Interview with Author Michelle Picarella

 Michelle Anderson Picarella enters the fantasy realm with her debut novel, LIVIAN. She currently resides in the Carolinas with her husband and three story-inspiring children. Visit her at www.picarellawrites.com or facebook.com/picarellawrites.  Twitter: ShellyPicarella

What is the current project you are working on?

I will soon be editing my debut fantasy novel "LIVIAN" which is set to be released in June of 2012 through the Burst Imprint of Champagne Books. I am also currently working on a mind-blowing collaboration with some of my favorite modern authors. Stephen Penner, A.T. Russell, Vickie Adair, Tymothy Longoria, Phlegyas the Mindjuggler, Dawn Kirby have joined me in tackling the Seven Deadly Sins in form of short story fables. Check that out here:  http://shellypicarella.wordpress.com/2011/05/11/my-big-announcement/

Did you always want to be a writer?

No. When I was a young child, I wanted to be Dolly Parton. Eventually, I realized that I wasn't blonde, blessed in cup-size, and I couldn't sing. That is when the writer dream began.

What inspired you to become a writer?

My grandmother. She was an amazing writer. Her words were elegant even when she spoke, but her writing could send shivers of hope and faith down your spine.

What is the best thing about being a writer?

I would say, allowing your imagination to become limitless. We all have that trait as children, but somewhere down the road someone tells us to stop daydreaming. I couldn't imagine any writer functioning without daydreaming.

What is the worst thing about being one?

The worst thing? Putting yourself out there. I held off on writing my first novel for near a decade. I am not the soft heart sort- judge my clothes, my hair, my past, where I live, but when you place your dreams and your imagination into the world, that is frightening. I finally had to realize that everyone is not going to like my work. There are people out there that hate cheesecake. This makes no sense to me. None the less, some where out there is a cheesecake hater. Somewhere out there is someone that is simply going to hate my writing. It's a fact. At the same time, there will probably be more out there that love my work as much as I love cheesecake. That, my friend, is worth it.

What is the estimated number of projects you have worked on?

Projects...I couldn't count. Between novels I have tinkered with and will complete, poetry, short stories, and articles, I have no clue.

Who is is your favorite author?

Shel Silverstein. He allowed himself to write with no limitations on theme or genre. I consider him to be a true artist. Anyone can write. An author puts their soul into their work, even the dark or goofy parts.

How has your life changed since you became a writer?

I am exhausted. I write mainly at night. Even when I go to bed, I often find myself plotting things out well into the morning as I try to doze off.

What is one piece of advice you can give to someone who also wants to become a writer?

That is an easy question. Never take advice from another writer. Remember, advice is an opinion, not fact. You can value someone's opinion, but always do your research and follow your own path.

What do you like to do besides writing?

I love spending time with my family and friends. I am a big antique fan. Nothing makes me happier than visiting estate sales and finding an old book, painting, or odd muse.

Have you had any other jobs before you decided to become a writer?

Beyond journalism I was a substitute teacher.

What are some of your favorite books?

I have an odd collection of books that I consider the favorites through out my life. Anything from Silverstein, Dahl, or Poe. I love Bill Mahr's style of political humor as in New Rules. More modern, I happen to think that The Hunger Games books are the most mainstream captivating books that I have read in ages.

How would you describe the writing "scene" where you live?

The Carolina area (North and South) happen to be a pretty lit-populated area. The local writers that I have connected with are superb. We are also lucky to have a decent amount of indie/mom and pop booksellers around. If I became a million dollar best seller, I would stay right here.

You could be any animal. Which would you be?

Any animal on some sort of Vegetarian safe haven/refuge.

You could have any super power. What would it be?

Mind control. I should pick something that sounds less like a dictator. But I would use my super power for the good of the world. Scouts honor. Pretty much.

What is your opinion on book to movie adaptions?

They scare me. Adaptions are either brilliant or horrible. There is no middle point. The end.

You could have any first edition book. Which would it be?

Grimm's Fairy Tales.

Is there anything else you'd like to add?

How are you? I feel odd only talking about myself.

Thanks for doing the interview Michelle. Keep me posted on the progress of "LIVIAN". I look forward to reading it when it comes to a book store near me.

Interview with James Anaquad Kleinert

James Anaquad Kleinert was not your normal, everyday kid.  When other kids were throwing snowballs and sledding, he was experimenting with aerial ski jumping in his back yard in rural Wisconsin.  No one in his family could quite understand his drive and intent to train for this “dangerous sport” except for his grandfather, who was of Seneca American Indian heritage and understood the trials and tests of young boys.  From this simple start, James Kleinert became a World Cup competitor in freestyle aerials, and a top action, environmental and Native American filmmaker.

What is the current project you are working on?

We just did the final editing pass on "Wild Horses & Renegades" yesterday (7-16-11). I have been getting final feedback with the screenings at the International Wild Life Film Festival and the Capitol Hill screening in DC last week. I feel we have polished the film and it's ready. I will be working on marketing and screenings of Wild Horses & Renegades from now until the first of the year.

In addition I'm currently in production of a profoundly beautiful film title "Horse Medicine". "Horse Medicine" weaves together the stories, legends and magical experiences, exploring the mythological place of higher consciousness that exists between horse, human and the natural environment. Cowboys, Indians and equestrian lovers speak to how their lives have been transformed and healed by this amazing animal. Many of the stars that appear in "Wild Horses & Renegades" will be in "Horse Medicine" as well. I have been simultaneously shooting "Horse Medicine" as I was shooting "Wild Horses & Renegades".

How do wild horses differ in personality compared to domesticated horses?

Really good question. Most people do not realize how modern man has destroyed the profound social/family structure of horses. Horses in the wild have complex family unites, comprised of a Father (the band stallion) the Mother the lead Maier and numerous younger colts and fillies that are very educated and disciplined from their parents in how to live in the wild and be a part of a functioning family unite. The family must live and survive together in the wild, to do this they have evolved as a team and family. The Band Stallion is the protector looking out for the families health and well being in the wild. The Lead Mare tends to teach the younger horses proper protocol for living in the family unite. The Lead Mare will also make choices on where the band is to travel for food, water, shelter etc. with the Stallion brining up the rear. Wild Horses seem much better adjusted vs. domestic. Domestic horses in many cases are torn from their mothers at an early age, placed in a stall by themselves and have little interaction with other horses. This can lead to all kinds of problems with horses socializing and adjusting mentally.

Horses in the wild have to adjust and socialize to the family around them for their very survival. They are also exposed to all types of terrain, other wild life species and food sources. They can survive very well on a spare range, grazing on a number of different types of forage. It is survival of the fittest in the wild. Wild Horses have amazing lower legs and hoofs, they have evolved over years of natural selection to be perfectly adapted to their rugged environment. Domestic horses have been so inbred and crossbred that they have developed all kinds of problems as a result. Most domestic horses would have a tough time surviving in the wild.

I have a rescued Wild Mustang (Austin) he spend his first three years of life

[caption id="attachment_1406" align="alignleft" width="208" caption="James and Austin"][/caption]

in the wild with his family then was rounded up by the Bureau of Land Management. It took Austin some time to adjust but he has taken me on as family. He understands cooperation with others and being part of a team. Austin is great on my wilderness rides as he has experience seeing and being with other wild animals, so he does not spook or buck easily. I have never had to shoe Austin, he has incredibly strong hoofs and lower legs, he is incredibly resilient smart and level-headed.

Did you always want to be a filmmaker?

From a young age I had a desire to tell stories, I started writing scripts/stories when I was 14 or so.

What inspired you to become filmmaker?

