Josh Cook Creator Of Zombie A.C.R.E.S.

Josh Cook is a Midwest native, having lived most of his life in Kenosha, Wisconsin. He now resides in Seattle, Washington, with his three year old dog, Sam Dogg. His days are spent bouncing around trying to promote Zombie A.C.R.E.S., as well as watching tv, reading, and playing with Sam. Writing has always been a passion of his, and he has been writing for many websites over the years. With Zombie A.C.R.E.S., he is open to finally pull Sam Dogg and himself up from the gutters and into the lives he knows they both deserve.

What is the current project you are working on?

Currently I am focusing on AiZ: Alice in Zombieland. This is an eBook that will be coming out in October and is part of the Zombie A.C.R.E.S. Universe. Zombie A.C.R.E.S. is a short story series that I started almost five months ago, about a world where Roslun Global, the largest and most powerful pharmaceutical company, has found a way to create walk and talking zombies. The ultimate goal being integrating the undead with the living, Roslun created Zombie A.C.R.E.S. (Animated Corpses Reintegration Experimental Subdivision) – a sort of gated community for zombies. In 2011, William Lohman, one of their top experiments, exposed Zombie A.C.R.E.S. The world is a little different now. There is not a total zombie apocalypse, but there are small flare ups around the world. One of these came almost ten years later and changed the lives of many people forever. This is where AiZ: Alice in Zombieland picks the story up. There is not much I can reveal at this time without giving away too much, but everybody should know that it will change the Zombie A.C.R.E.S. Universe forever.

Along with the AiZ: Alice in Zombieland eBook that is coming out in October, I am releasing a five issue comic miniseries by the same name. This miniseries will be a comic adaptation of the eBook and will be released monthly at our Online Shop. To celebrate the jump into the comic world, and as a sort of coming out celebration for the Zombie A.C.R.E.S. universe, I would like to release special, VERY limited editions of AiZ: Alice in Zombieland #1. The ZomBcon Edition will be limited to only 200 copies, and will be sold at the Seattle ZomBcon convention in October. Unfortunately, due to my personal circumstances (kind of bouncing between couches right now); I cannot fund this celebration on my own.

 

Because of that I have started a funding project at Kickstarter.com. The funding I am requesting there is to help cover the costs of a booth at ZomBcon, as well as the printing costs of the 200 issue ZomBcon run. Nobody that is working on AiZ: Alice in Zombieland is getting paid for any of their work. This is strictly a project of passion for each and every member of Team Zombi.  I am offering rewards for pledging anything from $1 and up, and one of these rewards is an even rarer edition of AiZ: Alice in Zombieland #1, limited only to the number of backers at certain levels. This Backer Edition is expected to be limited to less than 50 copies.

 

Both the ZomBcon and Backer Editions will feature a bonus comic story entitled Bruce Campbell vs The ACRES. This story will never be released anywhere else and is hilarious. Both of these editions will be numbered to help ensure rarity and collectability. Each of the three versions will feature a different cover by one of three talented artists that all have a hand in the creation of this wonderful series.

 

There is less than a week at the Kickstarter campaign and I am less than half way to my goal. It is all or nothing, so if I don’t make my goal, I don’t get any of it. I am asking anyone to help, even with a dollar, and make this dream a reality.

How do you handle rejection?

It all depends. When I started doing this, I knew it was going to be a lot of hard work with a lot of rejection. I had no clue the vast amount of both I would have to deal with, especially on the sped up timetable AiZ: Alice in Zombieland is on to make ZomBcon this year. It gets to the point to where hearing ‘No’ and finding more and more hurdles to jump over becomes part of your everyday routine. Because of that, it does give you a slightly thicker skin, and makes rejection a little easier to swallow. There are days where I love what I do and can deal with anything, but then I have my days where the slightest bit of rejection just tears me up. It’s a rollercoaster of emotions every single day, and sometimes it is a very tough ride to handle.

I am a naturally shy and very self conscious person, so even though internet rejection has become a little easier to handle, I have yet to really deal with real world rejection. I am just now really starting to put myself out there, and that means videos and trying to find public appearances. With that comes the judging of Josh Cook, and not just Zombie A.C.R.E.S. That is a brand new feeling, and a different kind of rejection to deal with.

Did you always want to create Zombie A.C.R.E.S.?

I always wanted to entertain, I think. In my room when I was younger, I would practice being a radio DJ or even a comedian at times. Even at a young age, I was very shy and self conscious, so I never thought I would be able to pursue a public career. Once I was old enough to write, I realized the mechanics of writing well came fairly easy to me. Yet again, my own feelings towards myself and my talents stopped me from chasing my dreams to be a writer. So, short answer long, I have always wanted to entertain people.

 What inspired you to create Zombie A.C.R.E.S?

The main reason to start my own company at all is to bring my three year old lab/cocker spaniel Sam Dogg to work with me every day. The actual story was born out of jokes that were made while I was at my last crappy job at Kohl’s. I don’t remember how they came about, but somehow this series of jokes and thoughts about a funny little zombie community become the daily norm. After a series of personal setbacks, I decided to take the thought one step further and create the world of Zombie A.C.R.E.S. I took a lot of the comedy away, and replaced it with emotion. These stories are not just about zombies, but about the people that are forced to live in this world that they did not create.

