Editor Jamie Cobb

Jamie Cobb is a freelance editor with a renewed focus in cutting narrative features. You can learn more about her at http://jamiecobb.com or chat her up on twitter @jamiecobbeditor.

What is the current project you are working on?

I am currently cutting a proof of concept titled, LUCID for The Sabi Company. The story, the style, and the cinematography are very different than any project I have edited before, so Iʼm being challenged in a new way and learning a lot.

Did you always want to be an editor?

When you are only watching movies, and not helping to make them, editing can be an invisible job. So it wasnʼt on my younger selfʼs radar. But I did tell my Dad at the age of nine that I wanted to go to film school and eight years later I went.

What inspired you to become an editor?

During my Junior and Senior years of High School I was in a Radio/TV class. Everyone was supposed to rotate through all of the different positions, but somehow I was always the editor in my group. I didnʼt realize at the time how comfortable I was in that role, but after trying out all of the other departments during my freshman year of film school, I knew that editing was the place for me.

What is the best thing about being one?

You get to help shape the story, one small decision at a time. You start with 40-50 hours of footage on an average feature and widdle that time down by choosing the right performance, the right shot, and the right frame. Always asking yourself, is this part of the story clear? Should it be? Is this scene taking too long? Is it adding anything to the story? Does this need music or is it better without it? Does this set the right tone? This is the “best performance” but is it the “best” for the story? How will the audience react to this? Maybe that will go better over there? How can I love that beat so much, yet it totally ruins the story? etc, etc. All while watching the cut over and over again, trying to hold on to that gut instinct and objectivity that you had the first time you watched the dailies. Until all of those billions of little choices some how turn into a 90 minute movie.

In short, the challenge of it.

What is the worst thing about being one?

I get frustrated when people donʼt understand or respect the post process. Itʼs not just about hitting a few buttons on the keyboard and putting two shots next to each other. Itʼs about keeping the whole flow of the story in balance, and it takes a lot of time, patience, and thought to do it well. You donʼt have to understand what I do, just give me the time and respect to do it right.

What is the estimated number of projects you have worked on?

Narratively speaking, I have cut 1 feature and roughly 6 short films, with hopes of cutting my next feature this fall. Professionally, I have cut several behind the scenes documentaries and DVD commentaries for the studios. You can check out my freelance credits at http://jamiecobb.com/editor-resume

Who is your favorite editor?

Anne V. Coates has cut everything from Lawrence of Arabia to Out of SIght. She has beat out other editors on projects because cutting a good dialogue scene interests her more than cutting the action scenes. And a director once referred to her as the editor with heart, which I think is the ultimate compliment.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Everybody has a different path, and there is no easy way that I have found. But if you have decided that filmmaking is where you need to be, work hard, be friendly, and stay the course. Donʼt quit when it gets hard.

Have you had any other jobs before you decided to become an editor?

In college I worked at a small movie theater. Fun people, free movies, and popcorn every night for dinner. Those were the days. If it had paid better and I didnʼt have to wear a bow tie, I might still be there today.

What's your opinion on crowdfunding?

I think that crowd-funding can be an amazing asset when used properly. If the filmmaker has a good online presence and/or I have a good sense of who they are and what they are about, I am more inclined to pledge toward the project.

If all I know about you is that you can retweet the same spammy tweet every 20 minutes, good luck. Crowd-funding is a full time job, but itʼs not about spam, itʼs about the conversation.

With all of that said, we are in the final stretch of our campaign for Down and Dangerous. If we meet our minimum goal, I get my dream of cutting another feature this fall. If you have a minute, please check out http://downanddangerousmovie.com and consider becoming a backer.

How often does timing affect artistic vision when editing a film?

Editing is all about finding the right rhythm and timing for a story and it can take a while to get it right. If you are sprinting through post production to hit an upcoming deadline, artistic vision and quality will inevitably be sacrificed.

Iʼm more partial to the marathon scenario. Patience, endurance, and creativity in a reasonable amount of time will get you to the finish line with something you can be proud of every time.

If you could go back in time and edit any film. Which film would it be and why?

I know this sounds random, but I might choose Ghost Busters 2. (Just hear me out on this one). You can clearly see how much fun Bill Murray is having and enjoying himself in the second film and it would be great to get to go through and play with all of the footage. Also, when else could you cut to Bobbie Brown cues in a film and get away with it?

And in an attempt to get you to take me seriously ever again, Iʼd like to add that I would love to cut any Paul Thomas Anderson film in the future.

What's your favorite movie quote and why?

I grew up on a healthy diet of The Goonies, Three Amigos, Ghost Busters, The Naked Gun, and Spaceballs. Those movies lead to my passion for filmmaking and any line from them can pretty much make my day.

Iʼm currently feeling a little Goonies nostalgia, so Iʼll go with, “The octopus was very scary.”

How has computer technology affected the way films are presently edited?

Itʼs a bit of an understatement to say there are way less limitations cutting non-linearly on a computer. With the exception of the occasional technical glitch, there is nothing that you canʼt try to make the best story possible. With current technology, the limits are more from your mind.

Is there anything else you would like to add?

Thanks for including an editorʼs perspective on your blog!

 

 

 

 

Thanks for doing the interview. I'm a BIG fan of you and the crew at the Sabi Company.  I hope to interview Zak Forsman and Kevin Shah in the future.

Russell Nohelty Comic Book Creator

RUSSELL is an edgy horror, sci-fi and mystery writer with a ton of amazing products in the works.  He currently has a publishing deal with VIPER COMICS for his first four-issue comic book ICHABOD JONES: MONSTER HUNTER.

