INTERVIEW WITH GENE BLALOCK (director) and JAMES BORING (writer) for UNLUCKY GIRL

[slideshow]

WHAT IS THE CURRENT PROJECT YOU ARE WORKING ON?

GENE: I’m always involved in several different projects, but with James, we are currently working on a short film entitled UNLUCKY GIRL.

 DID YOU ALWAYS WANT TO BE A FILMMAKER?

JAMES:  No. I am drawn to film, but I'm not sure it’s my passion.

GENE: I’ve had three passions my entire life: music, art, and film.  Every since I was a child, all three have played a huge part of my life.  As it relates to film, my sister and I used to write short stories and act them out.  As I got older and got my hands on cameras, my friends and I would go into the woods and shoot these little shorts.  It was not until university that I realized that perhaps I could do this full-time.

WHAT INSPIRED YOU TO BECOME FILMMAKERS?

JAMES: Gene inspired me to do this project.

GENE: As I mentioned, I have always loved film.  There is something about going to the cinema and seeing these amazing images tell a story in front of you.   I love every aspect of it, from framing a shot to seeing your story come to life with sound, music, and images… it’s really an amazing experience.  I love that escapism that cinema allows.  The viewer is swept away into something they do not get to experience on a daily basis.  Every since my parents took me to see my very first film, I knew there was something magical there that I wanted to be a part of.

WHAT IS THE BEST THING ABOUT BEING ONE?

JAMES: You get to create and experience film as it is made.

GENE: Yes, like James said, it’s amazing to be able to have this image in your head and see it come to life before your eyes.  That pure form of expressiveness… you do not get it from many other things.

WHAT IS THE WORST THING ABOUT BEING ONE?

JAMES: You have to worry about money.

GENE:  The business side of it, absolutely.  I hate having to concentrate on that part of it.  It’s the worse part of the entire project.  People seem to think that films just happen, but at least on the indie level, it’s a lot of hard work with very long hours.  There are months of pre-production, scheduling, budgeting, fundraising, and other grueling task that go into a film before the first frame is shot.  It’s an amazingly long and painstaking process.  However, when you finally see your film complete on a 60-foot screen, there is nothing like it.

WHAT IS THE ESTIMATED NUMBER OF PROJECTS YOU HAVE WORKED ON?

GENE: That’s hard to calculate.  I’ve worked on a lot of projects – most of them not my own... I’m not really sure…  A LOT!

JAMES:  I used to co-curate an Independent film showcase. This is my only film credit I have moving to Los Angeles.

WHO IS YOUR FAVORITE FILMMAKER?

GENE: That’s tough… it really depends on the day.  I love Tim Burton – defiantly one of my top. Richard Kelly, Todd Haynes, Baz Luhrmann – all great.  Recently, Christopher Nolan, John Favreau, and JJ Abrams have all impressed me.  But this list could go on forever including Hitcock, Kubrick, David Lynch, and so on…

JAMES: That's really hard to say. Kubrick I guess.

 HOW HAS YOUR LIFE CHANGED SINCE YOU BECAME A FILMMAKER?

JAMES: It’s become busier as I have to work on the days we don't film.

GENE: It hasn’t really.  I’ve been fortunate enough to do what I love, so my life is fairly constant.

WHAT IS ONE PIECE OF ADVICE YOU CAN GIVE TO SOMEONE WHO ALSO WANTS TO MAKE IT IN THE MOVIE BUSINESS?

JAMES: I like Tim Curry's advice, "Wait to be asked."

GENE: It depends on what side of the business you want to be on.  There are certainly a lot of office jobs in this profession.  However if you want to make films, my best advice is to just get out there and do it.  Don’t wait for Hollywood to knock on your door to hand you a load of cash.  Just get out there and make movies.  Borrow friends and family for talent and crew and shoot on whatever camera you can get your hands one.  Just create great stories and the rest will fall into place.

WHAT ARE SOME OF YOUR FAVORITE AMERICAN FILMS? FOREIGN FILMS? TELEVISION SHOWS?

JAMES: American, The Shining, Nightmare on Elm Street, Maltese Falcon, Jaws, Psycho, Night of the Living Dead, Halloween, Poltergeist, and many others. Forging films, Deep Red, Kronos, High Tension, Zombie, Shaun of the Dead, Demons 1 & 2, The Birds, Frenzy... TV, Twin Peaks, Reaper, Deadwood.

GENE: I don’t watch television really… my film list could get way too long for this interview… I talked about some of my favorites directors, so their films would be among my favorites.

HOW WOULD YOU DESCRIBE YOUR FILM EDUCATION?

JAMES: self-educated I guess. Gene's the filmmaker; I'm just a person with ideas.

GENE: I went to film school, though I admit, I’ve learned far more just by being out there doing it. Nothing beats hands on experience.

HOW WOULD YOU DESCRIBE THE FILM "SCENE" WHERE YOU LIVE?

JAMES: It's very competitive here. Indie filmmaking is sort of frowned at by some people.