I have always loved the blood and fore of zombie stories, but the best of these stories had a focus that was more on the survivors and the struggle they have to go through just to make it day to day. That is the story I hope to tell with Zombie A.C.R.E.S.

 What is the best thing about creating it?

Hands down, the best part is actually creating. I get to bring a vision that I had in my head to life. The most amazing feeling besides love is when someone reads a story, or visits ZombieACRES.com, and enjoys it so much that they tell me about it. Just now I received a tweet from a fan that said ‘I visited your website. What a great concept’ and that helped make my morning. I love knowing the fans are enjoying all the hard work Team Zombi is putting into everything we do, and are showing so much love in the horror and indie communities to help us grow.

And control. LOL. There is a bit of satisfaction in knowing that this is my world and I can do whatever I want. But I don’t think you will find a wirter out there who doesn’t have some sort of a control issue. LOL.

 What is the worst thing about it?

The constant promo that needs to be done and the daily stress. It’s that rollercoaster I was talking about. Since we are such a small group of people, and most busy with other things, that leaves a lot of the daily grind to a few of us. We are out there every day, some of us all day, begging for funding and searching for new ways to bring our stories to people. It is rough work, full of rejection and days where you feel you went nowhere, but then I remember why I am doing it… for the fans.

What is the estimated number of projects you have worked on?

I am brand new to the creative scene. I have been writing online for a number of websites for about five years, but Zombie A.C.R.E.S. is my first true creative project. Thanks to its success, I have begun working with Lewis Cougill from GenXnerd.com on a project called Not Just Dead Stuff. This is in the infant stage but please check out the site and bookmark us to watch as we grow into a video community of survivors of Out3rKn3t. I have also been approached about helping write a zombie short film, but I have been sworn to secrecy on that one.

 Who is your favorite storyteller?

That is really a loaded question. LOL. There are so many people that I respect and enjoy, it’s like comparing apples and oranges. I have always been a huge Stephen King fan. When he paints a picture for his readers, they know exactly what he has in his mind’s eye. Of all of his work, the Dark Tower series really showcases this by mixing two completely different worlds – one of magic and one of a wild west reality of lore. If any of you have not read the series, I really recommend it.

On the other hand, I will put almost anything Trey Parker does on a higher level than most people’s work. Not only is South Park still relevant and hilarious, but his movies, and now stage musical, have so much social commentary – some hidden and some not so hidden – and he is always entertaining.

 How has your life changed since you created Zombie A.C.R.E.S?

Well, considering I started Zombie A.C.R.E.S. out of need as much as dream, my life was already pretty hectic. ZA has added a lot more stress and work into the mix, but the satisfaction of it all is well worth everything that goes into it.

What is one piece of advice you can give to someone who also wants to create a project like yours?

Be prepared to work. Indie art is not for people looking for an easy job with amazing pay. I was almost homeless when this started and I am no better five months in. It takes a lot out of you to do this each and every day, but you have to really want it to make it through each and every day.

What do you like to do besides making Zombie A.C.R.E.S?

I obviously read and watch a lot of zombie stuff. I do watch as much TV as possible, but that ends up consisting of a lot of Big Brother and Game Show Network shows. I also love to go sightseeing around Seattle, I just don’t get to do it too often thanks to the whole having no money or home situation.

Have you had any other jobs before you decided to create Zombie A.C.R.E.S?

Retail, retail, retail. That was what I did, and I was good at it. That is really odd considering how shy and self conscious I am, but it’s true. I am a natural with customer service and a fast paced work day. That so does not mean I like it though. LOL. I want to eventually have my own Zombie A.C.R.E.S. offices where I can walk into work with Sam Dogg every day, and enjoy what I do all day and allow my employees to enjoy their jobs as well.

 What are some of your favorite American films? Foreign films? Television shows?

I am a Pop Culture Whore, so these lists can be long. I will just give highlight reels below. LOL.

American Films: Team America: World Police, Scarface, Schindler’s List, Nightmare on Elm Street, Evil Dead series

Foreign Films: Cemetery Man, Pan’s Labyrinth, Shaun of the Dead

Television Shows (I am  HUGE tv fan, so this is a very condensed list): Big Brother, The Walking Dead, Burn Notice, South Park, Mythbusters, Deadliest Warrior, 1000 Ways to Die

 How would you describe your education as a writer?

I have never had any formal education or training as a writer. I did go to a couple years of business school, but I would rather do things my own way. I am still being educated on a daily basis, both as a writer and as a business owner. It is mostly hit and miss training, but at least I can say I went out and tried my own thing. That is something I am very proud to be able to say, no matter what.

 How would you describe the writing "scene" where you live?

I am in Seattle, Washington, so the ‘writing scene’ is ginormous out here. This is the land of creatives and free thinkers. We have artists, writers, musicians, and hundreds of other creative types. It is an amazing place to live.

 How has social media helped you with Zombie A.C.R.E.S?

Social media is the life blood of Zombie A.C.R.E.S. Without sites such as Twitter, there is no way ZA would have fans in several different countries this early in its life.  I am always looking for brand new ways to market ZA, as well as myself, and new social media outlets always seem to be the best way. There is also a network that has formed all over the internet of indie artists supporting each other, and that has only grown and become stronger with the advent of social media and the pushing of the boundaries of communication. The world is shrinking, and that can only mean better things for us indie artists.

