Tuesday, September 20, 2011

Filmmaker Justin McConnell



For over 10 years, Justin McConnell has run his media production and development company, Unstable Ground, Inc., out of Toronto, Ontario. As a swiss‐ knife production solution, Justin is a highly experienced writer/director, editor, compositor/broadcast designer, camera operator and producer.

Justin splits his time between three faces of his company – as a producer/director of feature films and home entertainment (The Collapsed, Working Class Rock Star, Skull World, The Eternal), in providing a growing list of high profile clients with every production solution available (Anchor Bay Entertainment, Universal, Warner, Rhino Records, Mindpress), and as a producer of recorded live entertainment, DVDs and music videos (Oceano, Kataklysm, Necrophagist, Dog Fashion Disco, etc.).

With over 8 years of intensive camera operation experience, Justin has been involved in productions on 4 continents (with shoots in Russia, China, Australia and North America), and has a dynamic “do anything to get the shot” attitude. His high‐ energy style, technical knowledge and keen eye for the cinem production value to everything he works on.

With a flexible and intuitive attitude toward all his work, Justin has built a reputation for delivering high quality production/post to fit any experience and available crew to meet any demand. Follow  Justin on Twitter @UnstableGround.

What is the current project you are working on?




I'm working on four at the moment. The first is THE COLLAPSED (www.thecollapsed.com), which we're finishing up special features for the release, and touring at festivals. Secondly, SKULL WORLD (www.skullworldmovie.com), a feature-length documentary I currently have in post-production. Third, ramping up development of our feature THE ETERNAL (www.theeternalmovie.com), targeting production to finally happen in Spring 2012. Finally, I'm in early development on a fairly notable horror series, but can't say more about that. It's one of those things that may end up happening, or may not, but still takes a sizable amount of time out of the schedule. Also, a bunch of client work with my company Unstable Ground (www.unstableground.net)

How do you handle rejection?

In what way? Festivals, fans, emotionally? It's an odd question. Sometimes festival programming doesn't make a lot of sense, but you take it all in stride. I have a fairly good sense of my work, and it's value as a whole with a given festival/crowd. Knowing your audience/programmer ahead of time can help prepare for the inevitable 'no' or dismissal. You just learn to let it roll off the cuff, and focus on the festivals and audiences that do want to see your work. With THE COLLAPSED, being our first narrative film of any notoriety, and the state of the current festival scene (lots of fests are now dumping grounds for those middle budget, but still huge features that used to have guaranteed releases), I feel very fortunate for the festivals and theatrical play we did get. The film is tiny. Our next one will be bigger and more of an accessible 'crowd-pleaser', so should be more of a lock with the audiences that may have passed us the first time around.

Did you always want to be a filmmaker?

No. I'm sure when I was a kid I wanted to be an astronaut, contract killer, firefighter, Scorpion from Mortal Kombat, a cyborg, and leader of a world-class top secret military installation involved in international espionage. Up until I was 14 I kind of wanted to be a Criminologist. But I think film was always there, hovering behind my head, waiting to pounce. Starting back when my dad used to show me movies like 'Monster Squad' and 'Critters', then later sneak me flicks like 'Alien', 'Creepers (aka Phenomena) and 'Predator', it was hard not to get the taste for it. At around 15 it all changed - I dove headfirst into cinema, and horror, never looking back.

 What inspired you to become filmmaker?

I think I covered that in the last question. My dad lit the fuse, I carried the bomb the rest of the way. I'm still waiting for it to go off the way I imagined, but I'll get there.

 What is the best thing about being one?

There are a lot of perks that raise up throughout your career, depending upon how open you are to new experiences, and how adventurous you decide to be. I'm kind of a jack of all trades - editor, shooter, director, writer, producer, post supervisor, broadcast design, graphic design. Because of this, I've been able to survive decently (though sometimes less so) from what is basically an artwork and medium I love, and that's something I don't think I could even quantify. My work has also had me travel the world a fair bit before turning 30 (which at the time of writing, is in three weeks). Film/media has brought me to Russia, China, Germany, Australia and all over North America. It's broadened my horizons, and even when it's at it's worst, it's still the only thing I want to do. That, and the great people you meet through your career. I can count many of my colleagues as my closest friends as well, and wouldn't trade that for anything.

 What is the worst thing about being one?

Everything else. People will complain about so many things in this business, and most of the time, they're justified. Between the asshole-shark sales agents swimming the distribution channels, waiting for young filmmakers to chum the water with their naivite (not all of them are like this - my current sales agents at Raven Banner are great), to the dwindling money on every level of the game. It's the wild west out there now - everybody is making far less money all the way down the line, and on the independent scene, things are beyond tough. Films are selling at a fraction of their original MGs (minimum guarantees), or no money at all. People are investing hard earned cash to see zero return in a market that 10 years ago was flourishing. There is a way through, but the old formulas are no longer working, and original ideas are far more risky than rehashed, tested product. It'll be interesting to see where it all goes.

What is the estimated number of projects you have worked on?

I don't think I could come up with an accurate list. From the tiniest promo video to features, I'm always working. I could probably safely say hundreds. As for actual film work that I've directed/written/produced, I think it's 2 narrative features, 2 documentary features, 5 short films, and about 20 music videos. Plus 7 un-produced screenplays at this point, 2 of which are in active develpment. But that doesn't include anything I worked post on, or worked on in some other capacity.... or any number of commericals, docs, etc. that my name isn't even officially on. I work freelance, and it never stops.

 Who is your favorite filmmaker?

I can't pick one. There's DNA strands from countless in my work, and picking one would do a disservice to scores of others. I can give a short list, which will be in no way comprehensive: John Carpenter, Frank Henenlotter, Guillermo Del Toro, Dario Argento, Wes Craven, Larry Cohen, Adam Mason, Christopher Nolan, Sam Peckinpah, Christopher Smith, Neil Marshall, James Gunn, George A. Romero, Fred Dekkar, The Coen Brothers, Peter Jackson, James Cameron, Sam Raimi, Alejandro Jodorowsky, Joss Whedon, Spielberg, William Friedkin, Bobcat Goldthwait, Jan Svankmajer, Robert Rodriguez, Takashi Miike, Ryuhei Kitamura, Don Coscarelli, Xavier Gens, David Cronenberg, Chan-wook Park, Jee-woon Kim, David Lynch, Paul Schrader, Martin Scorsese, Stuart Gordon (and Brian Yuzna), Michale Soavi..... see? And I'm not even halfway done. We don't want to be here all day.

 How has your life changed since you became a filmmaker?

Well, if you want to be in any way successful, film kind of has to become your life. After enough time, it's the world you live in. I'm lucky enough to have seen my career truly build, and you start to notice the little things that come along with that. Screenings, networking, contacts that you never thought you'd have. If the 15 year old me were to look through my cell's contact book at the moment, I'd probably have a heart attack (though that would probably be more from seeing an iPhone in 1996). Just getting to meet the legends and artists you grew up absorbing, and talking to them on a level plane, is kind of mind-blowing. And this is still early days.

 What is one piece of advice you can give to someone who also wants to make it in the movie business?

Close your eyes. Picture yourself 10 years in the future. In this hypothetical future, you are living in a shitty one-bedroom apartment, have a few semi-noticeable projects under your belt, and people are starting to take notice. But you're broke, behind on rent, hugely in debt, and it'll be months or perhaps years before you see any real money from your endeavors. You've spent most of your time trying to reach your goal, and do at least one thing for your career every day. You cancel plans with friends to stay in and work, balancing multiple projects at once, trying to meet more than one deadline. You have emails coming in from many different people, each of them wanting you to make them the priority, and you have a mountain of work ahead of you. Now open your eyes. Did you just picture a dream or a nightmare? That's indie filmmaking. You better have thick skin, and be prepared to work at it for years, to strive to be the best at all times, and to never cease. If that sounds like too much work, and if you think you're on the road to quick riches, then give up now. Go be a doctor, lawyer, prostitute or bartender. You'll make more money. And as a prostitute, at least you'll be able to tell who is fucking you.

What do you like to do besides filmmaking?

