Filmmaker Jeanne Dasaro

Jeanne Dasaro is a social entrepreneur, artist, and activist with extensive experience in nonprofit management and community journalism. Jeanne has spent the past 3 years connecting people across Boston and beyond as co-founder of The New Prosperity Initiative, an organization that works to build social and economic prosperity in communities. She believes stories have the ability to inform, inspire and connect.

What is the current project you are working on?

I recently launched, North End Stories. It is a digital narrative project that aims to collect, preserve, and share the stories of Italian-Americans whose families immigrated to Boston’s North End in the late 19th and early 20th century.

How do you handle rejection?

Although rejection can bruise the ego, I try to use it as a learning experience. It can be an opportunity to gain valuable feedback on a project which in turn can help spur new ideas and improvements.

Did you always want to be a filmmaker?

Although, I’ve always believed stories have the ability to inform, inspire and connect, creating and sharing stories using film is a recent interest of mine.

What inspired you to become filmmaker?

I’ve always learned best through conversation and/or watching someone do a task. With that in mind, I began focusing my efforts on video projects or projects that try to communicate information visually. Short videos and things like Infographics would be examples of what I mean. For me, I find I am able to capture emotions and ideas in a video that I am unable to create in the written word.

What is the estimated number of projects you have worked on?

Thus far only 3 very different projects, a nonprofit news and media organization, The New Prosperity Initiative, that reports on the nonprofit sector, Why Not Boston, a small web comedy show, and now my North End Stories project.

Who is your favorite filmmaker?

Wong Kar-wai, a film maker from Hong Kong. “In the Mood for Love” is my favorite film of his. He creates highly stylized, visually striking films that I am in love with.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I can’t really speak to making it in the movie business, since I haven’t quite done that. What I have done is left behind work and lifestyles that didn’t suit me. I no longer work a 9-5 office job, instead of work on projects I enjoy with people that inspire me. Anyone can do this. It takes a little bit of risk, some determination, changing your life around a bit, but in the long run, waking up each day excited about what you do makes it all worth it.

What do you like to do besides filmmaking?

I’m an activist and community builder, meaning I bring folks together around specific issues. I love urban farming, crochet, and riding my bike around Boston.

Have you had any other jobs before you decided to become a filmmaker?

Yes plenty. I was an accounting clerk, a makeup artist, an event planner, an operations manager, a co-founder of a non-profit, and now at 30 years old I work on a variety of independent projects.

How would you describe your film education?

Formal education is quite limited. Everything I know has come in 1 of 2 ways, by trying things myself and learning from my errors or by asking my network for help and guidance, specifically those who have the knowledge I am looking for.

What's your opinion on crowdfunding?

I love it. It’s wonderful on many levels. It connects micro-funders to projects they want to support and it allows artist, entrepreneurs, etc. to produce work outside of traditional funding models. I've had countless friends raise money to publish their book, revamp their company's website, produce a documentary film, and to me that's pretty awesome.

What is your process for conducting interviews for your narrative project?

It is a combination or research and relationship building. I spent several months researching the history of the neighborhood, business owners, active community members, and local publications. Once that list was created I began reaching out to individuals on the list to gauge their interest and willingness to participate. I also have the benefit of having family members who have been life-long residents of this particular neighborhood which means they have also been able to make introductions and foster relationships for the project. Over the next few weeks I will schedule and conduct interviews with those interested in being a part of the project.

How does independent film differ from the mainstream?

I think independent art forms in general (music, art, etc.) have more authenticity to them. There is less focus on what will sell or what people want. Instead the creator makes what they love, what they feel connected to.

Thanks for doing the interview Jeanne. I'll be sure to spread the word about " North End Stories" and The New Prosperity Initiative.

Filmmaker Chloe McFeters

Chloé McFeters is a writer and documentary filmmaker based in Boston, Massachusetts (USA).  In 2008, she founded Tortoise and Finch Productions with actor and director, Kevin Cirone.  Her first film, “You Look a Lot Like Me”, a feature-length documentary focused on the issue of intimate partner violence, is presently in post-production. 

What is the current project you are working on?

I am currently in post-production on a feature-length documentary, titled, “You Look a Lot Like Me”.  The film focuses on raising awareness about the issues of intimate partner violence and domestic abuse.

Did you always want to be a filmmaker?

No. Not at all.  I have always had a love affair with film, but never had the desire to create films myself.  I did, however, have the desire to write them.  That desire is not nearly as strong these days.

What inspired you to become a filmmaker?

I don’t know that I had any interest in becoming a filmmaker.  I still have trouble thinking of myself in those terms. I don’t feel I’ve really earned that title yet. Time will tell, I guess…

What I did have was an incredible passion regarding the issue of domestic violence. I wanted to create something, something that would allow for individuals whose lives had been affected by this issue to have a voice, and a voice that could and would be heard by many, many people.  Creating a film on the subject seemed like a very effective way to achieve that aim.

I had a friend who owned some camera equipment, and who was kind enough to let me use it for this film. With that key aspect covered, I wrote up a project overview, and began approaching organizations.  I guess you could say that I haven’t looked back since. That was more than four years ago now.

What is the best thing about being one?

In this case, it has been the connections I have made, both with the incredible and courageous individuals I’ve interviewed, and with the crew I’ve been blessed to gather around me along the way. I can’t say enough about the people I have worked with these past four years. I have made lifelong friendships with these men and women.  We have shared in a very powerful experience together and that sort of thing bonds you forever, I think.

What is the worst thing about being one?

In thinking about this project in particular, I’d say it’s having to make difficult decisions with regard to editing in order to comply with very reasonable, well established, and specific time constraints. Almost all of the footage we have shot is footage I feel needs to be seen. It’s challenging to effectively explore just a fraction of what needs to be said on this issue in an hour and a half or two hours. It’s just not enough time. So, that has recently been a frustrating element for me and for those who know the footage as intimately as I do.

What is the estimated number of projects you have worked on?

As far as film is concerned, I’ve worked on a handful of narrative indie projects, as either a writer or producer.  I’ve found that I love to produce.  This is the first project, though, where I have served as writer/director/producer.

 Who is your favorite filmmaker?

There are definitely a few for me.  Kieślowski, Wong Kar Wai, Spielberg, Pedro Almodovar…anything by Wes Anderson or Noah Baumbach…

How has your life changed since you became a filmmaker?

