Filmmaker Robert Luke

Writer/Director, Robert Luke is an Austin, Texas native who studied film and drama at the University of New Orleans before making his first feature film, The Man in the Garage at the age of 21. Luke finds inspiration from life, friends, films of any genre, art and comic books. His favorite drink is a Jameson on the rocks and appreciates cuss words, Johnny Cash, micro-brewed beers, and tattooed girls with thick glasses.

What is the current project you are working on?

I am currently in post production on a film called Succubus. It's the second part of a series of shorts I'm making right now for a compilation of short films that revolve around the supernatural themes of love and death. Succubus is about a former boxer who makes love to a demon to get over the feelings of guilt he holds after accidentally killing a man. However every time she seduces him, she kill his friends and family.

Did you always want to be a filmmaker?

I've always wanted to be a film maker. As far as I can remember I've always wanted to make movies even when I thought it was impossible. I think the earliest I can remember was seeing Tim Burton's Batman and wanting to make that.

What inspired you to become filmmaker?

It's hard to say what inspired me since there was no clear moment when I knew what I had to do with my life. When I was a teenager, I wrote stories and eventually films to feel less angsty. Later as an adult, I realized I'm not good at anything else so I better make sure I'm doing nothing but film making.

What is the best thing about being one?

The best part of film making is meeting and collaborating with awesome people. Some of them famous. For super quiet people like myself, I feel like I'm able to convey some raw emotions to people I've never met and I always get a thrill from that at screenings and film festivals.

What is the worst thing about being one?

The worst part of being a film maker is how much damned money you'll spend if you're funding yourself without a producer. Not just in making the movie but traveling around the country to show off your film.

What is the estimated number of projects you have worked on?

Not counting student films, I've been involved with about five projects that I care to comment about.

Who is is your favorite filmmaker?

Great question. Not an easy one to answer, but I believe my favorite film maker would be Steven Spielberg. I know that's a cliche, but it's for a reason. Truthfully everybody (not just film dorks) loves at least one of his films and you can't really say that about any other director.

How has your life changed since you became a filmmaker?

I'm not sure if it has. I'm probably bossier, the more active I get. But I've been making films for so long I don't know if anything has really changed since getting more involved in films.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

The main thing I can say is start now, keep going, make mistakes and learn from them. Also be patient. If you're looking for instant gratification, film making might not be for you. Expect a pat in the back for your films years after you've made them. Not before you make them.

What do you like to do besides filmmaking?

Besides film making I like to work on computers and read comic books. Watch out, ladies!

Have you had any other jobs before you decided to become a filmmaker?

I used to be a portrait photographer which was a lot of fun.

What are some of your favorite American films? Foreign films? Television shows?

Even when condensing it, this is going to be a long list. My favorite American Films would be Eternal Sunshine of the Spotless Mind, Terminator 2, Children of Men, The Empire Strikes Back, The Dark Knight, and Leon.

Foreign films: Let the Right One in, Run Lola run. I'm embarrassed at how short my foreign list is. I'm sure there are dozens that aren't coming to me right now.

However my favorite TV shows are Dexter, Stargate SG-1, Mission Hill, Six Feet Under, That 70s show, Star Trek, and King of the Hill.

How would you describe your film education?

I started studying film making in high school at the Johnston Liberal Arts Academy, followed by the Liberal Arts and Science Academy and then only took one year at the university of New Orleans before decided to just get out there and learn from experience. Making my first feature film when I was 21 is probably the most I've ever learned about film making.

How would you describe the film "scene" where you live?

I live in Austin which has a big reputation for a film scene because of film makers like Robert Rodriguez, Mike Judge, Richard Linklater and sometimes Tarantino. However for everyone else, I feel like most film makers leave the city or state to make films and everybody else just talks about it. I even find myself going to Dallas or Houston because I have better connections with cast and crew out there.

How has social media changed the independent film industry?

Fantastic question. I feel like social media has mostly changed the way film makers communicate. A generic answer but there's a lot that goes into that. First of all, you can go on FaceBook and Twitter and announce your next project, even if you haven't started it yet. In some cases people will announce their next project and never start it. You can also improve your own face and name recognition without ever leaving your seat. Mostly i think social media is only used by film makers who are still getting their name out, while most professional film makers would only be on Facebook or twitter due to their own narcissism just like the rest of the world.

What's your opinion on crowdfunding?

Sometimes you can make it work. I've seen it work well but a lot of the times, sites like Kickstarter or Indiegogo become over used and abused which makes it obnoxious and kind of kills it for the people who use those great sites correctly.

What is the casting process like?

Casting for a film is in my opinion the easiest thing in the world. First of all, take the collection of actors in your area or that you know you can get. At this point you can either write for them in mind or figure out which one of these actors will make your character better than they already were. I normally pick actors that I'm familiar with. I haven't done a casting call in years but when I do, I never not find an awesome actor that pulls off the part perfectly.

How does independent film differ from the mainstream?

Honestly the only difference between independent and mainstream is budget and marketability, most of the time. Films are made the same way. Otherwise most mainstream films are only made if they have some type of brand recognition, while independent films are usually made with original characters, unless based on a book. It's difficult to say what the differences are when you have mainstream directors like Christopher Nolan and self proclaimed independent directors like George Lucas. So at the end of the day, movies are movies.

You could go back in time and see any classic film being made. Which film would it be and why?

I would love to go back and see The Great Dictator be made. Charlie Chaplin was so ahead of his time and that is such a significant transition in film making given that it was his first talkie.

What's your favorite movie quote and why?

This might be a lame answer, but in Terminator 2 when Arnie says, "I know now when you cry, but it is something I can never do." So much is said here. Now first of all you have a machine made for war and destruction trying to understand humanity. He then reveals that he can not self terminate which means it was never in his programming to end his "life", therefor this is a conscious decision he made after learning about people and how they exist and how he can never be a part of that. At the same time he reveals all of this to a bat shit crazy woman who in her quest to destroy the machines almost became robotic in her personality and soul. This line said by the robot gives her some type of understanding and hope of humanity allowing her to respect this robot that she's wanted dead for the whole damned movie.

What is your opinion on movie remakes and sequels?

I think sequels are awesome when a character’s story is not over. Obviously Alien had two great sequels, Star Wars would’ve been half of the movie that it is if it never had two sequels to follow it. I suppose if the sequel can make the film better and continue a story, it’s great. When a sequel uselessly continues a character’s story that was already over, it just feels tired and sometimes ruins the efforts of the original film. I don't like remakes.

What is your opinion on book to movie adaptions?

So many films are adapted from books, it's hard to have any differentiating opinions on them. It seems silly when it's a brand new book or when a book is made only so a movie can be adapted from it, like Jurassic Park: The Lost World. Some books make fantastic films like Lord of the Rings, but really it doesn't really mater how good a book is. Shitty movies are still shitty movies no matter the source. I do hate it when movies not based on a book are retitled to use a classic book's name recognition.

Is there anything else you would like to add?

Nah, I'm good.

 

 

 

 

Thanks for doing the interview Robert. Keep me posted on the progress of Succubus.

Filmmaker Paul Best

Paul Best, the owner of Wolf’s Head Productions, has been working in theatre and film for over 45 years as a Lighting Designer, Art Director, Prop Master, Fight Choreographer, Director of Photography, Screen Writer and Director.  A partial list of credits include the Colorado Shakespeare Festival, Theatre Royal Windsor, Mercedes Edwards Theater, Farstar Films with Oscar winner Gordon Ecker, Vista Street Productions with Director Phillip Jones, and Renaissance Films with Director Sam Rami.  IMDB listing: http://www.imdb.com/name/nm4243982/

As a former Green Beret he served with the 1^st Special Forces Group during Vietnam and currently is a community partner and guest lecturer with the Buchanan Fine Arts Academy.  In 2005 he wrote his first historical fiction titled “Over the Fence in the Land of Oz”.  Based on fact, it is an account of the Hmong and U.S. defense of Lima Site 85 in Laos during Viet Nam.