I write a fair bit, but I guess that ties into the main career. As, I'd assume, would watching movies, or even playing video games for that matter. I read a lot. I've taken up Box Wars since shooting a documentary on the Canadian chapter leader Greg Sommer/Skull Man. I used to play in a band, until I badly injured my wrist. I run a short film festival here in Toronto (Little Terrors, co-promoted by Rue Morgue Magazine). But, when all is said and done, despite anything I do outside the umbrella, film is my life.

Have you had any other jobs before you decided to become a filmmaker?

I've had a ton of jobs earlier on, while I was also working at being a filmmaker. You don't ever become one. You either are, or you aren't. I've been a fine dining waiter, bartender, hotel porter, short order cook, Subway sandwich artist, department store employee, video store clerk (naturally), computer technical repair advisor, range safety officer, Army Cadet instructor and teacher (though that was teaching film, at Trebas Institute).

 What are some of your favorite American films? Foreign films? Television shows?

We already crossed this bridge with the director question right? I could go on for days listing that. Part of my job I consider to be 'research', which means I watch anything that even remotely appeals to me.... which turns out is a lot. I've seen every notable British TV show under the sun (favorites are 'Ideal', 'The Inbetweeners', and... yeah, could on for ages).... I'd have to say take a look at my director's list, and go from there. I can say what my most influential films are though. 'Monster Squad' for introducing me to the love of the monster movie, and 'In the Mouth of Madness' and 'Wes Craven's New Nightmare' for getting me interested in messing with narrative structure and atmosphere. There is so much great film in the world, and the only way to discover it is to obsessively research, and track it down.

 How would you describe your film education?

Mixed. I actually learned far more outside of school than I ever did enrolled in college or university. I spent exactly 6 weeks in classes at York University's film program before the TAs went on strike, so dropped out and took my money elsewhere. Then I ended up at the Trebas Institute, which was alright. Film schools are really good for pointing you in the right direction, but it's up to you as an individual to follow the path to the end. It was being thrown right into the fire cutting commercials for Universal Music, Warner Music, etc. that I learned, and fast. I had to, or I would have lost my job.

What is the casting process like? 

That all depends on the project. Generally for us so far it's been very fast, since we just don't have the money or time to do the whole "days of casting plus callbacks" thing. On THE COLLAPSED we did 3 days worth of casting, then selected the best of who came out to audition. On a larger project you take more time. When dealing with already established actors you generally have to approach their agents with a 'pay or play' offer before they'll even consider the project. Sometimes you get lucky and can get through to 'talent' directly, but that's rare.

 How would you describe the film "scene" where you live?

A powder-keg waiting to explode. In the last two years, the following indie genre films were produced/are upcoming in Southern Ontario (to the best of my recollection): Monster Brawl, Exit Humanity, Neverlost, In The House of Flies, If A Tree Falls, Vs The Dead, Devil's Night, Android Re-Enactment, Abolition, A Little Bit Zombie, Dead Genesis, Medium Raw: Night of the Wolf, The Last Temptation of Rosalind Leigh, and of course our own film, The Collapsed. The common thread through almost every single one of these titles is that they were made independent of government money. There's a groundswell of genre production going on here unseen since the early days of Cronenberg and Bob Clark. It's very cool to be a part of it.

 How has social media changed the independent film industry?

It opened everything up. The studios are now competing for fans right alongside indies that have a fraction or no marketing budget. With the right idea, the right placement, and the right timing, Twitter, Youtube and Facebook could turn you into an 'overnight sensation'. The possibility of exposure and the avenues of pursuing it are broader than ever before. Not only that, but filmmakers can connect directly with fans on a level never before seen. Just look at social media friendly directors like James Gunn - his web persona has given him a Grateful Dead style following that his films alone would only hint at. The fact that his films are also great is just a bonus.

What's your opinion on crowdfunding?

It's a great idea in theory, and it has worked in practice, but only for those people with projects worth funding. It's great for people that already have an established fanbase, and it's cool that it launches a bunch of smaller scale projects, but it doesn't work for everyone. Personally, the idea that I have go out and mail a bunch of prize packs to people every time they give me $10 is a bit of a pain in the ass, as well. Doesn't mean I won't embrace it in the future, but I'd rather just produce and finance through traditional means, whenever possible. It is the way of the future, and sort of leads to a true entertainment democracy, but for now, it's not really my bag.

 How does independent film differ from the mainstream?

Less checks and balances. Usually far less people giving their 'two cents' on the finished product. Although originality and groundbreaking cinema is possible in the mainstream, the lions-share of truly revolutionary cinema will always come from the independents. Those that don't have anything to lose, and nobody to really answer to, will always feel the benefit of having their hands free to do something different. With the mainstream, those films aren't just the director's product - they're basically being co-directed by a room full of suits giving constant studio notes. It can strangle the life out of the creative process, causing a script to have to fit a number of beats and elements that are shoehorned in to meet a particular formula. 'Saw' and 'Insidious' writer Leigh Whannell wrote a great article on his blog about that, while he was writing and making 'Dead Silence'. I think the independent stays truer to the artform as a whole, and mainstream is more of a carefully designed product: test screenings are the prototype phase.

You could go back in time and see any film being made. Which film would it be and why?

Rocco Never Dies - The End..... I mean, tough question. My answer is actually something newer, and basically mainstream, but I would have loved to have been on set. 'Hellboy 2', particularly the 'Troll Market' sequence. Del Toro's flick is so filled with insane images straight out of my childhood dreams, I would have just loved to be in that environment. I'm an unashamed lover of monsters and creatures (another thing I get from my dad), and that set was just monster utopia. That or the Midian sets on 'Nightbreed'. It's weird, I want to go back with some kind of film geek answer, some all important art film... but forget it. I love my monsters.

 What's your favorite movie quote and why?

Either from 'In The Mouth of Madness': "Reality is just what we tell eachother it is. Sane or insane could easily switch places... if the insane were to become the majority, you would find yourself locked in a padded cell, wondering what happened to the world.".... or from a book, 'John Dies at The End': "The greatest trick the Devil ever pulled was convincing the world there was only one of him."

Do you believe in life on other planets?

Yes, but I'm not sure I fully believe in the traditional notion of aliens, the abductions and stuff like that. We'd be stupid to think we were alone... I just think a highly advanced species capable of inter-stellar travel would have better things to do than probe the human rectum, light our cows on fire, or make circles in our crops. Though, that could just be them getting bored. They did find arsenic-based life in that lake in California last year, so that was pretty interesting, to put it lightly. And what about the notion of life on our planet, out of phase with us? Of innerspace? The idea that reality isn't vast, it's thick, world's stacked on worlds. String theory, endless possibility. I guess the point is, I'm open to anything, I'm just not sure I fully buy the popular myths.

Do you ever wish you had a super power? If so, what would it be and why?

I kind of wish I had super metabolism. Otherwise, I'm happy being a lowly human. Besides, they only talk about the successful superhero accidents. Nobody talks about the guy who ends up with Hummingbird Pelvis or the ability to stop time, but only while defecating. I'd probably end up trying for invisibility or super strength, and end up with something useless.

 What is your opinion on movie remakes and sequels?

They have their place, but are over-saturating the market right now. Everything is a remake or sequel or adaption of some vague property that made a couple of bucks 20 years ago. Some of the remakes boggle the mind too - we don't really need a remake of The Thing, or Straw Dogs, or Evil Dead. There's no real point, the originals still hold up. There are some films that could be redone and still be good, but they are few and far between. It's getting kind of ridiculous. Battleship? Yeah.... I have a feeling Hungry Hungry Hippos is just around the corner. Though, to be honest, if treated as a horror movie, it could be effective: hippo's are the deadly, dangerous asshole of the animal kingdom (another thing not many talk about).

What is your opinion on book to movie adaptions?