What is the current project you are working on?

I assume you specifically mean comic properties.  I have a novel, children's book and other projects to keep myself busy, but I'm in production on three comic properties:

ICHABOD JONES: MONSTER HUNTER is currently in production with Viper Comics set to publish it.  I won't have an exact release date until the third issue is complete. I'm crossing my fingers it's either late this year or early next year that Ichabod will be released.



Ichabod Jones is about a deranged mental patient that escapes from an asylum during the Apocalypse and becomes a monster hunter at the end of the world. The really cool thing about it though (besides the FANTASTIC art) is that the audience is always kept guessing as to whether he's dreaming everything, if he's actually a monster hunter, or if he's killing people and thinks that it's the Apocalypse. I really can't wait for that to come out.

Then I have KATRINA HATES DEAD S%&t, which is about a bada$$ chick that gets sick of living during the end of times so she sets out to Hell to confront the Devil and end the Apocalypse once and for all. It's my lapsed Catholic, sick of hearing about the end of the world book.  Five issues with some amazing artwork. This is the book I'm currently funding through Indiegogo.  There is a book trailer on the site that explains the set-up to the story.



Finally, I have MY FATHER DIDN'T KILL HIMSELF. It's a quirky, weird, off-beat book about a young Goth girl that learns her family home is about to be foreclosed upon. She sets off to prove that her father's recent suicide was actually a murder so that her mom can cash in on a hefty life insurance policy. I don't like talking about that one only because there's been about a million artists that have come back and forth on it.  Now that I have one that's been getting me ridiculously great pages I don't want to jinx it.

How do you handle rejection?

Rejection is a part of the game. In fact it's most of the game. Luckily, you only need one person to say yes. That's what you have to keep telling yourself. Remember, just because THIS person doesn't want to publish my book, doesn't mean it's a bad book.

Publishing is a business. Not only does your book have to be amazing, but it also has to be something that specific publisher thinks he can make money. Every publisher is different in that regard. Your book might not fit their niche. It's not a condemnation of your book or you as a person. It's business.

At the end of the day you're making a book for the AUDIENCE, not the publisher.  The publisher is just a step toward reaching that audience. If you believe in yourself and create a great book, an audience will come--knock on wood.



Did you always want to create a comic book?

When I was a kid I always loved comics, but I can't draw... not even a stick figure. So I thought that dream was dead. It wasn't until people told me that Stan Lee didn't draw his own comics that I immediately started work on finding an artist and getting a book out.

 What inspired you to create your comic books?

That you can do anything in a comic book. I worked in film and tv for a while and even though they can create basically anything, it takes a lot of time and effort. With a comic, as long as I can dream it up, my artist can make it. It doesn't cost more money or take much more time to create the universe imploding than it does to draw two people talking.

 What is the best thing about being one?

Honestly, seeing something come out with your name on it. Again, with film and tv even when something sells it sits in "development Hell" for months or years and will probably never get made. However, with a comic I can see my vision realized in a matter of months.

 What is the worst thing about being one?

I pretty much love everything about making comics. It's the most fun I've had as a writer in years. The worst part by far, however, is the financial cost.

What is the estimated number of projects you have worked on?

Comic projects? 5. Overall? add a novel to that, a children's book, about 20-30 scripts for web series, tv shows and movies. 40-ish? And that's just as a writer.

  Do you prefer Marvel or D.C. Comics?

Marvel. I hate to say this because I know lots of great DC writers and editors. I've also read a lot of great DC arcs and books I really enjoyed, but I've always been drawn more to Marvel.



 How has your life changed since you became a created your comic books?

All those ideas I've been talking about for years and couldn't get traction... now people can see them on paper and go "Oh yeah. These are great." It's a very weird change. I'm exactly the same guy with exactly the same ideas, but the response to my work is night and day.

 What is one piece of advice you can give to someone who also wants to create a comic book?

Find the right artist for your book. An artist may be fantastic, but they might not work with your book. There are tons of communities where you can search for artists. Take your time and make the right choice. It's the most important choice in the entire process. It helps tremendously in finding a publisher and getting an audience excited.

What do you like to do besides creating comic books?

I play a lot of board games and watch TV. I'm married so most of my spare time is spent with my wife and our dog bumming around the house.

Have you had any other jobs before you decided to create comic books?

I used to work as an executive at an internet TV station. I've been an assistant. I've directed, produced, edited. I was a fashion and headshot photographer. I worked on Capitol Hill as a videographer. I went to Denmark once to help shoot a feature film. Yeah, I've had some different jobs.

 What are some of your favorite American films? Foreign films? Television shows?

American films would be movies like Little Miss Sunshine and American Beauty, funny and flawed Americana without an easy resolution. Also Big Lebowski and Pulp Fiction. The older I get the more I want my movies to be funny. Not necessarily light comedy, but not wholly depressing either.

I don't watch a lot of foreign movies but I loved "Let the Right One in" and the "Girl with a Dragon Tattoo" series.

I spend more time watching TV since it's basically free. I want to make sure I get my money's worth for my subscription fees.  I try to watch everything, but I prefer comedies. I watch Futurama, Parks and Rec, Community, Modern Family. I have Netflix so I've been rewatching Friday Night Lights and Lost too.

How would you describe your film education with regard to comic books?

I'm not exactly sure of the question, but I'll try to answer what I think the question is.