What's your opinion on crowdfunding?

Since the AiZ: Alice in Zombieland Kickstarter project is the first experience I have with crowdfunding, my opinions are still forming. In theory, it sounds like an awesome idea, but there have been a great many awesome ideas that have been ruined or tarnished once humans get involved. If I do make my goal in less than a week, I bet my attitudes do turn a little more favorable towards crowdfunding. J

 How does independent film differ from the mainstream?

Being the Pop Culture Whore that I am, I love my mainstream trash and pop pulp. I just want that to be said off the bat. I do enjoy many indie films, but until now, I have not been this deeply immersed in the culture. Not having to follow someone else’s rules allows indie artists’ to really push the envelope and create art that makes society think about the world a little differently, even if only for a little bit.

 You could go back in time and see any classic film being made. Which film would it be and why?

Classic film, eh? It all depends on your definition of classic, but I would love to go back and watch Airplane! being made. The movie is hilarious and it looks like it would have been a blast to make, and maybe even a lesson in how to have fun while working.

What's your favorite movie quote and why?

As my tastes change almost every time I see a new bright, shiny object, so do my ‘favorite’ movie quotes. I am always a huge fan of great one liners, and quick punch line jokes in my movies.

 What is your opinion on movie remakes and sequels?

Remakes and sequels are completely different animals. I feel remakes are valid in some cases, but most of the remakes coming out these days never need to be made. I think a lot of it may be made with an honest attempt to bring some great ideas and art to a new generation, but too many of these remakes are just to cash in on a cult following already in place.

Sequels can be awesome or worthless dribble, depending on what they add to the overall story. A Nightmare on Elm Street is my favorite horror series for that exact reason. Not counting the second movie, every installment added something to the story and mythology of Freddy Krueger.

What is your opinion on book to movie adaptions?

Again, if they are done right, they can be awesome. I hope that when the first Zombie A.C.R.E.S. movie is made, I can find the right team to bring my vision to life correctly. I think whenever possible, the writer of the book should always be involved in the making of the film. Nobody else knows exactly what that artist had in mind to begin with.

Is there anything else you would like to add?

Just that I really need all the help I can get at the AiZ: Alice in Zombieland Kickstarter page in the next few days to make my dreams come true.

Review Of "Waking Eyes"

"Waking Eyes"  is a psychological short film. The itself is about twelve minutes long. The film is written and directed by Sarah R. Lotfi. Miss. Lotfi also designed the costumes for the film.  You can find more about Sarah and "Waking Eyes" by visiting her website at http://www.sarahrlotfi.net/. The film centers around Alice (Ariel Baty) who is lost in her own mind. She visits different time periods while she is wandering.   In each time period, she sees the same man (Michael Lee) dressed in present day clothes. There's a twist and I'm not going to spoil it. Check out the trailer for "Waking Eyes below:

 

[vimeo http://vimeo.com/23534944]

Check Out "Stuck Like Chuck" By Jerry Cavallaro

If you haven't already you should check out "Stuck Like Chuck".  Mr. Cavallaro was nice enough to put his film online for free. The film stars Joe Moran as Charlie. A college student and self proclaimed nerd. Charlie likes Kevin Smith movies, video games and a girl  in his film class named Juliet (Jocelyn DeBoer).  Charlie has  a few great oppurtnies  get to know the girl of his dreams.  He doesn't exactly know how to talk to Juliet (or any girls for that matter).  Charlie and his roomate Rob (Patrick McColley) put a plan in motion to have Charlie and Juliet locked in a classroom after hours in the hopes that the two can get to know each other.  Find out if the guy gets the girl. Watch "Stuck Like Chuck" below :

 

[vimeo http://vimeo.com/27557661]

Filmmaker Jordan Mitchell

"Much of Jordan Mitchell's work, be it film, animation or video, makes the effort not simply to represent, but to engage viewers in thought. She creates stories that are complex, creative, and complete. She is always looking to go beyond what is expected of her and to make a statements about how she sees the world." - Mark Lewis, Digital Media Professor.

Follow Jordan on Twitter @JFilmsCinema

Check out Jordan's projects on YouTube at http://www.youtube.com/liljaha13

What is the current project you are working on? - I'm currently working on two projects. One is a series called Sessions, a light hearted comedy about a young man's life and therapy sessions. The other project is DIG, a stop motion film I'm expanding on.

How do you handle rejection? - Rejection is always hard, no matter what the circumstances may be. I see rejection as a test of how well we can pick ourselves up again. Each rejection is a stepping stone that leads to where we're really meant to be. When I'm rejected, it inspires me to work ten times harder so I can improve and grow as a filmmaker.

Did you always want to be a filmmaker? - When I was younger I actually wanted to be a writer. I was constantly writing stories but when I discovered filmmaking everything changed. It was then that I discovered the difference between what came easy, and what I was passionate for. If I had become a writer I'm sure I would have been content in my life, but I would always want more. Filmmaking gives me a true happiness I've never known before.

What inspired you to become filmmaker? - When I was fifteen one of my friends sent me an e-mail. She had heard about a contest, Fresh Films, that she thought I would do well in. She knew I wanted to be a writer, so she thought I might be interested in script writing. I was selected along with nine other kids to go to Los Angeles for a week and be apart of a film crew. That week changed the rest of my life. Every part of the process, from scripting, casting, preproduction, production, etc. was incredible and got me hooked.