Books are a great source to adapt to a film. I find myself far more excited by book adaptions than remakes or sequels. I awaited the release of the 'Watchmen' movie like a 12 year old kid. I'm very much looking forward to Don Coscarelli's take on 'John Dies at the End'. There are a couple of Dean Koontz novel's I read when I was a kid that I'd love to see as movies (specifically, 'Darkfall'). I got really excited by the prospect of a 'Dark Tower' series of films, lost my excitement, and now it seems the project is dead. When Del Toro finally gets his chance to make Lovecraft's 'At the Mountains of Madness', I'll be there opening day. Books excite me, and I read so many that would make fantastic films.

Is there anything else you would like to add?

Not really, this was a lot of questions. Like usual, I've gone longwinded enough. I'm just thankful for all the support and interest so far, and promise to keep working to bring film's I'd want to see to the general public as a whole.

Graphic Novelist Al Davision


Al Davision was born in 1960 with severe Spina – Bifida. He survived 21 operations by the time he was 8 years old, and 5 murder attempts by his father.  Drawing and his art kept Al sane during those tough times. Al holds a 5th degree black sash in Dian QI Tao Gung Fu and a 1st degree black belt in Karate-Do-Shotokai. He married Maggie and they moved to Coventry and opened up “The Astral Gypsy”. “The Astral Gypsy” is a book shop and illustration studio. For more information on Al and “The Astral Gypsy” visit
 http://www.astralgypsy.com/

What is the current project you are working on?

There are two, first: Blood-Light. It’s written by Alexander Finbow and lettered by Todd Klein. The story is set during the English Civil War, kind of a ‘Oliver Cromwell meets True Blood.’ This is being published by Renegade Arts Entertainment next yearhttp://www.renegadeartsentertainment.com/_blog/News/post/Blood_Light_graphic_novel_moves_into_production/

The second project is my own self-published graphic novel The Alchemist’s Easel: A Rough Guide to Drawing the Unconscious.’ This is part autobiography dealing with a bout of temporary blindness I experienced, part dream diary, and part ‘how to draw book’, that explores the drawing techniques that grew out of my experience of being blind. I’m funding the limited edition hard back of this through Indigogo a fantastic funding platform. People can contribute to your campaign, and get ‘perks’, anything from a sketch, or copy of the book, to original art depending on the level of contribution. As of this writing, we are about a third of the way there.

What inspired you to become create your graphic novels?

Drawing comics was my first form of communication. I spent a lot of my childhood in hospital as I was born with Spina – Bifida. I was drawing comics to communicate with nurses in hospital before I learned to talk, and before I even knew that there were such things as comics.

What is the best thing about creating a graphic novel?

Freedom to create whatever you want in the case of your own work. When working on someone else’s project it’s bringing their vision to life as best you can.

What is the worst thing about creating one?

In terms of self publishing it has to be formatting the book for the printer, always a hard slog. On other peoples projects, it’s probably the lack of editorial control you have.

What is the estimated number of projects you have worked on?

I’ve lost count, I’ve been doing this for over thirty years!

Who is your favorite graphic novelist?

Impossible to reduce it to just one: Neil Gaiman, Alan Moore, Jiro Tanaguchi, Moebious, Katsuhiro Otomo, Bryan Talbot, Edmond Baudoin, Alex Toth, Melinda Gebbie, Will Eisner, Jack Kirby, Jill Thompson, Mike Carey… the list goes on.

How has your life changed since you created your graphic novels?

Hard to say since I’ve been doing it most of my life… but being an artist, a writer isn’t something I decided I’d like to do, it’s something I have to do.

What is one piece of advice you can give to someone who also wants to make it as a graphic novelist?

Have something to say, practice saying it all the time, work hard, and develop the confidence to sell yourself, promote your skills, but make sure those skills are the best they can be at any given time. Never think you are ‘there’ you can always improve, develop a hunger to keep improving.

What do you like to do besides creating graphic novels?

I love films, watching them, and making them. I have been practicing Martial Arts for over thirty years and hold a fifth degree black sash in Diang-Qi-Tao gung-fu. You can see a demo here:http://www.youtube.com/watch?v=IQc1tD-30Js I translate this experience into fight choreography for theatre and my film projects. I read as much as I can and listen to music all the time.

Have you had any other jobs before you decided to create your graphic novels?

It’s always been comics or graphic novels in one form or another.

What are some of your favorite American films? Foreign films? Television shows?

Off the top of my head:

TV: The Wire, Fringe, Spiral (French), Wallander, (the original swedish version) The Killing, (the original Danish version) Doctor who, Torchwood. Criminal Minds, Nikita, (new series) Fallen Skies, Battlestar Gallactica, (new series) Caprica, Walking Dead, X-Files, True Blood, amongst many others.

Films: Kagamusha, Enter the Dragon, Citizen Kane, Memories of Murder, Mother, Hannah, Ong Bak trilogy, Cat People, (original) Throne of Blood, The Matrix, Doctor Strangelove, The Bride with white hair, Sands of Time, Akira, Ghost in the Shell, Perfect Blue. amongst many others.

How would you describe your education as a writer?

Self taught.

How would you describe the creative “scene” where you live?

Great indi-film scene in my town, less so for comics.

How has social media changed your industry?

From a marketing point of view, dramatically!

What’s your opinion on crowdfunding?

Well, I’m new to the concept, but so far my first campaign on Indigogo is going well, and I think it’s an intriguing approach to getting your project out there. I’m receiving lots of positive feedback from contributors and it’s building an audience for my work. I haven’t discovered a down-side to it so far.

How does independent film differ from the mainstream?

I think the difference used to be clearer, budget and creative control, the line blurs these days, I have a hard time thinking of ‘The King’s Speach’, as an indi film, but thats how it’s described.

You could go back in time and see any classic graphic novel being made. Which would it be and why?

Not so much a graphic novel, but I’d have loved to be there when George Herriman came up with, and began working on Krazy Kat.

What’s your favorite super hero quote and why?

I apologise if I’m mis-quoting this, it was from Black Panther: Jungle action by Don McGregor and Billy Graham, a conversation between Tchalla (The Black Panther) and his wife: ‘Lovers don’t need critics’, and in reply ‘Critics don’t need lovers.’

You could have any super power. What would it be?

To ask for any more would just be greedy.

What is your opinion on movie remakes/sequels?

Some I can’t see the point of: ‘Psycho’ for example, but then again the recent remake of True Grit was a big improvement, and to be fair, they did go go back to the novel rather than just remake the first movie. Generally they suggest a lack of ideas, but not always. I do however dislike the trend of remaking foreign language films instead of giving the originals a wider release in the first place: The Ring, The Grudge, Let the right one in, being obvious examples. As for sequels, same thing, some are pointless, or just bad, others are better than the originals. I’d like to see sequels to classic stories, something different, rather than just an attempt to cash in on a success. I think a sequel to the recent version of Jane eyre could be very interesting.

What is your opinion on graphic novel to movie adaptions?

Graphic novels should be accepted as a medium in their own right not just as fodder for movies. If you are adapting then I’d like to see more non-superhero graphic novels adapted, like Road to Perdition, a history of Violence, Ghost World and American Splendour. As for the Superhero genre, I think Captain America is the most successful of the recent bunch.

Do you believe in life on other planets?

I recently watched a series by Brian Cox called Wonders of the Universe, and that just reinforced my view that the odd’s of Earth being the only planet with life in the universe(s) is miniscule.

Is there anything else you would like to add?

Thanks to everyone supporting my Indigogo campaign (http://www.indiegogo.com/The-Alchemists-Easel), and good luck to all the other creative folks out there pushing the envelope, and oh yeah, I’m not a royalist, but if we have to have a queen why can’t it be Amanda Palmer?

Monday, September 19, 2011

Author Genevieve Valentine



Genevieve Valentine’s fiction has appeared or is forthcoming in Clarkesworld, Strange Horizons, Journal of Mythic Arts, Fantasy Magazine, Lightspeed, and Apex, and in the anthologies Federations, The Living Dead 2, The Way of the Wizard, Running with the Pack, Teeth, and more.

Her nonfiction has appeared in LightspeedTor.com, and Fantasy Magazine, and she is the co-author of Geek Wisdom (out in Summer 2011 from Quirk Books).

Her first novelMechanique: A Tale of the Circus Tresaulti, is forthcoming from Prime Books in May 2011. You can learn more about it at the Circus Tresualti website.