I started with photo journalism on our high school news paper. My Mother was a photo journalist for a small newspaper and I watched her shoot and put together her stories weekly. My Mother had a dark room in our basement so I watched the process regularly and then started taking photos myself. This was my start. . . . As time went on I skied on the US Freestyle Ski Team as an Aerial Acrobatic Specialist. I was then in front of the camera for ski films and television sports shows. I learned a lot about film production working on those type of productions. I became a member of SAG as an Actor/Stuntman and did that for awhile. However I wanted to tell important stories to contribute back to the health and well being of the planet and started shooting and doing my own films. You can learn more by visiting (www.spiritridersmovie.com, www.theamericanwildhorse.com & www.movingcloud.com). I was inspired by the people I feature in my films. People who care deeply about the human and environmental condition.

What is the best thing about being one?

Being on incredibly beautiful and wild locations, connecting with Mother Earth and all of her profound Grace. Sometimes I capture it on film and sometime I just take it in.

What is the worst thing about being one?

The Artists struggle . . . My movies are not main stream they are hard-hitting important documentaries that challenge many of the special interest controlling our society. Most distributors and networks have told me flat-out they like my work but for business/political reason's they will not participate.

What is the estimated number of projects you have worked on?

A guestimate would be around 60-80?

Who is your favorite filmmaker?

That is a tough one? I had the honor to work with Norman Jewison and ski with him as well.

Norman was great in the sense that we was so open, always willing to give and share advice. Plus he made some very thought-provoking, revolutionary films.

How has your life changed since you became a filmmaker?

I'm kind of a Lone Wolf. I work all the time, shooting, editing, fund-raising, promoting etc. Film Making is my life, I eat and breath it everyday.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Don't have big expectations for making a lot of money.

Do it because it is your passion, you will reach points in your films where your passion for the project is the only thing that will carry you through. Pick project's your passionate about.

What do you like to do besides filmmaking?

I love being with my horse Austin out in the wide open Western Lands! Nia, yoga.

Have you had any other jobs before you decided to become a filmmaker?

Hell yeah! Worked on farms and ranches as a grunt, construction, waiting tables, Coaching/teaching Skiing, Tour Guide in a cave etc.

What are some of your favorite American films? Foreign films? Television shows?

Another tough question. The Bounty, Dances With Wolves, Apocalypse Now, Easy Rider, The Last Temptation of Christ, Lawrence of Arabia, The Seven Samurai, Bill Maher show.

How would you describe your film education?

I was a part time film student at the University of Utah.

I found working with other film productions and my own films gave me great practical experience. The education process is always continuing, I love to learn.

How would you describe the film "scene" where you live?

I live in New Mexico and the film scene is very good here!

There is a sense of freedom and creativity (not so corporate and all about money) that still exists in New Mexico.

How has social media changed the independent film industry?

It's allowing us to be more independent on a much larger scale. We are watching it unfold day to day now, seeing new great ideas and opportunities!

What's your opinion on crowdfunding?

I just learned about it in the last several months and it seems to be working better than anything else I've tried.

Seems we are connecting the people with the film makers and leaving special interest out. I think it's a really good concept and we will continue to see it grow and produce wonderful works of art.

What is the casting process like?

I really do not cast, it's more a process of fate on who I meet along the journey.

What's your favorite movie quote and why?

May the Force be with you! I like to think that the Force is a much higher benevolent being, empowering us on our earth journey.

 

 

 

 

Thanks for doing the interview James. I'll be sure to spread the word about "Wild Horses & Renegades". Readers can find out how you can help wild horses by clicking here.

Interview with Shiloh and Rider Strong

For over two decades, Rider Strong and Shiloh Strong have been acting in theater, film, and television. When the brothers joined forces to write and direct, they produced the short film Irish Twins, which premiered at the 2008 Tribeca Film Festival and went on to win multiple jury and audience awards at festivals worldwide. That same year they created a spec commercial for Barack Obama’s presidential bid that MoveOn.org awarded Funniest Ad and raised the money to take to air; it was the first political ad to appear on Comedy Central. Their second short, The Dungeon Master, was a selection of the 2011 Tribeca Film Festival where it won Best Short in the online competition. It also won Best Comedy Short at the Sonoma International Film Festival. Their graphic novel, Blood Merchant will be released in 2011 from Image and Benaroya Comics and their next short, Method, will premiere at the 2011 Palms Springs Shortfest.  Follow Shiloh and Rider on Twitter.

What is the current project you are working on?

Shiloh - We are in the process of writing the screenplay for our graphic novel "Blood Merchant" which will be out soon. We have some feature film pitches we are going in on and a couple tv show ideas that we are taking meetings on. Throwing a lot out there and see what sticks.

Did you always want to be a filmmaker?

Shiloh - Always telling stories. Rider and I started out professionally as actors but out first movie we made when we were about 4 years old and our dad came home with a video camera. "The Great Toy Caper" It holds up pretty well.

Rider - It was an epic: roving cowboys who turned into superheroes at the sign of danger. John Favreau's got nothing on us.

What inspired you to become filmmaker?

Shiloh - I was just talking about this a couple weeks ago and I think for me it was seeing Ed Burns' "The Brothers McMullen" - that was the turning point for me I think and when I realized I wanted to move behind the camera.

Rider - Even though we were always acting professionally as kids, it was mostly theater and television. I don't think I really understood what a film director does until I started watching Laserdiscs with commentary. Menace II Society was a big one, and it seems fitting that they were brother directors. And then PT Anderson's Boogie Nights was the real clincher. When I saw that and then listened to his (multiple) commentary tracks, I remember thinking, I have to do this.

What is the best thing about being one?

Shiloh - I think the best thing is being in the audience and hearing the reaction to a joke or a moment in your film. It's better than any drug.

Rider - I really like any moment of discovery. Surprise. Because you have to do a lot of prep work as a filmmaker. Even if you didn't write the project, you make a whole bunch of decisions ahead of time. So I love it when you get on a set and are blown away by something you never expected: an actor does something magical or your DP nails a shot. I literally jump up and down when that happens.

What is the worst thing about being one?

Shiloh - When you don't get those laughs and the audience is silent. Crushing.

Rider - At the stage of filmmaking we're at, begging favors and trying to get people to work for free, I think post production is the most frustrating. Trying to find people that a) have access the right gear b) willing to work for cheap and c) are still talented? That's really challenging.

What is the estimated number of projects you have worked on?

Shiloh - I have no idea! Projects for me means a whole mess of mediums: photo, writing, art, film, acting. I've been involved in some form of those creative endeavorer my entire life. I hope I can look back an not look at the number of projects I've worked on but take joy in a life lived creatively.

Rider - Agreed. We have three short films that have played festivals that we directed together. A multitude of scripts, shot scenes, sketches, commercials...

 Who is is your favorite filmmaker?

Shiloh - Tough one. So many. I just watched The Pianist again and I have to say, Polanski has the most amazing way of making a film his own through the use of his actors. I think he really is able to get them relaxed, inside their mind and create some powerful performances. So he is one of my favorites when it comes to working with actors. So I'll say him for now. Visually - Terrence Malick makes my day.

Rider - Scorcese. I'll keep it simple and just stick with him.

How has your life changed since you became a filmmaker?

Shiloh - A lot more broke.

Rider - Yep. A lot more broke, but somehow...more satisfied.

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

Shiloh - Shoot shoot shoot. Get your friends and get a camera and just start doing it - I think people like to hold onto an idea and wait for something to be "perfect" before going out and doing it. That's how you learn.

Rider - Totally. Write something and get people to make it with you.

What do you like to do besides filmmaking?

Shiloh - Surfing. Photography. Internetting.

Rider - Writing fiction. Reading. I'm a big book nerd.

Have you had any other jobs before you decided to become a filmmaker?

Shiloh - Acting then now photography.

Rider - Acting. I've never had a real job.

What are some of your favorite American films? Foreign films? Television shows?

Shiloh - Galaxy Quest. Arrested Development.

Rider - Stand By Me is still the most important movie in my life, the first movie to make me cry and get under my skin, I was 8 when I first saw it. It holds up. Foreign - any of De Sica's films. Six Feet Under was the reason TV was invented.