What is the best thing about being one? - The best part is the creative freedom it gives you. No matter what you make, no one can tell you it's wrong or that it's not right. If you don't like the way a story goes, you have the power to change it. What I love the most about it, the ability to connect a theater full of strangers to one another through your film. They're watching your story unfold on screen and experiencing similar emotions. Every so often I look around the theater during a movie to see how people are reacting, what makes their eyes light up. A majority of the time, the reaction I see on someone's face is similar to the person's next to them and they don't even realize they're sharing a moment. When the movie's over, there's nothing better than side conversations you hear while leaving the theater. It's those little things that I live for in the industry.

What is the worst thing about being one? - The worst thing for me would be the problems that come about while editing, especially on a deadline. There have been a few times where I've made a nice project, but the software stops responding. You try everything to save it, but the only option is to exit and start all over again. So my suggestion is to save as you go!

What is the estimated number of projects you have worked on? - Overall I've worked on 30 projects that range from commercials, short films, animation, and stop motion projects.

Who is is your favorite filmmaker? - I am a big fan of Jon Favreau and Steven Spielberg. I love that Favreau not only directs his own films, but stars in them as well. I enjoy Spielberg's work because the stories have substance, real depth that we can relate to. That's what I wish to accomplish in my films, not just to entertain but to engage the audience and make them think.

How has your life changed since you became a filmmaker? - My family has always described me as "shy" or "bashful." Filmmaking has helped me gain more confidence and given me a voice. To a complete stranger, a camera would be nothing more than a piece of machinery. In my eyes it's not a cold and unfeeling fabrication, to me it is passion, excitement, and everything I am and hope to be. I've found my identity through filmmaking, and I hope to continue doing what I love.

What is one piece of advice you can give to someone who also wants to make it in the business? - Never give up. Rejection is not a bad thing, it only pushes you in the right direction. So no matter how many people tell you no, keep going.

How would you describe your film education? - I was blessed with two professors who really inspired and pushed me to do my best. Professor Erik Jacobson and Mark Lewis taught me a lot not only about film, but about life as well. Professor Jacobson taught us the history of film, but he also taught the importance of human decency. We were always reminded that we should be kind to everyone, no matter how big or small their job is. They are an essential part of the process and without them, production is not possible. Professor Lewis taught us editing and animation, but he stressed the importance of creativity, giving us no boundaries. Our projects were not only art, but they were statements about who we were as individuals. I do not believe I would be who I am today without their guidance and support.

How does independent film differ from the mainstream? - I feel independent films have a little more heart than mainstream. I love them both, but when I watch an independent film I feel like I'm getting to know the filmmaker better. The subjects are usually close to home, so they put their heart and soul into it. They're not censored as much, and when you stand next to them as they show the film, watch their reaction after the credits. I've had a few of my friends screen their work and I see this immense pride come over them. As independent filmmakers, they're honored to have a few people view their work, and it's a very humbling experience.

You could go back in time and see any classic film being made. Which film would it be and why? - I would love to go back and see how Jaws was created. I know there were a lot of problems with the mechanical shark and it would be interesting to see how it was handled. Spielberg named the shark "Bruce" after his lawyer. Another film I would love to see being made is Larry Crowne. It's a newer film with Tom Hanks and Julia Roberts, but it is amazing. I feel it really portrays what many people are facing today with the economy, job loss, and education system.

What's your favorite movie quote? - "That's part of your problem. You haven't seen enough movies. All of life's riddles are answered in the movies." - Steve Martin as Davis in Grand Canyon (1991)

What is your opinion on movie remakes and sequels? - Most of the time, I don't feel a movie should be remade or have sequels. It takes away from the original creation, but there are a few that have been well done. It really depends on the quality and if they stick to the same outline.

Writer/Director Of Vampire Mob Joe Wilson

[caption id="attachment_1695" align="aligncenter" width="300" caption="Joe Wilson (Middle) With John Colella & Kirsten Vangsness @ The VMob Premiere"][/caption]

Joe Wilson is an award-winning filmmaker and the creator, writer. director and editor of the Indie TV series "Vampire Mob.”  Wilson's short “The Swear Police” won its category at the L.A. Comedy Shorts Film Festival and his first short “Tickle Me Harder” was described by Gawker as “a celebrity sex tape worth our time.”   Wilson also made international news auctioning a “Jar of Celebrity Air” on eBay, which became the subject of his one-man show by the same name.  You can find him on Twitter, probably right now  @VampireMob @JoeWilsonTV

What is the current project you are working on?

I am currently making an Indie TV series with an amazing cast of 21 actors - It's a comedy with murder and swearing called "Vampire Mob."

Indie TV is like Indie Filmmaking, stories told independent of a television network and distributed to our worldwide audience via the internet. And yes, you can watch "Vampire Mob" on your television by using a Boxee or Apple TV streaming right off the net in HD, like Netflix does.

The show is about Don Grigioni, a hitman and a vampire, who just found out his mother-in-law is moving in for eternity.

In the role of Don is John Colella, who guest starred on Criminal Minds and Desperate Housewives this season and who you may also run into if you're playing the videogame "L.A. Noire." Don's very patient wife. Annie, is played by Reamy Hall (Criminal Minds), his sister-in-law is Laura is Kirsten Vangsness, who you might know as Penelope Garcia on "Criminal Minds."

