Filmmaker Rose Kelly

What is the current project you are working on?

I am beginning production on a feature film Delora and my book of short stories, Shorter Than The Wick, is coming out later this month. Also, I am just now finishing up post on a feature, The Perfect Crime so keep an eye out for it.

I am also finishing up the first season of Happy Meal, a fun web show.

How do you define success?

Being able to tell stories with as much ease as filmmaking allows. I don’t believe success is a number in a bank account but a freedom to do what one loves.

How do you handle rejection?

Having been rejected in almost every medium I have simply learned to keep getting on with whatever it I was looking for permission to do. Don’t give rejection a chance to stop you, plunge on through and make something.

Did you always want to be filmmaker?

Yes, I was making film projects for as long as I can remember. I made my many siblings act in my silent films when I was little, which were always rather dark and horrified my parents.

What inspired you to become a filmmaker?

I have a slightly insane need to tell stories; to show my little slice of the world through film. In fact I wake up with whole films in my head, down to lighting and camera angle sometimes. I have found I have a very bossy subconscious.

What is the best thing about being one?

Learning to let go of any fear about being out of your comfort zone. In my films, because they are no-budget indie projects, I end up doing the jobs of a dozen crewmembers and have learned to do the best I can even when I’m well out of my comfort zone.

What is the worst thing about being one?

Trying to make so many varying conflicts work. It can be immensely stressful to get locations, equipment, actors and crew all together for the right days of shooting. I shot my first feature in a week and would never recommend that to anyone. You really have to find your limits and push through them without breaking down that love of filmmaking that got you started on the project.
What is the estimated number of projects you have worked on?

About 10, more if I go back to film school and count all those short films.

Who is your favorite filmmaker?

Stanley Kubrick. If I died while on an acid trip and went to heaven that’s what it would look like.

How has your life changed since you became a filmmaker?

Well I’d say it leaves you with a lot less free time. But it has made me see the world in a wonderfully creative light. Every little thing in the mundane journey gets to be so much more interesting.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Don’t ever assume you’re going to “make it”. You probably won’t become the next big director or actor. But if you love filmmaking do it for the passion and work continuously.

What do you like to do besides filmmaking?

I write and edit an online magazine, ICitizenmag.com. And I enjoy traveling around Europe when I can, especially if it involves pastries.

Have you had any other jobs before you decided to become a filmmaker?

Yes, I worked in marketing and web design.

How would you describe your film education?

I got a BA with a minor in film production in SoCal (Southern California). But mostly what I learned that has proven useful has been from on the job training. Throw me in with a tank of sharks and I’ll learn to make sushi really quick.

What are some of your favorite American films? Foreign films? Television shows?

I really like What Dreams May Come and 2001. Both for the reason that they are unique in their visual style.

Walking dead and anything Sci-Fi I’m happy to watch. I am a hardcore nerd (much like a Jumbo Shrimp) and yell at the TV as often as possible. I loved Star Gate Universe before it got canceled, TJ’s baby… nooo…….

How would you describe the film "scene" where you live?

Rather disorganized but with a few really wonderful people who I enjoy working with.

How has social media changed the independent film industry?

Well it has given indie filmmakers the chance to get seen, to be heard of. I think it has also caused a bit too much background noise, which can hinder a really strong community of social filmmakers. We tend to be rather cloistered because of the small world that is indie filmmaking in most towns so social media can also be wonderful in learning about what other people are striving towards in film.

What's your opinion on crowdfunding?

I think crowd funding can be great. But I always say that you should make the film you can now. Most films go over budget and over schedule so trying to put all those eggs in one basket of funds from crowdfunding can be a bit of a way to shot yourself in the foot down the line.

How does independent film differ from the mainstream?

Independent film is more about telling the story at hand. The people that work on these films do so because of love for the art form or the tale to be told. There’s a deeper sense of community than you would get from working on a mainstream film.

Also, I think the stories that get made with indie film are more complex in their depiction of humanity’s flaws and humor.
You could go back in time and see and film being made. Which film
would it be and why?