 How would you describe your film education?

Shiloh - From full frontal to shooting from behind.

Rider - Making it up as I go.

How would you describe the film "scene" where you live?

Shiloh - INT - SHILOH'S LOFT - EVENING

A light filled "downtown style" loft with the buildings of downtown seen through large windows. SHILOH, 33 and graying, sits at his computer desk typing away on his laptop.

                                                                                                                                                                                              SHILOH (V.O)                                                                                                                           This feels very meta.

CUT TO:

Rider - In LA, the film scene is very competitive and commercial. But there is more talent here than anywhere else in the world. You just have to dig deeper to find it.

How has social media changed the independent film industry?

Shiloh - I know it's helped us with out\r short films in getting the word out there - most of our interviews and connections seem to come from facebook or twitter now days. It's awesome to go to a screening, meet some people and then they can follow your tweets (I'm not very good at tweeting) or friend you on facebook. Makes me feel like they are a part of the film experience and a lot more interactive.

Rider - It's still changing. I'm curious to see how many of these movies produced by Kickstarter and the like can really jumpstart indie projects that do well. But we have yet to get to the point where online distribution is foolproof. Even for short films. I think it's really going to take a movie that could choose to be in theaters to go direct to internet. Like a Johnny Depp movie. I think if people could only download the latest Pirates film for $15, they would do it. And the Prints and Advertising budget savings might make it a valid option. But right now, there are too many people making a living off of stringing the audience through the distribution channels.

 What is the casting process like?

Shiloh - We've been pretty lucky in that we've known most of our actors as friends before casting them in roles. I'd love to da a proper casting though, been on the other side of that room so many times.

Rider - I hope to let actors play parts they might not normally get. I know I've thrived when a director casts me in a different light.

 How does independent film differ from the mainstream?

Shiloh - Not sure I'm an expert on that subject, but I would wager that indie film is not trying to appeal the masses - so you are going to get a much more nuanced, hopefully more focused story. That an also not being paid for my a studio. That would make it indie. :)

Rider - Yeah, as a "genre", indie just means targeted at a smaller audience. As a descriptive term, self-financed.

 You could go back in time and see any classic film being made. Which film would it be?

Shiloh - I'd love to see Orson Welles and his DP with a pick axe and shovel trying to dig the camera lower in Citizen Kane. That was an awesome moment and must have been cool to see.

Rider - Oh, just take me back to the 80s and let me watch Raiders of the Lost Ark being made.

You could be any animal. Which would you be?

Shiloh - Bison

Rider - Wolf

You could have any super power. What would it be?

Shiloh - Fly.

Rider - Fly. I want to say invisibility but then everyone would think I'm a creep.

What is your opinion on movie remakes?

Shiloh - Bring it. Make em terrible. Everyone loves talking about how "The Original" was so much better.

Rider - I wish people did more remakes of bad films. Remaking a good one is just pointless.

What is your opinion on comic book adaptations for film?

Shiloh - Awesome. Sin City is the best so far that I've seen. Watchmen was pretty cool too.

Rider - Not a huge fan. I never like it when someone forgives bad dialogue or cheesy moments in a movie because it's "like a comic book!" No. It's a movie, regardless of where it was adapted from, it shouldn't be like a comic book. But then again, I'm not into superhero stuff in general. Unless they're cowboys who turn into superheroes. That's totally cool.

 

 

 

Thanks for doing the interview guys. I'll be on the look out for "Blood Merchant". Cowboys we turn into superheroes, you two where ahead of your time. That's an awesome concept. Lastly, I just wanna say I saw "Dungeon Master" online via Tribeca Film Festival. I loved it.

Interview With Scott Storm Director/Editor/Animator

TEN ‘TIL NOON, a critically acclaimed crime thriller, is Scott Storm’s second feature as a director. A film festival darling, with nine awards to its credit, the film secured both a small theatrical and worldwide DVD release.

Following TTN’s festival run, Scott served as co-producer, star and animator on the documentary, OFFICIAL REJECTION, a film that both chronicles the festival run of TEN ‘TIL NOON and serves as a film festival navigational tool for independent filmmakers worldwide.

His first feature, BURN, was a Slamdance Film Festival official selection and Special Jury award winner. Director Bryan Singer (THE USUAL SUSPECTS, X- MEN) and musician Adam Duritz (COUNTING CROWS) both served as executive producers. The film enjoyed a global film festival run, resulting also in a second-place award at WORLDFEST.

Scott attended both the School of Visual Arts and New York University Tisch School of the Arts, earning a BFA in Film and Television. The rights to his thesis film, SMILE, were sold to MTV Productions in 1997 and it has been broadcast during the Halloween season.

Scott has worked as an animation director on both local and nationwide television spots for MTV, NINTENDO and NICKELODEON. He has also worked in post-production editing feature films, reality television shows and award-winning theatrical trailers. In 2005, he traveled to Sydney, Australia, to perform special editing work on Bryan Singer’s SUPERMAN RETURNS.

Scott currently resides in Sherman Oaks, California with his wife and newborn son.

What is the current project you are working on?

That's a bit of a trifecta. On the one hand, I completed work on the investigative documentary WE RUN SH*T, a harrowing look into the experiences of a small group of club promoters navigating high ambition, criminal activity and borderline poverty at the hight of the economic downturn in America. On this picture I served as co-director, co-producer, editor and (gulp) animator. More info at www.werunshitmovie.com. This film is currently out to festivals and we are also taking meetings with potential distributors.

On the other, I am in the VERY early stages of development on a new screenplay by my TEN 'TIL NOON and OFFICIAL REJECTION partner in crime, Paul Osborne. SMALL HOURS is a dark character drama, right up my alley, that will be shot in spring or summer of 2012.

Lastly, in actual production, is a short animated film, THE APPLE TREE. I started work on it in February and it is being done entirely in Adobe Photoshop and After Effects. Since I have an animation background, having directed commercials in the 90's and done animated work on both OFFICIAL REJECTION and WE RUN SH*T, this seemed like a great way to keep my creative muscles flexed while larger projects took time to get rolling. It requires no money at all. I have the idea and I have the tools at my disposal. All it takes is time, effort and patience.

How would you describe your film education?

I went to three different film schools, because I am very difficult to please. The School of Visual Arts in NYC, Emerson College in Boston, and NYU. Honestly, I did not learn much more in film school than I hadn't already taught myself while running around the upstate New York woods with my friends and a Super-8 camera. So while I don't actually think film school is a great way to spend your time and money, I did form one or two lifelong friendships that would serve me later on, both personally and professionally.

What's your favorite movie quote and why?

It's not even from one of my favorite films. When Willy Wonka grabbed  Veruca Salt's face and turned it toward him after her blurting out, "Snozberry? Who ever heard of a snozberry?", what came from him was something I'd never have expected.

"We are the music makers and we are the dreamers of dreams."

So simple, so direct, so humbling. That statement sums up everything I believe about being creative and taking full responsibility for what you do with all that inspires you. It's another reason I also love watching other filmmakers' work. Because although you can feel that twinge of healthy competition from them, and even a hint of envy when you are blown away by what you see, you can also take comfort in being a part of a close-knit and super cool society.

Did you always want to be a filmmaker?

No, I'd originally thought I'd be an onithologist, because I loved birds. We had a birdfeeder right outside our kitchen window and at one point, I could name them all. Then I discovered music through one of my oldest and dearest friends. We had a basement band and I played the drums. My parents never recovered from the pounding chords of RUSH, YES, RETURN TO FOREVER and even the odd LYNYRD SKYNYRD songs wafting up through the vents. Then of course, I found a movie camera.

What inspired you to become filmmaker?

Predictably, STAR WARS. I had never seen anything like it. I saw it 20 times at least that first year in 1977. I was all about special effects for awhile there. But then when I started seeing the more serious dramas of Sidney Lumet, Martin Scorsese and Milos Forman, my interests shifted almost instantly.