GENE: Well, being in Hollywood, there is a plethora of filmmakers here trying to break in and as James said, there can be some competition. But on the indie level, there are a lot of us that like helping each other out.  There is a cool little community of indie guys that just want to make great films.  It can get frustrating at times here since everything you asked for has a huge price tag on it, but that is when you just have to get creative and embrace gorilla filmmaking at it’s core.  But I will say this, there is no better place to be able to have access to everything you need to make a great film than right here in Hollywood.

HOW HAS SOCIAL MEDIA CHANGED THE INDEPENDENT FILM INDUSTRY?

JAMES: Well the Internet is going to change all entertainment eventually. Right now there's a good opportunity for Indie filmmakers to get funding and reach an audience without going through the studio system.  I think it’s a unique opportunity for those willing to seize on it.

GENE: Like James said, there has never been a better time to be a filmmaker.  You can create something and potentially reach thousand or millions of people.  But in the end, it still comes down to content.  You have to have a compelling story, otherwise people will not watch.

WHAT IS THE CASTING PROCESS LIKE?

JAMES: We're using people that we are already acquainted with for this project.

GENE: Traditionally we would have casting calls, auditions, call backs, and final selection, much like they would in the mainstream setting, but UNLUCKY GIRL was easy.  When James approached me with the idea, he had already thought and talked to most everyone he wanted involved.

HOW DOES INDEPENDENT FILM DIFFER FROM THE MAINSTREAM?

JAMES: You have no money, but you also have total creative control.

GENE: James hit it on the head.  Getting funded is harder and you never have the budget or time that you wish… But that is offset by the control you have; you do not have a lot of suits asking you to change everything.  There is a bit of freedom on the indie level, but that comes with some sacrifice as well.  You often will not be able to get the perfect shot or you have to settle for a less than ideal location… but that also forces creativity.  So I suppose it all evens out.

YOU COULD GO BACK IN TIME AND SEE ANY CLASSIC FILM BEING MADE. WHICH FILM WOULD IT BE?

JAMES: THE BIRDS (1963) or TOUCH OF EVIL (1958).

GENE: I suppose it depends on what you consider classic… STAR WARS (1977) would have been an amazing film to be apart of.  Before that, probably The Wizard of OZ (1939).

YOU COULD BE ANY ANIMAL. WHICH WOULD YOU BE?

JAMES: Humans are animals.

GENE: What James said.

YOU COULD HAVE ANY SUPER POWER. WHAT WOULD IT BE?

JAMES: I could stand to be a better judge of character.

GENE: I already have a super power – I’m vegan.

DO YOU BELIEVE ON LIFE ON OTHER PLANETS?

JAMES: I don't have beliefs about things that have no evidence to back them up. Statistically, I think there's a decent chance of it.

GENE: I’m  skeptic in every sense of the word.  However, of all the stars out there, it stands to reason that a least a small portion of them could possibly have life orbiting them. Though, if there is intelligent life out there, I don’t think they have any interest in this planet, nor have they bothered to visit and abduct our country folk for probing.  I’m sure they would see us as a far more uncivilized species that will inevitably destroy our planet and ourselves.

Writer/Director Aaron Hultgren

Aaron Hultgren has been writing since before you were born (if you were born after 2005).  Having studied screenwriting at UCLA, he now writes screenplays, teleplays and 160-character tweets. 

What is the current project you are working on?

We're deep in the bowels of post-production on The Last Man(s) On Earth feature film.  It's an action-comedy in which the Blind Kid from Dumb and Dumber and the Golf Pro from High School Musical IIset out to stop the man-made destruction of the end of the world.

Season Two of the Last Man(s) webseries is also just getting underway.  If you haven't seen Season One, visit: http://www.youtube.com/thelastmansonearth.  You may or may not be disappointed.

Overall, a lot of Last Man(s) business is going on.

How do you handle rejection?

As a lover, pretty poorly.  As a writer, rather well.

It's a competitive business.  The key for me is being my own harshest critic, which if anything ensures that I love my work.  Not everyone is going to love what you create.  At the very least, you can love what you've created.

Did you always want to be a filmmaker?

I always wanted to be in the entertainment business.  For a long time I thought I'd be entertaining people as a professional baseball player.  Then I turned twelve.

 What inspired you to become filmmaker?

Sitting in a cubicle for three years as a public relations professional was the most inspiring thing I've ever done.  It motivated me to stop wasting away and to do what I really wanted to do.  It motivated me to get into UCLA and learn to become a better screenwriter.

 What is the best thing about being one?

The best thing about being a filmmaker is the writing process and the collaboration of bringing a script to life.

 What is the worst thing about being one?

The worst thing about being a filmmaker is the length of time it takes to bring a script to life.

 Who is is your favorite filmmaker?

If I had to pick one filmmaker, I'd pick three: Wes Anderson, Spike Jonze and Edgar Wright.

 How has your life changed since you became a filmmaker?

I'm much happier.  And much more excited when I get a paycheck.

 What are some of your favorite American films? Foreign films? Television shows?

I watch a lot of documentaries.  Like a lot lot.  Great films make you care.  They make you laugh, cry, feel something deep down inside-- whether fiction or nonfiction.  There are so many great American and foreign films.  And like best friends, they come in all shapes and sizes and names.