You could go back in time and see and film being made. Which film would it be and why? 

The labyrinth, solely so I could convince Jim Henson to hire me and grope David Bowie.

What is your opinion on movie remakes and sequels?

Hey, even multi-millionaires need to pay their mortgages and harem of dragon blood prostitutes so I’m all for them.

What is your opinion on book to movie adaptions?

Hard to do. A book is such a different medium to work with. The length and ability to create within the reader’s mind will almost always fall flat when you try to adapt them to the screen. I prefer mini series because they allow for the tone to be better set than a book to film adaptation would.

Is there anything else you would like to add?

Please check out my web shows at youtube.com/nueverpublishing. We’ve got two shows right now and are getting ready to shoot two more next year. As well as the second seasons for both shows.

Author Elizabeth J. Kolodziej

A year after Vampyre Kisses came out Elizabeth J. Kolodziej makes her way back into the author scene with the second book for the The Last Witch Series, Werewolf Descent. Currently, Kolodziej (pronounced KO-LA-G), is working on many different short stories for anthology books. Along with the third book for The Last Witch Series being under way. Kolodziej continues to travel and study the folklore of vampires, werewolves and witches in the hopes of expanding her knowledge and her stories.

What is the current project you are working on?

Currently I am working on the third book in the Last Witch Series, Witch Devotions. The second, Werewolf Descent ended with a huge surprise at the end that the fans are buzzing about so I’m trying to get it out ASAP. Along with novellas, anthologies, and all the other work I have to do.

How do you handle rejection?

I move on or I complain to my friends until I can’t anymore. Haha. It’s never easy to deal with rejection but one of my rules is never read a review less than 3 stars because it’s just going to discourage you. Also, just because one person says no doesn’t mean another won’t say yes. It’s life and you have to have thick skin in this industry.

Did you always want to be a writer?

Not exactly. I had always wrote stories since I was little but I never really thought that was what I wanted to do with my life. I never knew what I wanted to do even though it was apparently right in front of me. When I finished Vampyre Kisses I thought “What now?” and publishing became the idea. From there it just all fell in to place an I found this to be my passion in life. I couldn’t live with out it

What is the best thing about being one?

Two things, the people you meet! I love how people think I’m “famous” when I’m really in the small leagues. I talk to them and they get thrilled. I love that because it makes them happy. Then there is the fact of accomplishing a piece of work and all the pride you have in that work.

What is the worst thing about being one?

Deadlines and writers block. Enough said.

Who is your favorite author?

Tamora Pierce. I started writing my first novel (when I was 13) after I read her books. They inspired me and I have her to thank for that.

What is one piece of advice you can give to someone who also wants to be a writer?

Please, please, please get your book professionally edited and research this business first. This isn’t an easy industry and it takes a lot of time out of a person, whether you are starting out or not. You will never just write the stories and make the money. You will be a marketer, a promoter, do signings, so on and so forth. Make sure this is what you love to do.

What is your opinion on book to movie adaptions?

That’s tough. I think when you read the book and really love it you are most likely going to hate the movie. This is because they take liberties with the movies and can’t fit everything from the book. You have to look at the movie almost like another universe (think comic books). Personally, I can’t stand it if they do it to a book I love, but if I haven’t read it I don’t know the difference.

Is there anything else you would like to add?

If I have interested you at all please come to my site www.vampyrekisses.com. I am always up for offering free advice on anything and everything I know about. If I don’t know about it I probably know someone that does.

Interview With The Creator of Igor's Lab

Igorslab is dedicated to all things horror, with a spotlight on independent horror makers from films to toys. We try to get exposure for those films that might others wise not see the light of day by the big websites and bring horror fans some independent gems.

 

What is the current project you are working(and/or promoting) on?

All my attention now a day other than my real job is igorslab.com. I and a few friends have been trying to get the site together to inform people who visit the site about a lot of the indie horror stuff out there as well as the main stream horror related stuff.

How do you define success?