What is the current project you are working on?

At the moment I'm playing around with expanding the world of my short "The Nearest Thing", which I feel is a story with more to tell.

How do you handle rejection?

I cry violently, print out and make several photocopies of the rejection, and burn them one at a time in a ceremonial cistern while drinking orange juice straight from the carton. Or, accept it as part of the process and keep going, but the first one sounds better.

Did you always want to be a novelist?

I always wanted to be a storyteller, for sure; novels and short stories are a good medium for storytellers who like to stay inside and work alone.

What is the best thing about being one?

Staying inside and working alone.

What is the worst thing about being one?

The horror of the blank page, when you believe the book could be perfect so long as you don't actually start anything.

What is the estimated number of projects you have worked on?

Professionally, I've written about forty short stories and several novels, including my first published novel, Mechanique [http://www.circus-tresaulti.com]. If we count all those X-Files spec scripts and Star Trek tie-in novels I wrote in high school, the number of projects gets closer to about eight hundred thousand.

How has your life changed since you became a novelist?

I get paid slightly more for my crippling self-doubt than I did before I was published.

What is one piece of advice you can give to someone who also wants to become a novelist?

Learn how to deal with crippling self-doubt.

What do you like to do besides writing books?

Way back in the mists of time, I enjoyed Argentine tango, but that's a pastime that requires serious upkeep, and it's fallen by the wayside in the last year or two. However, I have an obsession with movies and TV (always have), and really good movies and really awful movies each have equal appeal, even if for different reasons. Rare is the night when I don't want to watch a movie or four.

Have you had any other jobs before you decided to become a novelist?

Yes, and I still do! I think quite a few writers have a day job that actually pays their bills. I've temped for film studios, worked in event planning, managed the take-out counter at a restaurant, among other things.

What are some of your favorite American films? Foreign films? Television shows?

This week? (I'm just saying, this is a list that changes with the tides.)

Old and new favorites include The Warriors, The Deep End, the original Prime Suspect (let's not talk about the American remake), Blood and Sand, Homicide: Life on the Street, Downton Abbey, Soapdish, Galaxy Quest, and sometimes Besieged.




What is your writing process like?

It depends on the piece and what I want out of it. I tend to set aside interesting pieces of information and come back to them later if I think there's a story idea, but I've also sat down with a character or a single line of dialogue or a particular image and started from nothing.

I tend not to outline very much on the first draft, which means that there's a lot of outlining and fixes in the second draft. Someday I hope this pattern will self-correct, but I've been waiting a long, long time.

How would you describe the literary "scene" where you live?

Well, I'm lucky enough to live in New York, so the literary scene is plentiful. Like most subcultures, it can sometimes look a little bit like a high school and the various cliques that come with it, but for the most part I think it's one of those subcultures that has something for everyone, and even if it doesn't, you're already in New York and there are ten great restaurants in a three-block radius where you can soothe your sorrows.

How has social media changed the publishing industry?

Vastly. It's put authors front and center with readers, booksellers, and publishers - which is great for some authors, and daunting for others.  However, like any tool, it's only as useful as you make it, and the prevalence and popularity of social media in the publishing industry means that a blog post can start a movement, or a hasty Tweet can sink a book deal. I participate in some aspects of social media (I have a Twitter and a Facebook and the rest), and I enjoy it, but it all moves so fast and does so much that I've gotten used to feeling a little behind the times.

What's your opinion on crowdfunding?

It's definitely an interesting venue for artists and audiences to interact directly, but not having had a lot of experience with it either way, I'd have to withhold any really blistering opinion until I know it better.

How does independent film differ from the mainstream?

Man, that's a loaded question! I'd venture to say that, in general, an independent film has the opportunity to be a more cohesive artistic endeavor, because there's less direct studio involvement, and, presumably, fewer rounds of Focus Group Bingo. However, no one makes an independent movie hoping it won't be seen, so there's always the idea that you have to make a movie the public is willing to see, which is something that a filmmaker has to keep in mind whether they like it or not. Not that independent films can't be challenging and smart, because obviously they can, but we're in an age of the blockbuster, and that makes the field a bit cutthroat for indies, I'd imagine.

(The public, I like to think, is actually fond of smart movies - Winter's Bone got nominated for Oscars! - but The Smurfs still got made and then it topped box office numbers for WEEKS, so I don't know what evidence I could possibly provide to counteract that fact.)

You could have any first edition book. Which would it be and why?

Herodotus, The Histories, one of the most delightful history-books-slash-gossip-columns of them all. How could you turn that down?

What's your favorite quote and why?

I actually had an opportunity recently to examine this, because like most geeks there are a thousand quotes I use daily as shorthand for other things ("Pierre, you shouldn't have come!" from Singing in the Rain is surprisingly handy in the era of bad cell phone reception), but when I had the opportunity to co-author Geek Wisdom, which is all geek quotes all the time, I got to submit a list of favorite quotes and the philosophy that lurks behind them. I still use a thousand quotes a day, but the one in the book I might be fondest of is by Sherman Alexie:  "The world is only broken into two tribes: the people who are assholes and the people who are not."

What is your opinion on movie remakes and sequels?

The thing is, as much as Hollywood grinds sequels into the dust (and does it ever), and as much as it's addicted to remakes, no matter what (and is it ever), if you had asked anyone about the wisdom of remaking Batman after Batman & Robin came out, they would have told you that remaking Batman was absolutely the worst idea anyone on the planet had ever, ever had. Then we got Batman Begins. And in case anyone was still arguing about the value of sequels, we got The Dark Knight, which is the exception that both proves the rule and means that a dozen awful sequels got greenlit that week. (Whoops!)

Though something to keep in mind is that a remake works best when the original is flawed in a way that can be challenged or subverted; a grimmer Batman made more sense than Ridley Scott's rumored remake of Blade Runner does. (Just saying, RIDLEY.)

What is your opinion on book to movie adaptations?

As a vast generalization, I think they're an extremely interesting experiment every time. Beyond that it's a case-by-case basis. I definitely have a soft spot for films that are in dialogue with their source material in addition to just adapting it (think The French Lieutenant's Woman), or movies that stand alone as films with just enough of the source material that audiences get interested in the book.

Direct adaptations can sometimes backfire (the quality of the Harry Potter movies often works in inverse correlation to their fidelity to the books), so there's always a danger in trying to just film the book, rather than truly adapt it for film. But, honestly, there's also a little thrill every time the BBC announces another straight-up, beautifully-cast period piece adapted from a classic novel, so clearly my principle and theories only hold up until you fill it with good thespians with great cheekbones; then it's a free-for-all.

Is there anything you would like to add?

 

I really do have an insatiable appetite for bad movies, which is a tragedy I track on my blog [http://www.genevievevalentine.com].

Thank you for doing the interview Genevieve. If you ever do a book signing in Boston let me know.

Sunday, September 18, 2011

Sound Engineer Jerrell Brown



Bringing music, life and culture together in every beat that trickles down through his fingertips, Jerrell "Rel" Brown is undoubtedly a true urban renaissance man. Through his music Jerrell has been able to sever ties with the typical southern rap that may be expected of him without totally abandoning his original southern roots. Leaving all genres behind, Jerrell has created his own sensational vibe of music mixing eclectic, southern inspired R&B, hip-hop and soul. Through his creative genius and innovative technique of bringing new sound into the world of music Jerrell has set himself apart. For artists like Bubba Sparxxx, Yung Joc, Jeff B., Jason Weaver, Bohagon, Big Boi, Sleepy Brown and YelaWolf, Jerrell has been able to display his rare talent. As CEO and founder of Trak Atiks Music, this groundbreaking producer and savvy businessman is taking both music and the world by storm.

Jerrell began his crusade into the music industry at the young age of 9. It was love at first listen when Jerrell heard the kick drum and snare on various old records. Jerrell became fascinated with the idea that words could sync with different instruments and construct a song. Approaching the music scene out of appreciation for his favorite artists like Andre 3000, Cee-Lo Green, Sleepy Brown, Devin The Dude and Sade, Jerrell knew he wanted to influence others the way these artists influenced him.