What is the best thing about being one?

Being able to birth an idea and make it into something larger than life. You conceive it, you grow it with the help of close friends and collaborators, and then you can sit back and watch it and share it with others. Regardless of what period your story takes place in, each film you make is a time capsule for that chapter of your life, and you can replay it over and over again.

What is the worst thing about being one?

It's expensive, exhausting work, and often times...as I have unfortunately seen, it can cost you both relationships and friendships.

What is the estimated number of projects you have worked on?

All in all, I'd say 25 to 30

Who is is your favorite filmmaker?

That would have to be a tie. Peter Weir and Terrence Malick, both of whom I've had the extreme pleasure of meeting personally. Their films speak to me on levels that not many do and they are both masters of story and image. After seeing their early work I was never the same again...thank God.

How has your life changed since you became a filmmaker?

Always for the better, even in the wake of disaster. Because every day I wake up and face the day, I am making something. I am creating. And I always go to bed with a tremendous feeling of accomplishment. A day spent without creation is a day wasted.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be relentless. Become an extrovert. Conquer all fear. Network. See many, many movies. Even the bad ones. Network. (this is something I've still never mastered) Do not trust easily. Most people you meet and talk to in the business are entirely full of shit. Be choosy of your allies. Network.

What do you like to do besides filmmaking?

Spending time with my family, live music, live theater, hiking in the northeast, travelling (outside the U.S.)

Have you had any other jobs before you decided to become a filmmaker?

I ripped tickets at my local cineplex, and was soon banished to the projection booth when I refused to take bullshit from customers at the concession stand. I painted subways in Brooklyn. I was a shipper-receiver for an Ad Agency in New York. I had a stint as a picture framer. Last job before I made the leap was editing wedding videos. I do not wish those years of hell on anyone.

What are some of your favorite American films? Foreign films? Television shows?

AMERICAN FILMS: Dog Day Afternoon, Taxi Driver, Close Encounters of the Third Kind, Network, Badlands...

FOREIGN FILMS: The Year of Living Dangerously, Wings of Desire, The Seven Samurai, The Virgin Spring, City of God

TV SHOWS: *Breaking Bad, Sons of Anarchy, Mad Men, Entourage, The Shield

*funny story: as I was coming INTO NYU as a sophmore transfer, a guy named Vince Gilligan, creator of BREAKING BAD, was graduating. We were shown the short films of the outgoing class at an orientation. Mr. Gilligan's film, I thought was one of the worst I had ever seen. So strange he went on to create one of my favorite television shows.

How would you describe the film "scene" where you live?

I am not terribly involved in the "scene" because I find most filmmakers I meet in Los Angeles to be utterly pretentious. There are some truly talented people here, some who I met on the film festival circuit, but I steer clear of the "scene" because I prefer to collaborate with people who don't strike me as instantly dishonest. I do recognize that this could also be born of my own personal issues with people in general. Some time ago, I did try to go to some indie film group functions and workshops, but what I found there was largely a bunch of people pissing and moaning about how hard it was to get their films made.

How has social media changed the independent film industry?

It's enabled filmmakers to get the word out about their work without having to rely on publicists, producer's reps or marketing budgets. That is, providing that you have a wide reaching network or have access to people who do. You no longer have to wait around for someone to "take you on" as it were. With social media, you can bring your film directly to as many people as you can gather.

What's your opinion on crowdfunding?

Well, I've seen it work tremendously well for a few friends of mine. It's not worked for others. Again, it's all about your tenacity and determination and of course, your relentlessness. I am going to give this a try in the coming months. But since I am not a terribly social individual, I do expect to hit a few brick walls. Having said that, I also will be enlisting the help of someone who's been there and done that and listen to what he has to say. It seems like the wave of the future for indie film, especially in that you are only asking people for as much as they can spare. In doing that,  no participant is going to feel like they are in over their heads, and none will expect a monetary return on their "usually small" investment in your project. The more you gather, the more you have to work with. One can't know for sure if this will be a lasting trend, but it looks like a great idea is here for the taking.

What was you favorite cartoon when you were growing up?

Without question, Jonny Quest. I'd never seen something that took such risks in pushing the cartoon violence envelope...that is until I became aware of Ralph Bakshi. But it was just everything a young kid could ask for. The jazz soundtrack was another thing that made it a cut above the rest. Of course then the networks wussed out and cut a good portion of the gunplay and anything that could possibly be construed as racist. In my view, you just let it be. It was a product of the times.

What is the casting process like?

It's grueling. You usually have little to no money, but you still have to find the best of the best in spite of that. You cannot always be successful. And often times, you have an actor who KILLS the audition, and then when it comes time to shoot, they choke. I have had this happen once or twice. It's a risk. But when you go in knowing you've found the right people for the right parts, it's the most rewarding thing on earth.

How does independent film differ from the mainstream?

It has cajones. It doesn't try to be anything for anybody. It tells dangerous, volatile, rapturous, emotional and unusual stories. Don't get me wrong, some mainstream films DO get it right. But a precious few. I'll take a BLUE VALENTINE over a HARRY POTTER any day of the week.

You could go back in time and see any classic film being made. Which film would it be and why?

NETWORK, simply because I'd get to hang with Paddy Chayefsky, who I consider to be the greatest screenwriter who ever lived, and Sidney Lumet, whose work I've championed since I first saw Dog Day Afternoon and Serpico as a kid. I'd have drinks with William Holden, dinner with Faye Dunaway....and hide in the corner and watch the filming of Ned Beatty giving that unforgettable speech to Peter Finch in the dim light of that board room.

You could have any super power. What would it be?

To manifest money so that I could stop working for a living and direct full time, help my super-talented friends get THEIR films made, and make sure my kids had the best education money can buy.

What is your opinion on movie remakes?

It's cowardly and safe. It is also disgusting. Just because we have a new generation every 20 years does NOT mean they need to see an updating of something that was cool 20 years before, but catered to THEIR sensibilities. It's criminal. It's just plain stupid.

What is your opinion on book to movie adaptions?

It's not fair for me to really answer this, because I'm one of those weird-ass people who would rather see a movie than read a book. Of course, George R. R. Martin is slowly changing that. But it was because I saw the HBO adaptation of GAME OF THRONES that made me want to dive into the remaining books in the series. I'm far too impatient to wait for the show to be made and aired.

Is there anything else you would like to add?

No I think that about covers it. Thanks!

Thanks for doing the interview Scott. Keep me posted on your projects. I'm a big fan of Mr. Paul Osborne. "Official Rejection" is one of my favorite independent films. Follow Scott on Twitter @stormwatcher6.

Tales of a Teenage Vaudeville Vampire: An Interview with Dr. Jimmy Terror

Dr. Jimmy Terror, more commonly known as James P. Harris, has been “writing your eyes” shut since 2010 with his horror themed blog, Dr. Terror’s Blog of Horrors (whose name is a play on words derived from the Amicus film, Dr. Terror’s House of Horrors). While relatively new to writing for the internet, James has been creating horror fiction for quite some time with relatively low exposure to the public at large. In the early 2000’s he fronted the band The Vaudeville Vampires, a short-lived Horrorabilly band which saw the creation of a catalog of horror related songs before disbanding (with only one, six song demo ever being produced and distributed). He has had only one on screen appearance to date in the horror short, Ocean Parkway, as maniacal, gloved killer with a hair fetish. Having done some un-credited, behind the scenes work in some low budget genre pictures, he is currently working on his first foray into screenwriting with a demonic, retro gore entry that pays homage to Lucio Fulci, Dario Argento as well as other Italian masters of the genre.

James considers the horror genre to be a passion and an obsession. Comedy combined with horror, when done properly, accentuate the best in each genre. It is this amalgam that is his reason for writing, watching and reviewing horror cinema and literature.