Apart from the traveling (and there is a LOT of traveling), I think most of the changes are internal, emotional, almost spiritual changes.  You can’t spend four years listening to the stories I’ve listened to, meeting the amazing people I have met -- hug them, eat dinner in their homes, hold their god children or their grandchildren -- and not come away from those sets of experiences profoundly altered in some way. I wouldn’t know how to begin to describe it. But it’s a difference, for sure.

What is one piece of advice you can give to someone who also wants to make it in the movie business? 

I don’t know that I’d know anything about how to “make it” in the movie business. I think I would say, no matter what you are doing, to work hard, to find something you care about deeply, something that inspires you in some way, and then dedicate yourself to it. Commit to your dream becoming a reality. That’s a lot easier said than done, I know.  And luck and timing have so much to do with it.  But, that would be my advice. Work hard, and enjoy your work. Oh! - and only floss the teeth you want to keep; don’t waste your time on the others…

What do you like to do besides filmmaking?

I write.  I write a lot.  I love to cook.  I love to garden.  I sit home and watch movies.  I am a pretty boring lady, truth be told.

Have you had any other jobs before you decided to become a filmmaker?

Ha ha – yes.  Oh yes.

What are some of your favorite American films? Foreign films? Television shows?

American films…Schindler’s List, English Patient, Royal Tenenbaums, Squid and the Whale, Half Nelson, Hereafter, Elegy…

Foreign Films…Three Colors: Blue, In the Mood for Love, The Adventures of Antoine Doinel, The Secret in Their Eyes, Habla con Ella…

I don’t generally watch television, ever.  But whenever I’m on a flight, the only thing I want to watch is Curb Your Enthusiasm.  It’s genius.  I love it.  I laugh before it even starts.  I laugh in anticipation.

How would you describe your film education?

Hands-on.

What's your opinion on crowdfunding?

Given the pretty incredible run we’ve had so far on Kickstarter, right about now, I’d have to say I love it!  Joking aside though, I think it’s a really interesting and engaging way to fund your creative endeavors. I’m a fan. There’s a lot of really amazing stuff out there.  Huge talent.  And now people can really be a part of allowing that talent to blossom and grow.

In its design, a platform like Kickstarter allows for anyone, really, to be able to be a part of something creative, and that, I think, feels good.  It’s really difficult for the average person today, for the average family. People are struggling financially all over this country, and so many others, and that’s an incredibly scary space to exist in. There is such uncertainty about their jobs, their homes, how they are putting food on the table from week to week, so I am very cognizant of that fact that it’s incredibly difficult for people to justify reaching into their pockets for something that is not an absolute necessity.

On the other hand, I think most individuals are giving creatures, generous creatures, and even given what is sometimes an immense set of financial challenges, we still want to feel that we can, and are in a position to, contribute to something outside of ourselves and our immediate sphere. It can be incredibly rewarding watching someone else’s dream become a reality, particularly when you believe in that dream. A platform like Kickstarter allows for active and affordable participation in that process. If giving $100.00 is not an option, then, you know, maybe giving $5.00 is, and if $5.00 isn’t an option, then maybe $1.00 will work more comfortably for you. Those are pretty liberating options. Anyone who has ever worked on an independent project of any kind knows all too well that that $1.00 is of great value, and it’s humbling for me anytime someone thinks enough of my work or my vision to contribute that dollar. I can think of a million other places it could be spent, especially today. That vote of confidence and support is definitely not lost on me.

I also think most of us understand the critical and invaluable role that art plays in any society. At a time when other, more traditional, forms of funding for artists are evaporating all across the country, crowdfunding platforms provide opportunity where there is otherwise none.  I think the concept will continue to evolve, like anything else, but I don’t see it going anywhere anytime soon.

What is the casting process like?

I love it.  I’ve always really enjoyed casting.  The process was obviously entirely different for my current film, being a documentary, and also given the subject matter, but in terms of narrative projects, yeah, I enjoy it. There’s something really great about the fearlessness involved, and also the vulnerability. On those rare occasions, when you can feel that actor become someone else, it’s almost magical.

You could go back in time and see any classic film being made. Which film would it be and why? 

It’s a Wonderful Life. That ear-to-ear telephone scene must have been something to observe.  That and falling in the pool looked fun…

What's your favorite movie quote and why?

“Lloyd, Lloyd all null and void. Looking for the truth, but trying to avoid, Lloyd. Not sure what to do, dissed in the Malibu.”  - Gas 'n' Sip Guys, Say Anything

Its profundity leaves me speechless.

Is there anything else you would like to add?

I think that last response really says it all, don’t you?  I don’t think I could possibly top that.

I would just like to mention that the Kickstarter campaign for the film, “You Look a Lot Like Me” runs until August 26^th.  I am really thrilled to be able to share that we are 116% funded after just three weeks, and we’re not done yet!  Any additional contributions received between now and the end of the campaign will be used to help cover costs associated with distribution, advertising, marketing and promotions.

We have some really amazing and generous artists involved with this fundraising campaign, so I hope that people will stop by and check out the unique and creative wares being offered as rewards.

http://www.kickstarter.com/projects/tortoiseandfinch/you-look-a-lot-like-me

Your readers can also learn more about the film and my production company, Tortoise and Finch Productions, at www.tortoiseandfinch.com.

Thank you for your interest in my work and in the film.  I really appreciate this opportunity and I wish you continued success.

Thanks for doing the interview. I wish you the best of luck with your film and future projects.

Actress Alyssa Freedman

What is the current project you are working on?

I'm currently involved with an independent film called "Mark of the Dog Rose." It's the second project Astropiano Films has produced, and I am so excited to be a part of it. I'm playing Antonia (Toni) Marcel.

Did you always want to be a actress?

I have since I was very young, but I always considered it one of those "unattainable dreams" that would never come true. I guess it's just proof that you should never say never.

What inspired you to become actress?

Back when I was probably 10 or so, I went to a performance done by my best friend's acting class at the Burlington Park Playhouse. It looked like so much fun, so I enrolled in the next class. I absolutely fell in love with acting and never wanted to give it up. I continued learning and performing in any way possible throughout the years, although it got tricky as my academic work load increased. I'm so lucky to have been given the opportunity to continue doing what I love...this time on camera instead of on stage!

What is the best thing about being one?