Success to me is defined by the ability to make people aware of something they might not have known about and at the same time make a living with something you love to do. I think we are at the awareness stage, but we are nowhere close to the making a living stage.

How do you handle rejection?

Rejection is a part of life. The only thing you can do is learn from it and try to fix your approach for the next time around. The key is to keep trying.

What inspired you to create "Igor's Lab"?

I have always loved horror films and would voice my opinion on other horror sites, but it was my brother who started a Nerd blog that got me thinking I should start a horror blog and share what I enjoy about horror. It is a creative outlet for me also. We do video reviews about horror films that are fun and it is a good way to keep in contact with old friends.

What is the best thing about creating a blog?

Meeting a lot of cool horror makers from movies, to comic, etc. Hearing from people that they know the website and we turned them on to a movie they would have never discovered. Being invited to screenings or getting screeners, going to different horror related events with access I wouldn’t normally get.

What is the worst thing about creating one?

The worst thing about a blog is hurting someone’s feelings when writing a review about a film that you did not enjoy. We try to take into account the films budget and all the variables, but sometimes a film is so bad you can either not write it up or say what you feel about the movie and warn people what they can expect.

What is the estimated number of projects you have showcased on your blog?

Wow, it has to be in the thousands and we haven’t really been around that long.

Who is your favorite horror filmmaker?

That is a good question, I am a zombie fan so I am a big George Romero fan, even though some of his Dead films were disappointing, but DAWN OF THE DEAD is my favorite film. There are a lot of great horror directors out there, but Romero would be my favorite.

What is one piece of advice you can give to someone who also wants to become a blogger?

It will take up a lot of your time and if you have a girlfriend or wife make sure they are supportive or else your relationship will be in trouble. If you are going to do a blog be yourself, write about what you want to write about and don’t worry about negative criticism.

What do you like to do besides blogging?

I am a sports fan, so I watch a lot of sports and I am a big gamer, so if I am not logging I am playing some LEFT 4 DEAD with friends on the Xbox.

How would you describe your film education?

I am just a horror fan that has watched a lot of horror films. I did not go to school where I can break down every aspect of a film, I guess I can, but in my own way and that is how I write.

What are some of your favorite American films? Foreign films? Television shows?

American Films: Dawn of the Dead, The Exorcist, Evil Dead, Dale & Tucker Vs Evil. Foreign: I Saw The Devil, Audition, Rec. Current TV: The Walking Dead, American Horror Story and hopefully Remains.

How would you describe the film "scene" where you live?

I live in NYC so there is a lot happening here with the different type of film festivals, conventions, dark art galleries and meet ups, that the horror scene is very much alive here. There are some indie film makers shotting stuff here, Troma is based here and a few indie labels are around the area.

How has social media changed the independent film industry?

It has definitely been very helpful for me to find those movies, it sometimes takes a lot of research to find them, but sometime you find them by visiting something similar to it or seeing a tweet from someone about a film. If marketed right social media can propel a indie film into the spotlight, they are great avenues to get the word out to your core audience.

How does independent film differ from the mainstream?

Budget is a big thing between Hollywood and Indie, but indies have no restrictions. The indie filmmaker makes the movie he envisions, where Hollywood is all about profits. Don’t get me wrong there are some good Hollywood horror films, but the Hollywood big wigs don’t care bout the films and even if the director does, unless you a big name director, the studio controls the film. Indie films, even though there might be some issues with production value, they are giving us what they want.

You could go back in time and see and film being made. Which film would it be and why?

Night if the Living Dead, because it is such a historic horror film. It was an independent horror film that ushered in a whole new horror genre with Romero’s idea of a zombie. That film to me it is the perfect indie horror film.

Do you believe in life on other planets?

I won’t dismiss it, the universe is huge, but I don’t know if there are Aliens visiting the planet or anything like that.

What is your opinion on movie remakes and sequels?