The mother-in-law, Virginia, is played by Emmy-winning actress, Marcia Wallace, who you might also know as the voice of Mrs. Krabappel on "The Simpsons." In season two, Tony winner Rae Allen joins the cast as Don's mother, Carlina Grigioni. There's a very fun dinner scene later in season two that stars John Colella, Reamy Hall, Marcia Wallace, Rae Allen, Jim Roof & Kirsten Vangsness that is a tremendous amount of fun!

How do you handle rejection?

I keep going.

Did you always want to be a filmmaker?

It always looked like fun, but I never said, "I want to be a director." I saw how other directors interpreted my scripts and I disagreed with the handling of the comedy and tone, so I learned how to make my own stuff.

What is the best thing about being one?

Getting to talk to audience members all over the world who really like our story and cast.

What is the worst thing about being one?

Trying to raise enough money to keep going.

How has your life changed since you became a filmmaker?

I'm a lot busier and I have a lot more fun.

What do you like to do besides filmmaking?

Sleep.

Have you had any other jobs before you decided to become a filmmaker?

Private investigator, background investigator, bartender, performance artist, installation artist, photographer, stand up comedian, waiter, pool installer, flower delivery guy.

What are some of your favorite American films? Foreign films? Television shows?

This list constantly rotates but here's what popped in my head.

Movies: Apocalypse Now, The Usual Suspects, Snatch, Let The Right One In, Glengarry GlenRoss, Blood Simple, Do The Right Thing, Following, Jackass.

The TeeVee: The Venture Bros, Fawlty Towers, Trailer Park Boys, Torchwood, Parks and Recreation, Community, Modern Family, The Simpsons, 30 Rock, Robot Chicken.

How would you describe your film education?

D.I.Y.

How has social media changed the independent film industry?

If you're a storyteller and you're not using social media to talk to your audience, you are making a mistake. There's never been a better time to be a storyteller than right now because there's never been so many affordable tools available, along with distribution, ever.

I think audiences will continue to fragment as more content, be it television or movies, is made available on demand and streaming. Our audience mainly finds the show because of Twitter.

What's your opinion on crowdfunding?

Without our audience donating over $10,000 we could not have continued to make "Vampire Mob." So, I'm pretty psyched about it.

It's not easy, it's like a full-time job and we struck out on Kickstarter, failing at $6,212 of the $10,000 we didn't raise - so we lost it all. It took six months to raise the budget, while the script was being written, and all during pre-production, production and even during post-production, right now, we're still fundraising. We had to shut down production because we ran out of money during season two and when "the VMob" (the nickname our audience somehow took on) found out, they had us back in production in a week. That was amazing.

What is the casting process like?

We didn't have any auditions, which I was very happy about. I've auditioned plenty of times as an actor and it's always an odd process. Having now seen what casting is like from my favorite side of the camera, behind it, I get the "not right" thing a lot better now.

John Colella knows a lot of talented actors and I also know quite a few, some of whom I've seen on stage at the Ruskin Group Theatre in Santa Monica, where I also write plays once a month.

I wrote a lot of the 21 roles in season two of "Vampire Mob" with the the actors in mind and in the case of Marcia Wallace, I wrote it for her before I ever thought I'd actually ask her to do the show. It's been another very lucky part of making the show, we've been able to put together a stellar cast.

How does independent film differ from the mainstream?

I think that depends on your definition of independent.

Mainstream, to me, means mass-marketing to a mass audience who will see the movie on a large number of screens. Or not, as the case may be.

The definition of independent is changing with the advent of video on demand, iTunes and other forms of digital distribution. The reality of an indie film hitting the festivals, getting a distribution deal that gets the filmmakers a big fat check and a theatrical run is very much over, for the most part.

Most people are seeing films at home on a device that has nothing to do with a movie theatre. Per capita, most human beings see most of the movies they watch in their lifetime on a screen other than a movie theater screen. If that's the case and cheap distribution is available for indie filmmakers with features in the can, the challenge, as always, getting the word out, marketing.

What's your favorite movie quote and why?

"Life moves pretty fast. If you don't stop and look around once in a while, you could miss it. " - from Ferris Bueller's day off.

I like it because Matthew Broderick once said that he thought his character in this film was satan.

What is your opinion on movie remakes and sequels?

It's indicative of fear-based decision making by publicly traded companies who think the only way to make a profit on a story is to retell a pre-existing story with a built-in audience.

What is your opinion on book to movie adaptions?

They are always better than book adaptations of movies.

Thanks for doing the interview Joe. I'm a HUGE fan of "Vampire Mob".  I'd love to interview the cast if they are interested. Readers don't forget "Vampire Mob" is 100% audience funded. You can donate to this great show  here.