Becoming an actress is no longer a little girl's dream, I AM one. I made my own dream come true. I don't think you can do any better than that :)

What is the worst thing about being one?

People sometimes assume I'm going to act snobby or like a diva because I can say I've been in a movie. Anyone who truly knows me will tell you that I am far from either.

What is the estimated number of projects you have worked on?

This is my second film project. I played Kerri in Astropiano Films' first project "Sunblocked." As for stage productions, I did a bunch when I was younger...I've completely lost count.

Who is is your favorite filmmaker?

It's a tie between Quentin Tarantino and Darren Aronofsky. I love how absolutely insane Tarantino is. His movies always have a certain tone to them, and it always impresses me that just by the "feel" of the film I can tell who the director is. I love Aronofsky because I am amazed at his uncanny ability to make people squirm (if anyone remembers the hangnail scene from "Black Swan," they'll know exactly what I'm talking about). Both filmmakers bring the art back to film making, because they have their own styles and their own signatures.

How has your life changed since you became an actress?

Well for a while, I wasn't able to do any performing or take acting classes. My high school and college work loads just got overwhelming, so it left no time for rehearsals or lessons. Working on films, however, involves working with people who have daytime jobs, and similar time constraints to my own. I'm once again able to do something I love that also fits into my schedule. I'm probably much happier now too, because acting (especially alongside Astropaino Films' wonderful cast and crew) brings me so much joy.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

NEVER SAY NEVER!! I just happened to be talking to Jess [Cook, our director] one day about life and she mentioned "Sunblocked." I offered to help her with anything she needed, and she invited me to audition! I never ever ever thought I would do anything remotely close to acting in indie films, but here I am, playing a major role in my second feature film.

What do you like to do besides acting?

I love to travel. I've been to Spain three times (once was for 5 months when I studied abroad), Italy, Australia, and New Zealand. I get antsy if I stay in one place for too long...plus I absolutely love learning about other cultures. Otherwise I'm pretty simple: I enjoy what I'm studying at UNH (Psychology and Spanish), I love music, and I love to dance.

Have you had any other jobs before you decided to become a actress?

Acting isn't my job, it's my passion. It's a pastime, a hobby, and one of those things that allows me to just let go of everything else in life and enjoy myself. But as for my job history, I worked as a religious school teacher's aide as well as a special needs tutor for a few years. Currently I work part time as a host at a local restaurant. The hosting job has helped me with my acting I think, because I can observe peoples' mannerisms and behaviors and potentially use them later in creating a character. Plus I'll also admit it comes in handy when I need to act reallllly nicely to rude, angry people. :p

What are some of your favorite American films? Foreign films? Television shows?

Favorite American films: Requiem for a Dream, Donnie Darko, Good Will Hunting, and The Fountain (which has the most unbelievably stunning soundtrack I've ever heard)

Foreign Films: The Lives of Others, a German film that left me speechless.

Television shows: I am admittedly obsessed with Criminal Minds. Not only do I dream of being a criminal profiler, but I have to say I'm also in love with Shemar Moore, Matthew Gray Gubler, and Thomas Gibson. The highlight of my life was when Matthew Gray Gubler spoke at UNH and I got to meet him. Another unattainable dream: attained.

How would you describe the film "scene" where you live?

I love that more and more films are being made in and around Boston. It gives me a sense of pride to see areas I know on the silver screen. Just a few years ago the Hollywood buzz was all around my hometown of Burlington, MA, as Kevin James was at our mall filming the comedy Paul Blart: Mall Cop. It's such an exciting atmosphere. Everyone loves a little taste of Hollywood and film making...and it's even more buzz-worthy if it involves local people like in our project.

What's your favorite movie quote and why?

There's a scene in Good Will Hunting when Robin Williams and Matt Damon's characters are sitting at the Boston Public Gardens. Williams delivers one of the most amazing monologues I have ever heard, saying things such as "I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable." At the end of the speech, I had tears in my eyes. I was blown away both by the performance, and by the actual dialogue.

What is your opinion on movie remakes and sequels?

If we're being honest, I think Hollywood has kind of run out of good ideas, so they're just banking on remakes and sequels. So few sequels have matched up to the original (Toy Story is the only one that comes to mind at the moment), I just don't understand why they continue to try. Remakes tend to frustrate me. Like this upcoming "Footloose" remake? How dare they. You can't replace Kevin Bacon. You just can't.

What is your opinion on book to movie adaptions?

I have never seen a film adaptation that adequately represented the book. There always comes that point when you say, "But they left out the part when...." Books and film are two different mediums and should probably be kept that way.

Is there anything else you would like to add?

Thanks so much for the interview, John! And to everyone else, stay on top of updates by following Mark of the Dog Rose on Twitter and becoming a fan on Facebook!

Gavin ap' Morrygan Champion Of Charities And Independent Film

What are the pros and cons to crowdfunding?

The pro's of crowdfunding. Meeting a community of film makers and fans of indie films. Getting to see some creative films. Con's of crowdfunding hmm, the wait for the films sometimes. Occasionally backing someone who does not take it serious and does not deliver as promised.

What is the current project you are funding?

I am funding many projects but three recent ones are Clowning Around on indiegogo and on kickstarter Down and Dangerous as well as Dying to do Letterman.

Any film makers or projects coming up you are interested in?

A couple campaigns that are not up yet but should be really soon. "Power...less: Business as Usual" a short film about super heroes. It mixes drama, comedy, action , sci fi and fantasy from betterfeelingfilms. For more information follow Oliver Jones. " Neon" produced by Daniel Hoyos the campaign should be on Indiegogo in the next couple weeks for this short film shot in New Mexico. Fruition Hard Line, a sci-fantasy feature film directed by Timi Brennan and produced by Mahogany J. Slide. Its the story of a young girl who, haunted by immense psychic abilities, must set out on a journey into a strange underworld to discover the origins of a prophetic drawing. The campaign will launch Sept 15th 2011

What inspired you to fund independent films?

On Kevin Smith's message board two different friends discussed films they were making and wanted some help funding. The films were The man who never cried and Stupernatural. so I discovered indiegogo and kickstarter. Mark Bell with Film Threat then introduced me Don Lewis and I got involved with Worst In Show. Shortly after that I found John Trigonis and the great film Cerise. Thru Jon I found a ton of other film makers on Twitter.