As for TV shows, I'd love to be a television writer.  The shows I DVR include: Modern Family; It's Always Sunny In Philadelphia; Archer; Party Down; Parks and Recreation; and reruns of Arrested Development (thanks, G4!).  I'm also known not to change the channel when The Bachelor comes on.

 How would you describe your film education?

Excellent on paper.  But in reality the best film education is experience.

 How would you describe the film "scene" where you live?

I'm in LA.  So it's OK.

 How has social media changed the independent film industry?

It's opened opportunities to market your film directly to new audiences.  It also gives viewers the chance to interact directly with those same filmmakers bugging them to watch their movies.  It's great.

What's your opinion on crowdfunding?

Heart it.

 How does independent film differ from the mainstream?

To me indie film means that it doesn't have studio funding or a clear distribution channel in place when it's produced.  But with advances in film making technologies, many indie films employ the same cameras, editing software, actors and below-the-line talent as mainstream movies.  In a way, indie films have become-- if not more mainstream-- more commonplace than studio films.

 You could go back in time and see any classic film being made. Which film would it be and why?

Casablanca because the ending was up in the air for so long and the script was still being written while shooting.  Film making is a magical and collaborative process.  This revered film proves it.

 What's your favorite movie quote and why?

"Luke, I am your father." -- The Empire Strikes Back.  I remember seeing this on TV when I was a kid and freaking out.

Is there anything else you would like to add?

I love film making and combining with other talented people to turn an idea into an entertaining story.  That's what makes working on Last Man(s) so enjoyable.  Producer and co-director Joe England is a good friend from UCLA; Eric Dove is a terrific cinematographer; Adam Krupowicz has so much talent as a sound tech; Charan Prabhaker and Brady Bluhm are such great actors; and Kenlon Clark, our editor, is bringing so much style to the edit of the feature.  I'm also greatly looking forward to working with Kevin Lee, our composer.

In sum, let me just say that I'm honored to have written and directed this film.  It's the most rewarding project I've worked on to date.

Thanks for doing the interview Aaron. I'm in the process of watching The Last Man(s) On Earth. I'll be on the look our for season two. Good luck with the feature film.

Filmmaker Sean J.S. Jourdan

Originally from Albuquerque, New Mexico, Sean J.S. Jourdan now lives and works from Denver, Colorado where he relocated after receiving a MFA degree in film and video at Columbia College Chicago. Following his graduation and employment as a chemical engineer from the University of Missouri-Columbia, a lifelong interest in storytelling and human nature led him to Washington University in St. Louis where he earned a MA in drama. His work gradually developed from theater to film where he has worked as an award-winning screenwriter and director. A Top 5 Finalist in the MTVu Best Filmmaker on Campus Competition, Sean's award-winning short films are currently distributed by Shorts International, via iTunes and BigStar.tv. His feature length screenplay, The Beekeeper, was recently a finalist for the Sundance Screenwriter’s Lab.

What is the current project you are working on?

Currently working on a couple of things. The major project on my plate right now is getting my first feature off the ground, “Teddy Boy.” It’s a thriller about a rising tennis star who becomes entangled in a savage charade with a grieving middle-aged couple while staying in their picturesque mountain home. The screenplay just finished 3rd in the thriller category of the Wood’s Hole Film Festival is or has been a finalist in a number of other competitions (Beverly Hills Film Festival, Cinestory, Big Bear Lake Film Festival). It was written to specifically take advantage of all that Colorado has to offer in terms of talent, crew, and amazing locations. The other feature screenplay on that I’m looking to get off the ground is a drama – “The Beekeeper.” A finalist for the Sundance Screenwriters Lab it just missed the cutoff for the Nicholls Screenwriting Fellowship this year. We shot the first part of the script as a short that’s currently on iTunes. The other is a short doc on local Colorado filmmaker/psychedelic guru John Hartman and his latest film “Planet Diva.” The project was recently highlighted by the Onion’s AV Club.

How do you handle rejection?

It’s tough out there and that’s something I’ve learned very early. Rejection happens more than acceptance. In my opinion, it’s a part of being a filmmaker – of putting yourself and your work out there. Really it’s like being a ballplayer. If you’re hitting .300 you’re doing well. I try to never take anything personally. Whoever rejects you today could accept you tomorrow – ALWAYS leave that door open. Life is too short.

Did you always want to be a filmmaker?

It’s been a long journey. I’ve always loved art, math and science so graduated as a chemical engineer from college and was employed as an environmental engineer. I thought I could combine my love of both into that profession but, for me, filmmaking is a better fit. It’s a great profession for a curious mind – you get to research people and subjects that interest you as part of your research. You become a student of human nature plus you get to implement technology creatively. But mostly I like to see my imagination come to life.

What inspired you to become filmmaker?

In college I took a film class where we watched Jean-Luc Goddard’s Breathless. I was blown away. A theatre actor at that time, I later moved into directing for the stage. Intimacy was paramount. What could be greater than being a fly in Willy Loman’s living room? Film provided a medium to achieve this intimacy so that’s what I eventually gravitated to.

What is the best thing about being one?

Working with your friends. Going on adventures. Most of all, as I mentioned before, seeing your imagination come to life. That’s priceless.