Wolf’s Head Productions has been in business in Central California since 1992  providing theatrical and film production services to local theaters, schools and businesses.  The award-winning “Border Guardians of Akcernon – This Ain’t Kansas” produced in 2010 is their first full length narrative fiction project.

What is the current project you are working on?

First let me thank you for the opportunity to chat with you and your readers.  I’ll see if I can’t dredge up a few kernels of wisdom.

Beginning in January, 2010 and continuing to the present I have been working on a combination project called “Border Guardians of Ackernon”.  The project in its entirety is a fantasy genre project in the spirit of shows like Narnia or perhaps Merlin.  Kind of an old fashion linear story told in episodic format following the archetypal fantasy characters as defined by Joseph Campbell.  Good vs evil, heroic characters and a few villains, limited magic ..fairly standard fantasy fair.  What is different is we are also incorporating some modern elements like smart phones that provide our “modern” characters with access to “magic” … and you thought your apps were useful.  Additionally we wanted to correct what I consider to be a flaw in many fantasy stories… we wanted some strong three-dimensional female characters as leads.   The 2010 project was a 1 hour TV pilot format that we trotted around to a few traditional film festivals.  After getting some awards and feedback we began production on a web series in 2011 that will incorporate the pilot episode with 6 new episodes that provide some prequel information on the universe.  We released Episode 1 on July 19 and are still finishing up scoring and some details.  At the moment we are staying about 2 weeks ahead of our release schedule so it keeps us busy.

How do you handle rejection?

That’s kind of a tough question for me to answer because I don’t really feel I have ever faced rejection.  A project succeeds of fails for so many reasons.  Timing, subject, execution, marketing, distribution…endless list…but none of them are personal.  I have always attempted to do the best job possible in any endeavor given the limitations of budget and time.  A positive response from the audience is the ultimate goal but you will drive yourself crazy if you go chasing after every sway in public opinion.   When it all boils down, 90% of what I do I do for myself.  By that I mean, if I feel I have given it my best effort and am pleased with the outcome then what critics have to say really doesn’t affect me much.  It may affect the bottom line but not me personally.  The flip side of that is I don’t get giddy when people fawn over a project either.  I guess I take kind of a Zen approach…Maybe good…Maybe bad…who knows.

Did you always want to be a filmmaker?

I have been doing film or theater for the best part of 45 years.  When I first got started in the entertainment industry, landing a job in film or professional theater meant you had to be part of the union.  In my case IATSE.  Back then, if you didn’t know someone in the union it was difficult if not impossible to get in.  I started out in theater and never really considered film as much of an option because of that.  I landed a few minor uncredited flunky jobs on film from time to time.  My first was on the Alex Cord version of Stagecoach in the 60’s.  As the influence of the unions relaxed a bit and there were more non-union shoots happening I landed a few decent jobs with large productions.  I did some Art Direction, some sound work, odds and ends.  The most well-known production I worked on was the Evil Dead 3 – Army of Darkness production. That was 1992 I believe.  Then I got tired of living in hotels and took a 14 year stint as a lighting designer at a 750 seat theater.  It wasn’t until digital filmmaking became a viable reality that I decided to move back into film and that was 6 years ago.

 

 What inspired you to become filmmaker?

I enjoy helping people feel something, passion, love, laughter, happiness, excitement…anything.  I was attracted to the profession of lighting design because the subtle nuisance of lighting, movement and color can have a major affect on the emotional response of the viewer if done properly.  Musicals are my favorite because once you add in music you might be able to really reach into the heart and soul of the audience.  With film, you have all those options available to you…light, story, acting and music.  Unlike theater, in film you have much more control on the infinitely small details of light and shadow, how loud or soft something is, not just what color but what shade of what color.  You can truly mold the final product into a fine edge that, if you are lucky, with the help of a compelling story, will allow the viewer to not just watch but be part of the story.

 

 What is the best thing about being one?

In all my years in theater there was only one cue that I felt was the perfect cue.  It was a combination of the show, the singer, the set and the cue running at the absolute perfect time to support the emotion of the moment.  It happened once and is now gone for ever. Once you have captured the hopefully perfect image it lasts for ever.

 

 What is the worst thing about being one?

You better not have anything else going on in your life because it will be ignored if you are doing your best for the project.  In the world of indie film making, you have to wear an incredible number of hats and every job is a full-time profession.  14 hour days are very common and 6 hours of sleep is the norm for me.  During production, I am probably planning shots or checking the location hours before the cast shows up and looking at dailies or checking sound hours, or cleaning up the previous set after the rest of the cast and crew go out to party.  But the worst thing…once you have captured the shot that is screwed up and you have to use it because you screwed up and the producer says there is no more money, it lasts for ever.  Strong motivation for me.

 

What is the estimated number of projects you have worked on?

Third party films, by that I mean projects I was not in charge of, probably 10.  A few major projects but mostly smallish, low-budget feature films by professional companies.  Projects that my company has been contracted to provide production services for? …perhaps 15 to 20, mostly live stage events recorded in a film type format, CU, multiple cameras.  Film projects I have been in charge of from beginning to end?…again probably about 10.  Number of theatrical performances I have designed lights for?…hundreds.

 

 Who is your favorite filmmaker?

It’s a toss-up depending on my mood but if I had to pick just one filmmaker to be trapped on a desert island with I guess it would have to be Ron Howard.  I can almost always be assured of an entertaining experience with a Ron Howard film and every one is different.  And that is after all why I go to see a film…to be entertained by an original, engaging story told by actors who aren’t “acting”.

 

 How has your life changed since you became a filmmaker?

I don’t think it really has changed or if it has, I just don’t remember the how.  It hasn’t made me rich yet that’s for sure.  I take that back.  Recently I have been spending way more time on social media than I have on filmmaking so that is a definite change.

 

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

My one piece of advice is actually a piece of advice from Michael Caine.  He said “If you can imagine yourself doing anything other than film, than you probably should.”  Seriously, if you are going to “make it” in the entertainment industry it has to be the most important thing in your life that you cannot imagine living without.  You feel the passion every morning when you get up and sleep is an unavoidable interruption.  If you don’t have that level of drive and determination for the art you may get a job but not a career.   I know you asked for just one piece but here are a couple of other comments free of charge.

Filmmaking is like a constant “Odyssey of the Mind” competition or working at NASA to get Apollo 13 home.  There is one creative problem solving opportunity after another.  Therefore, there is almost no skill that goes wasted.  Fortunately when you start out working in entertainment, you are either unemployed or about to be and have lots of opportunity to take lots of different jobs. J You can learn something valuable from each and every one.  I lecture from time to time at a local Fine Arts Academy and one of the games I play is betting students they can’t name a job that I have not been at least tangentially aligned with.  I won’t bore your readers with a list but it is quite long and varied and all of them provided me with something I use today.

Lastly, something else I mention when asked to lecture on the biz…”You are just dirt and there are millions more just like you.”  Meaning, if you give a director, producer, or anyone any excuse not to hire you or God forbid fire you, you can probably be replaced before you leave the room.  For some strange reason, everyone sees filmmaking as a glamorous, exciting, fame and money producing profession.  Some of us know different but the point is there is a lot of competition for your job.  Always be absolutely professional in behavior and spend every moment you have learning your craft be it acting or tech.  Stay in constant contact with your email, cell phone and any other method people might use to contact you and never, ever be late or unprepared for anything.