I really hate remakes, even though some of them are really good, I just can’t believe there are no original ideas out there that we have to remake a films. Also, some of the films they choose to remake make no sense. As far as sequels again some films sequels are good, but Hollywood only really makes a sequel to make money off of it. Do we really need that many Saw movies, No, but Hollywood sees the dollar signs and will kill a franchise for that extra buck.

What is your opinion on book to movie adaptions?

I think some of them are good, but it is hard to adapt a movie into an hour & a half film, when you know it will take three hours to make a proper adaptation of the book.

Is there anything else you would like to add?

Support independent film, comics, music, etc. There are a lot of indie horror makers out there that put out good stuff and they are in the game for the love of horror and not the money.

Author Regan Black

Regan Black writes action packed paranormal and urban fantasy novels so readers can savor a fantastic escape from the daily grind. Raised in the Midwest and California, she now lives with her family in the South Carolina Lowcountry where the abundance of history and legend fuels her imagination. Experience a Regan Black adventure at Amazon, Barnes & Noble, Smashwords or your favorite online retailer. You can keep up with Regan at her website: ReganBlack.com, on twitter @ReganBlack and on Facebook.

What is the best thing about being a writer?

For me, it's working in my jammies. Just kidding. A little. Having a flexible work schedule and being able to work anywhere are the better, more accurate answers about why I love being a writer. The absolute best part is being able to make things up and tell stories that sweep readers away for a fabulous escape from reality.

Some days that means I'm in my silly Mickey Mouse sweats until noon, other days it means I'm working while waiting on carpool or running other errands for my family. People don't always understand, though, if they knock on my door at noon and I'm in fuzzy slippers and sweats that I've actually put in five or six hours of work already.

What is the worst thing about being one?

That flexibility I mentioned? It's a double edged sword. It takes discipline and time to create a writing habit in order to stay productive in this business. Excuses are easy to come by, as is the tempting voice of denial that you can take today off and make it up tomorrow.

What advice would you give to an aspiring writer?

I like to advise aspiring writers on two points. First, write! It sounds simple but it's not. If you're serious about producing any kind of written work, you must make time for your craft daily. I'm a firm believer that the more you write (with the right support) the better you get at the writing.

Secondly, I always tell writers to learn what your strengths are and use them. If someone hands out the same topic to fifty writers, there will be fifty unique responses to that topic.

Everyone is unique, everyone has a skill or talent or perspective that sets them apart. Find what that is for you and then follow it with everything you've got.

When I was starting out an author asked me what I was writing when the words were flowing effortlessly. I admitted it was pretty dark and edgy stuff. She looked me in the eye and said, "Good! Go write that." I did and that book became Justice Incarnate, my first sale and the beginning of my Shadows of Justice series.

What is the estimated number of projects you have worked on?

Published and unpublished? Counting short stories, but not blogs? ;) I'd say 21 novels, novellas, and shorts, give or take a project. I've also been involved with four separate blog launches which requires creating content and technological things I'd rather forget.

How has social media changed the publishing industry?

I believe social media is also a double edged sword. It's wonderful in the way it helps writers connect with readers as well as each other. But it can really steal quality writing time - if you let it. I think it's a hard lesson everyone learns in their own way, and a situation every writer copes with differently.

As far as the effect on publishing, social media has been a boon in accessiblity. It's great being able to spread the word and reach thousands of people in a short amount of time, with just 140 characters (to use twitter as an example). For publishers who understand how to interpret the data, social media can be an effective tool to bring a writer or a book to the forefront of any genre.

Additionally, social media allows writers to target their message to readers who share their interests. It allows writers, no matter how they're published, to reach their audience and interact with them. Creating those niche connections, developing that word of mouth momentum, is invaluable for developing a loyal fan base.

Interview With The Comedians Of Shrug Life 2: Home for the Holidays"

Why did you create "Shrug Life 2: Home for the Holidays"

Vincent: For me, Shrug Life is all about bringing people together to celebrate and have a good time. Christmas is a special time of the year where folks are typically happy. Shrug Life is an opportunity to celebrate this time of the year with family/friends/strangers, through laughter. It's like a christmas present to my hometown.