Jerrell started Trak Atiks Music, LLC on September 1, 2006, focused on mixing genres and various eras of music together in a unique and creative way. While attending Georgia Southern University, Jerrell has transformed Trak Atiks Music from a brand into a movement, where artists and the fearless producer extraordinaire Jerrell "Rel" Brown bring music to life by exceeding the boundaries set before them. Born out of determination, sacrifice, struggle and hard work Trak Atiks Music is destined to set a new path in the music industry.

Jerrell "Rel" Brown continues to soar high, with inspiration from music pioneers the Dungeon Family, engineer Jimmy Douglas and producers Timbaland and Dr. Dre. A fearless leader and notable talent, from fascination to creation Jerrell "Rel" Brown is a true music legend in the making.

What is the current project you are working on?

I'm currently mixing and mastering upcoming projects for the Indie Label Extragrind Nation (@TrapSTAR1 @ArchieFleader @VinoExtragrind @CPExtragrind @Reup_Rio & @DuffelBagBruce), mixing and mastering records for two of Songbook Entertainment's most talented producers (@skmusic & @ArpegioFlo), handling all engineering duties for The Raign's (@TheRaign) upcoming album, and taking on a few production/engineering gigs here in Atlanta when time permits. Busy is an understatement.

How do you handle rejection?

I handle it well and don't take it personal. Every "No" and door closed only made me work harder at my craft. The same people who rejected me in the past are being invoiced by me now.

Did you always want to be a sound engineer?

Absolutely! I didn't know the specific name for it years ago, but I always knew that I wanted to be the person orchestrating and controlling the boards.

What inspired you to become sound engineer?

Necessity and the curiosity of how people made music come together. I've always looked at it as a puzzle that I couldn't put down.

What is the best thing about being one?

The enjoyment that I get from learning something new everyday and getting paid to do so. In a sense I'm getting paid to learn and get better!

What is the worst thing about being one?

Dealing with unprofessional people. It's a cutthroat business and you really have to be sharp at all times.

What is the estimated number of projects you have worked on?

I've literally lost count. Somewhere in the thousands I suppose.

Who is your favorite sound engineer?

Myself

How has your life changed since you became a sound engineer?

Being an engineer over the years has changed me a lot. The biggest thing that it's taught me is Patience.

What is one piece of advice you can give to someone who also wants to make it in your business?

Read something regarding the business of music every morning and every night. Form solid relationships with an accountant and attorney. That's a two for one!

What do you like to do besides sound engineering?

I love to play billiards, golf, and keep up with soccer. I'm an avid book reader, chess player, and poker player also. Besides those I enjoy time with my family and time at the beach.

Have you had any other jobs before you decided to become a sound engineer?

Plenty. I worked at my local recreation department coming up as a teen and worked corporately for the state of Georgia for a few years during college. I've had experience as a day trader in the past and I've been investing for a few years now. I also do computer tech and consulting when I feel like it.

Did you go to school to become a sound engineer?

No. I originally planned on going to school as an athlete but ended up with a Business and Entrepreneurship degree.

How would you describe the music "scene" where you live?

It's picking up. A lot of the top players are my cousins or people I grew up with. I'm making sure I lend a helping hand where I can.

How has social media changed the music industry?

I think it's bridged the gap. Artists and labels no longer have to rely on the promo and marketing department to eat up their budget as much. Now they can connect with their fan base directly for free. I saw this coming years ago but no one listened to me as an Intern!

What's your opinion on crowd funding?

For someone in the Music Industry? It's an option. My only concern is "control." Each potential investor now has a right or say so in what they put their money behind. That can be a good and a bad thing. In my opinion of course.

What is your process for mixing a song?

It varies with each song. I usually listen to the rough mix while reading mix notes from the client to get a feel for the energy of the record. I take note of what I like, and what I don't like. More often than not I strip the song down to it's basic elements and focus on levels and spacing with basic fader blends and panning. Once I get

things in a groove and feel that I like, I start to focus on the sonics and sound that I want through filtering, compression, EQ, and effects. Everything after that is just a instinctual performance really. Especially the automation.

How does independent film differ from the mainstream?

They push the boundaries more. Just like indie music compared to mainstream music. The budgets are smaller and the stress of delivering a "hit" is often less so the creativity is more of the focus. That's all I really watch now, foreign indie films.

What's your favorite lyric and why?

I have too many favorites to quote just one! They all spark an emotion in me and are sincere though. If it's not genuine, I forget it. Genuineness, that's what captures my attention the most.

What is your opinion on song covers?

If they add something to the song that I never thought was possible I love it! If it comes off as forced I usually skip it.

Is there anything else you would like to add?

I appreciate you for this interview! You had some really good questions. Other than that, make sure you check out my website http://www.trakatiks.com and Twitter (@trakatiksmusic). The official blog should be up as soon as I figure out what content to post. Ciao!

Thanks for doing the interview Jerrell.    All the best with your many projects. If your ever in the Boston area we should play a game of chess.

Thursday, September 15, 2011

Marcella Selbach: Independent Film Angel



[caption id="attachment_1882" align="aligncenter" width="300" caption="Photo Credit: Miles Maker"][/caption]

Marcella Selbach is a true fan of film and has helped to fund numerous independent films. Follow her on Twitter @Movieangel. To learn more about Marcella and her projects visit http://www.movieangel.net.

What is the current project you are working on?


I‘m currently working on a list for the German Film Festivals next year (2012) to send it to different Independent filmmakers in the USA so that they can submit their films. I‘m also working on the organization of a little festival or so-called “Indie Film Days“ for almost a year now, but it‘s hard to find investors & sponsors to support this event. Let‘s see whether it will work out soon.


How do you handle rejection?


Sometimes it‘s difficult to accept rejection and handle it and you get angry & upset because it seems that all the plans you have won‘t work out. And there were times when I thought it would be better to quit. But my passion and hope let me go on. You can‘t always get what you want, you have to be patient. I like a quote of Silvester Stallone on rejection, he said: “

"I take rejection as someone blowing a bugle in my ear to wake me up and get going, rather than retreat."


I think sometimes rejection is needed to push us on and give us strength & new inspirations.


What inspired you to become involved in the independent film industry?


Well, I guess it was my dedication and passion for film and the opportunity which social media (Facebook/ Twitter) gives us nowadays to get in contact with actors & filmmakers. About 1 ½ year ago my friend actor/producer/writer Gregor Collins introduced me to the Independent film "Goodbye Promise", directed by David Branin, in which he had the leading role. They had started a kickstarter campaign and I started to learn all about crowdfunding.

I was fascinated and got interested in the opportunity for Independent filmmakers to get their projects financed. Inspired by this new experience I got more and more involved in this film community which is amazing.


How has your life changed since you became involved with the film industry?


It has changed in a way I could never imagine. I am online almost every day, very ambitious and focused on everything regarding the Independent film world. I had to learn a lot about it and still have and I am grateful that the filmmakers I know, always try to support me with as much of information as possible. I meet a lot of interesting, passionate and talented filmmakers, actors and producers who enrich my life with their work. Often they ask me for help with their campaigns and I try to promote the projects & spread the word which I think is useful.


Have you had any other jobs before you decided to support Independent film? Is funding films your full-time job?


During my studies I worked at a theater and saw almost every play they showed.

I still have a day job. It‘s a part-time job at an elementary school, where I work with kids between 6 and 10 years.

I can combine my work on funding films with this job and it actually works quite well. Sometimes the balancing act between school and Indie film work is stressful, but I love doing it , so there‘s definitely no need to complain at all.

What is the best thing about supporting films?

It‘s actually the fact to know that you‘re a tiny part of a great project, YOU… together with all the other supporters/ backers make it happen that a campaign is successful and reaches it‘s goal. Being involved in these projects makes me very proud and it‘s so inspiring to follow a film project from the beginning (script) to the ending(screening) . It‘s exciting and I mean, where else do you ever have the chance to be part of a film?


What is the worst thing about it?


Ha,ha,ha….you really want to know this? Well, you can get addicted to it, you start feeling responsible for the project and the filmmakers / producers. The day I started I was lost!