 

What do you like to do besides filmmaking?

What?  There is something else?  Oh right, I do have a life outside of filmmaking.  I’m an avid airsoft player…sort of like paint ball but hard little plastic BB’s instead of paint.  I don’t do it as often any more but I used to do quite a bit of whitewater rafting and kayaking, technical rock climbing and skiing.  I still get together with friends and spar with rapier and dagger occasionally and when the rare down time hits, I am a FPS junkie on the Xbox.  I have been a fan of table role-playing games since the advent of D&D, (although I favor the GURPS format) and have been playing what we used to call “Live Games”, now known as LARP I think, before it had a name.

 

Have you had any other jobs before you decided to become a filmmaker?

OK. I guess I should have read the whole test before I started to answer it.  Rather than giving you a resume, why don’t I just list some of the job titles in no particular order before, during, and after deciding to become a filmmaker?

Sgt. 1^st Special Forces Group, 1^st Special Forces (ABN) – Okinawa/Viet Nam

Chocker setter on a high lead logging operation - Oregon

Log skidder with a horse team - Colorado

EMT with an ambulance - Colorado

Firefighter - Florida

Engine Company Fire Captain - California

Certified rescue, first aid, and hazmat instructor - California

Paralegal/investigator for a law firm - California

Outdoor Recreation Professor - CSUS

Whitewater, skiing and climbing instructor

Chauffer

Security Guard and Security Dog trainer

Janitor

Maintenance man at a spa/hotel

Masseuse

Looks like a George Plmpton list now that I look at it.  Ah, that’s enough to make everyone either bored or think I’m full of something.

 

 What are some of your favorite American films? Foreign films? Television shows?

Wow.  There are so many wonderful films over such a broad range that narrowing the list down is somewhat challenging but here goes.

Some big name American films without delving into the careers of David Lean etal would include LOTR obviously, Willow, Star Wars, We Were Soldiers, and Indiana Jones.  Some less well-known films would include Memento, All the Usual Suspects, Blade Runner and What Dreams May Come.

Regarding foreign films, probably one of my favorite purely foreign films is the 2001 Bollywood production “Lagann”.  I don’t know if a BBC production really qualifies as foreign but “Mrs. Henderson Presents” would be on my short list.

Recent television…Band of Brothers hands down, Firefly, Burn Notice, Warehouse 13, Stargate, Merlin, and if I had cable, Game of Thrones.

 

 How would you describe your film education?

I have had quite a bit of formal education in Theater but not really any formal training in film.  Everything I know or think I know has come from either on the job training or reading.  I have had some great teachers and I read a lot.

 

 How would you describe the film "scene" where you live?

When discussing the “film scene” you can look at it from a number of view points.  My view-point has nothing to do with festivals, web sites, and the arts community which is fairly active.  It has to do with locally (read as in I don’t have to pay for housing) available talent and technicians and from that stand point I would describe it as overall fairly amateur and lacking in numbers and experience.  Obviously California has a plethora of talent, film festivals, and services supporting the film industry but where I have chosen to set up shop people don’t have much access locally to training programs or professional projects to gain experience.  We have to conduct a lot of workshops and training for both our actors and technicians and occasionally import talent and crew to fill vital roles.  That’s a big burden for an already exploding budget required for a fantasy film.

 

 How has social media changed the independent film industry?

Social media has had the same affect on the film industry as everywhere else in modern life I would guess.  On the one hand we have an almost limitless supply of choices for communicating with people and on the other hand it seems to be getting more and more difficult to communicate with people.  Things like Skype make it possible for me to have a publisher who lives in Canada.  Email, twitter, and web sites make it possible for me to quickly pass out information, call sheet revisions, notes to department heads, script updates…but the recipient actually has to check their email, Facebook, twitter etc for it to do any good.  People seem to be ignoring email the way some people used to ignore their answering machine.

I think the jury is still out whether it is possible to gain a sufficient following via social media to financially support the industry.  I think it will happen eventually but isn’t there yet.  I am amused when I hear people say they have produced a successful web series…that never made any money.  In my definition, any model that is not self-sustaining isn’t successful.  Social media has demonstrated an ability to gain followers but not pay for production.

 

What's your opinion on crowdfunding?

I personally have never tried it and don’t know that I really support the concept.  I once read what I thought was an amusing tweet from someone on the subject that said “It’s call show business, not show compassion.”  I think that pretty much sums up my feeling.  I know that some productions have been very successful at raising money in this manner.  According to industry sources, our production costs are quite a bit larger than the average web series and I understand that reduces the chances of success in a crowdfunding campaign.  We have 278 fans on Facebook.  Not the largest number to be sure but we recently asked how many would consider giving money to this or any production.  3 people said they would.  We may have to try it for season two if we have sufficient support to go there, but we will probably do something like selling T-shirts or DVD’s or something in exchange for money rather than holding our sign on the street corner.  Fans can support a project by being active viewers, buying merchandise, and being buzz builders.  Other production companies should be investing in their own projects, not mine.

 

What is the casting process like?

Wolf’s Head maintains a database on our company website for people to submit online resumes, upload head shots, etc.  In the past we have relied on this database and cattle calls for our casting.  For the web series, we went to a casting director and I think that paid off for us.  The process remained the same.  The first day is interviews, headshots and monologues.  We see about 250 people for a typical first day audition.  After the first day we go through the headshots and audition notes and do call backs with sides for specific parts.  Because of the nature of the shows we do, we also have movement auditions.  Once the field is narrowed down we do screen tests pairing up prospective actors.  We usually cast leads with a one on one meeting prior to the auditions but they are never set in stone and we expect them to show up at call backs.  We have been surprised more than once by an unexpected talent showing up.

 

 How does independent film differ from the mainstream?

Well, the obvious first things are budget, marketing and distribution.  Everything from a graphics art department, legal department, transportation department…you see the word department a lot in mainstream.  Independent film is like the old days of aviation where pretty much all your flying is done by the seat of your pants in an airplane held together with bailing wire.  It is certainly more exciting, more free wielding, more camaraderie, more fun, but horrendously time-consuming, risky, and challenging.  The biggest difference in my mind is because of all the limitations in budget, Indie films have to focus on story and can afford to cater to very small markets instead of cranking out another sequel or relying on CGI, car chases and explosions.

 

 You could go back in time and see any classic film being made. Which film would it be and why?

I have a great deal of respect for the likes of David Lean or DeMille who created crowd scenes with real crowds.  As a director, I have a hard time wrapping my head around the organization and execution of some of these scenes.  If I had to pick one I guess it might be the “Ten Commandments” or one of that ilk.

 

 What's your favorite movie quote and why?

I don’t have one that springs to mind at the moment.  There are so many iconic lines that have made there way into our lexicon over the years.  Most tend to come and go pretty quickly but some stick around for ever and some I just like because they were delivered well.  “I’ll be back”, “The Russians are coming”, “Curse your inevitable betrayal”…I don’t know but they all tend to be funny even if that was not the writers intent.

 

 What is your opinion on movie remakes and sequels?

There I go again addressing an issue before I get to it.  I hope I’m not getting graded on this.  You pretty much already know my answer.  I am sick to death of sequels and generally do not view them.  As far as remakes.  If the original was good enough to warrant a remake do you think somehow you are going to do it better?  And if it wasn’t that good to begin with, there is probably a good reason.  I don’t believe in remakes with few exceptions.

 

What is your opinion on book to movie adaptions?

Some are great, some suck canal water.  Obviously one of the most recent and best ones for me was LOTR.  One of the more disappointing in recent past was “Dune”.  In the case of “The Postman” I liked the film better than the book.  It all depends.