Coming from a film background is a GREAT primer for working in comic books. Both are a visual medium where you as the writer are laying a blueprint for others to interpret your work. From storyboarding to editing, it all helps give you a solid foundation for creating a comic book.

 How would you describe the comic book "scene" where you live?

I live in LA, and the scene is great. Not only do I have an awesome comic book store, Dreamworld, complete with Batcave near my house, but there are great stores all over LA.

Additionally, Comic Book Sunday is a monthly gathering of comic book folks from artists to writers to editors that really fosters a sense of community. Because LA is a film town there are also lots of people, writers especially, that migrate between the worlds of movies and comics.

 How has social media changed the comic book industry?

It allows you to show publishers a fanbase before they ever pick up your book. Additionally, it allows you to promote your book to the fanbase and attracts new fans even before the book drops.

What's your opinion on crowdfunding?

Similar to what I said above, it allows you to almost "pre-sell" your book to the target audience. I've had a great experience with crowd-sourcing. Anything that can help raise both funds and brand awareness at the same time gets a thumbs up in my book.

 

 

How does independent film differ from the mainstream?

Much in the same way independent comics differ from mainstream comics. Studios have a brand and investors they are beholden to, whereas indies are beholden to a great and unique idea. Of course they all hope to make money, but I think that's a secondary concern for indies to telling a great story. You have to look no further than the recent comments by Disney to see that story is a secondary or even tertiary concern to some studios.

You could go back in time and see any classic comic book being made. Which would it be and why?

Well I think it would be kinda boring to watch a comic be made, though I'm sure it would be fascinating to sit over an artist's shoulder and watch them work.

If you mean what book would I like to go back and read as it's being made it's Watchmen. It may not be a ground-breaking answer, but I would love to pick up Watchmen every month as it was coming out. Even when I read it now, knowing exactly what's coming, I can't help but get excited.

 What's your favorite comic book character quote and why?

Again, it's not going to rock anybody's world, but "with great power comes great responsibility". I think Spider-Man takes it a little far by feeling the need to save everybody constantly, but it's a very humbling quote. It help prevents you from getting a big head.

When your a small creator it's easy to handle the responsibility of a few fans, a publishing deadline and an interview every once and a while. But it's always good to have that playing in the back of your mind when you start to have more responsibilities.

What is your opinion on comic book to movie adaptions?

If they're done well then I'm all for them. It's great to see a book go from a teeny tiny market (and comics are most certainly that) to a global one.

Is there anything else you would like to add?

You can find more information on my website: www.russell-nohelty.com. It links to every one of my projects. You can read previews of all my upcoming books and like them on Facebook for more updates. Additionally, even a dollar helps raise funds for my new book, KATRINA HATES DEAD S%&T. There is an indiegogo campaign for the book which you can reach from the www.katrinacomic.com website.

Thanks Russell for doing the interview. Keep me posted on the status of  KATRINA HATES DEAD S%.  Let me know when Viper comic publishes ICHABOD JONES: MONSTER HUNTER.

Actor/Screenwriter/Producer Larry Coulter

Larry started out acting in high school, then stopped to follow his childhood dream of flying. 13 years later after accomplishing his goal to become a commercial airline pilot, he went back to acting as a passionate hobby, picking up where he left off. Since then, he has appeared in several independent films and commercials, as well as stage work in various showcases. Larry has also written Screenplays including his latest where its placed in the top 10% of various international screenwriting competitions. His new short film, ANGEL EYES, which he also wrote, gives him a chance at first time producer.

What is the current project you are working on?

I've put on my "Producer" hat for the first time.  I finished writing an action/drama short film about child trafficking currently entitled "Angel Eyes".  Now I'm in the early stages of pre-production.  Check out the film's website!  AngelEyesFilm.com

How do you handle rejection?

Well, being human I don't handle it any better than the next person, it's tough, no doubt about it.  But what you do next in my opinion makes all the difference in the world.  I accept rejection as a necessity.  Without it, it's impossible to succeed.

Did you always want to be a filmmaker?

No.  I started my acting in school plays and quickly developed a liking towards it.  Acting has always been a passionate hobby of mine.  The writing and now producing I suppose just naturally evolved from it.  I enjoy the entire filmmaking process.  It's quite a rush for me.

What inspired you to become a filmmaker?

Not being in NY or LA making the rounds, there's less available opportunities where I live.  So, I decided to stop waiting for work to come to me and try to create it on my own.  It also gives a great sense of accomplishment in making something from nothing.  Something that not only may satisfy you, but others might like as well.

What is the best thing about being one?

I suppose it's the feeling that any artist gets, whether it be a filmmaker or a musician or painter, etc.. seeing something that you've created or imagined come to life.

What is the worst thing about being one?

Well, at my early stage right now it's finding the resources and time in order to make it all happen.  Once you've established yourself, then you can attract more people who'll believe in you and what you want to accomplish.

What is the estimated number of projects you have worked on?

I'd say a couple dozen as an actor in films, commercials and stage.  I've written two screenplays, and this will be the first time as a producer.

Who is your favorite filmmaker?

Oh wow, that's hard to pick just one.  I think we're all influenced a little bit by many different people.  Some of my favorites are Spielberg, Scorsese, Christopher Nolan and Tony Scott to name a few.

How has your life changed since you became a filmmaker?

This producing gig is definitely changing my life that's for sure.  It's a lot more labor intensive but in the end I know it'll be worth it.  But really, I'm still just a plain working guy who likes to do films on the side.