What is the worst thing about being one?

The grinding work and rejection that is a part of daily life. It’s akin to running a small business. There’s really no days off. You have to do something every day that furthers a project and/or your career. If you don’t open the shop, no one will.

What is the estimated number of projects you have worked on?

Good question – 20+.

Who is your favorite filmmaker?

That’s tough. Roman Polanski, if pressed. Ingmar Bergman. Stanley Kubrick. Michael Hennke. John Cassavetes.

How has your life changed since you became a filmmaker?

I make a lot less money than when I was an engineer! But I get to make up shit for a living. How great is that?

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be a problem solver and add value to whatever you work on (and work on everything). The rise is meteoric.

What do you like to do besides filmmaking?

Holding and playing with my baby daughter. Spending time with my family. Reading. Napping. Swimming in waterfalls. Colorado is a beautiful place to spend outdoors winter or summer.

Have you had any other jobs before you decided to become a filmmaker?

Environmental engineer for a large privately owned mining and manufacturing firm.

What are some of your favorite American films? Foreign films? Television shows?

Knife in the Water, Apocalypse Now, Vertigo, Diary of a Country Priest, Solaris, White Ribbon. Always loved reruns of The Twilight Zone.

How would you describe your film education?

Excellent. Went to Columbia College where you have access to great instructors, crew and gear. But they don’t give you everything – you have to hustle. Good prep for life outside of film school.

How would you describe the film "scene" where you live?

The film scene in Denver is small but growing and dedicated. We’re fortunate to have a new commissioner, Donald Zuckerman, who, having produced over 20+ features brings a ton of experience and knowledge. The talent is here – both in front of and behind the camera – the locations are amazing. Really, it’s only a matter of time before things take off. I certainly hope to be a part of it.

How has social media changed the independent film industry?

Tremendously. In many ways it’s an avenue to inexpensive (free) marketing that was previously unavailable. More importantly, it’s an easy and public way to engage with an audience. Access easily flows both ways. I enjoy it in that I can keep up to date with what my friends are up to. It’s a great way to promote people and projects you believe in.

What's your opinion on crowdfunding?

Fund raising, in my opinion, is the hardest part of filmmaking. It truly separates the wheat from the shaft. If crowdfunding helps a project get off the ground – more power to it. It’s not really about begging – it’s about validation. Really the greatest amount of validation when people believe in you so much they’re willing to contribute money to help you realize your dream. How unselfish is that? It’s a great platform that I hope will spark a new wave in art, not just film.

What is your process for conducting interviews for your narrative project?

For crew positions it’s mostly word of mouth. I typically ask someone I trust who they would recommend. In this business a person’s reputation is critically important and when someone vouches for you – it’s a good sign. Then we’ll usually meet for coffee to see if there’s a mutual interest/fit. The interview goes both ways and the same goes for auditions. I’ll often cast a wide net for cast – recommendations, postings, etc. – and everyone gets a read. You never ever know when you’ll find a diamond in the rough. Also, I try to attend as many local screenings as I can and if I’m impressed with someone’s work, I’ll definitely make an effort to introduce myself.

How does independent film differ from the mainstream?

Good question. I’m familiar with the independent world much more than the mainstream. I imagine in the mainstream the budget’s are larger and the casts more well known but there’s also more pressure. I don’t think it ever gets easier… well, maybe a little.

You could go back in time and see any classic film being made. Which film would it be and why?

I would love to see Alfred Hitchcock at work. His meticulous attention to detail. His relationship to his actors and crew as well as his tremendous visual story telling ability.

What's your favorite movie quote and why?

I don’t remember a lot of movie quotes but the one I do is from Blade Runner when the replicant, played by Rutger Hower, dies:

“I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tanhauser Gate. All those moments will be lost in time, like tears in rain. Time to die.”

So moving in it’s proper context. Poetry.

What is your opinion on movie remakes and sequels?

Sometimes they work (The Godfather, Batman) and sometimes they don’t. I wish more original material would be produced but the remakes and sequels make money. And they keep my talented friends employed and at the top of their game. I couldn’t be more grateful.

What is your opinion on book to movie adaptions?

They’re two entirely different mediums. Rather than an adaptation it should be more of an “inspiration.” Though some of my favorite films have been created using short stories and novels as source material. American Psycho is one.

Is there anything else you would like to add?

This is a very difficult and highly competitive industry where working a 12-hour day is normal. Don’t ever ever quit. And don’t forget to have fun doing it.

 

 

 

Thanks for doing the interview Sean. Keep me posted on the progress of your film.  It's inspiring to see independent filmmakers follow there dreams.