 

Is there anything else you would like to add

I think I have already said more than anyone not suffering from insomnia wants to read.  I would just like to thank you for this gabfest and invite your readers to check out our series and please, let us know what you think, good, bad or indifferent.

 

Actor Andy Favreau

Andy Favreau was born and raised in Massachusetts, but will soon leave Boston behind and move out to Hollywood.  Before he goes, he'll be starring in the latest project from Astropiano Films, Mark of the Dog Rose.  Favreau will be seen playing Detective Sullivan in this mystery thriller.

A relative newcomer to the acting scene, Favreau has worked on numerous local projects including What’s Your Number? and The Town, and has starred in many short films.  Favreau was also in a nationally run Bud Light commercial and has modeled for companies such as Life is Good, Callaway, Shirt for Shirt, Tailor Vintage, Bose, and Marc Harris Salon, among others.  He is a graduate of Suffolk University, and has a masters degree in Criminal Justice and Public Administration.

What is the current project you are working on?

Right now it’s Mark of the Dog Rose.  Filming starts this month (August) and I can’t wait.  It’s a great script written by Shannon Carter and we have an excellent cast and crew.  I play Detective Ryan Sullivan.

Did you always want to be an actor?

You know, I think I always did without realizing it.  When I was growing up, I can remember doing a lot of imitations from movies and even commercials in front of my family.  But it wasn’t until my first acting class that a light bulb really went off, and I thought to myself, “This is what I love, and this is what I’m good at.”

 

What inspired you to become an actor?

I think what really motivated me to become an actor was the enjoyment I get from entertaining people.  To be able to captivate an audience is incredibly rewarding, and something that really motivates me.

 

What is the worst thing about being one?

Right now, it’s dealing with breaking into the business in a significant way.  I’m moving to Los Angeles in the next few months, and whenever I start thinking about how much competition there'll be, I have a panic attack and pass out.  Kidding.  Kind of.

What is the estimated number of projects you have worked on?

I'd say roughly 15 projects

Who is is your favorite filmmaker?

Quentin Tarantino.  He’s like no other.  He’s so original in his storytelling.  The scenes he creates are so long and have so much dialogue, I love that.

How has your life changed since you became an actor?

Well, it’s about to change in a big way when I move across the country to L.A. Having lived in Massachusetts my entire life, that will probably be the biggest change yet.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Confidence goes a long way in this business.  Don’t let anyone tell you you can’t.  Especially yourself.  And stay motivated.

What are some of your favorite American films? Foreign films? Television shows?

This is tough.  There are so many that I love.  Some films that immediately come to mind are Pulp Fiction, Good Will Hunting, Goodfellas, Forrest Gump, American Beauty, Shawshank Redemption, and Eternal Sunshine of the Spotless Mind.  All just really great stories with some great acting.  Pulp Fiction has got to be my favorite though.  Tarantino is a genius.

I’m a T.V. fanatic.  Television shows have become so good over the past decade or so.  The Sopranos, The Wire, Breaking Bad, Friday Night Lights, and Mad Men have all set the bar so high.  The writing and the acting in all of those are just outstanding.

How would you describe the film "scene" where you live?

So many great films have been shot here in Boston.  Some have said that this city has become a sort of Hollywood East, and I can see some truth in that.  It’s been great for someone like myself starting out in the business.  I think it’s great for the city too.

 

How has social media changed the independent film industry?

It’s a very important tool for independent film makers.  Social media has the ability to take something and make it extremely popular.  It puts your stuff out there for the world to see.

What is the casting process like?

It’s always interesting.  Sometimes I’ll get called in for a casting for a commercial where I don’t even have a line to say.  It’s like, are they just casting based on a certain look?  Is there anything I can do to help myself here?  Other times at castings for a film you may feel real good going into it knowing that this is your role, this role was made for you, you’re gonna kill it.  Or, you may have to change yourself up a bit to fit a certain role.  I’ve experienced a lot of type cast so far in my career.  And it’s always funny to walk into a casting room and see a bunch of dudes who look just like you auditioning for the same part.

 

What's your favorite movie quote and why?

 

“Get busy livin’, or get busy dyin’.  That’s goddamn right.” - Red (Morgan Freeman)  from Shawshank Redemption.  It sums up what it's all about pretty well.

 

Is there anything else you would like to add?

Thanks for the interview John!  Everyone follow Mark of the Dog Rose on Facebook and Twitter!

 

 

 

 

 

 

 

 

Thanks for doing the interview.  I hope to be one of the first people inline to get a DVD when "Mark Of The Dog Rose" is released.

Filmmaker Gary King

Gary King is a contemporary American filmmaker whose work is known for powerful performances with an emphasis on a strong, visual style. He has written, directed and produced several critically acclaimed feature films.  (Read full bio here) Blog: www.grking.com Twitter: @grking   IMDB

 

What is the current project you are working on?

For almost two years now, I've been working on a musical drama "How Do You Write A Joe Schermann Song".  I'm happy to say that I can see the light at the end of the tunnel and will be bringing this film to the festival circuit in 2012.  I've also got a few projects in heavy development so it's only a matter of time before I know and can announce which one I'll be diving into next.

 Did you always want to be a filmmaker?

As a kid, I was just as fascinated about the "behind the scenes" and "making of" specials as the movies themselves -- so I was always imagining what it'd be like to make films.  While growing up, I just never realized there was a school for it or that a person could really make it a career choice....so I entered the corporate world for a while.  Five years ago, I walked away from the day job and have never looked back.

 What inspired you to become filmmaker?

Mainly it was sitting in the dark theater as a kid with complete strangers and sharing a collective experience.  When things happened on screen and I could hear people laughing, shrieking and clapping....I thought that this was something I wanted to do as well: to give an audience something to experience.

 What is the best thing about being one?

I wish I could have a great answer about the glamorous perks -- but at my level there aren't many as it's a constant daily grind to either: finish a film, start a film, raise the funding for one or get it distributed and seen.  Besides that, I do have to say that I've formed some great working relationships and friendships with some amazing people in the industry that continue to inspire me in many ways.

Okay I'm not going to discount the fact that making a movie is just damn good fun.  It's a rush that is very hard to duplicate in other outlets.  I can count on one hand the things that could possibly be more fun than making a film....but we won't go there.

 What is the worst thing about being one?

I've yet to come up with one reason that sucks being a filmmaker.  I can say that criticism can sting -- and getting bad reviews still affect me even though I know they shouldn't.  I'm still learning to accept that film is an art form and thus will divide people no matter what.  Some people will love my work -- others won't.  What keeps me getting through this is knowing that my all-time favorite films (that I would've been proud to make myself) are absolutely detested by some people -- so I just gotta keep my head down and keep moving....which I'm proud to say that, for the most part, I've been doing.

What is the estimated number of projects you have worked on?

As a filmmaker I've done two shorts and five features (three on my own -- two as a "director-for-hire").  I've been very lucky in my opportunities.

 Who is is your favorite filmmaker?

It's hard for me to say just one as different directors inspire me for different reasons.

I love all these filmmakers for their style and worlds they create: Woody Allen, Pedro Almodovar, P.T. Anderson, Robert Altman, Brian De Palma, John Carpenter, Ingmar Bergman, John Cassavetes, Krzysztof Kieslowski, Aki Kaurismäki and Wong Kar-Wai.

There are a few that I adore because they are so prolific....jumping from genre to genre successfully (which I hope to do with my career): Danny Boyle, Howard Hawks, Francois Truffaut, Steven Soderbergh.

At the grassroots indie level I really dig Zak Forsman and Kevin Shah's work and their Sabi Company films.  Their film "Heart of Now" made me want to be a better filmmaker.

