since you became a filmmaker?

I've learned a bit more patience and to respect the process more, so I suppose I've become more accepting of my own faults and accepting critiques. Haven't hit the big break, so in the grand scheme my life is pretty consistent -- just with a bit more experience under my belt. One thing that changed for certain is my location -- I moved from Albany, NY to Los Angeles, CA to do this.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Just DO, don't hope for it to come to you. I still fall into the "please come to me" category when it comes to my writing, but as far as actually making a film -- write something that someone might want to make with you, ask them to do it. Most people can't or won't work for free, but if you find someone willing to collaborate with you and help you raise some funds and awareness for the project, then it's a start. So, Do it.

What do you like to do besides filmmaking?

Reading. Also, people watching. People are fascinating, scary, pitiful, and wonderful. Watch them.

Have you had any other jobs before you decided to become a filmmaker?

Menial service industry jobs as well as some gigs on live events in the industry. It's fun to see all aspects of the entertainment industry and study how people work, how they execute their way through a problem, and then get frustrated at the money aspects of production.

What are some of your favorite American films? Foreign films? Television shows?

American Films -- Full Metal Jacket; Dog Day Afternoon; Sunset Blvd.; Psycho.

Foreign Films -- Fellini's 8 1/2; Life is Beautiful; Talk to Her; Oldboy.

TV Shows -- Spaced, Cheers, Friday Night Lights, Arrested Development.

How would you describe your film education?

Casually Academic. I minored in Film Studies and received a MFA in Screenwriting, so I took a lot of studious courses in film history, but also watch many modern films. I lament that classic films are seen as perfect structures in classes, yet not encouraged when it comes to writing today. I once handed a draft of my thesis script to a professor, told him it was influenced by "Being There," and he told me to not use that movie as a sound structure. "It was a movie made for the early 80s, but no audience would watch it today, and no one would read it." Sounds like a bummer way to see things. I learned a lot watching Paul Osborne on the set of Favor, for which I crewed the entire shoot (minus one day).

How would you describe the film "scene" where you live?

It's LA. What more do you need to know?

How has social media changed the independent film industry?

Independent film as an "industry" is an interesting concept, one that's constantly evolving. I think that the technology is effecting independents more than social media -- as equipment and resources become more available to more people, there are more ideas that can hit the screen.

Actually, Social Media might be hindering the audience experience more than the filmmakers. Audiences face an over-saturation of films options to watch, or help make, help finance, download for a buck or for free, etc.

Word of mouth is now the printed word, and becomes less reliable than an enthusiastic conversation. I think recommendations should be more than a few words of "you will like this" or "this idea would make a good film." What's lacking is the conversation of what might actually work, and what doesn't, the whys and wherefores of a good film versus a bad one.

What's your opinion on crowdfunding?

I love the very idea of it, but the toughest thing is to mentally stay in the game without holding a grudge. It may sound shallow, but it's easy to get frustrated when you say out loud "just a buck!" and barely anyone responds. It brings up doubt about your project, and also makes you wonder about the process of crowdfunding. It's still in early stages and being taken advantage of in strange ways, but like everything in entertainment or the creative world, it's evolving. In a healthy way.

How does independent film differ from the mainstream?

Behind-the-scenes I can't speak from experience, but watching on the screen you notice the quality of story and at the very least the dedication of character development between indie films and mainstream movies.

You could go back in time and see any classic film being made. Which film would it be and why?

The Maltese Falcon. Setting up deep focus photography and watching how John Huston brings out that hard-boiled attitude in Humphrey Bogart.

What's your favorite movie quote and why?

"He'll flip you for real." -- from The Usual Suspects, spoken by Benicio del Toro as Fe. Because it's out of nowhere and always gets a laugh, and also represents the entire movie yet it's spoken offhandedly. Probably not intentional by Chris McQuarrie, but fun to play with and say to people out of the blue.

What is your opinion on movie remakes and sequels?

Sequels need to be stopped at two (beyond the original) and remakes disappoint me when there's a plethora of original ideas out there. Movies are made in the time they're made with specific context adding to their cultural impact. Imagine trying to remake Casablanca now...ugh, the horror.

What is your opinion on book to movie adaptions?

Most are enjoyable and I'll give them a shot. Sometimes it helps with the reading experience, and some of the best movies are based on books. (The Maltese Falcon, Godfather, Jaws, To Kill a MockingBird, heck, even Casablanca and Arsenic and Old Lace were based on plays).