What is the best thing about funding films?

The knowledge you helped something great be created. Letting the film maker know you believe in them. And of course seeing something new and fresh. Also some perks.

What is the worst thing about it?

Deciding which film to back It's addictive. Wish I could back more films.

What is the number of projects you have helped to fund?

I think its about 75 over the last year and a half.

What are some of your favorite perks?

Possibly having a Beer named after me (clowning around). Some records from Brendon Fogle for the film Sync. A poem made from my name for John Trigonis's Cerise. MJ_Slide taking a pie to the face for backing her important social film Saving, For Backing Mother's Red Dress and Raymond Did it the filmmakers (John Paul Rice and Travis Legge) helped share about a charity dear to my heart The Wayne Foundation. Gary King and cast sang a couple great songs for backers of How do you write a Joe Schermann Song and also haved help spread word of Wayne Foundation. And many , many others.

What is one piece of advice you can give to someone who also wants to fund films?

Check out the campaign page first. Is it organized. Do they have a breakdown of how the funds will be spent? Have they made previous films? Do they have a trailer up? Are other indie film makers backing this campaign? .

What is one piece of advice you would give to someone who wants to start a campaign ?

Visit this site http://johntrigonis.com/ read then reread The Tao of crowdfunding both articles Crowd Funder Etiquette and Three P's for a successful film campaign.

What do you like to do besides funding independent films?

I play poker, watch way to many dvds and blu rays, attend Kevin Smith events / q&a's , travel. This year I am challenging myself to try different beers I have had about 400 different ones. I play street hockey for fun and charity.

Tell us something about yourself the average person wouldn't know? 

I just got married in July to my best friend. I met her thru Kevin Smiths message board and Kevin who is ordained married us.

Is funding films your full time job?

Haha No I am manager at a movie theatre.

Who are your favorite hollywood filmmakers?

Kevin Smith, Luc Besson, Michael Mann, Cameron Crowe

Who are your favorite indie filmmakers?

Thats like asking a parent which kid they prefer. But a few I would say that I would back again and who have there heart in indie film are John Trigonis , Gary King, Brendon Fogle, Wonder Russell, Mahogany Slide, Travis Legge, Jeanne Bowerman, John Paul Rice, David Paul Baker and Oklahoma Ward. Of course many many others could be listed but the listed people are a great start. Also Marcella, Miles Maker and Mark B.  are great people to follow who have there hands on the pulse of indiefilm.

What are some of your favorite films and T.V Shows?

Favorite films? Blade Runner, Shawshank Redemption, Leon , Heat, The Fall, Clerks, Seven Samurai, Brotherhood of the wolf , Cerise

Favorite shows? Firefly, Pushing Daises, The Wire

How would you describe your film education?

I watch alot of movies lol. I got to be a extra in Zack and Miri make a porno. On set seeing all the behind the scenes stuff happen ignited a spark in me to try to get more involved with film.

How would you describe the film "scene" where you live?

I have not been able to get really involved with it. Hopefully that will change soon. I helped a couple baltimore film students with small productions which was a fun experience.

How does independent film differ from the mainstream?

It does not have the same fuding and advertising it depends on word of mouth and grass roots campaign.

You could go back in time and see any classic film being made. Which film would it be and why?

Blade runner. It's a film I love and have seen countless times. Despite all the hardships and set backs the crew had making it I think it would be a eye opening experiece.

What is your opinion on movie remakes?

Some do not need to be made (footloose). But I do like that the newer version may get people to watch the original.

What is your opinion on book to movie adaptions?

Books are almost always better. Your imagination can create so much more then can be captured on film but I have seen many books turned into great films.

Is there anything else you would like to add?

Please consider helping indie film get made. Not just by donation but also by sharing projects and seeing the films at festivals. For every hollywood film churned out there is so many more indie films never heard of that are creative and have the crews blood, sweat and tears invested.

Oh and you can follow me on twitter @Tearsinrain78

For more information about the charity I mentioned http://www.viewaskew.com/thewaynefoundation/

Filmmaker Robert Luke

Writer/Director, Robert Luke is an Austin, Texas native who studied film and drama at the University of New Orleans before making his first feature film, The Man in the Garage at the age of 21. Luke finds inspiration from life, friends, films of any genre, art and comic books. His favorite drink is a Jameson on the rocks and appreciates cuss words, Johnny Cash, micro-brewed beers, and tattooed girls with thick glasses.

What is the current project you are working on?

I am currently in post production on a film called Succubus. It's the second part of a series of shorts I'm making right now for a compilation of short films that revolve around the supernatural themes of love and death. Succubus is about a former boxer who makes love to a demon to get over the feelings of guilt he holds after accidentally killing a man. However every time she seduces him, she kill his friends and family.

Did you always want to be a filmmaker?

I've always wanted to be a film maker. As far as I can remember I've always wanted to make movies even when I thought it was impossible. I think the earliest I can remember was seeing Tim Burton's Batman and wanting to make that.

What inspired you to become filmmaker?

It's hard to say what inspired me since there was no clear moment when I knew what I had to do with my life. When I was a teenager, I wrote stories and eventually films to feel less angsty. Later as an adult, I realized I'm not good at anything else so I better make sure I'm doing nothing but film making.

What is the best thing about being one?

The best part of film making is meeting and collaborating with awesome people. Some of them famous. For super quiet people like myself, I feel like I'm able to convey some raw emotions to people I've never met and I always get a thrill from that at screenings and film festivals.

What is the worst thing about being one?

The worst part of being a film maker is how much damned money you'll spend if you're funding yourself without a producer. Not just in making the movie but traveling around the country to show off your film.

What is the estimated number of projects you have worked on?

Not counting student films, I've been involved with about five projects that I care to comment about.

Who is is your favorite filmmaker?

Great question. Not an easy one to answer, but I believe my favorite film maker would be Steven Spielberg. I know that's a cliche, but it's for a reason. Truthfully everybody (not just film dorks) loves at least one of his films and you can't really say that about any other director.

How has your life changed since you became a filmmaker?

I'm not sure if it has. I'm probably bossier, the more active I get. But I've been making films for so long I don't know if anything has really changed since getting more involved in films.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

The main thing I can say is start now, keep going, make mistakes and learn from them. Also be patient. If you're looking for instant gratification, film making might not be for you. Expect a pat in the back for your films years after you've made them. Not before you make them.