What do you like to do besides filmmaking?

Getting to hanging out with my beautiful family is my greatest past time.  I also play a little baseball.  I'm in an adult league with a bunch of other guys who's mind won't listen to their bodies telling them, "Stop, you're too old for this!"

Have you had any other jobs before you decided to become a filmmaker?

As an airline pilot, I'm blessed to be one of the few who actually loves doing their day job.

What are some of your favorite American films?  Foreign films?  Television shows?

Ah man, too many to list!  But here goes...

The Shawshank Redemption

Jaws

The Right Stuff

Rocky

12 Angry Men

Swordfish (people think I'm nuts about that one but hey, that movie was kick ass!)

Point Break

Papillon

Crimson Tide

Foreign films?  Uhhhh?  Sorry, don't really know any.  I remember watching Das Boot when I was a kid.  Couldn't keep up with the subtitles but I thought it was pretty cool.

I don't watch TV unless there's a White Sox game on.

How would you describe your film education?

I'm a very visual person.  So it basically started way back on my first film set as an actor.  I don't consider myself an accomplished filmmaker by any means of the word .  But so far in my short career I've seen things that work and many things that don't.   You really have to surround yourself with people who know a heck of a lot more than you do, and listen.  It takes more than one person to make a film, a good film.

How would you describe the film "scene" where you live?

Unfortunately, a lot of political red tape has caused almost a total shut down of the film industry in Arizona over the past twenty years.  Many good projects from big studios have passed over Arizona and moved on to New Mexico and Texas because of better tax incentives.  It's a shame because there's so many talented people in this state both in front and behind the camera.  But you can't stop that creative spirit.  Many independent filmmakers now are coming out with fantastic projects from around the state.

How has social media changed the independent film industry?

I think it's made it almost as mainstream as the big studio films.  The last answer is a perfect example.  There now is different outlet for people to showcase their talents.  Technology and social media has made it a game changer.  LA will keep pumping out great work like it always has.  But as long as people keep supporting independent films, undiscovered talent can now show up from any walk of life, anywhere!

What's your opinion on crowdfunding?

I think it's a wonderful tool.  You may loose a friend or two if you keep bugging them to support you, but it definitely gives you the ability to reach out to more people then ever before.

How does independent film differ from the mainstream?

I'd say when you boil it all down it has to be about the control factor.  That's why it's called independent film.  You give that up, your now part of the machine.  You may still have a say but a lot of times you'll be fighting to keep certain aspects of your work.  Independent work, although sometimes more difficult and more costly, you get to keep your ideas and creativity throughout the process.

If you could go back in time and see any classic film being made.  Which film would it be and why?

I'd say the original Star Wars in 1976 out in the Tunisian Desert when George thought he had really screwed the pooch.  I could pat him on the back and say, "Don't worry man, its gonna be alright."

What's your favorite movie quote and why?

I think all my favorite quotes come from Clint Eastwood.  I don't know why, its just  the way he delivers his lines.  Very subtle, but oh so powerful..

"Where you gonna die alone?"

Blondie to Tuco

-The Good, The Bad and The Ugly

What is your opinion on movie remakes and sequels?

I'm not a fan of sequels.  There too risky because very few are actually better or as good as the first.  It almost discredits the first film.  I mean really, who ever watches Grease 2?  And about remakes, well... Just as in life, there are some things you just don't tamper with.  I didn't even like the Karate Kid remake.  There's no way to ever improve a Gone with the Wind or a Casablanca.  So why even try?

What is your opinion on book to movie adaptions?

There ok.  Some do justice to the book, a lot of them don't.  I use to really get upset about how movies made from books would totally butcher the book.  This was before I learned about film marketing and how a 2 hour movie gets made from a 500 page novel.  They just can't fit it all in.  You just have to forget all that and just let yourself enjoy the film.  But never forget, the book is always better!

Is there anything else you would like to add?

Thanks for having me John.  And to everyone who would like to help promote child trafficking awareness.  Please back our project so we can get this baby made!

http://www.kickstarter.com/projects/1901701059/angel-eyes?ref=live

or

AngelEyesFilm.com

Thanks for doing the interview Larry. I'll be sure to spread the word about "Angel Eyes".

Filmmaker Ramona Maramonte

Ramona has worked in the entertainment industry for over 25 years as a performing artist and in film production.  Her credits include the Bay Area production of SOLEDAD IS GONE FOREVER and appeared in the short DEL CIELO for EAST MEETS WEST PRODUCTIONS, directed by Julie Rubio and also helped cast on the production of OAKLAND B MINE directed by Mateen Kemet.  She was Co-Producer on the feature film SIX SEX SCENES AND A MURDER, also for East Meets West Productions, directed by writer/producer Julie Rubio. Ramona also Co-produced again with Julie Rubio on the feature film TOO PERFECT, which is now complete. Ramona will be directing and producing her own feature film she co-wrote, with Kelly Byrn, titled MOMS GOT MUSCLE and is also in the process of completing their second screenplay together called, AVA (working title) which will possibly be a web series.  She is also in development with Amanda Lin Costa, for two new reality series for TV, focusing on one of her passions of muscle cars. Ramona has also formed her own production company, MOMS GOT MUSCLE PRODUCTIONS, LLC. Ramona lives in the East Bay with her husband, Anthony, of 26 years and her 3 offspring, Robert, Tyler, Tonii.

What is the current project you are working on?