 How has your life changed since you became a filmmaker?

I can't really think of anything directly changing other than moving to New York five years ago.  Okay I lied....there have been a few times in the past year where people have told me that my films have either inspired them or affected them in some profound way.  That makes me smile and feel that it's all worth it.

What do you like to do besides filmmaking?

I love hanging out with my friends.  The sad thing is I'm so busy that it rarely happens now.  And when we do hang out....it's to talk about making movies!

Have you had any other jobs before you decided to become a filmmaker?

My first job was a movie theater usher (free movies!).  I've also been a Blockbuster video guy (free movies!), a grocery store clerk (paper or plastic?), a waiter at a Mexican restaurant (yo hablo espanol), a customer service rep for a major newspaper (how can I help you?), a human resources representative (you're hired...you're fired!)....then filmmaker (action!).

 How would you describe your film education?

Watching and absorbing as many films as I can (all genres/eras from around the world).  I can't stress enough on how putting my stamp in the film world begins with knowing about what's been done before.  Love them or hate them, at least I know about most of them (and I still have a huge stack of films I need to see!!).  The best part of discovering a film or filmmaker is being able to pull something from them.  I always say everybody borrows...it's from whom you choose to borrow from that makes you unique.

I also have read a ton of books over the years....the majority of them for when I was first starting out...but I still like to revisit a few just before I go into production.  And of course the most important of all for me is learning by doing.

There's almost nothing better for me than watching my film with an audience to see what works well and what doesn't -- to see if the film is coming across how I intended.  I like to examine my decision-making process (whether if it was on the set....or in pre/post production) based on those successes and failures to reflect on what I would or could do differently if presented with a similar situation.

Throughout my work, there are moments I feel I've failed miserably at...so I take the learning lessons and try it again on the next one.  And when something works well, I pretty much chalk it up to having a bit of luck along with experience.  Just like any other profession there's nothing better than what time and acquired knowledge can give you in order to make those crucial decisions.

 How would you describe the film "scene" where you live?

New York seems to have a ton of movers and shakers -- who are just as hungry and talented than the next person if not more.  I tend to gravitate towards the people who not only want more with their career, but are willing to do something about it.  Nothing frustrates me more than meeting people who say they want success, but then actually do very little to really achieve it.

What's your opinion on crowdfunding?

I think it's one of the most powerful resources out there for artists.  If managed effectively I see it as a viable tool in the community for quite a while.  It is giving people like me the the opportunity to create when just a few years ago we were struggling on how and where to find the financing.  I know for a fact that I wouldn't have been able to do "How Do You Write A Joe Schermann Song" without crowdfunding and the hundreds of generous supporters that believed in it.

What is the casting process like?

Casting for me has been an ever-evolving process.  When I first moved to New York five years ago, I barely knew anyone so I had to use various casting websites and hold general auditions to meet performers.

Now, I'm thankful to be at a point where I've worked with a lot of people.  So when it comes to casting, I much prefer fostering a current working relationship or getting a personal referral.  I rarely have any general casting calls.  I actually love meeting people personally to see if we click off the set...then setting up meetings or screen tests around specific roles.  Of course general casting sessions still come in handy should there be a type that I'm looking for and nobody in my "six-degrees of" network seems to fit.

Sometimes I hit it off with someone so much that I write a role specifically for them on another project.  This has happened with Christina Rose, Daryl Ray Carliles, Jared Asato, Jeremy Koerner, Mark DiConzo and Jenn Dees among others.

For upcoming projects, I really look forward to becoming more involved with casting directors who have access to more "name" talent as I feel that is the major component missing from my films (although I definitely plan to bring my favorite actors along with me).

         What's your favorite movie quote and why?

More of an industry quote:  "Nobody knows anything..." -- William Goldman

It's so true.  If we knew the right way to do things everyone would be successful with a blockbuster film.  And it's clear that isn't the case.  There are definitely some guidelines to be aware of....even best practices...but there are no guarantees.  That's what makes filmmaking exciting and scary at the same time.

 What is your opinion on movie remakes?

Only do it if it can be done better or updated with a fresh take on it.  I'm a classic movie lover and feel that some are definitely untouchable.  However, there are a few flicks that could be too dated for modern audiences and whose stories are still worth sharing.  It's sad to me that some people refuse to watch older films but that's the reality of the market today.  They actually are a real education in so many ways -- not just from a filmmaking standpoint, but how we were as a society.

This reminds me of a funny story when a person about ten years younger than me started to pitch his movie idea that he thought was so original....until I said "so basically a remake of SILENT RUNNING?"  He stopped and asked "what's that?"  This just lends to my stance on film education again....that one of the best ways to be a better or smarter filmmaker is to watch a ton of films.

Now I guess the big question for me is would I do one?  It depends on how much you pay me haha!

 What's it like to work with Christina Rose?

Christina Rose is a major talent.  I feel she has the qualities that any filmmaker would want: strong acting ability, great range, a risk-taker, having amazing screen presence, a total professional and just fun to be around.  I also love how she's not afraid of the camera -- nothing comes between them in such a raw, organic way.

When Christina was first cast as "Wanda" ("Death of the Dead"), I had no idea that on the very first shooting day we would already be finishing each other's thoughts.  It was scary.  And since then, it's uncanny to see how often we have the same instincts and sensibilities on approaching scenes.

I was already developing "Schermann Song" before we'd met...so while shooting "DotD" when I learned she'd been on Broadway, I expanded and tailored the role of "Evey" just for her.  I think it was fate that she fit the character so perfectly.

It’s very easy working with her so don’t be surprised if you see us doing a few more films together before it’s all said and done.

Who would win in a fight between you and Miles Maker?

Oh man what kind of fight are we talking about here?  Well, I think he could do his patented dance kick-split and take me out if he wanted to haha!

Miles Maker is actually an emerging force in the industry and I'm really proud to have him as a producing partner.  We are developing several projects together that I hope to share really soon.  I've been very fortunate in that he has really opened a lot of doors for me to get in front of people's eyes.  I've been so busy with my head down creating content that I sometimes am not able to branch out and reach beyond my network.....and he's helped me do that.  Be on the lookout because we've got some exciting stuff in the works.

Is there anything else you would like to add?

I just love what you're doing.  I really appreciate your giving artists the opportunity to share more about our lives and projects.  It means a lot so thank you.

 

 

 

 

Thanks for doing the interview Gary. I look forward to when the DVD of  "How Do You Write A Joe Schermann Song" is released.

Actor Giancarlo Madonnini

What is the current project you are working on? 

The current project that I am workin' on is an independant film called, "Mark of the Dog Rose." It's a dark suspense drama in which my sister is kidnapped by the "Merrimack Snatcher," and I have two weeks to find her or the worst will happen. There are a bunch of twists and turns as well, but I don't wanna give away too much of the plot. ; ) I am also currently writing a script of my own, that I hope to have finished by the middle of next year. (Finger's crossed)

Did you always want to be an actor?

I haven't always wanted to be an actor, but i've always had a reaaaaaally strong interest in movies. Even as a younger child, I would remember putting myself in the shoes of the main characters of the movie, and try to imagine what it would be like if that was me. Whether it was a comedy, drama, horror, or anything. I always immersed myself into the film.

What inspired you to become an actor?

As I got older, I occasionally thought about making a move and maybe trying to get into the industry, but it wasn't until I saw Heath Ledger in, "The Dark Knight," that I made my desicion to give it a try. He was really my inspiration. I was blown away by the way he was able to transform himself from such a regular person in real life, to a character as derranged as The Joker. As soon as those credits rolled at the end of the movie, something just went off in my head and I said, "That's it, i'm going for it," and I did.

What is the best thing about being one?