Dr. Terror’s Blog of Horrors:

http://drterrorsblogofhorrors.blogspot.com/

Facebook Page for Dr. Terror’s Blog of Horrors:

http://www.facebook.com/?ref=home#!/pages/Dr-Terrors-Blog-of-Horrors/113905488629738

Dr. Jimmy Terror on Twitter:

http://twitter.com/#!/DrJimmyTerror

MySpace Page for Dr. Terror’s Blog of Horrors/Dr. Jimmy Terror:

http://www.myspace.com/drjimmyterror

What is the current project you are working on?

I’m always updating Dr. Terror’s Blog of Horrors for starters. Blogging is part journalism (most would say a very small part), part standup comedy and part soap box rant. It’s a work in progress; ever evolving.

Other than the everyday blog I’m working on reforming my band from the early 2000’s, The Vaudeville Vampires. It was an attempt at novelty based horrorabilly ala the Misfits, Boris Pickett and White Zombie. It’s a non-music genre specific band and solely bases its content on the horror genre. You might find a horror folk tune just as soon as you’d find a show tune. We love non-traditional horror cover songs so you might catch us doing songs from the movie The Prowler from the band Nowherefast or something from Return of the Living Dead. Maybe some Dokken. Without music genre to conform to the grave’s the limit.

Also, and this is very exciting for me, I’ve started writing my first screen play. I’ve always wanted to throw my hat into the ring with actual horror movie production, so maybe this is my shot. If we don’t get to actually make the flick at least we can try to get someone infinitely more talented to read the thing and maybe have a go at it.

Have you always been interested in the horror genre?

Ever since I was four years old. My father was somewhat unscrupulous and had me watching the Exorcist and Halloween at a very young age. My favorite was Jaws which I saw on television right around that same time. My dad was always great at putting everything from B horror on Commander USA’s Groovie Movies to classic Universal monster pictures. He had me watching silent movies before I could read to understand them. He also had an amazing assortment of Stephen King novels on the shelf which was also layered with various copies of Dracula, Benchley’s Jaws and The Exorcist. My favorites were his classic copies of Famous Monsters of Filmland and the Creepshow comic adaptation. Between his love of the horror and sci-fi genres combined with being born one week before Halloween, how could I not grow up a genre fan boy?

What inspired you to create your blog?

It was a combination of reading the Bloodsprayer.com especially Saucerman and Kristy Jett. I loved the sites logo and their wit. I always wanted to be a late night horror host, but that’s tricky thing to be with cable network domination of programming. The Networks were all bought out by large conglomerates and now you have to fight to be on TCM or AMC rather than WPIX 11. It’s that or start an internet based show which feels a bit saturated at the moment. Don’t get me wrong, I adore what people are doing. I just don’t know where I fit in. So the blog is my first step toward hosting. Since the internet is the new TV I can see that horror bloggers are the “horror hosts” for this generation.

So the blog is a kind of a thing I’ve always wanted to pursue. It’s my love of horror and megalomaniacal need to spread my opinions about everything over the inter-web. That and my wife hates horror and refuses to talk about it. Everyone needs an outlet you know? Who can you chat up Cannibal Holocaust with?

What is the best thing about having a blog?

The chance to be creative in a genre I love. You can only come up with so many one liners to respond to status updates on social networking sites. Horror fans deserve to laugh. We a fan base who still understand why Abbott & Costello were funny. We love the 80’s. We know why My Best Friend is a Vampire and Student Bodies are funny.

What is the worst thing about having one?

Trying to figure out how to promote it and find the small pockets of readers out there. I won’t say that I write content specifically marketed at horror fans, but I hope that at least some of it is relevant enough to capture their attentions. I’m not writing a “news” blog so that limits the people who actually care to read opinions on older material. You suffer from the same issues that magazines have only you can’t afford to pay for advertising.

That and everything’s been written about. Horror fans leave no stone unturned. There’s probably a blog out there speculating as to the outcome of the role playing game between Joey and Will right before Laurence Fishburne calls for lights out. I truly try not to step on anyone’s toes or tackle a different aspect of some of the obscure, but you’re bound to piss of somebody. If nothing else it forces you to be more creative so as long as I don’t have writer’s block it’s more of a challenge than a problem.

What is the estimated number of projects you have worked on?

If we’re talking strictly horror based products then seven or so. I’ve played in many bands outside of the horror genre. Some of which I actually enjoyed playing in and some I’d rather forget. I’ve done some behind the scenes work in some student films. I got to play a killer with a hair fetish in one. That’s probably out there on the net in black and white and host on 16mm no less (sound track my Cicone Youth). Never let them talk you into standing in a closet with a wool jacket with camera lighting especially with an inexperienced director. Just you try not to sweat.

Who is your favorite filmmaker?

That’s a rough question for a horror fan. It’s really a mood based thing, but Lucio Fulci knows how to push my buttons. If he isn’t grossing me out than he’s giving me the heebie jeebies; his bag of tricks are numerous and eclectic. That damn tarantula scene came as an unexpected surprise watching 7 Doors of Death for the first time (not The Beyond version mind you… and on VHS). His zombies are more disgusting than traditional Romero zombies even though they are extrapolated from Romero zombies. He always used the best soundtrack creators. Favorite film by him varies as to my mood by City of the Living Dead and The Beyond always beat the others out. I’ll watch any of them. Any time. I’m due for another viewing of House by the Cemetery.

The Italian horror directors are my favorite as a whole. Those guys know how to give you just enough gore, deviousness, naked super vixens and taboo twists to keep you entertained. Usually dubbed to imperfection and cut a thousand different ways for American audiences.

How has your life changed since you created your blog?

I sleep less. Writing time with kids in the house is pretty scarce. I wait till everyone makes their way into bed. As soon as I know their asleep I have to write for my life to get my ideas on paper. I love the occasional 5am, can’t get back to sleep blog. I’m truly a morning person; especially in autumn when the weather gets chilly and I can really enjoy a cup of coffee and a blog.

Blogging is therapeutic. You’ll never realize how many demons you can unlock and kill in a few weeks of blogging. It’s one step off Freudian psychoanalysis. At least I bet my readers probably feel I have a number of issues that are therapy worthy. Only my psychologist knows for sure.

The people I’ve met since I’ve started blogging have become true fast friends. The minute you commit to putting out your thoughts people will love to criticize you, but horror fans can be equally loving and as loyal as the toys you had when you were a kid. I wouldn’t trade them for the world and they help to make my shameless self promotion on Facebook or Twitter a pleasure.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Having not “made it’ per say I’d be guessing, but it’s pretty simple: Work your ass off. Don’t sleep. Drink more coffee and love what you do. Love it because if no one else does, at least you can be proud. Talk to everyone. Everyone knows somebody and even if it yields no “networking opportunities” you have made great friends. Have fun. OH… and WORK… YOUR… ASS… OFF!!!

What do you like to do besides blogging?

It’s the little things really. Mowing the lawn and listening to hair raising death metal. Spending time with my daughter and wife (everyone like’s Scooby Doo so my love for horror is rubbing off somewhere).

I love to play guitar. Even outside of playing in a band. I love playing surf rock stuff ala the Ventures, Santo and Johnny, The Tornados. I love playing Rock N’ Roll. I listen to quite a lot of death metal (all types).

I know it’ll sound silly, but I love to “study” horror movies and literature about horror movies. Cinema in general. I consider myself a lifelong student, my major is horror. It’s very dork of me. If this whole screenplay author/blog writer/horror host/horrabilly performer doesn’t work out I could always teach (Miskatonic University hiring?)

Have you had any other jobs before you decided to create your blog?

Many. Everything from Laundromat attendant, gas station attendant to volunteer for Clean Water Action, record store clerk, Blockbuster video. I was a Census Worker and luckily never encountered Hannibal Lectur. Currently working in the insurance field helping little non profits get insured. I love my job dearly, but water cooler conversations about the I Spit on Your Grave remake don’t always go over well. I’m still trying to figure out how to explain Human Centipede or A Serbian Film to these guys.