Right now I’m in pre-pre production of my own film MOMS GOT MUSCLE. So, instead of just producing, this time, I will be director, producer, co-writer with Kelly Byrn. Fun times ahead.

How do you handle rejection?

Hmmm. I’m not sure. I don’t think I have received rejection yet. LOL I don’t think I will take it to well. I don’t think I will take it at all. Can’t have the word no in my atmosphere at this point. I look at it more as, not this way, which would mean that I would find another way. “No” can’t happen.

Did you always want to be a filmmaker?

No, but I was always into anything entertainment. I started dancing and singing young. I should have been the first JLO. LOL I have always been a fan of film and a few years ago got the opportunity to participate on a short and work behind the scenes. I was hooked and that’s all she wrote.

What inspired you to become filmmaker?

Not sure I was inspired as much as I just wanted to be involved. I started this career very late. I was almost 40 when I worked on the first short. I was intrigued.

What is the best thing about being one?

Well, I love the whole creative process. I love getting my hands dirty and just being involved in all aspects of making film. Well, I should say, I’ll try something at least once and figure out if that is something I would like to do again. I like being able to meet and collaborate with others of like mind. Just the whole process.

What is the worst thing about being one?

I would say the whole money/funding aspect. It makes me sad that there are probably so many great films out there that won’t be made due to no funding. I know it’s necessary, but that is the worse thing to me.

What is the estimated number of projects you have worked on?

Estimated?? That is funny. Not hard to keep track of. I have worked on 5 projects. Soledad is Gone Forever, Del Cielo, Six Sex Scenes and a Murder, Oakland B Mine, Too Perfect.

Who is your favorite filmmaker?

Not sure I have a favorite. I guess, of course, Spielberg. I love the feeling I have watching a Spielberg film. I have no real allegiance to a filmmaker. I just love film and if it moves me, you’ve done a great job.

How has your life changed since you became a filmmaker?

Now, not to much. It consumes my mind more than anything. When I have worked on projects in the past, I was gone more. My kids are all older so I am getting more and more free time. Which means, more time to make films.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Do what you want. Don’t let others, the naysayers, get in your head. People are making film all the time and if that is what you want to do, then do it. For the most part, it won’t be easy, but that, to me, the beauty of it.

What do you like to do besides filmmaking?

Haha, well, I love spending time with the kids, when they let me. My son Rob is 22, my daughters, Tyler, 18, Tonii, 16. My husband Anthony, of 26 years and I are always at the movies. I am also a couponer. LOL Yep, I clip the coupons and try to spend as less as I can at the store. I also then clip coupons that are expired for the military families overseas. It is actually very time consuming and think I have carpal tunnel now because of it. It’s a great cause, so I don’t mind.

Have you had any other jobs before you decided to become a filmmaker?

Before kids, I would work in various offices, but back in 1993 when my second baby was born, I stopped working outside the home.

What are some of your favorite American films? Foreign films? Television shows?

Films? Wow, that is so hard. I guess my favorite American film would be ROCKY. I remember going with my dad to see a “boxing” movie. He was a huge fight fan, so I went and I was hooked. The feeling I had after seeing that film, was overwhelming to me and I fell in love with film. Foreign? I dunno. None jump out. I did like some films, La Misma Luna, Sin Nombre. TV? Oh, you got a minute. I am a reality show junkie. Yes, sir. No shame here. I love watching mainly the more physical competition stuff, but on a day with nada to do, I will catch up on The Bachelor. LOL I even have 2 shows I have created with my friend Amanda Lin Costa. So, who knows?? I do love a good series also. Right now, I’m into Breaking Bad, True Blood, Mad Men, Sons of Anarchy, Damages. You know the list.

How would you describe your film education?

Uh, sitting in a theater. Just watching movies. I, personally, don’t think you need film school. I am from the land of learn as you do. LOL But if I had had the chance back in the day to go to film school, I probably would be there front and center. I am liking my on the job training and learning as I go, keeps it interesting.

How would you describe the film "scene" where you live?

Well, I’m from the Bay Area in CA. Of course San Francisco has a great film community. I really would like to see the other side, the East Bay, Oakland, Berkeley, Orinda (my town), Lafayette, Walnut Creek, get more active. It’s starting. We filmed Too Perfect in Orinda and now other filmmakers are also shooting there. The California Independent Film Festival is based there and I see it only getting bigger and better. I think now’s the time for the East Bay to get some recognition.

How has social media changed the independent film industry?

I think it has brought us all closer. I have found some great people on Twitter that have helped me in such huge ways already on Moms Got Muscle. (Kristin Thomas @indiefilmgirl, Amanda Lin Costa @TheLoneOlive, Angelo Bell @angelobell, Danielle Eskinazi @daniellecasting, Thomas Roberts @TRStudios) I have my first crew members for Moms Got Muscle because of Twitter (My DP, Christopher Marino @chrisMmarino, my AD,Joe Mesiano @joemesiano) My graphic Designer I also found on Twitter (Brian Goff @briangoff). So, social media has been good to me. I love to keep up with others projects (such as CRAWL with @OklahomaWard and @bellanikki85) and help them spread the word via Face Book and Twitter and now Google+. I love hearing about other film projects how they are getting it done. So, I pay attention and take notes and utilize when I can. It is a great community to be in and if not for social media I would be missing out.

What's your opinion on crowdfunding?

Well, I will let you know after my campaign is done. LOL I like the idea and I see that it has been successful for other filmmakers, so why not me? I’m gonna give a shot very soon here. So stay tuned.

How does independent film differ from the mainstream?