I'd have to say my favorite thing about being an actor is how every project you do, gives you a chance to play a new character. Someone other than yourself. It's just nice to be able to step out of your own shoes and try to relate to another character well enough to portray them. When i'm acting, nothing else is on my mind. No bills, no girls, no job. My purpose is to do the best that I possibly can to achieve what I was going for.

What is the worst thing about being one?

Honestly, I can't think of too many things that I don't like about being an actor. If I had to pick something, I guess it would be the amount of time that it takes to edit, check sound quality, fix any little problems that pop up in the film after we've wrapped. I'm just full of so much anxiety from the time we wrap, until the time of the premiere. All I want to do is see and hear the reactions of the people who are watching it.

What is the estimated number of projects you have worked on?

I'm relatively new to the film industry. I've only played a small role last year, in an independant film for Astropiano Films. It was called, "Sunblocked." I had maybe 6-8 scenes in the movie, but got such good feedback that it landed me a lead in their next project, which is, "Mark of the Dog Rose." Besides that, i've been on the set of, "Here Comes the Boom" with Kevin James. I was only an extra, but it was a great experience to see how a professional set is run, and what really goes into a film.

Who is your favorite filmmaker?

My favorite filmmaker? That's a tough question. There are so many great directors out there, but I guess off the top of my head, Ron Howard tends to put out more hits than alot of others I can think of right now. Him, and Martin Scorsese, I would have to say. I'm Italian, so I tend to relate to his movies better than others. Haha.

How has your life changed since you became an actor?

I don't know if my life has really changed since i've become an actor, but I will say that it's given me a little spark in my life. It's given me something to shoot for, and has shown me what I have a passion for. You can work 60 year's of your life at a job that you hate, and never know what it is that you really wanted to do. Right now, I just wait tables and personal train, but my passion is acting. There's just something about it, it lights me up, and when I have a project, that's the NUMBER ONE priority. I'll go to work to pay my bills, but that is not my life. I'd happily make acting my life.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

The best advice I could give to someone that wants to make it in the business, (Not that i'm a grizzled vet over here or anything) would have to be, immerse yourself in it. Don't just think, "Alright, i'm playing, "so and so", and this is their issue, and this is what I have to do." No, MAKE YOURSELF that character. Relate to them, understand what it would be like to be in their shoes. Don't be affraid to take risks when your being filmed. If you look like a dork, who cares, your doing what you love, and your only gonna learn more, the more you try. So i'd have to say, just give it your all, and don't hold back.

What do you like to do besides acting?

Besides acting, I love to watch movies. (No big surprise there) Go out and shoot some pool, maybe bowl, or throw some darts, toss back a few brews with some buddy's and just shoot the breeze. I'm pretty much down for anything. I hate being bored and CANNOT stand still, so i'll pretty much go anywhere at the drop of a hat.

Have you had any other jobs before you decided to become a filmmaker?

Oh ya, i've had maaaaaaany jobs before acting. I'll try to remember a few here if I can... I've worked at Hampton Beach from age 13 until 20, at my fathers restaurant. CVS, Woburn Cinema, worked contruction and carpentry, Outback Steakhouse, Margaritas, Chili's, The 99's. I'm pretty sure I could go on for another ten minutes on this question, but i'll just stop it there, cause most of the jobs SUCKED. Haha.

What are some of your favorite American films? Foreign films? Television shows?

My favorite films? Oh boy, this could literally go on for day's, but i'll keep it as short as possible. I guess as far as foreign films go, "La Vita e Bella" Life is Beautiful, with Roberto Benigni, is my favorite. It's about a father and young son who get taken away to a concentration camp, and when his wifes finds out what happens, she demands to go on the train as well. Even though she is not Jewish. The main reason why I love this movie so much though, is because of the lengths the father goes to keep his son, not only safe, but HAPPY and having fun while in a freakin' concentration camp. It's an amazing story, and I think everyone should watch it at least once. Now television shows...eh. I don't get into too many t.v. series, I pretty much DVR everything that I wanna watch, and just fast forward the commercials. Right now on my DVR there's, Two and a Half Men, Still Standing, Time Warp, Man vs. Food Nation, Home Improvement, WWE Monday Night Raw, and Friday Night Smackdown. (Yes, I love wrestling) Haha. Besides that, i'm also a HUGE astronomy nerd, so I have pretty much anything that has to do with that, saved on my DVR. Now to American Films. Like I said, this could take forever, so i'll just name ten of my favorites. The Godfather, Blow, Gangs of New York, American History X, Good Will Hunting, The Dark Knight, Braveheart, Forrest Gump, Contact, DeJa Vu. I have about 100 more favorites, but i'll just keep it short for the sake of...I'M A HUGE MOVIE NERD! Haha.

How would you describe your film education?

I don't really have a so called, "film education." I pretty much just try to rely on my abilities to relate, sympathize, and empathize. Also, I try to detatch myself from my own life as much as possible while on set, so i'm able to BE that other character. Never went to school for acting. I would love to go if I was given a chance, and had the money. For now though, I guess i'm just gonna have to be self taught, and try to learn as much as possible from other's who have been in the industry longer.

How would you describe the film "scene" where you live?

The film scene in Boston is GREAT right now. I call it the Hollywood of the east. So many movies have been shot here in the past ten years. It's really exciting. Besides giving Boston actors a better chance then having to move to L.A. or N.Y, it really makes me pround of where I live. Boston has so much history and talent, it's nice to be able to show the world what we have to offer.

How has social media changed the independent film industry?

Man, the social media is huge for the independant film industry. Before all this social media stuff, figuratively speaking, you could only reach the person next to you. Now, your reach extends pretty much all over the world. Facebook, besides taking over the planet! Has given people great opportunities to network, and follow their dreams. I don't know how we'd be able to promote as much as we do now, without these resources.

What is the casting process like?

The casting process, from what i've seen and been though, is very stressful. It's tough to stand up in front of people that you've just met and belt out some intense dialouge. I can remember my first audition. I was so excited because I thought we were gonna be up on the stage in front of everyone and be able to really show what we've got. Nope, I was wrong. They broke us up into small groups and had us walk up to a table with two people sitting at it, and just stare at you, while you spit your dialouge to them. Needless to say, I didn't feel like I did very well. I somehow was given a callback, but didn't respond, because I had a feeling that they were just looking for new money for their school. Had I felt like I, "Knocked it outta the park," then I probably would have called back. The auditions for, "Mark of the Dog Rose" were a great learning experience though. It was nice to see that I wasn't the only one who get's nervous in that situation. Whether it was a younger kid auditioning, or someone in there 50's, 60's or older, they all were nervous and all were a little shakey. So that made me feel much better and more at ease, the next time I go out to an audition.

You could go back in time and see any classic film being made. Which film would it be and why?

If I could go back in time and see one movie being made, I guess off the top of my head it would have to be, "The Wizard of Oz." It's amazing how one movie can still have an impact on you 22 year's later since the first time you saw it. I would love to see how they made the costumes, did the special effects, how the actors prepared, and most of all, I wouldn't mind meeting Judy Garland. ; ) Yes, I know she was 16 when she was casted for this, but it's 2011 now, so she'd be 89. Don't really know where I was going with that, but I don't know where the nearest time machine is anyways, so......next question. Haha.

What's your favorite movie quote and why?

Favorite movie quote?!? Man, that's a tough one. I mean, I can pretty much quote the entire Dumb and Dumb movie. "Ski's huh?" "Ya." "Cool."

"That's right!" "Great! They yours?" "Uh-huh." "Both of 'em?" "Yes." "Um. Cool!" Haha. It's funny, i'm not a big comedy movie fan, but for some reason, those are the quotes that stick in my head the most. I'll keep this question short too, because it too could go on for awhile. Haha.