Filmmaker/Actor Blayne Weaver

A native of Bossier City, Louisiana, Weaver has studied in New York, Oxford and graduated from UCLA with a degree in English Literature. In 2002 he co-wrote and acted in the critically acclaimed feature film Manic, which stars Don Cheadle and premiered at the Sundance Film Festival. Weaver then formed Secret Identity Productions and produced the short film Losing Lois Lane, which Weaver co-wrote,directed and starred in as Superman. He then wrote, directed and starred in Secret Identity's first feature film Outside Sales, which won awards on the film festival circuit and was released nationwide through Echo Bridge Entertainment. Weaver wrote, directed and played a small role in SIP’s next feature Weather Girl with an ensemble cast that boasted Tricia O’Kelley, Mark Harmon, Jon Cryer and Jane Lynch. Weather Girl had an extensive festival run followed by a ten city theatrical and a worldwide television and DVD release. Weaver wrote, directed and stars in SIP’s next feature 6 Month Rule which  hit the festival circuit in the fall of 2011.

What is the current project you are working on?

I starred in the thriller “Favor” for writer/director Paul Osborne this Summer and I have just finished post production on “6 Month Rule” which I wrote/directed and starred in.  “6 Month Rule” is a relationship dramedy about a single guy who teaches his best friend his rules on avoiding emotional attachment.  The cast includes Martin Starr (“Freaks and Geeks”, “Party Down”), Natalie Morales (“Parks and Rec”, “The Middle Man”), Patrick J. Adams (USA’s new hit “Suits”, “Weather Girl”) Dave Foley (“Kids in the Hall”), Jaime Pressly (“My Name is Earl”) and John Michael Higgins (“Bad Teacher”).

And HEY, feel free to check out: www.6monthrulemovie.com

How do you handle rejection?

Not well.  Making a film is a constant battle and if you’re not pissed off when you get rejected, you’re not fighting hard enough.

Did you always want to be a filmmaker?

For a brief stint I wanted to be a secret agent and then Batman, other than that I’ve always wanted to work in this industry. I started my career as an actor, then began writing, then moved into directing.  Now I do all three as well as produce through my company Secret Identity Productions.  And HEY, feel free to check out: www.secretidentityproductions.com

What inspired you to become filmmaker?

I became a writer because I was frustrated with the parts I was auditioning for. I just felt I could write better material. I became a director because I didn’t care for the way my writing was being treated by the directors.  I guess I’m a filmmaker because I have a real problem with authority.  I’m okay with that.

What is the best thing about being one?

The best thing about being a filmmaker is getting to craft a story from the beginning all the way through to its completion.  You get to write scenes you see in your head, choose actors who will bring that vision to life, create a look and visual feel, choose the music, the color palate, then decide how to market the film and finally, you get to stand in front of an audience and present your work.  It’s really a great job.

What is the worst thing about being one?

The bullshit that comes with getting your film to the next level.  Everyone wants to be on a date with Fonzie.  So you’re constantly looking for ways to make your movie Fonzie.  Maybe it’s by casting a movie star or being accepted by a film festival or a sales rep, whatever.  It has almost nothing to do with the quality of the film but who is willing to stand behind your film.  And it’s fickle and it’s annoying.  That’s the worst part.

What is the estimated number of projects you have worked on?

As an actor, I have no idea.  I’ve been working in commercials, television shows and films since I was sixteen years old.

As a writer I have seven produced screenplays… and I directed three of those: “6 Month Rule”, “Weather Girl and “Outside Sales”.

And HEY, feel free to check out: www.weathergirlmovie.com

Or purchase “Outside Sales” at http://www.amazon.com/Outside-Sales-Lucas-Fleischer/dp/B001AYX77I/ref=sr_1_5?ie=UTF8&qid=1313465319&sr=8-5

How has your life changed since you became a filmmaker?

Once you’ve completed the enormous task of making a film, you realize how much one is actually capable of.  There are so many out there who are terribly anxious to tell you what can’t be done.  Being a filmmaker gave me a real sense that I can accomplish anything if I work hard at it.  I mean I’m a teacher’s kid from Bossier City, Louisiana who just finished directing his third feature film.  No one could have guessed that I would end up here but I wanted it… so here I am.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

It’s all about the team.  No one person can make a good film.  You need to surround yourself with the most talented people you can find and then listen to them when they talk.  You don’t have to take their advice or criticism but you need to have heard it.

What do you like to do besides filmmaking?

If I wasn’t working in this industry… and I couldn’t bankroll a career as Batman… I would like to work in politics.  A behind the scene kind of job where I could help build a campaign and fight hard for something I believe in.  My bet is that a political campaign is not that different from making a movie.

Have you had any other jobs before you decided to become a filmmaker? 

Are we counting the hundreds of hours I’ve spent carrying a tray and asking people if they would like another glass of Chardonnay?

How would you describe your film education?

My film education began with my time on sets as an actor.  I saw what worked and what didn’t.  I saw the directors who knew what they wanted when they walked on set and those who decided to make it up on the day, You have to have respect for the script, the talent you’re working with and the film you want to make.  You’d be surprised how many don’t. 

How would you describe the film "scene" where you live?

 

I’ve got a core group of friends and collaborators that work in the film world.  It’s great to have experienced friends you can learn from as well as greener friends you can help along.  I’ve been very lucky with the talented human beings I’m lucky enough to call a friend.  Sometimes a conversation with someone who has been there can be priceless.

How has social media changed the independent film industry?

Social Media has, in a way, changed the business as much as digital technology.  New inexpensive high quality cameras came on the market and made it so that a guy like me could make a feature film without studio backing.  Social Media has allowed a guy like me to reach out to the marketplace without spending a fortune on publicity.  I think it’s awesome.

What's your opinion on crowdfunding?