What do you like to do besides filmmaking?

Besides film making I like to work on computers and read comic books. Watch out, ladies!

Have you had any other jobs before you decided to become a filmmaker?

I used to be a portrait photographer which was a lot of fun.

What are some of your favorite American films? Foreign films? Television shows?

Even when condensing it, this is going to be a long list. My favorite American Films would be Eternal Sunshine of the Spotless Mind, Terminator 2, Children of Men, The Empire Strikes Back, The Dark Knight, and Leon.

Foreign films: Let the Right One in, Run Lola run. I'm embarrassed at how short my foreign list is. I'm sure there are dozens that aren't coming to me right now.

However my favorite TV shows are Dexter, Stargate SG-1, Mission Hill, Six Feet Under, That 70s show, Star Trek, and King of the Hill.

How would you describe your film education?

I started studying film making in high school at the Johnston Liberal Arts Academy, followed by the Liberal Arts and Science Academy and then only took one year at the university of New Orleans before decided to just get out there and learn from experience. Making my first feature film when I was 21 is probably the most I've ever learned about film making.

How would you describe the film "scene" where you live?

I live in Austin which has a big reputation for a film scene because of film makers like Robert Rodriguez, Mike Judge, Richard Linklater and sometimes Tarantino. However for everyone else, I feel like most film makers leave the city or state to make films and everybody else just talks about it. I even find myself going to Dallas or Houston because I have better connections with cast and crew out there.

How has social media changed the independent film industry?

Fantastic question. I feel like social media has mostly changed the way film makers communicate. A generic answer but there's a lot that goes into that. First of all, you can go on FaceBook and Twitter and announce your next project, even if you haven't started it yet. In some cases people will announce their next project and never start it. You can also improve your own face and name recognition without ever leaving your seat. Mostly i think social media is only used by film makers who are still getting their name out, while most professional film makers would only be on Facebook or twitter due to their own narcissism just like the rest of the world.

What's your opinion on crowdfunding?

Sometimes you can make it work. I've seen it work well but a lot of the times, sites like Kickstarter or Indiegogo become over used and abused which makes it obnoxious and kind of kills it for the people who use those great sites correctly.

What is the casting process like?

Casting for a film is in my opinion the easiest thing in the world. First of all, take the collection of actors in your area or that you know you can get. At this point you can either write for them in mind or figure out which one of these actors will make your character better than they already were. I normally pick actors that I'm familiar with. I haven't done a casting call in years but when I do, I never not find an awesome actor that pulls off the part perfectly.

How does independent film differ from the mainstream?

Honestly the only difference between independent and mainstream is budget and marketability, most of the time. Films are made the same way. Otherwise most mainstream films are only made if they have some type of brand recognition, while independent films are usually made with original characters, unless based on a book. It's difficult to say what the differences are when you have mainstream directors like Christopher Nolan and self proclaimed independent directors like George Lucas. So at the end of the day, movies are movies.

You could go back in time and see any classic film being made. Which film would it be and why?

I would love to go back and see The Great Dictator be made. Charlie Chaplin was so ahead of his time and that is such a significant transition in film making given that it was his first talkie.

What's your favorite movie quote and why?

This might be a lame answer, but in Terminator 2 when Arnie says, "I know now when you cry, but it is something I can never do." So much is said here. Now first of all you have a machine made for war and destruction trying to understand humanity. He then reveals that he can not self terminate which means it was never in his programming to end his "life", therefor this is a conscious decision he made after learning about people and how they exist and how he can never be a part of that. At the same time he reveals all of this to a bat shit crazy woman who in her quest to destroy the machines almost became robotic in her personality and soul. This line said by the robot gives her some type of understanding and hope of humanity allowing her to respect this robot that she's wanted dead for the whole damned movie.

What is your opinion on movie remakes and sequels?

I think sequels are awesome when a character’s story is not over. Obviously Alien had two great sequels, Star Wars would’ve been half of the movie that it is if it never had two sequels to follow it. I suppose if the sequel can make the film better and continue a story, it’s great. When a sequel uselessly continues a character’s story that was already over, it just feels tired and sometimes ruins the efforts of the original film. I don't like remakes.

What is your opinion on book to movie adaptions?

So many films are adapted from books, it's hard to have any differentiating opinions on them. It seems silly when it's a brand new book or when a book is made only so a movie can be adapted from it, like Jurassic Park: The Lost World. Some books make fantastic films like Lord of the Rings, but really it doesn't really mater how good a book is. Shitty movies are still shitty movies no matter the source. I do hate it when movies not based on a book are retitled to use a classic book's name recognition.

Is there anything else you would like to add?

Nah, I'm good.

 

 

 

 

Thanks for doing the interview Robert. Keep me posted on the progress of Succubus.

Filmmaker Paul Best

Paul Best, the owner of Wolf’s Head Productions, has been working in theatre and film for over 45 years as a Lighting Designer, Art Director, Prop Master, Fight Choreographer, Director of Photography, Screen Writer and Director.  A partial list of credits include the Colorado Shakespeare Festival, Theatre Royal Windsor, Mercedes Edwards Theater, Farstar Films with Oscar winner Gordon Ecker, Vista Street Productions with Director Phillip Jones, and Renaissance Films with Director Sam Rami.  IMDB listing: http://www.imdb.com/name/nm4243982/

As a former Green Beret he served with the 1^st Special Forces Group during Vietnam and currently is a community partner and guest lecturer with the Buchanan Fine Arts Academy.  In 2005 he wrote his first historical fiction titled “Over the Fence in the Land of Oz”.  Based on fact, it is an account of the Hmong and U.S. defense of Lima Site 85 in Laos during Viet Nam.

Wolf’s Head Productions has been in business in Central California since 1992  providing theatrical and film production services to local theaters, schools and businesses.  The award-winning “Border Guardians of Akcernon – This Ain’t Kansas” produced in 2010 is their first full length narrative fiction project.

What is the current project you are working on?

First let me thank you for the opportunity to chat with you and your readers.  I’ll see if I can’t dredge up a few kernels of wisdom.