What are some of your favorite American films? Foreign films? Television shows?

American Films: Grindhouse. That’s the penultimate for me. It’s the movie that incorporates everything I love into one tight little package. Both parts. Shown together with faux advertisements and trailers. I can’t wait till they put that one back in the drive-in or make a sequel. I’m a huge Rob Zombie fan… movies, music… comics. Jaws, The Exorcist, Any Universal Monster picture. I love Herschell Gordon Lewis’s gore fests from the 60’s. That Crayola red blood is very off-putting. Hostel and its delicious sequel. Eli Roth needs to make more movies. It’s almost better to go through what I don’t like in horror cinema, but those come to mind right off the bat. Creepshow.

Foreign Films: Bird with the Crystal Plumage, Dr. Terror’s House of Horrors, Tales from the Crypt, Fontier(s), The Troll Hunter, Let the Right One In, [REC]. Most all old Argento and Fulci. For some reason I can’t stop watching Cannibal Holocaust lately. Got to see that on the big screen in 35mm at the Hudson Horror Show in Poughkeepsie, NY this past May and my life hasn’t been the same. I’m a sucker for Giallo, Amicus, American International, Hammer.

Televison: I’m a True Blood junkie. It’s the one show my wife will actually watch with me. I’d speculate she even likes that series more than I do. I love the Twilight Zone and Tales from the Darkside. American Pickers (because I keep waiting for the Halloween edition). I love the Shatner Star Trek. Elvira when I can find her on. I love horror hosts. I miss Rhonda Sheer and Zacherle. I miss Haunted Hollywood and Creature Feature week. I’m working on VHS rip project. I have all these old shows taped by my dad in the 80’s. I’m working on pulling out the commercials and horror host related material.

How would you describe your film education?

I’ve taken a couple of classes in film and sat in on a few classes with friends in college. Best film class I ever took was in High School. We had an English teacher who decided to teach an elective film class, didn’t know what to teach so she found herself a college text book and went to town. We were watching Birth of a Nation, the Bicycle Thief, Un Chien Andalou, The Cabinet of Dr. Caligari, Blue Angel… everything. I still love the term Mise en Scene.

Beyond that I simply watch a lot of movies. I try to make little lesson plans. Little class if you will. I’ll do studies in the horror films of India or Eastern Europe. Sometimes I’ll pick an era or genre. One fun game I play is go through HorrorHound magazine and try to locate as many movies as I can from the VHS archives. Since quite a few of these haven’t been released on DVD it’s a real chore but fun and educational.

I love reading horror non-fiction. Bios. How to books on makeup creation or Lloyd Kaufman. I collect pictorial histories of horror films. I’ve got a couple classics that need to be scanned to the internet for all to see. Maybe I’ll make a blog out of it. You can learn so much from what was popular and put into one of these pictorial feature books. Oh, and in my blog I do a feature currently under “Fangoria for Dummies” which goes back and revisits older issues of Fango. I’m working through every issue I can find. There’s a wealth of horror knowledge in them there pages. Start at the beginning… I’m still amazed at the initial press behind Friday the 13th pre-Nightmare on Elm Street.

How would you describe the film "scene" where you live?

No scene… I suppose you could call it “The Undiscovered Scene”. I live in rural/suburban, northwest New Jersey. New York is pretty close and that’s hotbed of great cinematic activity, but it’s overcrowded, hard to get into. I live 30 minutes away from where the original Friday the 13th was shot. The documentary Cropsey was made a little over an hour away in Staten Island. The Misfits were found in Lodi… an hour east of here. The next big step for Dr. Terror is to make the scene in town. Start with the Vaudeville Vampires band project and then push out into some 35mm screenings of some classics at the local trash theatre nearby. Then push the semi-local drive-in movie theatre to play a double feature of the Blob and Bloodfeast. You make your scene. Maybe there’s one just waiting to pop up. Every time I throw around the idea of making a movie, people raise their hand to help out. They’ll get their change, wallet willing.

But living in New Jersey is living in the largest scene you can imagine. From the moment you get a car, you’re taking girls down Shades of Death Rd. or to gravity hill or to Colby Mansion (RIP) or Blairsden or… name your Weird NJ article. We were hunting ghosts before Ghost Hunters International made it big. So the film scene is an extension of that I suppose. You just have to cultivate that into a creative force. Get the butts in the seats of your horror movie screenings and death rock performances. It’s ripe.

How has social media changed the independent film industry?

The independent film industry has a voice. You can get all your friends to chip in $5 to help make your movie or distribute your favorite classics 80’s horror picture (see Kristy Jett’s Popcorn fundraising project folks… fund it). Everyone’s making a movie. Everyone’s telling you about it on Facebook or Tweeting it. It’s oversaturated for certain. I’m sure they’ll be some attrition and film industry Darwinsim, but that’s the best reason to keep the whole mean green, social networking machine moving. What’s good for horror is more people watching foreign horror pictures; watching more movies from the After Dark series. What’s good for horror is hopping on YouTube and watching horror hosts shake their thing. Best way to find out what’s not sh#t… hop on Facebook and see what the mass is saying. Throw your favorites on Twitter and see if they stick.

They danger in all of this of course is how will the independent film industry survive with the oversaturation. How will they survive when people can’t decide between the latest Blu-Ray release of a classic exploitation flick and The No-Name flick of the hour? The challenge of the Independent Film Industry is find a revenue stream that makes sense. DVD/Blu-Ray sales won’t do the trick. Paying a $1 on iTunes… getting closer. Give ‘em away for free and advertise a tangible product? It’s a slippery slope but if it wasn’t for Acuna Boys Tex-Mex food, how would Grindhouse ever been shown?

What's your opinion on crowd funding?

It’s a great way to fund projects but I think oversaturation could put a quick end to it. When you can’t get funding for pictures of major studios or even B or C players… when there’s no wealthy oil tycoon to fund your picture (and put his son in there to boot) then you either shell out the bucks yourself or you have to ask mom and dad… or you can ask your buddies on the great big social network. I think the key to making a successful go at crowd funding would be to take a business course, read some books, get yourself on some student films at the very least and learn how much you’re really gonna need. I’m going through this dilemma as we speak. Writing a screenplay… how am I gonna fund this thing once it’s written? I’ll probably self fund it. It is a labor of love after all. For the fans (especially fans of 80’s pictures, Italian films and movies about demons). But the thought has crossed my mind to ask the masses. That’s a little bit off, but part of me would prefer to do it on a zero budget than reach out to genre fans. They need to put their well earned dollars into signatures of Zacherle and Claudio Simonetti, damn it!

How does independent film differ from the mainstream?

Mainstream seems to be spending their money on all the wrong things. The big star system isn’t dead, but it’s wasteful (just ask Troma). There’s no reason to spend endless millions on a picture. The money spent hardly makes them scarier. Look at Insidious. What did they spend? A million bucks? A very creepy little film indeed. Look at foreign film producers. They make heart stopping horror films on a shoestring budget. Then some American movie machine comes in and buys the rights, spend an exorbitant amount of a cash and usually ends up making an inferior movie. Horror movies do not need big budgets and that’s the beauty of them. They do well with small budgets.

Also, independent film isn’t afraid of the big, bad R rating. Mainstream Hollywood is turning down excellent, creative ideas left and right to avoid the R rating. I’m not saying you need to have a curse word counter to make a successful movie, but let the directors and writers tell some stories. I can’t tell you how many sequels to franchises are not getting made because R is almost as dirty as NC-17 is in a theatre. That all comes down to the mainsteam money machine. That’s not good for film or horror.

You could go back in time and see any classic film being made. Which film would it be and why?