I think it’s great but I also think it’s life span is a short one.  Three months ago I helped raise some money through Kickstarter for Paul Osborne’s film “Favor”.  It was great.  Friends came out from all corners and were really supportive.  Paul worked hard to include the investors in the filmmaking process and, as a result, I think it was a positive experience for everyone.

That being said, I can’t really ask those friends for help again.  It was a one time shot for a one-time project and, at least for me, that was it.  Some great things are getting made.  It’s an exciting time.

What is the casting process like?

For all of my films I’ve cast primarily through making offers.  I love to get to hear actors audition and read the scenes but there is something really cool about looking at someone’s body of work and making an offer based on “I would love to see them do this”.  For “Weather Girl” we made an offer to Mark Harmon to play this sleazy local television news anchor.  I just loved the idea of this charming, stoic, badass playing this total tool.  Luckily, Mark Harmon liked the idea too.

For “6 Month Rule” I had a great opportunity.  Patrick J. Adams was one of the stars of “Weather Girl”.  He played a laid back, under achieving everyman.  I offered him the part of an amped up, self-absorbed rock star.  I love that I had worked with Patrick and knew how great he was and that he could play someone totally opposite in another of my films.  He could do the job, even though it was so different from the work we did before.  So many people get cast in things because it’s all they do… or all they’re allowed to do.  I like to switch it up.

How does independent film differ from the mainstream?

I think the biggest difference, aside from the exposure that the final film receives, is the creative control.  In my experience writing for studios, there are just so many cooks in the kitchen.  I’ve often received notes that do nothing to improve the film so then you end up just jumping through hoops.  This is not to say that all independent films are great while all studio films are terrible… but in Independent film, at least you have the opportunity to bring your vision to the screen without having cut through the red tape of a studio.

You could go back in time and see any classic film being made. Which film would it be and why?

I wanna go see that “Three Men and a Baby” ghost boy.

What's your favorite movie quote and why?

“I’ve got a job to do, too and where I’m going, you can’t follow.  What I’ve got to do, you can’t be any part of.  I’m no good at being noble but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world.  Someday you’ll understand that… Now, now.  Here’s looking at you, kid.“

-Casablanca

Why is that my favorite quote?  Because it’s freaking awesome, that’s why.

Is there anything else you would like to add?           

Go see “6 Month Rule” and “Favor” in 2012.  Do it.

 

 

 

Thanks for doing the interview Blayne. I  await my chance to see "favor" and “6 Month Rule” when they come to a festival near me. I will check out  “Weather Girl”.

INTERVIEW WITH GENE BLALOCK (director) and JAMES BORING (writer) for UNLUCKY GIRL

[slideshow]

WHAT IS THE CURRENT PROJECT YOU ARE WORKING ON?

GENE: I’m always involved in several different projects, but with James, we are currently working on a short film entitled UNLUCKY GIRL.

 DID YOU ALWAYS WANT TO BE A FILMMAKER?

JAMES:  No. I am drawn to film, but I'm not sure it’s my passion.

GENE: I’ve had three passions my entire life: music, art, and film.  Every since I was a child, all three have played a huge part of my life.  As it relates to film, my sister and I used to write short stories and act them out.  As I got older and got my hands on cameras, my friends and I would go into the woods and shoot these little shorts.  It was not until university that I realized that perhaps I could do this full-time.

WHAT INSPIRED YOU TO BECOME FILMMAKERS?

JAMES: Gene inspired me to do this project.

GENE: As I mentioned, I have always loved film.  There is something about going to the cinema and seeing these amazing images tell a story in front of you.   I love every aspect of it, from framing a shot to seeing your story come to life with sound, music, and images… it’s really an amazing experience.  I love that escapism that cinema allows.  The viewer is swept away into something they do not get to experience on a daily basis.  Every since my parents took me to see my very first film, I knew there was something magical there that I wanted to be a part of.

WHAT IS THE BEST THING ABOUT BEING ONE?

JAMES: You get to create and experience film as it is made.

GENE: Yes, like James said, it’s amazing to be able to have this image in your head and see it come to life before your eyes.  That pure form of expressiveness… you do not get it from many other things.

WHAT IS THE WORST THING ABOUT BEING ONE?

JAMES: You have to worry about money.

GENE:  The business side of it, absolutely.  I hate having to concentrate on that part of it.  It’s the worse part of the entire project.  People seem to think that films just happen, but at least on the indie level, it’s a lot of hard work with very long hours.  There are months of pre-production, scheduling, budgeting, fundraising, and other grueling task that go into a film before the first frame is shot.  It’s an amazingly long and painstaking process.  However, when you finally see your film complete on a 60-foot screen, there is nothing like it.

WHAT IS THE ESTIMATED NUMBER OF PROJECTS YOU HAVE WORKED ON?

GENE: That’s hard to calculate.  I’ve worked on a lot of projects – most of them not my own... I’m not really sure…  A LOT!

JAMES:  I used to co-curate an Independent film showcase. This is my only film credit I have moving to Los Angeles.

WHO IS YOUR FAVORITE FILMMAKER?

GENE: That’s tough… it really depends on the day.  I love Tim Burton – defiantly one of my top. Richard Kelly, Todd Haynes, Baz Luhrmann – all great.  Recently, Christopher Nolan, John Favreau, and JJ Abrams have all impressed me.  But this list could go on forever including Hitcock, Kubrick, David Lynch, and so on…

JAMES: That's really hard to say. Kubrick I guess.