 

 

 

 

 

Thanks for doing the interview Giancarlo. I look forward to watching "Mark Of The Dog Rose" when it comes out on DVD.

Interview With "Sandman Slim" Author Richard Kadrey

[youtube=http://www.youtube.com/v/v9zhv39ZQZ4&hl=en&fs=1&]

Richard Kadrey is a freelance writer living in San Francisco. He is the author of dozens of stories, plus five novels, including Sandman Slim (buy), Metrophage(buy) and Butcher Bird (buy/download). His Wired magazine cover story, Carbon Copy, was made into one of the worst movies of 2001. It starred Bridget Fonda.

Kadrey created and wrote the Vertigo comics mini-series ACCELERATE, which was illustrated by the Pander Brothers. He plans to do more comic work in the near future.

He has written and spoken about art, culture and technology for Wired, The San Francisco Chronicle, Discovery Online, The Site, SXSW and Wired For Sex on the G4 cable network.

He is also a fetish photographer and digital artist. His work can be seen at KaosBeautyKlinik.com (Warning: Adult Content; 18+ only!

You can also find Richard online here:

Wikipedia

Twitter

Facebook

MySpace

ModelMayhem

Flickr (Warning: Adult Content; 18+ only!)

Contact Richard at kadrey@gmail.com

What is the current project you are working on?

The third Sandman Slim book, Aloha From Hell, will be out this October. Right now I'm writing the fourth book, which is the first in another three book story arc.

I started out writing what was supposed to be a simple series about a hitman, but now the story has me rewriting the cosmology of the entire universe. I never planned on that but it's a fun surprise to see where the story and characters have taken me.

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Did you always want to be a writer?

I never wanted to be a writer. I just started writing as a kid and didn't stop. My mother worked for a local newspaper when I was young so she was very encouraging of my writing. I wrote a lot of odd little stories when I was a kid, mostly science fiction and horror, and usually based on whatever movie or book had scared me recently.

I had a lot of trouble with English teachers. I started out in New York and ended up in Texas and the Texas school system was a very different animal. Things were simpler and slower there. I thought the material we were reading was dull and that the teachers were treating us as if we were a little slow. Teachers hated me because they did tell that I had a fair amount of contempt for the classes, but they couldn't fail me because I was always the best writer. That doesn't mean I was a good writer. It means that most people are hopeless. I blame school for that.

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What is the best/worst thing about being a writer?

The best thing about being a writer is that you get to work at home. That's also the worst thing. It's easy to lose track of time, so you wind up working all day and night. It's easy to lose track of dates and not know what day of the week it is. I tried picking up some dry cleaning on July 4 and the store was closed. I couldn't figure out why until I heard firecracker go off and I remembered that it was a holiday for people who had real jobs.

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What is one piece of advice you can give to someone who also wants to become a writer?

Read a lot and find authors the authors you like. However, it's just important to find writers you hate. Good writers can inspire you but they're not good to read when you're writing because you'll end up comparing yourselves to them. Bad writers are always good to keep around. At some point you're going to decide that the story you're writing is terrible and that you should throw it away. That's when you pick up a book you hate and read a couple of pages. It will emend you that a lot of crap gets published and you'll find yourself saying, “My story might be crap, but it's no worse than this crap in this crap got published.”

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What do you like to do besides writing?

I like to travel. Everyone who wants to write should travel, especially out of the country. And especially out of the industrialized world. Go somewhere there's no heat and you can hear the rats in the walls. Go somewhere you have to ride in an oxcart to get to the bus station and back to a city. Go somewhere you'll see people doing ordinary things in different ways. I remember a man buying an orange soda from the street vendor in Bangkok. Instead of giving the man the can, the vendor poured the orange soda into a plastic bag and poked a hole in it with a straw. The man buying a soda didn't react and I realized that this was how things were done. An ordinary thing was made new again.

OF course, there are big things you can experience. While walking through a rhinoceros preserve in Nepal my guide and I heard a low rumble from the side of the road. The guide grabbed my arm and pulled me off the road, 20 or 30 yards into the bush. When we stopped he said, “That was a tiger. That kind of growl means it just killed a deer and was warning us not to get closer because it was eating.” Get a few moments like that if you can.

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Have you had any other jobs before you decided to become a writer?

I'm like most writers which means I had a string of odd jobs. I tarred roofs in Houston, worked in bookstores, sold fire extinguishers over the phone and worked in warehouses. The warehouse jobs are best. You got a work order which told you what pallets to put where and you did it, usually with a forklift. As long as you moved things where they were supposed to be people left you alone. I loved that.

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How would you describe your education?

My education is pretty spotty. Most of the interesting things I learned I learned on my own. They tossed me out of college. Twice. The first time because I called one of the teachers a fraud (an opinion I stand behind that to this day). The second time they threw me out for non-attendance of class. I'd became so bored and depressed by college that I simply stopped going. The only thing I'm grateful for in my college experience is that I saw a flyer for the Clarion science fiction writers workshop on a bulletin board. The deadline for that year had already passed by I applied for the next year and got on what was my first attempt at a serious science fiction story. It was horrible but they let me in. Clarion was and is great writing boot camp experience. Of course, it still took me five more years to sell my first story.

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Who would you want to play Sandman Slim if a movie was made?

A Sandman Slim movie is in development right now. I won't say who should play him or what Sandman Slim looks like. If you look at the books I give you some broad strokes of his appearance but it was important to me to leave a lot of room for readers imaginations to fill in the details. I want everyone to have their own Stark. I love it when fans tell me what they think Stark looks like because the range is amazing. People have said everything from Tom Waits to Jason Statham. Good for them. Make Stark anything you want him to be.

 

Thanks for doing the interview Richard. I'll be getting a copy of "Aloha from Hell" when it comes out in October.

Lead Programmer For The Sidewalk Film Festival Rachel Morgan

Since its debut in 1999, filmmakers from across the country and around the world have come to Birmingham to screen their work at Sidewalk and have been thrilled to discover fresh, enthusiastic crowds eager to devour new independent cinema.

With nine venues located within Birmingham’s historic Theatre District (featuring the newly restored Alabama Theatre, a 2,200 seat movie palace built by Paramount in 1927), spontaneity rules the schedule of Sidewalk attendees. Low-priced weekend passes provide easy access to Sidewalk venues, encouraging attendees to seek out new films and sample programming they may not otherwise see. The result is a crowd rich in diversity and united in a hunger for new film.

In 2006, the Sidewalk Moving Picture Festival was honored to recognize writer/director John Sayles and producer Maggie Renzi for their more than two decades of collaboration in independent film, which includes such acclaimed indie classics as THE BROTHER FROM ANOTHER PLANET, MATEWAN, PASSION FISH, LONE STAR, LIMBO and the Sidewalk 2004 Opening Night Film, SILVER CITY.

Other past attendees of the festival include: John C. Reilly (CHICAGO, MAGNOLIA, TALLADEGA NIGHTS), Peter Gilbert (HOOP DREAMS), Amber Benson (BUFFY THE VAMPIRE SLAYER), Mary Kay Place (THE BIG CHILL), Mary Lynn Rajbuski (24, PUNCH DRUNK LOVE, SWEET HOME ALABAMA), Dash Mihok (THE THIN RED LINE, ROMEO + JULIET), Dan Myrick (BLAIR WITCH PROJECT), Vincent Kartheiser (ER, ANOTHER DAY IN PARADISE, ANGEL), Chris Gore (IFC, FilmThreat.com), Daniel Wallace (BIG FISH), Gill Holland (HURRICANE STREETS), Adrian Grenier (HBOs ENTOURAGE, Woody Allens CELEBRITY), Louise Fletcher (ONE FLEW OVER THE CUKOOS NEST), David Keith (AN OFFICER AND A GENTLEMEN), Chris Mulkey (TWIN PEAKS) and many more up and coming award winning filmmakers and stars.