Beginning in January, 2010 and continuing to the present I have been working on a combination project called “Border Guardians of Ackernon”.  The project in its entirety is a fantasy genre project in the spirit of shows like Narnia or perhaps Merlin.  Kind of an old fashion linear story told in episodic format following the archetypal fantasy characters as defined by Joseph Campbell.  Good vs evil, heroic characters and a few villains, limited magic ..fairly standard fantasy fair.  What is different is we are also incorporating some modern elements like smart phones that provide our “modern” characters with access to “magic” … and you thought your apps were useful.  Additionally we wanted to correct what I consider to be a flaw in many fantasy stories… we wanted some strong three-dimensional female characters as leads.   The 2010 project was a 1 hour TV pilot format that we trotted around to a few traditional film festivals.  After getting some awards and feedback we began production on a web series in 2011 that will incorporate the pilot episode with 6 new episodes that provide some prequel information on the universe.  We released Episode 1 on July 19 and are still finishing up scoring and some details.  At the moment we are staying about 2 weeks ahead of our release schedule so it keeps us busy.

How do you handle rejection?

That’s kind of a tough question for me to answer because I don’t really feel I have ever faced rejection.  A project succeeds of fails for so many reasons.  Timing, subject, execution, marketing, distribution…endless list…but none of them are personal.  I have always attempted to do the best job possible in any endeavor given the limitations of budget and time.  A positive response from the audience is the ultimate goal but you will drive yourself crazy if you go chasing after every sway in public opinion.   When it all boils down, 90% of what I do I do for myself.  By that I mean, if I feel I have given it my best effort and am pleased with the outcome then what critics have to say really doesn’t affect me much.  It may affect the bottom line but not me personally.  The flip side of that is I don’t get giddy when people fawn over a project either.  I guess I take kind of a Zen approach…Maybe good…Maybe bad…who knows.

Did you always want to be a filmmaker?

I have been doing film or theater for the best part of 45 years.  When I first got started in the entertainment industry, landing a job in film or professional theater meant you had to be part of the union.  In my case IATSE.  Back then, if you didn’t know someone in the union it was difficult if not impossible to get in.  I started out in theater and never really considered film as much of an option because of that.  I landed a few minor uncredited flunky jobs on film from time to time.  My first was on the Alex Cord version of Stagecoach in the 60’s.  As the influence of the unions relaxed a bit and there were more non-union shoots happening I landed a few decent jobs with large productions.  I did some Art Direction, some sound work, odds and ends.  The most well-known production I worked on was the Evil Dead 3 – Army of Darkness production. That was 1992 I believe.  Then I got tired of living in hotels and took a 14 year stint as a lighting designer at a 750 seat theater.  It wasn’t until digital filmmaking became a viable reality that I decided to move back into film and that was 6 years ago.

 

 What inspired you to become filmmaker?

I enjoy helping people feel something, passion, love, laughter, happiness, excitement…anything.  I was attracted to the profession of lighting design because the subtle nuisance of lighting, movement and color can have a major affect on the emotional response of the viewer if done properly.  Musicals are my favorite because once you add in music you might be able to really reach into the heart and soul of the audience.  With film, you have all those options available to you…light, story, acting and music.  Unlike theater, in film you have much more control on the infinitely small details of light and shadow, how loud or soft something is, not just what color but what shade of what color.  You can truly mold the final product into a fine edge that, if you are lucky, with the help of a compelling story, will allow the viewer to not just watch but be part of the story.

 

 What is the best thing about being one?

In all my years in theater there was only one cue that I felt was the perfect cue.  It was a combination of the show, the singer, the set and the cue running at the absolute perfect time to support the emotion of the moment.  It happened once and is now gone for ever. Once you have captured the hopefully perfect image it lasts for ever.

 

 What is the worst thing about being one?

You better not have anything else going on in your life because it will be ignored if you are doing your best for the project.  In the world of indie film making, you have to wear an incredible number of hats and every job is a full-time profession.  14 hour days are very common and 6 hours of sleep is the norm for me.  During production, I am probably planning shots or checking the location hours before the cast shows up and looking at dailies or checking sound hours, or cleaning up the previous set after the rest of the cast and crew go out to party.  But the worst thing…once you have captured the shot that is screwed up and you have to use it because you screwed up and the producer says there is no more money, it lasts for ever.  Strong motivation for me.

 

What is the estimated number of projects you have worked on?

Third party films, by that I mean projects I was not in charge of, probably 10.  A few major projects but mostly smallish, low-budget feature films by professional companies.  Projects that my company has been contracted to provide production services for? …perhaps 15 to 20, mostly live stage events recorded in a film type format, CU, multiple cameras.  Film projects I have been in charge of from beginning to end?…again probably about 10.  Number of theatrical performances I have designed lights for?…hundreds.

 

 Who is your favorite filmmaker?

It’s a toss-up depending on my mood but if I had to pick just one filmmaker to be trapped on a desert island with I guess it would have to be Ron Howard.  I can almost always be assured of an entertaining experience with a Ron Howard film and every one is different.  And that is after all why I go to see a film…to be entertained by an original, engaging story told by actors who aren’t “acting”.

 

 How has your life changed since you became a filmmaker?

I don’t think it really has changed or if it has, I just don’t remember the how.  It hasn’t made me rich yet that’s for sure.  I take that back.  Recently I have been spending way more time on social media than I have on filmmaking so that is a definite change.

 

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

My one piece of advice is actually a piece of advice from Michael Caine.  He said “If you can imagine yourself doing anything other than film, than you probably should.”  Seriously, if you are going to “make it” in the entertainment industry it has to be the most important thing in your life that you cannot imagine living without.  You feel the passion every morning when you get up and sleep is an unavoidable interruption.  If you don’t have that level of drive and determination for the art you may get a job but not a career.   I know you asked for just one piece but here are a couple of other comments free of charge.

Filmmaking is like a constant “Odyssey of the Mind” competition or working at NASA to get Apollo 13 home.  There is one creative problem solving opportunity after another.  Therefore, there is almost no skill that goes wasted.  Fortunately when you start out working in entertainment, you are either unemployed or about to be and have lots of opportunity to take lots of different jobs. J You can learn something valuable from each and every one.  I lecture from time to time at a local Fine Arts Academy and one of the games I play is betting students they can’t name a job that I have not been at least tangentially aligned with.  I won’t bore your readers with a list but it is quite long and varied and all of them provided me with something I use today.