Dennis Hurley: Actor, Writer, Comedian, Albino

Dennis began his career as a performer at Ithaca College (http://www.ithaca.edu/hs/depts/theatre/)   in New York, receiving improvisational training from the Upright Citizens Brigade Theatre in NYC and the Massachusetts-based ImprovBoston.  (www.improvboston.com)

Dennis Hurley’s television and film credits include: The Daily Show (under 5), Let Them Chirp A While, and the role of "Michael" in Running With Scissors (scene deleted)One of his original film productions, The Albino Code  (www.7fluidoz.com/albinocode) , a parody of The DaVinci Code which he wrote and starred in, has been met with international acclaim, being featured on CNN, MSNBC, Inside Edition, Entertainment Tonight, Good Morning America, FOX News, as well as in articles in People Magazine, The New York Post, The Hollywood Reporter, and The Boston Globe in a review by top film critic Ty Burr.Dennis has performed live in over 40 states across the US, including the lead role in the original play Diamond In The Rough at the Kennedy Center in Washington DC. He has acted in such Off-Off Broadway productions asRosencrantz and Guildenstern are Dead, A Christmas Carol, Naked, Killing The Great White Tiger, Where's Charley?, Measure For Measure, Macbeth, Titus Andronicus, The Girl Most Likely To..., The Magic Of Mrs. Crowling and his original comedic play, Dating Grim. (http://www.datinggrim.com)
Dennis maintains an active presence in the Boston comedy scene, performing in the sketch group , Sawyer and Hurley. (www.sawyerandhurley.com)  He regularly produces, writes and performs in short films with local companiesCastparty Productions (www.castparty.com), No Spoon Productions (http://www.nospoon.tv), ImprovBoston, and his own DownCellar Films  (www.myspace.com/downcellar).

Coming up....
A lead role in the feature length comedy Inventory (www.inventorymovie.com), various parts in upcoming films such as Cost Of The Living (www.lovethyjob.com/zomromcom), Meet The Mayfarers(http://www.mayfarers.com) and he will soon be wrapping production on his short thriller, Once Again with Mfish Productions. (http://www.themfish.com)

What is the current project you are working on?

ONCE AGAIN, a thriller about a man who has given up. The entrance of a woman makes him believe they were reincarnated lovers from the past.

Did you always want to be a filmmaker?

I always wanted to be an actor. I had considered film when I turned 18. Acting or Filmmaking? – was the question I was struggling with then. Acting just came naturally to me.

What inspired you to become filmmaker?

All I really ever thought about in junior high and high school was going to the movies and making my own movies on the weekends.

What is the best thing about being one?

Creating compelling characters. Characters that audiences either root for or condemn. I love the devotion that happens between fictional characters and audiences.

What is the worst thing about being one?

All my time is consumed by thinking about bills. Time that could be spent writing and performing.

What is the estimated number of projects you have worked on?

Over 100.

Who is your favorite filmmaker?

A tie.
P.T. Anderson and Charlie Kauffman.

How has your life changed since you became a filmmaker?

Since I've been producing my own work, I’ve been able to specify my brand as an actor. I feel my own voice is in more of my work

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Figure out Exactly what you want to do within the entertainment industry before you move anywhere. Figure out what you love about film and then chase that at all costs. Start a savings account.

What do you like to do besides filmmaking?

Traveling, downhill skiing, hanging out with good friends, performing live sketch comedy.

Have you had any other jobs before you decided to become a filmmaker?

Oh yeah. Lord and Taylor, KFC, CVS, Starbucks, a call center, data entry, office temp work, character at a theme retaurant. There's not much I HAVEN'T done.

What are some of your favorite American films? Foreign films? Television shows?

The films of Christopher Guest, Robert Zemekis, Christopher Nolan, P.T. Anderson, Arrested Development, Mr. Show. Basically any Sketch Comedy show that pushes the envelope in an intelligent way.


How would you describe your film education?

As an actor.

How would you describe the film "scene" where you live?

Boston has a large, growing independent film community. Lots of local projects in addition to Hollywood features have shot here.

How has social media changed the independent film industry?

It’s pushed my actor brand out there like never before. It’s gotten me recognized on the street as my character in HURLEY BROTHERS HOME FURNITURE:

http://www.youtube.com/watch?v=NouSJPSuJ3M

What's your opinion on crowdfunding?

I love meeting people online who want to watch the kind of work that I want to make.

What is the casting process like?

There is No "one way" to do it. Lots of people just cast their friends, some hold auditions at their office or local community centers, some look at online reels and headshots.

How does independent film differ from the mainstream?

I think the 2 worlds are merging, as of late. Every Huge Hollywood Production company has their own “independent” division. As for grassroots ultra low budget independent filmmaking, the best thing about that is you have more creative control over your film.

You could go back in time and see any classic film being made. Which film would it be and why?

The Shinning. I wonder how he chose some of the beautiful shots.

What's your favorite movie quote and why?

"My whole purpose in life is to make people laugh." - Roger Rabbit

When an audience is laughing at my material, that is when I am at my happiest.

What is your opinion on movie remakes and sequels?

It can be done well. - Back To The Future 2 and 3

It can be done poorly - Jaws 2.

What is your opinion on book to movie adaptions?

It’s all in the director’s hands. I love some of the Harry Potter films and some of them, I don’t care for. and i think that’s mostly because of the choices of each director.

Is there anything else you would like to add?

Please check out Please check out www.dennis-hurley.com for all updates.

Interview With Mark Miller

Born only slightly anal retentive, Mark Miller grew up to be a full blown obsessive compulsive. When he's not eating his food in perfectly proportioned bites, he works as an assistant at Seraphim Films.