I would say story. I always lean more toward indie film only because of the heart and soul you usually find in the story. When you have very little money to throw at a film, you better have a good story to keep your audience interested. To me, that is the bottom line. If they are happy (the audience) then I did a good job.

You could go back in time and see any classic film being made. Which film would it be and why?

Oh wow, great question. Well, I will have to say ROCKY. LOL From what I understood Stallone had all kinds of issues going on trying to get that film made. He WAS Rocky and we all know how it ended up. So, just to see that creative process happen and all the behind the scenes wheeling and dealing, that would interest me. Also SINGING IN THE RAIN and WEST SIDE STORY. Just because I love musicals and those two are my faves.

What's your favorite movie quote and why?

Well, I have 2 I will mention. I would go with the standard “I’ll make him an offer he can’t refuse.” Who doesn’t love The Godfather. But, I am going with, of course, Rocky. When he is laying in bed with Adrian before the big fight with Apollo and says that he is telling her he knows he won’t win, but all he wants to do is just go the distance. LOVE THAT! Getting ones self-respect is so huge. My number two is from A League of Their Own, when Gena Davis is gonna quit and tells Tom Hanks it got hard, he says “It's supposed to be hard. If it wasn't hard, everyone would do it. The hard... is what makes it great.” That can used for so many reasons and I hear that in my head a lot lately, in regards to my film project.

What is your opinion on movie remakes and sequels?

Sequels, I’m ok with. I usually will go, I like to see how the character has evolved. I don’t like sequels when they just re-do the first movie (Hello, HANGOVER). Remakes, I’m not so sure. It depends on what movie.

What is your opinion on book to movie adaptions?

No problem. I am usually not disappointed. While I am reading I am always trying to see the film in my head. So, I’m not hate’n on that at all.

Is there anything else you would like to add

I am so happy to finally be doing something that I have always wanted to do. I love that more and more females are becoming filmmakers and working behind the camera. C’mon girls!! I’m no film scholar, just a lover of film. I just want to make films that people can watch and be entertained. I know I’m starting a little late in life, but one of my fave sayings is “Over the hill only means you pick up speed”. Peace

Josh Cook Creator Of Zombie A.C.R.E.S.

Josh Cook is a Midwest native, having lived most of his life in Kenosha, Wisconsin. He now resides in Seattle, Washington, with his three year old dog, Sam Dogg. His days are spent bouncing around trying to promote Zombie A.C.R.E.S., as well as watching tv, reading, and playing with Sam. Writing has always been a passion of his, and he has been writing for many websites over the years. With Zombie A.C.R.E.S., he is open to finally pull Sam Dogg and himself up from the gutters and into the lives he knows they both deserve.

What is the current project you are working on?

Currently I am focusing on AiZ: Alice in Zombieland. This is an eBook that will be coming out in October and is part of the Zombie A.C.R.E.S. Universe. Zombie A.C.R.E.S. is a short story series that I started almost five months ago, about a world where Roslun Global, the largest and most powerful pharmaceutical company, has found a way to create walk and talking zombies. The ultimate goal being integrating the undead with the living, Roslun created Zombie A.C.R.E.S. (Animated Corpses Reintegration Experimental Subdivision) – a sort of gated community for zombies. In 2011, William Lohman, one of their top experiments, exposed Zombie A.C.R.E.S. The world is a little different now. There is not a total zombie apocalypse, but there are small flare ups around the world. One of these came almost ten years later and changed the lives of many people forever. This is where AiZ: Alice in Zombieland picks the story up. There is not much I can reveal at this time without giving away too much, but everybody should know that it will change the Zombie A.C.R.E.S. Universe forever.

Along with the AiZ: Alice in Zombieland eBook that is coming out in October, I am releasing a five issue comic miniseries by the same name. This miniseries will be a comic adaptation of the eBook and will be released monthly at our Online Shop. To celebrate the jump into the comic world, and as a sort of coming out celebration for the Zombie A.C.R.E.S. universe, I would like to release special, VERY limited editions of AiZ: Alice in Zombieland #1. The ZomBcon Edition will be limited to only 200 copies, and will be sold at the Seattle ZomBcon convention in October. Unfortunately, due to my personal circumstances (kind of bouncing between couches right now); I cannot fund this celebration on my own.

 

Because of that I have started a funding project at Kickstarter.com. The funding I am requesting there is to help cover the costs of a booth at ZomBcon, as well as the printing costs of the 200 issue ZomBcon run. Nobody that is working on AiZ: Alice in Zombieland is getting paid for any of their work. This is strictly a project of passion for each and every member of Team Zombi.  I am offering rewards for pledging anything from $1 and up, and one of these rewards is an even rarer edition of AiZ: Alice in Zombieland #1, limited only to the number of backers at certain levels. This Backer Edition is expected to be limited to less than 50 copies.

 

Both the ZomBcon and Backer Editions will feature a bonus comic story entitled Bruce Campbell vs The ACRES. This story will never be released anywhere else and is hilarious. Both of these editions will be numbered to help ensure rarity and collectability. Each of the three versions will feature a different cover by one of three talented artists that all have a hand in the creation of this wonderful series.

 

There is less than a week at the Kickstarter campaign and I am less than half way to my goal. It is all or nothing, so if I don’t make my goal, I don’t get any of it. I am asking anyone to help, even with a dollar, and make this dream a reality.

How do you handle rejection?