What is the number of projects you have helped to fund?


So far I helped to fund 14 projects on IndieGoGo and about 31 on Kickstarter and there are more to come…..


What are some of your favorite perks from crowdfunding campaigns?


The “sweetest“ definitely was the homemade apple pie I got from director David Branin of “Goodbye Promise“ but there were nice others like T shirts, DVDs or stickers and of course IMDb entries.

What is one piece of advice you would give to someone who wants to help fund an independent film?

Find out about the projects your friends or friends of friends recommend and try to learn more about the campaigns. And go to platforms like IndieGoGo and Kickstarter and get inspired by all the wonderful projects THEY recommend. It probably depends on what you‘re interested in, which genre of film you like or which filmmaker you want to support!


Who are your favorite filmmakers?


I love the work of Francis Ford Coppola, Martin Scorsese, Alfred Hitchcock, Steven Spielberg, Robert Altman, Francois Truffaut! These “legends“ impress me and their films inspire me.


How would you describe your film education?


MY film education was at home. As I mentioned before, my parents have been actors on stage before they decided to quit and have a family but my whole life was accompanied by film & theater. My dad took me to the movies for the first time when I was about 4 or 5 and I still remember that it was a German black/white film with the lead actor “Heinz Rühmann“ .

Film was always a part of our family life, we all LOVED to go to the movies and then discussed them within the family.


How would you describe the film "scene" where you live?


Our film “scene“ here in Germany is fabulous, especially the young generation is very interested in films, even in Independent films, but unfortunately the less known movies are only shown in movie theaters in the big cities, which is disappointing. That‘s why I‘m thinking of bringing some Independent films to some smaller cities in my neighborhood.


How does independent film differ from the mainstream?


I think the main thing is that there are no big studios & millions of dollars behind the Independent films which absolutely doesn‘t mean that they‘re less precious or worth to see. I actually think that a lot of their stories are much better than those productions and the unknown actors often have more potential than their famous colleagues. Aside from that, a lot of the Independent films often have special issues as “main topic“ which I think is excellent but mostly doesn‘t appeal to a BIG audience. I think ‘mainstream films“ , so called "Blockbusters" often are produced to earn a lot of money, nowadays movies with spectacular special effects or 3D screenings sell best and let as many people as possible come to the movie theaters. That‘s NOT the intention of an Independent filmmaker, he has his own language to convey a message. He‘s much more interested in letting people deal with a special subject ( for example social issue ) .


How has social media changed the independent film industry?


It has changed the Independent film industry completely! I mean since Twitter and Facebook every filmmaker, producer or actor has the chance to promote himself. The word of mouth is powerful! By using social media, it‘s so easy to spread the word. You can tell your friends, friends of friends, even people you don‘t know, about YOUR projects & those of others that might be interesting & good. How lucky we‘re nowadays with social media which allows us to spread the word around the globe & involve people all over the world in the Independent films. With crowdfunding platforms like Kickstarter, IndieGoGo and others you have the chance to get support from people all over the world. They can be a part of your film by donating money for the pre production or post production process or the shoot of the movie.

Do you believe in life on other planets?

Sure…. already as a kid I thought of life on other planets and it still fascinates me thinking about it & that there might be “LIFE“ outside our solar system. I don‘t believe that there‘re creatures looking like us /human beings but yes, there‘s life out there, why not?


Does art imitate life or does life imitate art?


Good question but difficult to answer because there is no specific right or wrong answer, it absolutely can go both ways. Art is an expression of life, it imitates life. A creative work can be inspired by true events which means for example for the film industry that a movie is based on a true story or on the other hand LIFE can be inspired by art, it‘s required to produce art. I like a quote by Oscar Wilde, he said: “The secret of life is in art.“


What's your favorite movie quote and why?


It‘s from Forrest Gump (1994) : My mama always said, “Life was like a box of chocolates. You never know what you‘re gonna get.“

I love this quote that much because MY mom told me almost the same when I was a teenager namely that life will always have surprises for us, like a box you open. And I think she was right!


What are some of your favorite German films? Foreign films? Television shows?


There are a few very fascinating & successful German films, here are some of my favorites:

- The Lives Of Others - ( Das Leben der Anderen)

- Downfall - (Der Untergang)

- Run Lola Run - ( Lola rennt )

- The Boat - (Das Boot)

- The Reader - (Der Vorleser )

And the foreign films ( only a small selection) I love are:

- The King‘s Speech -

- Babel -

- Fargo -

- Pulp Fiction -

- LA Crash -

- Sideways -

- Mulholland Drive -

- The Godfather -

TV shows I don‘t watch very often, but there‘re a few US ones I like:

- Grey‘s Anatomie -

- The Closer -

- The Mentalist -

- Shark -

- 24 - ( unfortunately it‘s finished now)

 

 

 

 

 

Thanks for doing the interview Marcella. Thank you for all you do to support independent film. I hope you will come to Boston some time, so we can chat about film in person.

Wednesday, September 14, 2011

Screenwriter/Director Will Warner



Will Warner is founder of a small independent production house that was designed to meet the needs of the community, by creating programs which allows other local filmmakers, actors, and crews to showcase their talents in the industry.

I.C.E. Studios started out as an independent comic-book collective in 1995. Showcasing the work of many New Orleans artists with visionary series such as THE MYSTERIOUS SHADOW RUNNER, THE DYNAMIC B-STING, and THE EBONY ENFORCERS. Currently, I.C.E. Studios is in the pre-production phases of developing a feature length version of its popular comicbook series THE SHADOW RUNNER.

In 2007, Will Warner changed the direction of I.C.E. Studios by becoming a non-profit organization designed to educate youth on how to utilize healthy self-expression through the use of a variety of media, i.e., film, radio, and television production. Participants in the program would gain actual hands on experience during production of the popular live action internet series, THE BLACK GHOST. With the help of the many supporters that were accumulated, I.C.E. Studios moved forward in its efforts to educate both children and adult alike in learning how to change their perceptions of the world around them, and to become active and contributing members of an ever-evolving society.

It is Will's firm belief, that in order to make positive change in a persons life, there must be opportunity. However, most people follow the concept that there is no opportunity to change or grow, this is very evident especially here in New Orleans, because there are many who have developed a sense of "learned helplessness". They have lost connection with available resources, and developed a belief system that there are not enough caring individuals and organizations to provide them with their basic human needs. We see this in our urban neighborhoods, and in the behaviors of our children. They have lost hope, and have nothing to believe in. I.C.E. Studios means to assist in changing that perception. Thus was born THE BLACK GHOST.

THE BLACK GHOST was meant to be a symbol, as most comic book superheroes were intended. I wanted the BLACK GHOST to be a living, breathing hero that both kids and adult alike, could look up to and aspire to be like in both ideals and attitude. THE BLACK GHOST is a hero that doesn't engage in physical combat in order to defeat his foes. Instead, he utilizes the gifts of his intellect and supernatural abilities to solve cases, and take down the bad guys in a very non-violent fashion. This is what made the BLACK GHOST such a popular character, especially among parents.

Now, the first film in our series TALES OF THE BLACK GHOST is a darker, more violent story, but it has a purpose. It's meant to show, that even "superheroes" are flawed, and must choose the path that they take. 

What is the current project you are working on?

Currently, I am in post-production of a suspense thriller entitled THE BRIDGEWATER MURDERS, and I am in the development stages of the first installment of a series of supernatural action films entitled THE BLACK GHOST, which tells the story of a hero that has been chosen by Fate to battle an ancient evil in order to save the world. Award-winning film director Art Camacho has signed on as Co-Director/Fight Choreographer. I’m also working on an epic superhero film, THE SHADOW RUNNER (Not to be confused with the Chris Hemsworth film of the same name). I’m still in the process of attaching talent to that project, but some of the names already attached are Kee Chan, Tawny Cypress, and we are looking at Shemar Moore for the lead.

How do you handle rejection?

I would say that I handle rejection fairly well. I’ve always used rejection as a means of inspiration. I hate it when someone tells me that I “can’t” do something, because “it’s not viably marketable” or “it will never go anywhere.” I guess I just like to prove people wrong, inasmuch as I like to prove to myself that I can do whatever I set my mind to do.