What is the current project you are working on?

It's a trailer for a horror film I've written. It's called The Sickness. It's about a self-entitled heiress who contracts a deadly disease that makes her want to eat people. It's based on a true story.

Did you always want to be a filmmaker?

I always wanted to be involved in movies. And since I can't act, I figured I'd better stay behind the camera.

What inspired you to become filmmaker?

Masochism.

What is the best thing about being one?

Seeing the final product.

What is the worst thing about being one?

Seeing the final product.

What is the estimated number of projects you have worked on?

Well under 100.

Who is is your favorite filmmaker?

The Coen Brothers

How has your life changed since you became a filmmaker?

Stress. More stress.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

If you don't like hearing the word 'no,' try a different career.

What do you like to do besides filmmaking?

I love watching story tell itself.

Have you had any other jobs before you decided to become a filmmaker?

Yes.

What are some of your favorite American films? Foreign films? Television shows?

American Films:

Being There

Marjoe

The Last Temptation of Christ

Network

The Elephant Man

Non American Films:

Throne of Blood

A Day in the Death of Joe Egg

Brazil

City of God

Anything by Monty Python

Television Shows:

South Park

How would you describe your film education?

Broad.

How would you describe the film "scene" where you live?

Hilarious.

How has social media changed the independent film industry?

I think it's too early to tell.

What's your opinion on crowdfunding?

Love it. It's a lot of work, but the people are great.

What is the casting process like?

Educational.

How does independent film differ from the mainstream?

Well, you get a lot of poo from both camps. But independent poo is whiny and mainstream poo is loud.

You could go back in time and see any classic film being made. Which film would it be and why?

Evil Dead 2. From the stories, it sounds like it was a blast to be there.

What's your favorite movie quote and why?

"Meteor shit!" - Stephen King as Jordy Verrill in Creepshow. It makes me laugh every time I say it.

You could have any super power. What would it be?

3 way tie: Teleportation, time travel, and the ability to have any food I want in my hand the moment I picture it.

Are you a fan of the movie "Kick Ass"?

I think it's Nicolas Cage's best movie since Adaptation.

What is your opinion on movie remakes?

They're just like the original, only worse.

What is your opinion on book to movie adaptions?

The Shawshank Redemption is one of my favorite movies. Midnight in the Garden of Good and Evil is unwatchable. Lesson: Ya never know.

Is there anything else you would like to add?

This is the most fun I've had all week. It was a pleasure being interviewed.

Thanks for doing the interview Mark. Keep me posted on the progress of "The Sickness".

Actor/Screenwriter/Producer Langley McArol

[caption id="attachment_1648" align="aligncenter" width="139" caption="Photo Credit: Josh Parker Photography"][/caption]

Langley began Acting in High School, and continued through college. Then, auditioned and received a national scholarship to the American Musical & Dramatic Academy in New York. In 1999, Langley relocated to North Carolina, and almost immediately began working. Soon after, he earned his Screen Actors Guild card from Director, DJ Caruso (Eagle Eye, I Am Number Four) on a short lived television series for Showtime.  Since then, he has appeared in such Television productions as Teen Spirit, One Tree Hill, and Dawson's Creek, as well as, dozens of Film productions, both mainstream and independent.   Langley is also a Screenwriter, placing in various national Film & Television competitions.  He has worked behind the camera as a Producer in several independent films.  His short film, SUPERHERO, is currently making its way through the festival circuit, and being used to raise money & awareness for Pediatric Cancer.

What is the current project you are working on? Currently, I’m performing in a stage production of “Moonlight & Magnolias,” playing legendary screenwriter, Ben Hecht (Gone With the Wind, Scarface).  I’m also promoting my short film, SUPERHERO, which was filmed last year (2010) and has been submitted to over 20 film festivals around the world.

How do you handle rejection? How does a starving monkey handle having a banana dangled in front of him and not being able to squeeze through the cage bars?  Seriously, though, I take rejection in stride.  This business is extremely subjective.  As an Actor, most of the time not getting a role has nothing to do with your ability.  Many times it’s because you’re slightly too short/tall to play opposite a previously cast Star.  Sometimes it’s political.  Sometimes it’s simply because your look doesn’t fit the Director’s vision.  Rejection is 99% of this industry.  You can’t take it personally.  I try to remind myself that, take a couple of days to mourn the loss, and move on to the next one.

Did you always want to be a filmmaker?  No.  I wanted to be a singer.  It wasn’t until college when I took my first Acting class.  I was hooked.  After struggling to book jobs, I began writing as a way to make my own potential work.  From there, I started learning how to bring my vision to life, eventually taking an interest in producing.

What inspired you to become filmmaker?  I was writing short stories, performing for anyone who would watch, and creating characters from a very young age.  I was an only child, not at all popular, and desperately seeking attention.  My mother was very artistic and funny.  I did everything I could to make her laugh.  It was fulfilling to get her laughing.  We watched a lot of sitcoms, and movies.  It was a big part of my childhood.