Filmmaker Drew Rosas

Drew Rosas is an independent filmmaker currently living in Los Angeles, CA.  He is the owner and CEO of The Surgery RoomProduction Company. His work experience includes several feature length film projects including Public Enemies, Modus Operandi, Handmade Nation, Hamlet ADD and his directorial debut Blood Junkie (recently selected for distribution with Troma Entertainment). In addition to his work in feature films, Rosas has produced and directed dozens of commercials and several Television pilots. His current feature film project, Billy Club, is slated to be shot in September 2011.

What is the current project you are working on?

Currently I am producing and co-directing a feature length horror film project titled Bill Club. This is the story of four old friends from little league that reunite 15 years later an end up unknowing in the cross hairs of a serial killer that shares a hidden past with the teammates. The entire film is wrapped in a baseball theme. Our Killer wears an antique umpire’s mask so he “controls the game” and decides who is safe and who is out. We are currently raising money to make this film come to life. We’re nearly at our goal but we need everyone’s help. Visit www.BillyClubMovie.com and click on kickstarter to pledge you support and we’ll mail you a copy of the DVD when the film is complete.

What is "microbudget" filmmaking?

I’m not sure where the cut off is exactly but I believe anything below $100,000 for a feature length film would qualify as “micro-budget”. Independent filmmaking can range anywhere from no dollars to $10,000,000. That would put film I make with my friends in the same category as films like Little Miss Sunshine. Someone invented this term “migrobudger” to differentiate from the big guns with real money and the filmmakers that are creating entire projects with the money they spend on one shoot day. My first feature film, Blood Junkie, was shot for a ultra-low budget of $7000. That project has been picked up for distribution with Troma Entertainment and was released on DVD in May of last year. It is now available online and on the shelves at Family Video.

What do you do to keep your production costs down?

The biggest cost is paying for help. Most people need to throw out serious day rates to get cast and crew to dedicated their valuable time and energy to the project. I build my crew from close friends (they are also professionals working in the industry) and passionate supporters of the project. When you work on a Drew Rosas film, you are not doing it for the paycheck, you are doing it for the amazing experience and adventure that will undoubtedly ensue. If you make it fun, your crew will bend over backwards for you.

How do you handle rejection?

I am always growing as an artist and a filmmaker. Every project I make is bigger and better than the previous. So by the time someone has rejected my work, I’m probably years beyond it already on a professional and emotional level. It does not really bother me. Everyone has different tastes and different senses of humor, if anything, I chalk it off to a difference of opinion and keep a positive outlook on my next project.

Did you always want to be a filmmaker?

When I was really little, I wanted to be a trucker. I don’t’ know why exactly. I guess I just really loved going on road trips with my family and seeing the country that way. I started making movies, like many filmmakers, in my parents basement with my close friend and brothers. Our first serious video project was a sketch comedy show called “In The Bucket”. Just found the tape of this recently and it took me back. I continued making films all the way through high school but it was always just a fun way to get extra credit for a class or make something with my friends. After high school I decided NOT to go to college and took a year off. I worked some shitty jobs and partied a ton. It was in this year that I realized… if I was ever going to succeed at a career, it would have to be something I loved to do so much that the time spent would not be a chore but pleasure. Filmmaking and music were the only two things for me at the time, so I enrolled in film school and haven’t stopped making film since.

What inspired you to become filmmaker?

Well, watching movies of course. It was really a bug that I caught when it dawned on me that someone was behind the camera creating the stories I loved so much. As a child, this was a profound moment. I tried to make a movie and it worked. I would try to make a special effect and it would almost work. So I would figure out a different way to make something work. Once I discovered camera tricks and editing, the rest was just a blast. There is always someway to improve or something to create that you never thought of before. I got hooked and I am still hooked today, more than ever.

 What is the best thing about being one?

I could never subject myself to the routine 9-5 workday. I would much rater work 12 hour days doing something new and exciting. The time passes much faster. This need for diversity is just one of the results of being an unmediated ADD case from the 80s. Everyday on set is a new location, with a new list of challenged and an entirely new adventure. It keeps everything interested and makes me into a creative problem solver.

 What is the worst thing about being one?