From the Filmmakers’ Reception and the Filmmakers’ Retreat to a myriad of breakfasts, field trips, parties and galas, Sidewalk connects filmmakers. The atmosphere at Sidewalk is electric with creativity and collaboration as filmmakers and film-lovers mix and mingle between screenings, participate in panel discussions, grab a bite to eat at the Sidewalk Café, or simply enjoy a brew at the Sidewalk Music Café @ Speakeasy 1920.

• One of TIME magazine’s FILM FESTIVALS FOR THE REST OF US.

• One of Chris Gore’s BEST VACATION FILM FESTIVALS in the Ultimate Film Festival Survival Guide.

• "BEST KEPT SECRET" in MovieMaker Magazine.



Did you always want to work in the film industry?

Yep, I always wanted to do something related to film - ever since I was a little kid though it took me a while to realize that such was possible.

What inspired you to work at the Sidewalk Film Festival?

Hmmmm by default I suppose. Sidewalk is the only Festival in Birmingham (and coincidentally one of the best in the world) and when I moved back to Birmingham several years ago I wanted to be involved with the Festival as I was pursuing my Masters in film and had been working in the industry for a while and love film. So I served on the screening committee for Sidewalk and then was asked, about 2 years later, to co-program (with my programming partner Kyle McKinnon) the Festival and, of course, I thought it would be fun and agreed.

What is the best thing about programming a festival?

It is like making a huge mixed tape (but with films) and for a lot of people - which is pretty fun. I also really like seeing everything come together - seeing all the films that you have been looking at and thinking about for 6 months, or more, come together and to town with the people who made them in the city where you live, it is pretty neat and kind of surreal. Also there is lots of free pizza.

Who is is your favorite filmmaker?

That is a difficult question - there is not just one I suppose - sometimes Gus Van Sant, in some ways Jonathan Glazer, I have on and off liked David Lynch a lot, Orson Welles and Alfred Hitchcock are geniuses, P.T, Anderson, The Coen Brothers, Wes Craven... Patty Jenkins made a great freakin film, Jane Campion is amazing, so too many to list I guess.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be as happy to be a Grip or Production Assistant (or similar) as you would to be a Director and work as hard at being a Grip, Production Assistant (or similar) as you would work if you were directing (as all are of equal importance anyway) and if you do that everything will work out.

What do you like to do besides programming the film festival?

I teach film full time at a community college and manage the media department, I co-teach one class (documentary film) at the University of Alabama and I occasionally go to the movie theater, ride my bike and read a book (or try to).

Have you had any other jobs before you started programming the festival?

Yes, I was a Boom Operator and an Assistant Editor and a Production Assistant and for many years a Producer, mostly, for advertising agencies and an Assistant Instructor and Instructor of all things media.

What sets your film festival apart for other festivals?

Many things sets Sidewalk apart I do think - filmmakers do not come to our Festival to sell their film, so it is not a high tension, ego heavy kind of environment. It is just fun and celebratory and we throw amazing parties - I know lots of festivals say that, but we really, really do. That is why lots of notorious indie film partnerships have formed at Sidewalk and even a marriage or two.

What are some of your favorite American films? Foreign films? Television shows?

American films - lots and lots of them - Birth is at the top of my list, it is an amazing film that I can watch over and over again and can talk for about for hours. General Orders No. 9 is life changing. The last 10 minutes of American Beauty blew my mind and I am still very much into it. Four Eyed Monsters is great, Halloween and A Nightmare on Elm Street will always be true loves of mine. There Will Be Blood, The Royal Tenebaums. I also have interest in particular films and get real into them for a while and then, while I still love the film, move on to others - right now I am really into several of the films in Sidewalk 2011 - Without and Mary Marie come to mind. I have been thinking a lot about Blue Valentine lately as well and Tabloid was amazing. American Movie is terrific. Foreign films - I love Dogtooth and we have an amazing film in the Festival this year called The Robber. Let The Right One In, of course and Run Lola Run is brilliant. I could not possibly list all of my favorites. I do not really like the TV format, it is a bit overwhelming, but Beverly Hills 90210 rules.

How would you describe your film education?

Hmmm well I went to the Savannah College of Art and Design for my undergraduate studies (in film and video) and it was one of the greatest times of my life. I went back several years ago and got my Masters in film critical studies and that too was amazing. I also feel as if every job I have ever had has been an education of sorts, so that is a difficult question to answer without boring you to death.

How would you describe the film "scene" where you live?

Promising but difficult.

How has social media changed the independent film industry?

Social media has changed everything - not just indie film, but everything and I do not think for the best though it has its benefits and certainly it can help filmmakers and festivals in terms of inexpensive marketing. There are so many downsides to social media and I am very conflicted about its general impact. I think the verdict is still out.

What's your opinion on crowdfunding?

I am not sure

What is the film submission process like?

We use withoutabox.com - filmmakers fill out the form(s) online and send in a screener (we have not moved to online screening yet, because the service is not yet functional for us). We have a committee of about 40 people - split in to docs, narratives and shorts and they help us (me and my programming partner, Kyle) sort through the 500+ entries that we receive every year.

How does independent film differ from the mainstream?

In a general sense I suppose that indie films tend to be more the vision of one person (or a few people) and mainstream, 'Hollywood' films tend to be the vision of lots of people - many stockholders trying to predict what will sell to the masses. That leads to a lot of little differences. Generally, I guess it could be compared to a handmade item versus an assembly line made item - some similarities, but one has more heart than the other.

You could go back in time and see any classic film being made. Which film would it be and why?

Any of them, that would be amazing. Seeing George Melies creating A Trip To The Moonwould blow my mind because of how strange and interesting film was at that time, The Lumiere Brothers shooting their first little bit of film because how incredible must it have been to see something like the moving image for the first time. Citizen Kane, of course, of course, of course because - Orson Welles and not much more is needed, that would be magical.

What's your favorite movie quote and why?

There are about a hundred lines from Valley Girl that I try to incorporate into my everyday language. In the first 5 minutes of the film one of the characters says "like he is not so awesome" - there is no better way to describe something that is not so awesome. From there the film is packed with amazing lines/quotes. Also from The Wild Life (1984) the line "It's Casual" which was trying to be the "totally awesome" line from Fast Times At Ridgemont High, but did not stick, perhaps because it was said by Chris Penn instead of Sean Penn, but it's casual.

You could have any super power. What would it be and why?

X-Ray vision of course - Las Vegas

What is your opinion on movie remakes?

I much prefer originality and I think that most current remakes do not do the original justice (let me site Rob Zombies blasphemous attempt at remaking Halloween), but I do like to see something done well and sometimes that happens, I enjoyed the remake of The Hills Have Eyes, for example.

What is your opinion on book to movie adaptions?

They are often very good, they can be if done well. I tend to prefer interpretation to adaptation, it works out better. Maximum Overdrive was based on a short story by Stephen King called Trucks, That Evening Sun on a short story - short stories tend to serve as nice cinematic content as do songs (The Indian Runner is based on a Bruce Springsteen song). Also if it is a bad book why not - for example Twilight (yep, I am referencing Twilight) is a horrid book, but the films are sickly entertaining at least - go ahead hate, I referenced Twilight. So overall I have no problem with movie adaptations, it depends on the film and the book I suppose.

Thanks for doing the interview Rachel. For more information on the Sidewalk Film Festival check out http://almovingimage.org/sidewalk-fest.html.