What is the best thing about being one?  The best thing is, at the end of the day, realizing that you’ve accomplished something that only a handful of people in the world can do and truly appreciate.  Bringing talented people together to create something based on your own imagination.  Making people laugh as an Actor or Writer.  Being able to do what I love, and being true to myself.

What is the worst thing about being one?  In the Indie film world, the worst thing is the constant financial struggle.  There is very little money, very little time, and an abundance of neh sayers.  Indie film only pays in self accomplishment, and it’s hard to get your landlord, or the grocery stores, to accept a burned DVD of your film as payment.

What is the estimated number of projects you have worked on? As an Actor, over 30 films/TV shows, close to 100 stage performances, and several voice over projects.  As a producer, half a dozen.  The writing aspect is a constant.  I have so many short scripts, feature outlines, feature scripts partially finished, and episodes of a few different spec TV pilots, all on the hard-drive.

Who is is your favorite filmmaker?  I have a few favorite filmmakers.  Ron Howard, Steven Spielberg, Jon Favreau is terrific Director.

How has your life changed since you became a filmmaker?  Honestly, my life hasn't really changed.  I certainly feel happier when I’m on a film set.  My first love is Acting.  So, when I’m on set or a stage I feel completely at home.  My life changed when I realized that I wanted to be an Actor.  I felt as if I had finally found my direction (pun intended).

What is one piece of advice you can give to someone who also wants to make it in the movie business?  I’m still trying to make it.  I guess the best advice I can offer in my current position would be to only pursue this industry if you can’t imagine doing anything else.  It’s not easy.  Go to school for 8 years and become a Doctor.  You’ll have more money, save lives, drive new cars, and be the one to tell your patients to “bend over.  This will only be uncomfortable for a moment.”  In the film industry... you’re the one usually grabbing your ankles.

What do you like to do besides filmmaking?  Aside from Acting, Producing, and Writing, I also enjoy cooking.  I’m not a “chef” by any stretch, but I do enjoy cooking a meal.  It’s relaxing.  I love singing.  Photography would be a fun hobby if I had a nice camera.  I’d also like to one day buy a baby grand piano and learn to play.  I took lessons for a bit in college, and even bought a great keyboard.  Eventually, I had to sell it for rent money.  I have since sworn that one day I will be able to afford to by all the keyboards or pianos I want.

Have you had any other jobs before you decided to become a filmmaker?  I worked my way through college as a Fitness Trainer.  I managed a Health Club for a few years.  Aside from that, my “day jobs” have always been in retail, management, and Acting.

What are some of your favorite American films? Foreign films? Television shows?  I enjoy anything that makes me laugh, or get emotional.  My taste in comedies is many.  If it makes me laugh, it’s funny.  I do especially like intellectual comedy.  Witty sarcasm.  One of my favorite comedy films is “State and Maine” by David Mamet.  I’ve never really gotten into foreign films.  I’ve seen several, and have enjoyed most of them.  However, I don’t really have a favorite.  When it comes to Television, I love the sitcoms from the ‘80s.  “Three’s Company” was my absolute favorite.  I loved “Spin City” with Michael J. Fox.  “Malcolm In The Middle” was very fun.  I didn’t really get into Television Dramas until the past 10 years.  “Picket Fences,” “The Practice,” “The Shield,” “Justified,” and several others.

How would you describe your film education? Hands on.  As an Actor, I have always tried to observe the crew, Producers, and Directors during downtime on set.  The more you understand about their jobs, the better you can do yours.

How would you describe the film "scene" where you live?  I currently live in the South East.  Lots of filming takes place in North Carolina, Georgia, and Louisiana.  Independent film is constant, as well as major productions and Television series’.  It’s a great place to learn and get some credits before heading off to larger markets, like Los Angeles, or New York.  You won’t become a celebrity here, but if you’re willing to travel a lot, you can make a decent living.

How has social media changed the independent film industry?  Social media (Facebook, Twitter, and video sites such as youtube and vimeo) has changed the way Actors audition, Filmmakers distribute their creations, and made self-promotion much more efficient.  Being able to audition by videos posted on websites makes it convenient for everyone involved in the casting process.  Being able to post your film online ensures that someone will get to see your little film shot on a digital camera for under $500.

What's your opinion on crowdfunding?  Crowdfunding has certainly helped me, and several of my fellow filmmakers.  However, unless you have countless hours to sit in front of the computer and promote it, or you can get a whole team of people to spread the word, it’s still difficult to raise serious money for those higher budget projects.

How does independent film differ from the mainstream?  Lets see if this makes sense...  Independent film verses mainstream primarily means a film that was financed with less money, or money from private sources, as apposed to a major studio footing the bill.  There are many types of “independent” films, mostly due to the budget.  They can range anywhere from the price of the pizza’s you feed your cast and crew, to the million dollar action film with a recognizable B-list celebrity.  Any “independent” film can secure distribution before or after production.  Mainstream simply means that it was given the go-ahead, along with a phat check, from the beginning and preset release dates for Cinemas across the country.

You could go back in time and see any classic film being made. Which film would it be and why?  I think I’d like to have been on set of E.T.  Just to watch Spielberg in his best years, and seeing the passion first hand that went into making that incredible film.  It was probably the best movie of my childhood.