Lastly, something else I mention when asked to lecture on the biz…”You are just dirt and there are millions more just like you.”  Meaning, if you give a director, producer, or anyone any excuse not to hire you or God forbid fire you, you can probably be replaced before you leave the room.  For some strange reason, everyone sees filmmaking as a glamorous, exciting, fame and money producing profession.  Some of us know different but the point is there is a lot of competition for your job.  Always be absolutely professional in behavior and spend every moment you have learning your craft be it acting or tech.  Stay in constant contact with your email, cell phone and any other method people might use to contact you and never, ever be late or unprepared for anything.

 

What do you like to do besides filmmaking?

What?  There is something else?  Oh right, I do have a life outside of filmmaking.  I’m an avid airsoft player…sort of like paint ball but hard little plastic BB’s instead of paint.  I don’t do it as often any more but I used to do quite a bit of whitewater rafting and kayaking, technical rock climbing and skiing.  I still get together with friends and spar with rapier and dagger occasionally and when the rare down time hits, I am a FPS junkie on the Xbox.  I have been a fan of table role-playing games since the advent of D&D, (although I favor the GURPS format) and have been playing what we used to call “Live Games”, now known as LARP I think, before it had a name.

 

Have you had any other jobs before you decided to become a filmmaker?

OK. I guess I should have read the whole test before I started to answer it.  Rather than giving you a resume, why don’t I just list some of the job titles in no particular order before, during, and after deciding to become a filmmaker?

Sgt. 1^st Special Forces Group, 1^st Special Forces (ABN) – Okinawa/Viet Nam

Chocker setter on a high lead logging operation - Oregon

Log skidder with a horse team - Colorado

EMT with an ambulance - Colorado

Firefighter - Florida

Engine Company Fire Captain - California

Certified rescue, first aid, and hazmat instructor - California

Paralegal/investigator for a law firm - California

Outdoor Recreation Professor - CSUS

Whitewater, skiing and climbing instructor

Chauffer

Security Guard and Security Dog trainer

Janitor

Maintenance man at a spa/hotel

Masseuse

Looks like a George Plmpton list now that I look at it.  Ah, that’s enough to make everyone either bored or think I’m full of something.

 

 What are some of your favorite American films? Foreign films? Television shows?

Wow.  There are so many wonderful films over such a broad range that narrowing the list down is somewhat challenging but here goes.

Some big name American films without delving into the careers of David Lean etal would include LOTR obviously, Willow, Star Wars, We Were Soldiers, and Indiana Jones.  Some less well-known films would include Memento, All the Usual Suspects, Blade Runner and What Dreams May Come.

Regarding foreign films, probably one of my favorite purely foreign films is the 2001 Bollywood production “Lagann”.  I don’t know if a BBC production really qualifies as foreign but “Mrs. Henderson Presents” would be on my short list.

Recent television…Band of Brothers hands down, Firefly, Burn Notice, Warehouse 13, Stargate, Merlin, and if I had cable, Game of Thrones.

 

 How would you describe your film education?

I have had quite a bit of formal education in Theater but not really any formal training in film.  Everything I know or think I know has come from either on the job training or reading.  I have had some great teachers and I read a lot.

 

 How would you describe the film "scene" where you live?

When discussing the “film scene” you can look at it from a number of view points.  My view-point has nothing to do with festivals, web sites, and the arts community which is fairly active.  It has to do with locally (read as in I don’t have to pay for housing) available talent and technicians and from that stand point I would describe it as overall fairly amateur and lacking in numbers and experience.  Obviously California has a plethora of talent, film festivals, and services supporting the film industry but where I have chosen to set up shop people don’t have much access locally to training programs or professional projects to gain experience.  We have to conduct a lot of workshops and training for both our actors and technicians and occasionally import talent and crew to fill vital roles.  That’s a big burden for an already exploding budget required for a fantasy film.

 

 How has social media changed the independent film industry?

Social media has had the same affect on the film industry as everywhere else in modern life I would guess.  On the one hand we have an almost limitless supply of choices for communicating with people and on the other hand it seems to be getting more and more difficult to communicate with people.  Things like Skype make it possible for me to have a publisher who lives in Canada.  Email, twitter, and web sites make it possible for me to quickly pass out information, call sheet revisions, notes to department heads, script updates…but the recipient actually has to check their email, Facebook, twitter etc for it to do any good.  People seem to be ignoring email the way some people used to ignore their answering machine.

I think the jury is still out whether it is possible to gain a sufficient following via social media to financially support the industry.  I think it will happen eventually but isn’t there yet.  I am amused when I hear people say they have produced a successful web series…that never made any money.  In my definition, any model that is not self-sustaining isn’t successful.  Social media has demonstrated an ability to gain followers but not pay for production.

 

What's your opinion on crowdfunding?

I personally have never tried it and don’t know that I really support the concept.  I once read what I thought was an amusing tweet from someone on the subject that said “It’s call show business, not show compassion.”  I think that pretty much sums up my feeling.  I know that some productions have been very successful at raising money in this manner.  According to industry sources, our production costs are quite a bit larger than the average web series and I understand that reduces the chances of success in a crowdfunding campaign.  We have 278 fans on Facebook.  Not the largest number to be sure but we recently asked how many would consider giving money to this or any production.  3 people said they would.  We may have to try it for season two if we have sufficient support to go there, but we will probably do something like selling T-shirts or DVD’s or something in exchange for money rather than holding our sign on the street corner.  Fans can support a project by being active viewers, buying merchandise, and being buzz builders.  Other production companies should be investing in their own projects, not mine.

 

What is the casting process like?

Wolf’s Head maintains a database on our company website for people to submit online resumes, upload head shots, etc.  In the past we have relied on this database and cattle calls for our casting.  For the web series, we went to a casting director and I think that paid off for us.  The process remained the same.  The first day is interviews, headshots and monologues.  We see about 250 people for a typical first day audition.  After the first day we go through the headshots and audition notes and do call backs with sides for specific parts.  Because of the nature of the shows we do, we also have movement auditions.  Once the field is narrowed down we do screen tests pairing up prospective actors.  We usually cast leads with a one on one meeting prior to the auditions but they are never set in stone and we expect them to show up at call backs.  We have been surprised more than once by an unexpected talent showing up.

 

 How does independent film differ from the mainstream?