It all depends. When I started doing this, I knew it was going to be a lot of hard work with a lot of rejection. I had no clue the vast amount of both I would have to deal with, especially on the sped up timetable AiZ: Alice in Zombieland is on to make ZomBcon this year. It gets to the point to where hearing ‘No’ and finding more and more hurdles to jump over becomes part of your everyday routine. Because of that, it does give you a slightly thicker skin, and makes rejection a little easier to swallow. There are days where I love what I do and can deal with anything, but then I have my days where the slightest bit of rejection just tears me up. It’s a rollercoaster of emotions every single day, and sometimes it is a very tough ride to handle.

I am a naturally shy and very self conscious person, so even though internet rejection has become a little easier to handle, I have yet to really deal with real world rejection. I am just now really starting to put myself out there, and that means videos and trying to find public appearances. With that comes the judging of Josh Cook, and not just Zombie A.C.R.E.S. That is a brand new feeling, and a different kind of rejection to deal with.

Did you always want to create Zombie A.C.R.E.S.?

I always wanted to entertain, I think. In my room when I was younger, I would practice being a radio DJ or even a comedian at times. Even at a young age, I was very shy and self conscious, so I never thought I would be able to pursue a public career. Once I was old enough to write, I realized the mechanics of writing well came fairly easy to me. Yet again, my own feelings towards myself and my talents stopped me from chasing my dreams to be a writer. So, short answer long, I have always wanted to entertain people.

 What inspired you to create Zombie A.C.R.E.S?

The main reason to start my own company at all is to bring my three year old lab/cocker spaniel Sam Dogg to work with me every day. The actual story was born out of jokes that were made while I was at my last crappy job at Kohl’s. I don’t remember how they came about, but somehow this series of jokes and thoughts about a funny little zombie community become the daily norm. After a series of personal setbacks, I decided to take the thought one step further and create the world of Zombie A.C.R.E.S. I took a lot of the comedy away, and replaced it with emotion. These stories are not just about zombies, but about the people that are forced to live in this world that they did not create.

I have always loved the blood and fore of zombie stories, but the best of these stories had a focus that was more on the survivors and the struggle they have to go through just to make it day to day. That is the story I hope to tell with Zombie A.C.R.E.S.

 What is the best thing about creating it?

Hands down, the best part is actually creating. I get to bring a vision that I had in my head to life. The most amazing feeling besides love is when someone reads a story, or visits ZombieACRES.com, and enjoys it so much that they tell me about it. Just now I received a tweet from a fan that said ‘I visited your website. What a great concept’ and that helped make my morning. I love knowing the fans are enjoying all the hard work Team Zombi is putting into everything we do, and are showing so much love in the horror and indie communities to help us grow.

And control. LOL. There is a bit of satisfaction in knowing that this is my world and I can do whatever I want. But I don’t think you will find a wirter out there who doesn’t have some sort of a control issue. LOL.

 What is the worst thing about it?

The constant promo that needs to be done and the daily stress. It’s that rollercoaster I was talking about. Since we are such a small group of people, and most busy with other things, that leaves a lot of the daily grind to a few of us. We are out there every day, some of us all day, begging for funding and searching for new ways to bring our stories to people. It is rough work, full of rejection and days where you feel you went nowhere, but then I remember why I am doing it… for the fans.

What is the estimated number of projects you have worked on?

I am brand new to the creative scene. I have been writing online for a number of websites for about five years, but Zombie A.C.R.E.S. is my first true creative project. Thanks to its success, I have begun working with Lewis Cougill from GenXnerd.com on a project called Not Just Dead Stuff. This is in the infant stage but please check out the site and bookmark us to watch as we grow into a video community of survivors of Out3rKn3t. I have also been approached about helping write a zombie short film, but I have been sworn to secrecy on that one.

 Who is your favorite storyteller?

That is really a loaded question. LOL. There are so many people that I respect and enjoy, it’s like comparing apples and oranges. I have always been a huge Stephen King fan. When he paints a picture for his readers, they know exactly what he has in his mind’s eye. Of all of his work, the Dark Tower series really showcases this by mixing two completely different worlds – one of magic and one of a wild west reality of lore. If any of you have not read the series, I really recommend it.

On the other hand, I will put almost anything Trey Parker does on a higher level than most people’s work. Not only is South Park still relevant and hilarious, but his movies, and now stage musical, have so much social commentary – some hidden and some not so hidden – and he is always entertaining.

 How has your life changed since you created Zombie A.C.R.E.S?

Well, considering I started Zombie A.C.R.E.S. out of need as much as dream, my life was already pretty hectic. ZA has added a lot more stress and work into the mix, but the satisfaction of it all is well worth everything that goes into it.

What is one piece of advice you can give to someone who also wants to create a project like yours?

Be prepared to work. Indie art is not for people looking for an easy job with amazing pay. I was almost homeless when this started and I am no better five months in. It takes a lot out of you to do this each and every day, but you have to really want it to make it through each and every day.

What do you like to do besides making Zombie A.C.R.E.S?

I obviously read and watch a lot of zombie stuff. I do watch as much TV as possible, but that ends up consisting of a lot of Big Brother and Game Show Network shows. I also love to go sightseeing around Seattle, I just don’t get to do it too often thanks to the whole having no money or home situation.

Have you had any other jobs before you decided to create Zombie A.C.R.E.S?

Retail, retail, retail. That was what I did, and I was good at it. That is really odd considering how shy and self conscious I am, but it’s true. I am a natural with customer service and a fast paced work day. That so does not mean I like it though. LOL. I want to eventually have my own Zombie A.C.R.E.S. offices where I can walk into work with Sam Dogg every day, and enjoy what I do all day and allow my employees to enjoy their jobs as well.