H.G. Lewis’s, 2000 Maniacs. I’d love to see how the cast reacted to having gallons of fake blood dumped on them after seeing a prosthetic version of their limb be shown to them. Probably a pretty fun set to be on. It’s the mid-60’s and you have the opportunity to change violent content in cinema forever by tackling a pretty controversial topic. I wouldn’t mind cookin’ the whole crew up some barbeque and pouring a nice tall class of Sarsaparilla. I’d love to help out the effects crew.

It’s that or Texas Chainsaw Massacre pt 2. I imagine there was some great chili being served on that set. Get to meet Bill Mosely, Tobe Hooper, Dennis Hopper.

What's your favorite movie quote and why?

I think that I am familiar with the fact that you are going to ignore this particular problem until it swims up and BITES YOU ON THE ASS – Matt Hooper from Jaws.

I love Jaws. I think summer time is where horror lives (aside from the month of October). Think of all the summer camp movies. It’s the perfect time to where fewer clothes. Oh, and you get to watch Jaws and then… go to the beach. Hooper’s character is funny, he’s the voice of reason… He’s up against the mayor of Amityville. He’s Mr. Smith Goes to Washington with a boat. Great character. Great line.

You could have any super power. What would it be?

My power would be to be able to insert myself into any film I wished. Think of the movie Waxwork from 1988. You’d get to act, for real, in some of the most fascinating moments in cinema history. The threat of death is real of course. I’d love to go to Sleepaway Camp 2 and meet Ally (Valerie Hartman). I always wondered how I’d fair in a zombie apocalypse, so Dawn of the Dead it is. So many movies. So little time.

What is your opinion on movie remakes?

It’s a horror movie tradition. Don’t get me wrong. I’m not thrilled with bad remakes, exact duplicates remakes or remakes made solely to capitalize on the name rather than having anything to do with the original premise. Thomas Edison made Frankenstein. Years later James Whale made Frankenstein. Add a bunch of sequels and the Hammer made Frankenstein. Some more excellent sequels and somebody else remakes Frankenstein… or Phantom of the Opera or Dr. Jekyll & Mr. Hyde or Dracula. That’s how folklores happen. Constant retelling with variations. Fans will smell the bad ones coming. Good ones will be accepted into the canon of horror legend. When I hear people complaining about Friday the 13th or Nightmare on Elm Street remakes as “destroying the childhood heros”, I’m sitting with baited breath awaiting a sequel. No one destroyed your childhood. Robert Englund is still Freddy Kruger, but a new generation needs their Freddy Kruger too.

What is your opinion on book to movie adaptations?

I feel the same about book to movie adaptations as I do about remakes. Book to movie adaptations did well by Universal classics, Hammer studios and on and on. If you want great, original ideas books are field to be harvested. Hell, it will make for a more literate horror fan base. I wonder how many people got into Jack Ketchum’s books because of the film adaptations. Books, check ‘em out (to quote and 80’s commercial for literacy).

What are the pros and cons when it comes to working with your spouse?

My spouse despises horror. She’d actually be really great at writing dialogue. She’s got a gift for creative, “bad ass” sayings. Maybe I’ll consult her in the future. Maybe she’ll have a cameo in one of my movies (if movies there be). Would love to get our daughter into some horror pictures. She’s a natural performer.

Is there anything else you would like to add?

My only regret in writing my blog is that I didn’t start sooner. I hope I get the chance to make a few people laugh and get a few people into some truly excellent films. I hope that my readers realize that Dr. Terror is more than just a ripped off name from an Amicus movie in the mid-60’s, but a name I chose because it embodies everything I love in horror. Maybe I should have called myself Dr. Grindhouse. Maybe. I’ve been Dr. Jimmy Terror since I started with the Vaudeville Vampires in the early 2000’s so this multiple personality disorder called a Blog could take me down a few new paths as it all evolves. Dr. Terror and Mr. Harris I suppose, sans life altering potion. At least I don’t look like Frederic March (after I shower and shave).

Thanks for doing the Interview Dr. Jimmy Terror. Keep me posted on the progress of your screen play. Everyone should  check out Dr. Terror's Blog of Horrors.  

Interview With Lacey Gilleran

Lacey Gilleran (Producer) is a graduate of Sacred Heart University with a double major in Media Studies and Communication & Technology. During her college career, she held many important roles on campus from Producer of the Pulse, a news program on campus, to General Station Manager for the TV station. She was also in charge of Public Relations for WHRT the campus radio station. She has won many awards including the "Faculty and Staff Award", "Best Director", "Best Promo", and "Above and Beyond" for four consecutive times. From her vast experience of leadership roles, she completed two internships at NBC doing work for both the Olympics and Sports Promotions departments. From there she went on to work as Commercial Associate Director and Production Assistant at World Wrestling Entertainment, where she traveled all over the country working in the broadcasting truck at live shows

 

What is the current project you are working on?

I am currently working on the movie Scrill. It is a short film about Daniel Scrill, a recent college graduate who upon receiving a box of books from his mother, discovers the journal of his father, who died when he was a toddler. Daniel decides to attempt to find all the people his father wrote about, in search of a more complete view of his dad, instead of the idealized version his mother has always given him. What Daniel finds is a more honest portrait of the man he doesn't remember calling Dad than he ever expected, and the choice of keeping this new idea of his father with him, or leaving it behind with the strangers who knew him best.

Did you always want to be a filmmaker?

If you were to look back at writing assignments of mine as early as 2nd or 3rd grade it would say “I want to be an actress.” This dream then morphed into my new dream of becoming a filmmaker – and here I am today.

What inspired you to become filmmaker?

There is nothing like the thrill of making a film. Every part of the process is exciting to me -– the brainstorm of a story, the planning, filming, and then the postproduction. I think the ability for a group of people to come together for one project inspires me. People from all different backgrounds and beliefs come together to make a project they care about. I don’t think any other job can compare to being a filmmaker.

What is the best thing about being one?

The people. The people you meet in the filmmaking world are different than any other. This is my first project using IndieGoGo and every person I have come in contact with on the Internet has been completely supportive. I know that even after my project is finished, I will stay in touch with a lot of these people and we will always support one another.

What is the worst thing about being one?

I think it’s hard for people outside of the filmmaking world to understand the amount of work that goes into a project – even a short movie. This being said, sometimes its hard to get people outside of family and friends to even take a glance at your project. However, thanks to websites like IndieGoGo and filmsnobbery.com it is a lot easy to get your movies out there.

What is the estimated number of projects you have worked on?

This is my first, big production. I have been involved in a lot of projects in college, but this project is the beginning to (hopefully) a lot line of films.

How has your life changed since you became a filmmaker?

I think my imagination is back into full swing. It’s like I’m 5 years old all over again. I’m constantly thinking of new projects or just new ways to make the current projects I’m working on better. It also has definitely given me different ways of looking at every day situations.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Well seeing as I’m just starting myself, I don’t know how much advice I can provide. However, I think it’s important to have good time management in any project. Make sure you organize your ideas and plans of action – it will just make everything easy in the long run.

What do you like to do besides filmmaking?

I am a very big video game/technology enthusiast. I actually host a weekly vlog about video games on youtube at www.youtube.com/quickietv. I also write for www.thegamersthumb.com. I just love Halo and COD.

Have you had any other jobs before you decided to become a filmmaker?

I have had many jobs. I worked at a grocery store, a country club, a nursing home, and a restaurant. I also recently worked at WWE where I traveled on the road to live shows and worked in the broadcasting truck. So I guess you can say I’ve done a little bit of everything.

How would you describe your film education?

My education came from experience and the knowledge of great professors. I graduated from Sacred Heart University in May 2010 with a double major in Media Studies and Communication & Technology. Throughout my time in school my professors gave me the guidance I needed to accomplish my goals, while also giving me the space to grow as an individual and a filmmaker.

How has social media changed the independent film industry?