Did you always want to be a filmmaker?

I guess you could say that. I was always fascinated with cinema, especially after the first time I say Gaslight starring Ingrid Bergman and Charles Boyer. I’ve always loved classic films, and I would often find myself imagining myself in the director’s chair, working with the giants of the industry. I would always try to figure out how certain effects were accomplished. When I first came to New Orleans, at the age of 15, I joined my high school’s video club, and I guess that’s where it all really began for me as a filmmaker. My first film, Handmade, won a tri-state competition back in 1984.

What inspired you to become filmmaker?

As I said earlier, I love classic films. The film that inspired me the most was Gaslight. As time went on, I became more and more fascinated with the works of George Zuccor and Alfred Hitchcock. I was also a huge fan of the B-Movie genre, and would stay up until the wee hours of the morning watching old Hammer Horror films, as well as old Japanese Monster movies.

What is the best thing about being one?

The best thing about being a filmmaker to me, is that I get to tell stories that will engage the audience on a very deep, and personal level. It’s kind of like sitting around a campfire and telling stories to an old friend, and watch them as they go on this journey with you. It’s very rewarding when you know that you have left an indelible mark on someone, and that they will take your story and share it with others.

What is the worst thing about being one?

Hmmmm…I guess I would have to say, money and time. The difficulty in finding the money needed to make my films, and there never seems to be enough time in the course of a shooting day to get all the shots off. Oftentimes, despite have a well written shot list, there will be shots that I see in my head that I want to try, and so my team and I have to make adjustments in mid-stream.

What is the estimated number of projects you have worked on?

I’ve worked on four projects, not including the two 48 Hour Film projects that I competed in, and Michael Bay’s PEARL HARBOR. I was the Public affairs Officer for Naval Air Station Corpus Christi, and was involved with coordinating the use of the USS Lexington for the film.

Who is your favorite filmmaker?

Now that’s a tough question. There are so many that I’ve looked to for inspiration, but if I had to name one in particular, it would have to be Alfred Hitchcock. I have watched almost every film he’s ever made, including the silent films. One of my favorites is THE LADY VANISHES. He was truly a master in his ability to draw the audience in, take them on this rollercoaster ride of intrigue, and just when you think you’ve figured it all out, WHAM! He had a true understanding of the human condition, and to watch him work was like watching a game of chess being played by a genius.

How has your life changed since you became a filmmaker?

My life hasn’t really changed all that much, with the exception that now, when I go to the movies, I’m not going for just the entertainment factor anymore. Instead, the theatre has essentially become a classroom for me. I’m going to learn, to analyze, and if I’m entertained at the same time, then that’s a good day for me.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I guess the best advice that I could offer to anyone wanting to make it in this business is, “Don’t give up.” I’ve spent the better part of my adult life as an artist. I’ve hit the target a few times, but I haven’t really hit the bullseye yet. But, I don’t let that fact deter me from my goal. I’m confident in my abilities, and I would say to them, “Be confident in yours.” Learn all that you can, and never become complacent in your knowledge. Be open to suggestions, and listen to what your cast and crew have to offer. Oftentimes, we let ego get in our way, and I hear a lot of directors thinking that they know it all. But if you’ve only been a director for a year, and you’re working with an actor or other industry professional that has 20+ years in the business, it might be beneficial to listen to what they have to say. There is no greater teacher than experience.

What do you like to do besides filmmaking?

I like to read, play video games, spend time with my family. Mostly, I find that I enjoy cooking more than anything else. I love to watch as my family sits down at the dinner table and enjoy the dish that I’ve prepared for them. Being Creole, you can imagine that I’ve got a ton of recipes that I try on them.

Have you had any other jobs before you decided to become a filmmaker?

Well, aside from being a filmmaker, I am a former Navy Petty Officer, and I am currently the Clinical Director of a Partial Hospitalization program that treats individuals suffering from Chronic Mental Illness.

What are some of your favorite American films? Foreign films? Television shows?

My favorite American films would have to be the entire Harry Potter series. My favorite foreign film is Like Water for Chocolate, and my favorite television series would have to be Heroes.

How would you describe your film education?

My film education came from my own personal desire to learn the business. I’ve surrounded myself with many industry professionals and veterans of the craft. I listen to them intently, and I trust their advice.

What is the casting process like?

Much of my cast for my projects have been friends that I’ve worked with for years. These are people I trust and know will give me 110% once the camera starts rolling. I like to fancy myself as the Adam Sandler of sci-fi. However, as I continue to move toward becoming a seasoned filmmaker, I have begun to open myself up more to the standards of the industry, including holding auditions. Contrary to popular belief, there are many, many talented actors here in New Orleans that are often overlooked for principal roles. I hope to change that with my films, and as my studio grows, so will their careers.

How would you describe the film "scene" where you live?

Very competitive. There are some really gifted filmmakers here in New Orleans, and I am proud to be able to work with many of them.

How has social media changed the independent film industry?

Well it has given us an opportunity to get our work out there and seen by mainstream audiences, and to network. Once upon a time, you would be hard pressed to find and connect with those like yourself in this industry. Now, it’s a simple matter of a Google search and a Facebook connect. It also give us an opportunity to learn the tricks of the trade from one another. You can now actually ask someone, “hey, what lens did you use on that shot?” or “What program are you editing with?”

What's your opinion on crowdfunding?

I think it’s fabulous. However, it’s still a crap shoot. You might raise the money you need for your project, and you might not. It all depends on how you market your product and how you sell yourself as a filmmaker.

How does independent film differ from the mainstream?

I think the big difference between independent film and mainstream film would be that independents are allowed more creative freedom, and don’t always have big studio executives stepping on their toes, forcing them to alter their scripts or hire talent that is clearly wrong for specific roles. Independents can make their films as they intended.

You could go back in time and see any film being made. Which film would it be and why?

That’s easy. Republic Pictures 1941 Serial “The Adventures of Captain Marvel”, which to date is one of my favorite serials of all time. Despite the noticeable differences in the story of the serial to the comic books, it was very well written and engaging. Captain Marvel has always been one of my favorite comic book superheroes, and I’ve always felt that he has been overlooked and the most underutilized. I would just love to witness the film techniques used, the costuming, and set designs.

What's your favorite movie quote and why?

Val Kilmer as Doc Holiday in Tombstone, “I’m your huckleberry.” It’s just the coolest line ever delivered, and to this day, I still don’t know what the hell a “huckleberry” is supposed to be. But the way he delivered it made you think, “this guy is either completely nuts, or a total badass to refer to himself as a fruit.”

What is your opinion on movie remakes and sequels?

Remakes are fine, if they are done with the same beauty and grace that the original held. If someone were to do a remake of Casablanca, could you find an actor that could deliver as powerful of a performance as Bogart, or look as radiant as Bergman? Would the film have the same depth and meaning as the original, or would it just be a remake in name only? What bothers me are the constant reboots of films, such as Superman and Spiderman. Why do we need to see the same story that we just saw a few years ago? I want to see something new. I don’t want to see General Zod escape from the Phantom Zone again, I want to see Darkseid attacking Earth. I don’t want to see a combination of Sam Raimi’s version of Spiderman, with the 70’s live action television Spiderman. I want to finally see the Lizard attacking, or Kraven the Hunter. Do we really need to see another origin story? I’m just saying.

What is your opinion on book to movie adaptions?

That depends on the book, I guess. There are hundreds of films made based on some wonderful literary works, but of course the films are a stark contrast to the book. One of the things that perturbs me the most, is when a studio makes a film based on a long-running comic book series, and you get all excited to see the film. You buy your ticket, get your popcorn, settle in your seat, and within the first 20 minutes realize that this film is going to be one of the biggest disappointments of your life. I hate when studios take all creative control away from the writer, and place films like that in the hands of directors that have no clue about the history of the characters, and so they make these ridiculous changes that strip the character from what he/she were originally intended to be.