What's your favorite movie quote and why?  I have many, but one that has always stood out to me was said by Danny DeVito in “Renaissance Man,” in which he steals a little bit from William Shakespeare;  The choices we make dictate the life we lead.  To thyne own self be true.  At the time this film came out, I was torn with a few life decisions.  This was just a line that spoke to me at the right time, and honestly helped me make choices that has led me where I am today.  For better or worse.

What is your opinion on movie remakes and sequels?  I think sequels used to be death.  In more recent years, many sequels have done well, and sometimes surpassed the first.  However, when it comes to remakes, I think there are some that can be entertaining, especially with the modern technology, but if they ever try to remake “E.T.” or “Streetcar Named Desire” I think I’ll have to take hostages.  You do not try and fix something that wasn’t broke to begin with.

What is your opinion on book to movie adaptions?  They rarely work, but put in the right hands, can be just as magical as the book.  “Sideways,” for example, was much more enteraining than the book, in my opinion.

Is there anything else you would like to add?  I fell in love with Acting because, as strange as it may sound, being aloud to become other people was the only way I felt comfortable being myself.  It’s rewarding to know that I can use my emotions, voice, words, and whatever else I have to make people laugh, cry, and feel.  Whether I’m acting, or it’s my scripted words being said, there is no other career path that I could imagine being as rewarding as this.  I hope that I can do this until the day I die, and if I could actually pay my bills solely from this industry, that would great too!

Thank you for asking me to be part of your blog, and allowing me to share my experiences and passion with your readers.

 

 

 

 

Thanks for doing the interview Langley. I hope to see "Superhero" when it comes to a festival near me.

Filmmaker Kevin Armento

A writer for screen, stage, and print, Kevin has studied dramatic writing with New York University and the ICA London. His play Bets & Blue Notes was awarded Outstanding Playwright at the 2007 California Fritz Blitz of New Plays, and named Best New Play of the Year by the San Diego Union-Tribune and the San Diego Gay & Lesbian Times. His play Companion Piece has been performed at the Last Frontier Theatre Conference, OnStage Playhouse in San Diego, and with Fresh Ground Pepper in New York, and will be performed by the North American Actors Association in London in 2012. His screenplays have received honors at the Slamdance Film Festival, Los Angeles International Film Festival, New York City Horror Film Festival, Action on Film Festival, and the Washington D.C. International Horror Film Festival, where he and his partners were runner-up for the DarkHart Screenplay Award. His work has been published in BushwickBK, howaboutwe.com, Wunderkammer Magazine, Glamour Magazine, and The Huffington Post.

What is the current project you are working on?

My writing partners and I are producing a short film called KILLER GRANNY. It's based on a feature script we wrote last year that did well at some competitions, so we're making this shorter version of it ourselves, in hopes of getting the feature made. It's exactly what it sounds like: a maniacal grandma who takes matters into her own hands when she finds out her kids are going to put her in a home.

How do you handle rejection?

I make sure I always have other potentials to look forward to. I also enjoy bourbon.

Did you always want to be a filmmaker?

For a while there I wanted to be a kid.

What inspired you to become filmmaker?

Hard to say, but I used to collect film scores. I'd imagine Hermann or Morricone playing over things I'd written, and it got me all excited.

Who is your favorite filmmaker?

One's too hard, man. Here are three I love: Charlie Kaufman, Miranda July, and Jean-Pierre Melville

What is one piece of advice you can give to someone who also wants tomake it in the movie business?

I'm looking for that advice myself, actually.

What do you like to do besides filmmaking?

I write plays, and I follow politics probably too much. I live in New York, and I try to take advantage of that when I can.

Have you had any other jobs before you decided to become a filmmaker?

Ha ha.

What are some of your favorite American films? Foreign films? Television shows?

We wrote KILLER GRANNY because we love some of those old b-movies - the really high-concept stuff, like The Blob, and The Wasp Woman. On the other end of the spectrum, I love the stuff that takes its time and lulls you in, like Badlands, Le Samourai, a lot of Jim Jarmusch's stuff. The old John Ford and Sergio Leone westerns.

How would you describe your film education?

Mostly on-the-ground problem-solving. We've never produced a short of this magnitude before, so we're learning as we go. Other than that, just went to a bunch of movies growing up - lot of "double-features" with my Dad.

How has social media changed the independent film industry?

Five guys no one has ever heard of can raise $10,000 for a short film with no stars attached. And we can shoot that film in the same format Soderbergh and Peter Jackson use. It's a cool time.

How does independent film differ from the mainstream?

Explosions, bad sex, and no cigarettes?

You could go back in time and see any classic film being made. Which film would it be and why?

Probably "Battlefield Earth", so I could go up to John Travolta and say, "Listen, are you sure about this?"

What's your favorite movie quote and why?

"You're killing me, Smalls." - Ham Porter, The Sandlot

What is your opinion on movie remakes and sequels?

Sort of like playing red or black on the roulette wheel. You'll probably win a little money, but no one's going to respect you.

Thanks for doing the interview Kevin. Nice metaphor for remakes and sequels. I'll be s to do what I can to spread the word about "Killer Granny"