 HOW HAS YOUR LIFE CHANGED SINCE YOU BECAME A FILMMAKER?

JAMES: It’s become busier as I have to work on the days we don't film.

GENE: It hasn’t really.  I’ve been fortunate enough to do what I love, so my life is fairly constant.

WHAT IS ONE PIECE OF ADVICE YOU CAN GIVE TO SOMEONE WHO ALSO WANTS TO MAKE IT IN THE MOVIE BUSINESS?

JAMES: I like Tim Curry's advice, "Wait to be asked."

GENE: It depends on what side of the business you want to be on.  There are certainly a lot of office jobs in this profession.  However if you want to make films, my best advice is to just get out there and do it.  Don’t wait for Hollywood to knock on your door to hand you a load of cash.  Just get out there and make movies.  Borrow friends and family for talent and crew and shoot on whatever camera you can get your hands one.  Just create great stories and the rest will fall into place.

WHAT ARE SOME OF YOUR FAVORITE AMERICAN FILMS? FOREIGN FILMS? TELEVISION SHOWS?

JAMES: American, The Shining, Nightmare on Elm Street, Maltese Falcon, Jaws, Psycho, Night of the Living Dead, Halloween, Poltergeist, and many others. Forging films, Deep Red, Kronos, High Tension, Zombie, Shaun of the Dead, Demons 1 & 2, The Birds, Frenzy... TV, Twin Peaks, Reaper, Deadwood.

GENE: I don’t watch television really… my film list could get way too long for this interview… I talked about some of my favorites directors, so their films would be among my favorites.

HOW WOULD YOU DESCRIBE YOUR FILM EDUCATION?

JAMES: self-educated I guess. Gene's the filmmaker; I'm just a person with ideas.

GENE: I went to film school, though I admit, I’ve learned far more just by being out there doing it. Nothing beats hands on experience.

HOW WOULD YOU DESCRIBE THE FILM "SCENE" WHERE YOU LIVE?

JAMES: It's very competitive here. Indie filmmaking is sort of frowned at by some people.

GENE: Well, being in Hollywood, there is a plethora of filmmakers here trying to break in and as James said, there can be some competition. But on the indie level, there are a lot of us that like helping each other out.  There is a cool little community of indie guys that just want to make great films.  It can get frustrating at times here since everything you asked for has a huge price tag on it, but that is when you just have to get creative and embrace gorilla filmmaking at it’s core.  But I will say this, there is no better place to be able to have access to everything you need to make a great film than right here in Hollywood.

HOW HAS SOCIAL MEDIA CHANGED THE INDEPENDENT FILM INDUSTRY?

JAMES: Well the Internet is going to change all entertainment eventually. Right now there's a good opportunity for Indie filmmakers to get funding and reach an audience without going through the studio system.  I think it’s a unique opportunity for those willing to seize on it.

GENE: Like James said, there has never been a better time to be a filmmaker.  You can create something and potentially reach thousand or millions of people.  But in the end, it still comes down to content.  You have to have a compelling story, otherwise people will not watch.

WHAT IS THE CASTING PROCESS LIKE?

JAMES: We're using people that we are already acquainted with for this project.

GENE: Traditionally we would have casting calls, auditions, call backs, and final selection, much like they would in the mainstream setting, but UNLUCKY GIRL was easy.  When James approached me with the idea, he had already thought and talked to most everyone he wanted involved.

HOW DOES INDEPENDENT FILM DIFFER FROM THE MAINSTREAM?

JAMES: You have no money, but you also have total creative control.

GENE: James hit it on the head.  Getting funded is harder and you never have the budget or time that you wish… But that is offset by the control you have; you do not have a lot of suits asking you to change everything.  There is a bit of freedom on the indie level, but that comes with some sacrifice as well.  You often will not be able to get the perfect shot or you have to settle for a less than ideal location… but that also forces creativity.  So I suppose it all evens out.

YOU COULD GO BACK IN TIME AND SEE ANY CLASSIC FILM BEING MADE. WHICH FILM WOULD IT BE?

JAMES: THE BIRDS (1963) or TOUCH OF EVIL (1958).

GENE: I suppose it depends on what you consider classic… STAR WARS (1977) would have been an amazing film to be apart of.  Before that, probably The Wizard of OZ (1939).

YOU COULD BE ANY ANIMAL. WHICH WOULD YOU BE?

JAMES: Humans are animals.

GENE: What James said.

YOU COULD HAVE ANY SUPER POWER. WHAT WOULD IT BE?

JAMES: I could stand to be a better judge of character.

GENE: I already have a super power – I’m vegan.

DO YOU BELIEVE ON LIFE ON OTHER PLANETS?

JAMES: I don't have beliefs about things that have no evidence to back them up. Statistically, I think there's a decent chance of it.

GENE: I’m  skeptic in every sense of the word.  However, of all the stars out there, it stands to reason that a least a small portion of them could possibly have life orbiting them. Though, if there is intelligent life out there, I don’t think they have any interest in this planet, nor have they bothered to visit and abduct our country folk for probing.  I’m sure they would see us as a far more uncivilized species that will inevitably destroy our planet and ourselves.