Sunday, September 11, 2011

Aaron Marcusson Novelist/Artist



http://www.facebook.com/pages/Aaron-Marcusson-Chronicles-of-the-Twelve/248430300158 is the author of two full-length novels, Chronicles of the Twelve: Vampire Redemption and its sequel, Vampire Rebellion, and is working on the third and final book in the series.  He is also working on a zombie novel, developing a series of zombie short stories, doing research for a non-fiction book about the current state of education in the United States, as well as writing various horror themes.  Aaron has recently started co-writing for Zombie A.C.R.E.S. as well as providing an exclusive cover for their upcoming Alice in Zombieland comic book project. His published works are available anywhere ebooks are sold.

Aaron holds a Master’s Degree from the University of Nebraska at Kearney, where he was in charge of the cadaver lab and spent countless hours dissecting human corpses. That is when the nightmares began; he suffered nightly from twisted visions of hordes of reanimated corpses slavering for his flesh. Aaron decided to start using those nightmares to fuel his life’s dreams, and it seems to be working out pretty well for now. Aaron lives in Dallas, TX with his wife, Melissa, several dogs and cats, and a bearded dragon.

What is the current project you are working on?

I currently have at least a half-dozen “open” projects, some of which I can share with you and some I can’t just yet.  The ones I am most entrenched in are the third novel in my Chronicles of the Twelve vampire series and the Zombie A.C.R.E.S. Alice in Zombieland comic book project.

How do you handle rejection?

I don’t.  Which is a good thing.  I received one rejection letter for my first novel, Vampire Redemption, after waiting for six months for a reply (it was supposed to be three).  It said, and I quote, “I appreciate the opportunity to read your submission, but I’m sorry to say that in the current crowded market, this does not sound to me like a book that we can make into a success.”  This was soon after the whole Twilight thing blew up, so interest in vampires was at an all-time high.  I had written Vampire Redemption long before ever reading Twilight, by the way, just to clarify.  I was determined that was going to be the last rejection letter I ever received, and decided to look into self-publishing.  I figured I would just have to make my book into a success myself!

Did you always want to be a novelist/artist?

Yes.  I was always writing stories and reading things that were way more advanced than most people my age.  I credit my mother for that.  She was an English teacher for the length of her professional life, and really helped to shape my precocity in regard to language.  I still have a few of the programs for young writers’ conventions in Nebraska and Iowa, where my work was first published when I was in elementary school.

 What inspired you to become a novelist/artist?

I started writing my first novel for one reason: To see if I could.  I was increasingly disappointed with the books I was reading and the movies I was watching.  How many times have you read a novel or invested two hours of your life into a movie only to get to a lackluster, anticlimactic ending that left you thinking how much you enjoyed the story except for the ending?  I noticed myself doing that a lot and decided to put my talent to the test and see if I could do better.

I’ve also always been a doodler and I have a Master’s Degree in anatomy and physiology, so I know how the human body should look (both inside and out; I worked in a cadaver lab for two years in college), so I think that helps to lend a reality to my artwork.  I am still working on hammering out a “personal style” for my graphic art, though I’ve been a comic geek from the get go, so I have a tendency to draw very muscular guys and very curvy gals.

 What is the best thing about being one?

There are several great aspects of being a novelist and an artist, but my absolute favorite is the fans.  I think most authors and artists are attention-seekers in some way, and when I read a comment on my work or see a Twitter post from a fan I get a little giddy.  I really enjoy being told by someone I’ve never met that he or she couldn’t put my books down.  It’s a rush for me.

 What is the worst thing about being one?

Every time I’ve interviewed for jobs I’ve been asked “What’s your greatest weakness?” to which my reply has always been “I’m a perfectionist.”  I know that’s like Interview 101 for what you should say, but in my case it’s so true.  I write a bit differently than most in that I get it right the first time.  I don’t write multiple drafts; everything has to be perfect in a certain section or I don’t move on.  Now I do occasionally miss something or create a plot hole that I have to fix once I’m “finished” with the project, but I strive to get everything spot-on while I’m writing it.  That can be maddening, but I’d rather work out the kinks and loopholes earlier than later.  As a result it typically takes me longer to write a story or draw a panel initially, though editing is a breeze.

What is the estimated number of projects you have worked on?

I currently have two books published in my Chronicles of the Twelve series (Vampire Redemption and Vampire Rebellion), as well as a duet of zombie short stories (Drinks Before Dinner & Dinner Before Dancing).  I’m helping Josh Cook with some of the editing and detail work on Zombie A.C.R.E.S. and the Alice in Zombieland comic series he plans to unveil at ZomBcon this year.  I am providing the cover to the ultra-limited edition of the book, which is really exciting.  Then there are the other intellectual properties of mine that I am developing.  I am hoping to have some of those published in the coming months.

 Who is is your favorite novelist/artist?

My favorite novelist is Stephen King, whose work I began reading in sixth grade.  I remember my mom had to vouch for me and my level of maturity to the town librarian to allow me to check out Cujo.  As far as artists, that is a slightly longer list, though all but one are comic book artists.  Mark Texiera, Joe Madureira, J. Scott Campbell, Frank Miller, Dale Keown, and the Kubert brothers are some of my favorites on the comic book side, and Salvador Dali is my favorite “artsy” artist.

How has your life changed since you became a novelist/artist?

I now daydream a lot more about how it will be when I am a household name and can afford to buy a private island.  Just kidding.  I am a lot more active on Twitter than I used to be as it lets me connect with my fans faster.  Beyond that I can now call myself a novelist, which means a lot to me personally.  Even though I had written Vampire Redemption a few years before publishing it, I didn’t consider myself a novelist until I got my first sale.  Once that happened, it felt like my universe shifted a little, but overall, my life hasn’t changed much…yet.

 What is one piece of advice you can give to someone who also wants to make it in your business?

Do your best and just keep at it.  Practice your craft and study the works of others.  Develop your own voice and focus on your strengths, not your weaknesses.  I’m a very conversational writer; that’s my thing, that’s how I write.  I can’t expect to switch to a different style and I wouldn’t want to.  Find your muse and just write or draw or sing or whatever every day.

What do you like to do besides writing and drawing comic books?

I am an avid Playstation 3 gamer.  I’m currently playing Resistance 3, and I’m always up for a round of just about any first person shooter’s multiplayer.  I also like to shoot big guns in real life, though I don’t get to do that as much as I’d like.  I collect antiques (thanks to my wife) and do some gardening, though Dallas was too hot and dry to really do that this summer.

 You could go back in time and see any comic being made. Which would it be and why?

Amazing Fantasy #15 – it was the first appearance of Spider-Man.  I would love to see if Stan Lee and Steve Ditko had any inkling about how big Spidey and Marvel would become.

 You could have any first edition book. Which would it be and why?

That’s a tough one.  I own several antique books, though none of them are terribly classic.  I’m more a fan of modern writing, I suppose.

What's your favorite quote and why?

“That which does not kill us serves only to make us stronger.”  Friedrich Nietzsche said it, and while I don’t agree with his comments on God, I’ve liked that one ever since I was a teenager and started lifting weights.  I really used to ascribe to that one while in the gym!

 What is your opinion on movie remakes and sequels?

Movie remakes seem pretty lame to me in a lot of ways.  It just seems like Hollywood continues to recycle played out ideas while there are thousands of independent, no-name writers with fresh, new ideas who would love to share their visions with the world.  Sequels are fine (as I am in the process of writing the second sequel to my first novel – LOL), but only if they are actually thought out ahead of time.  Several big series should have never gotten to be series; the sequels were garbage.  Cash cows can only be milked so long, Hollywood.  Seriously.

What is your opinion on book to movie adaptions?

Lately there has been a welcome increase in film faithfulness to the printed source material.  The first Harry Potter movie was great in this regard, as was the second.  That faithfulness disappeared in the third film, though, and did not come back until the two-part finale.  The Twilight movies have also done an admirable job in sticking to the books.  I hope the movies that will eventually be based off of my books do as good a job.

Is there anything you would like to add?

I just want to thank you for the opportunity to talk to you and your readers.  Check out my books and the Zombie A.C.R.E.S. site, follow me on Twitter (@aaronmarcusson), and let me know what you think!