Well I think anyone can easily say that Social Media has changed the world. However, I think it changed the independent film industry greatly. I think it is so much easier to get your ideas and word about your films out with these mediums. I know that if it weren’t for Twitter I wouldn’t have made contacts with many people that I now find mentors.

What's your opinion on crowdfunding?

I think crowdfunding is great. It allows for indie projects to get funding when they would normally not be able to. It also allows for people to spread the news about your projects. I back crowdfunding 100%.

You could go back in time and see any classic film being made. Which film would it be and why?

I would say anything with Clark Gable. He is amazing. Also, would it be incredibly stereotypical to say Citizen Kane? I know it’s really overplayed in film classes, but that movie was just so ahead of its time and set the bar for future films.

How you been a guest on Filmsnobbery Live?

I have never been a guest on Filmsnobbery Live, but they did choose Scrill as their “IndieGoGo Project of the Week.” I’m immensely flattered and the guys at Filmsnobbery are so nice. Tune into their podcast every Thursday night! They are just so supportive of all indie films. I hope to be a guest on their show someday.

Is there anything else you would like to add?

Please help spread the news about my film project, Scrill. http://www.indiegogo.com/624andsleepless-Presents-Scrill. Even $1 would make a difference and help some young filmmakers dreams come true.

 

 

Thanks Lacey for doing the interview. Keep me posted on your campaign. I'm a big of FilmSnobbery.com also. The crew over there is great.

Interview Jeanne Bowerman

 Jeanne Veillette Bowerman is the Co-Founder and moderator of the weekly Twitter screenwriters’ chat, Scriptchat, and a regular columnist for Script Magazine and Write On Online. She’s written several spec scripts, including the adaption of the Pulitzer Prize-winning book, Slavery by Another Name, with its author, Douglas A. Blackmon, senior national correspondent of The Wall Street Journal. More information can be found on her website, Ramblings of a Recovering Insecureaholic.

What is the current project you are working on?

I always have multiple projects in the works. For the last three years, my main focus has been the pursuit, and finally the writing of, the adaptation of the Pulitzer Prize-winning book Slavery by Another Name. But even during that time, I wrote a short film, a comedy feature, and a vomit draft of a novel.

Did you always want to be a writer?

Hell, no. For years my father and one of my college professors encouraged me to write, but I was young, naïve, and couldn’t imagine anyone would want to read what I had to say. Instead, I ran a motel and restaurant for 15 years and was miserable. It wasn’t until I turned 40 that I finally pursued writing. Yes, I admitted I am over 40. Funk that.

What inspired you to become a writer?

When I was in high school, I wrote poetry – the teenage angst kind. It was liberating to get my feelings on paper, even if I never shared them with anyone. But my motivations now are different. Now I want people to read my words to both move them emotionally and to get them to think about something in a new way.

What is the best thing about being one?

When people say, “Wow, you really touched me with that story.” Or when they share how because of something I wrote, they made a life change or perhaps reached out to someone from their past. Those are the reactions I want. Even with my Script Magazine Balls of Steel column, which is nonfiction, people tell me they’re inspired by my journey and have changed some of their own choices, or opened their minds to new ways of approaching the industry. It’s not that my way is the right way; it’s just a different way. In the end, everyone has their own path, but if I can inspire them to take another step toward their goal, it humbles me.

What is the worst thing about being one?

Not getting paid for the countless hours I work.

How has your life changed since you became a writer?

I smile a lot more and have a greater sense of peace and direction.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Listen to feedback. This medium is about collaboration, and the very first step to making a movie is having a great script. Nail that sucker before you ever show it to anyone. The ONLY time you have full control over it is before it’s submitted to a producer. Therefore, the only way you can have any guarantee your words won’t be changed endlessly is if you nail that script to begin with. So do your job. Write well. Then… be patient. I can’t stress the need for patience enough. This is a long-haul career.

Have you had any other jobs before you decided to become a writer?

I managed a motel and restaurant for 15 years. That is an experience I’m still twitching over… and where my tequila addiction started. After the motel, I took five years off to be a full-time mom. But once I hit 40, I realized I was a stay-at-home mom but had no kids at home. I feared my brain had gone into atrophy. A friend convinced me to try medical transcriptioning, which I did for a year… until I got fired for challenging the intelligence of one of the doctors. Oops. But if I could find that doctor today, I’d thank him. It was his bitchslap that pushed me to pursue what I really wanted to do… write.

How would you describe your film education?

I went to Cornell and trained in hotel and restaurant management. I only took a few writing courses there, but knew it was in my blood. When it came to screenwriting, I learned by just jumping in and doing it. I wrote with several writing partners, which is an extremely valuable experience, but I also write alone. There’s something to be said for writing solo and owning your work… and your mistakes.

Last year I took the Screenwriting U Pro Series, which was an amazing experience. I’ll continue taking classes with them in the future, but for now, I just want to be in my cave and write. I think a lot of people get stuck in permanent student mode, when, in my opinion, the best way to really learn writing is to just shut up and do it. At some point you have to take all those lessons you’ve learned and apply them.

How would you describe the film "scene" where you live?

I live in the country in Upstate, NY, but am fortunate that we have an incredible film community here. Being only two hours north of NYC, many filmmakers have second homes in my small neighborhood. We even have a growing film festival, Film Columbia, which attracts some incredible talent and independent/foreign filmmakers. I’m extremely fortunate.

What's your opinion on crowdfunding?

As Executive Producer of gone Elvis, I did a Kickstarter campaign with the writer/director, David Newhoff. I’ll be honest; I have mixed feelings about it. It’s humbling having so many people believe in a project they’re willing to open their wallets, but there’s also a lot of responsibility that comes with it. Some filmmakers abuse it and go to the well too often. When I write my upcoming short film, I’m going to try it without fundraising and shoot it Lone Gun Manifesto style (a form of filmmaking where you do it with zero budget… coined by Clive Davies-Frayne @filmutopia). After I do that, then I’ll probably have a clearer picture of the differences and which I prefer.

What is the casting process like?

David handled the bulk of casting decisions for gone Elvis, but he’d call me when he had a part that needed filling. I brought him several people from my circle that he loved. The fun part though was watching them act during the shoot. I have a deep respect for actors.

You could go back in time and see any classic film being made. Which film would it be and why?

Any Katharine Hepburn film, starting with Bringing Up Baby. Kate is my hero on so many levels.

You could have any super power. What would it be?

To be invisible. Imagine all I could learn about people that way! It would be a writer’s dream resource. But since I don’t have Harry Potter’s invisibility cloak, I’ll have to stick with being a voyeur at Panera. I heard the manager is bedazzling me a cape.

What is your opinion on movie remakes?

I usually hate them. I have yet to see one that compared to the original. There are so many wonderful spec scripts out there, yet Hollywood does remakes instead of taking a risk on something new. As a writer, it’s very frustrating.

What is your opinion on book to movie adaptations?

In general, they don’t always work. A film version can rarely compete with the reader’s imagination. It has to be a special kind of book that has cinematic elements for it to be pulled off right. I just adapted the Pulitzer Prize-winning book, Slavery by Another Name, with its author, Douglas A. Blackmon. This wasn’t a typical adaptation. The book is an historical exposé of slavery post Civil War and spans seventy years of history. We took only a slice of that history and brought it to life. I learned an enormous amount on that project. I have no doubt adapting another author’s work has forever changed me as a writer. I’d recommend every screenwriter try adaptation once… but make sure you have the rights to the book first.

Is there anything else you would like to add?

Every writer needs a support system. For me, that’s my Scriptchat family, starting with our treefort of co-founders, Zac Sanford, Jamie Livingston, Kim Garland, and Mina Zaher. I can’t imagine my life without them. The past two years have been nothing short of miraculous for me. I couldn’t do what I do everyday without their support.

 

 

 

 

 

Thanks for doing the interview Jeanne. I’m a big fan of  Scriptchat. I will check out Slavery by Another Name.   Everyone should check out gone Elvis.