 What are some of your favorite American films? Foreign films? Television shows?

I am a Pop Culture Whore, so these lists can be long. I will just give highlight reels below. LOL.

American Films: Team America: World Police, Scarface, Schindler’s List, Nightmare on Elm Street, Evil Dead series

Foreign Films: Cemetery Man, Pan’s Labyrinth, Shaun of the Dead

Television Shows (I am  HUGE tv fan, so this is a very condensed list): Big Brother, The Walking Dead, Burn Notice, South Park, Mythbusters, Deadliest Warrior, 1000 Ways to Die

 How would you describe your education as a writer?

I have never had any formal education or training as a writer. I did go to a couple years of business school, but I would rather do things my own way. I am still being educated on a daily basis, both as a writer and as a business owner. It is mostly hit and miss training, but at least I can say I went out and tried my own thing. That is something I am very proud to be able to say, no matter what.

 How would you describe the writing "scene" where you live?

I am in Seattle, Washington, so the ‘writing scene’ is ginormous out here. This is the land of creatives and free thinkers. We have artists, writers, musicians, and hundreds of other creative types. It is an amazing place to live.

 How has social media helped you with Zombie A.C.R.E.S?

Social media is the life blood of Zombie A.C.R.E.S. Without sites such as Twitter, there is no way ZA would have fans in several different countries this early in its life.  I am always looking for brand new ways to market ZA, as well as myself, and new social media outlets always seem to be the best way. There is also a network that has formed all over the internet of indie artists supporting each other, and that has only grown and become stronger with the advent of social media and the pushing of the boundaries of communication. The world is shrinking, and that can only mean better things for us indie artists.

What's your opinion on crowdfunding?

Since the AiZ: Alice in Zombieland Kickstarter project is the first experience I have with crowdfunding, my opinions are still forming. In theory, it sounds like an awesome idea, but there have been a great many awesome ideas that have been ruined or tarnished once humans get involved. If I do make my goal in less than a week, I bet my attitudes do turn a little more favorable towards crowdfunding. J

 How does independent film differ from the mainstream?

Being the Pop Culture Whore that I am, I love my mainstream trash and pop pulp. I just want that to be said off the bat. I do enjoy many indie films, but until now, I have not been this deeply immersed in the culture. Not having to follow someone else’s rules allows indie artists’ to really push the envelope and create art that makes society think about the world a little differently, even if only for a little bit.

 You could go back in time and see any classic film being made. Which film would it be and why?

Classic film, eh? It all depends on your definition of classic, but I would love to go back and watch Airplane! being made. The movie is hilarious and it looks like it would have been a blast to make, and maybe even a lesson in how to have fun while working.

What's your favorite movie quote and why?

As my tastes change almost every time I see a new bright, shiny object, so do my ‘favorite’ movie quotes. I am always a huge fan of great one liners, and quick punch line jokes in my movies.

 What is your opinion on movie remakes and sequels?

Remakes and sequels are completely different animals. I feel remakes are valid in some cases, but most of the remakes coming out these days never need to be made. I think a lot of it may be made with an honest attempt to bring some great ideas and art to a new generation, but too many of these remakes are just to cash in on a cult following already in place.

Sequels can be awesome or worthless dribble, depending on what they add to the overall story. A Nightmare on Elm Street is my favorite horror series for that exact reason. Not counting the second movie, every installment added something to the story and mythology of Freddy Krueger.

What is your opinion on book to movie adaptions?

Again, if they are done right, they can be awesome. I hope that when the first Zombie A.C.R.E.S. movie is made, I can find the right team to bring my vision to life correctly. I think whenever possible, the writer of the book should always be involved in the making of the film. Nobody else knows exactly what that artist had in mind to begin with.

Is there anything else you would like to add?

Just that I really need all the help I can get at the AiZ: Alice in Zombieland Kickstarter page in the next few days to make my dreams come true.

Review Of "Waking Eyes"

"Waking Eyes"  is a psychological short film. The itself is about twelve minutes long. The film is written and directed by Sarah R. Lotfi. Miss. Lotfi also designed the costumes for the film.  You can find more about Sarah and "Waking Eyes" by visiting her website at http://www.sarahrlotfi.net/. The film centers around Alice (Ariel Baty) who is lost in her own mind. She visits different time periods while she is wandering.   In each time period, she sees the same man (Michael Lee) dressed in present day clothes. There's a twist and I'm not going to spoil it. Check out the trailer for "Waking Eyes below:

 

[vimeo http://vimeo.com/23534944]

Check Out "Stuck Like Chuck" By Jerry Cavallaro

If you haven't already you should check out "Stuck Like Chuck".  Mr. Cavallaro was nice enough to put his film online for free. The film stars Joe Moran as Charlie. A college student and self proclaimed nerd. Charlie likes Kevin Smith movies, video games and a girl  in his film class named Juliet (Jocelyn DeBoer).  Charlie has  a few great oppurtnies  get to know the girl of his dreams.  He doesn't exactly know how to talk to Juliet (or any girls for that matter).  Charlie and his roomate Rob (Patrick McColley) put a plan in motion to have Charlie and Juliet locked in a classroom after hours in the hopes that the two can get to know each other.  Find out if the guy gets the girl. Watch "Stuck Like Chuck" below :

 

[vimeo http://vimeo.com/27557661]