Well, the obvious first things are budget, marketing and distribution.  Everything from a graphics art department, legal department, transportation department…you see the word department a lot in mainstream.  Independent film is like the old days of aviation where pretty much all your flying is done by the seat of your pants in an airplane held together with bailing wire.  It is certainly more exciting, more free wielding, more camaraderie, more fun, but horrendously time-consuming, risky, and challenging.  The biggest difference in my mind is because of all the limitations in budget, Indie films have to focus on story and can afford to cater to very small markets instead of cranking out another sequel or relying on CGI, car chases and explosions.

 

 You could go back in time and see any classic film being made. Which film would it be and why?

I have a great deal of respect for the likes of David Lean or DeMille who created crowd scenes with real crowds.  As a director, I have a hard time wrapping my head around the organization and execution of some of these scenes.  If I had to pick one I guess it might be the “Ten Commandments” or one of that ilk.

 

 What's your favorite movie quote and why?

I don’t have one that springs to mind at the moment.  There are so many iconic lines that have made there way into our lexicon over the years.  Most tend to come and go pretty quickly but some stick around for ever and some I just like because they were delivered well.  “I’ll be back”, “The Russians are coming”, “Curse your inevitable betrayal”…I don’t know but they all tend to be funny even if that was not the writers intent.

 

 What is your opinion on movie remakes and sequels?

There I go again addressing an issue before I get to it.  I hope I’m not getting graded on this.  You pretty much already know my answer.  I am sick to death of sequels and generally do not view them.  As far as remakes.  If the original was good enough to warrant a remake do you think somehow you are going to do it better?  And if it wasn’t that good to begin with, there is probably a good reason.  I don’t believe in remakes with few exceptions.

 

What is your opinion on book to movie adaptions?

Some are great, some suck canal water.  Obviously one of the most recent and best ones for me was LOTR.  One of the more disappointing in recent past was “Dune”.  In the case of “The Postman” I liked the film better than the book.  It all depends.

 

Is there anything else you would like to add

I think I have already said more than anyone not suffering from insomnia wants to read.  I would just like to thank you for this gabfest and invite your readers to check out our series and please, let us know what you think, good, bad or indifferent.

 

Actor Andy Favreau

Andy Favreau was born and raised in Massachusetts, but will soon leave Boston behind and move out to Hollywood.  Before he goes, he'll be starring in the latest project from Astropiano Films, Mark of the Dog Rose.  Favreau will be seen playing Detective Sullivan in this mystery thriller.

A relative newcomer to the acting scene, Favreau has worked on numerous local projects including What’s Your Number? and The Town, and has starred in many short films.  Favreau was also in a nationally run Bud Light commercial and has modeled for companies such as Life is Good, Callaway, Shirt for Shirt, Tailor Vintage, Bose, and Marc Harris Salon, among others.  He is a graduate of Suffolk University, and has a masters degree in Criminal Justice and Public Administration.

What is the current project you are working on?

Right now it’s Mark of the Dog Rose.  Filming starts this month (August) and I can’t wait.  It’s a great script written by Shannon Carter and we have an excellent cast and crew.  I play Detective Ryan Sullivan.

Did you always want to be an actor?

You know, I think I always did without realizing it.  When I was growing up, I can remember doing a lot of imitations from movies and even commercials in front of my family.  But it wasn’t until my first acting class that a light bulb really went off, and I thought to myself, “This is what I love, and this is what I’m good at.”

 

What inspired you to become an actor?

I think what really motivated me to become an actor was the enjoyment I get from entertaining people.  To be able to captivate an audience is incredibly rewarding, and something that really motivates me.

 

What is the worst thing about being one?

Right now, it’s dealing with breaking into the business in a significant way.  I’m moving to Los Angeles in the next few months, and whenever I start thinking about how much competition there'll be, I have a panic attack and pass out.  Kidding.  Kind of.

What is the estimated number of projects you have worked on?

I'd say roughly 15 projects

Who is is your favorite filmmaker?

Quentin Tarantino.  He’s like no other.  He’s so original in his storytelling.  The scenes he creates are so long and have so much dialogue, I love that.

How has your life changed since you became an actor?

Well, it’s about to change in a big way when I move across the country to L.A. Having lived in Massachusetts my entire life, that will probably be the biggest change yet.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Confidence goes a long way in this business.  Don’t let anyone tell you you can’t.  Especially yourself.  And stay motivated.

What are some of your favorite American films? Foreign films? Television shows?

This is tough.  There are so many that I love.  Some films that immediately come to mind are Pulp Fiction, Good Will Hunting, Goodfellas, Forrest Gump, American Beauty, Shawshank Redemption, and Eternal Sunshine of the Spotless Mind.  All just really great stories with some great acting.  Pulp Fiction has got to be my favorite though.  Tarantino is a genius.

I’m a T.V. fanatic.  Television shows have become so good over the past decade or so.  The Sopranos, The Wire, Breaking Bad, Friday Night Lights, and Mad Men have all set the bar so high.  The writing and the acting in all of those are just outstanding.

How would you describe the film "scene" where you live?

So many great films have been shot here in Boston.  Some have said that this city has become a sort of Hollywood East, and I can see some truth in that.  It’s been great for someone like myself starting out in the business.  I think it’s great for the city too.

 

How has social media changed the independent film industry?

It’s a very important tool for independent film makers.  Social media has the ability to take something and make it extremely popular.  It puts your stuff out there for the world to see.

What is the casting process like?

It’s always interesting.  Sometimes I’ll get called in for a casting for a commercial where I don’t even have a line to say.  It’s like, are they just casting based on a certain look?  Is there anything I can do to help myself here?  Other times at castings for a film you may feel real good going into it knowing that this is your role, this role was made for you, you’re gonna kill it.  Or, you may have to change yourself up a bit to fit a certain role.  I’ve experienced a lot of type cast so far in my career.  And it’s always funny to walk into a casting room and see a bunch of dudes who look just like you auditioning for the same part.

 

What's your favorite movie quote and why?

 

“Get busy livin’, or get busy dyin’.  That’s goddamn right.” - Red (Morgan Freeman)  from Shawshank Redemption.  It sums up what it's all about pretty well.

 

Is there anything else you would like to add?

Thanks for the interview John!  Everyone follow Mark of the Dog Rose on Facebook and Twitter!

 

 

 

 

 

 

 

 

Thanks for doing the interview.  I hope to be one of the first people inline to get a DVD when "Mark Of The Dog Rose" is released.