Stress and anxiety. There is so much unbelievable pressure when you are in charge of a film project. You have 20 or more people looking to you for the answers to all their questions. You have investors that are trusting you to make something amazing with their money. There is a tight shooting schedule that has to line up day-by-day for months and tons of unforeseen problems. Some women describe a moment of euphoria directly after childbirth when they hold their baby in their hands and forget about all the pain and trouble they went through over the past 9 month. The same goes for filmmaking. When it is all over and you are watching it on the big screen, you forget the horrible parts and all you want to do is make another one.

What is the estimated number of projects you have worked on?

If you count short films, commercials and friend’s projects probably well over 100. I’m not keeping track.

 Who is your favorite filmmaker?

The greats are all great for their own reasons. The current filmmakers that I am most excited about are Paul Thomas Anderson and The Cohen Brothers.

 How has your life changed since you became a filmmaker?

I have always been a filmmaker so that is hard to say. It feels like this is just a way of life for me. I can’t really remember a time where I wasn’t working on some kind of film project.

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

Don’t try to “make-it” in the film industry. You should only get into the world if you love making films so much that it is the only thing you know to do with yourself. I haven’t “made it” and I don’t plan to. I just plan to keep doing what I love.

What do you like to do besides filmmaking?

I am a musician. I have always used music as a form of instant gratification as an artist. Filmmaking takes years of hard work to finish a project. Whenever it is getting overwhelming, I love being able to just pick up a guitar and writing a song in the moment. Then get back to work.

Have you had any other jobs before you decided to become a filmmaker?

I used to be a pizza delivery driver for about 4 years. It was actually a pretty decent job for a teenager in a small town. Made good money and got to cruise around town all night listening to music. Seems so easy compared to what I do now.

How would you describe your film education?

I studied film at the University of Wisconsin: Milwaukee, a school with a strong support of experimental filmmaking. This was an incredible program for someone like me because it allowed me to gain exposure to all kinds of films and filmmakers I would not have other wise. I created several experimental shorts and experimental narrative projects before I started making straight narrative films. Unlike most Hollywood film schools,
UWM teaches students how to make a film independently, through each step of the process from conception to completion. This is the basically filmmaking method I still use today.

What is the casting process like?

I really like to cast friends or friends of friends if they have what it takes for a part. If you can write a role for someone that is already half way there in their real life it will make my job as a director and their job as an actor much easier on set. Otherwise, I have actually had a large amount of success casting using craigslist. It is free and you only get people that are super serious about dedicating time to a project.

 How would you describe the film "scene" where you live?

In LA, everyone works in the entertainment industry, or at least most people you meet. It becomes a little cliché to call yourself “a filmmaker” or “a director”. Out there everyone is in it to win it and the rat race is a little overwhelming. I try not to make it the center of conversation. I’m more interested in the Milwaukee film scene. Here there are dozens of artist, filmmakers, musicians all living passionately for their respective arts. My goal is always to surround myself with the most talented and enthusiastic people and get them to collaborate with me on something bigger.

What's your opinion on crowdfunding?

Kickstarter has allowed me to raise nearly $15,000 for Billy Club. This is incredible! A few years ago I would be charging this on my credit card, so how could I not love crowdfunding? There are so many people in my life that want to pitch in and help out with a project. Crowdfunding allows them to all throw in on one project and piles little bits of donations into something bigger and better.

 You could go back in time and see any film being made. Which film would it be and why?

Star Wars. No doubt.

 What is your opinion on movie remakes and sequels?

I’m not a huge fan of remakes and reboots. To me is seems like a pretty obvious attempt by a giant Hollywood studio to try and squeeze some more money out of a dying franchise. Sometimes they are pretty great, most of the time they are pretty horrible and a shadow of the original. Sequel are okay. That is a big part of the American cinema tradition. I mean what would Friday the 13^th be with out 9 or 10 sequels?

What is your opinion on book to movie adaptions?

The book is almost always better in my opinion. I don’t think the page necessarily translates to the screen. I’m more interested in original screenplay work because it was written for the motion picture medium.

Is there anything else you would like to add?

Thank you very much for the opportunity! If anyone out there is passionate and interested in supporting “microbudget” independent filmmaking please visit www.BillyClubMovie.com and click on kickstarter to pledge your support for my next project. $25 buys you a copy of the DVD when it is finished.

Thanks for doing the interview Drew. I'm going to check out "Blood Junkie" in the near future. Keep me posted on the status of "Billy Club". I wish you the best of luck with your campaign