Alex: We started shrug life, after having a few conversations juggling the idea around. Next thing I knew, we were setting up venues and writing our bits. With a second show coming up with even more interest its kind of crazy how fast everything has picked up. Even if it was just for friends and family in the beginning. It seems to be growing into something much bigger.

Jimmy: That was all Vinny and Alex. This thing was their baby all the way and I couldn't be happier to just be a part of it.

If you could punch one comedian in the face. Who would it be and why?

Vincent: Carrot Top…because he's Carrot Top.

Alex: I would gladly sucker punch Carlos Mencia, and feel no problems about it. Just as long as I never have to hear "Duuuh Daaa Daaa" ever again!

Jimmy: I'm more or less a pacifist but I suppose I would have to go with Dennis Leary.

Do you ever get nervous before stepping out on stage?

Vincent: Not really. I get anxious and excited.

Jimmy: Yeah, prior to that first laugh it's pretty frightening. But when the ice breaks you loosen up and then it comes out.

What is your process for writing a joke?

Vincent: I pull topics/experiences from my own life and put them to paper. Then I record an audio track of me performing the whole set and listen to it for a week while I'm at work, at the gym, driving etc. If something isn't funny after a week, I remove it and restructure.

Alex: I feel awkward giving advice for writing jokes because I my self am very new at it. But I recall things from my past that I think are funny, remember them and go over it in my head a hundred times before I write it down to paper. And write out each bit as a cliff note. Run the whole show in my head and rehearse it once or twice out load before the show. I get more nervous practicing in front of mirror then when I am doing it live with a real audience. The crowd determines whats funny, your reflection does not.

Jimmy: For as long as I can remember I always write things down I thought of. Good ideas, bad ideas, anything I think of that is somewhat original. Then I look back in my pads and see if I can build on it and make it funny.


Who is the funniest comedian?

Vincent: Robin Williams. His speedy deliveries, his high-energy, and his amazing impressions…he's in a league of his own. He covers so many different topics in such a limited time, by time his set is over, you don't know what you just witnessed.

Alex: The one comedian, I have grown to respect recently is Jim Jefferies. He is the perfect mix of dirty humor and religious satire. I own his HBO special "I Swear to God", and it has become my personal bible. It is without a doubt the funniest and near perfect comedy bit I have ever watched.

Jimmy: That's tough. I have so many comedians that I absolutely love but if you put a gun to my head I would have to give it to George Carlin or Bill Hicks. Even though they have both passed on, you can look back at every one of their jokes and they are timeless

Who are the performers that have influenced you the most?

Vincent: Andy Kaufman. He did things differently…the way he wanted. In my life, I always strive to be on a different level than everyone else. Be unpredictable and daring…it'll keep everyone else guessing.

Jimmy: George Carlin, Bill Hicks, Louis C.K. and Marc Maron. Carlin and Hicks were truth-tellers that were the best at what they did. More recently Louis C.K. and Maron because I admire how they talk about the minutae of their own lives and make it hilarious.

How do you deal with "Hecklers"? 

Vincent: I've never experienced negative heckling. It's easy to casually respond to a heckler, but sticking to your set is what actually requires effort.

Alex: I only delt with "hecklers" once, my first time doing a stand up routine five or six years ago, which ironically was one of the few times I ever did a stand up routine. I had allot of support from friends in the audience and I turned his annoying yelps into jokes against him. turned out fairly well. Never been put in that situation since. Kinda of rewarding though, when you do it right.

Jimmy: Its been pretty rare that I have ran into them but generally I just try to get into it with them and make them feel a little silly for taking away from the show.

What does stand-up comedy mean to you?

Vincent: It's an opportunity to enjoy life and bring out the best in yourself and others. I'm not a comedian. Doing a show, I feel like I'm just taking advantage of a talent that I have. Let's call it a hobby.

Alex: I haven't done it enough to say it means much to me just yet, but it does give you an amazing boost of self esteem. I can see why comedians travel in a bus from city to city to perform. It's an amazing bonding experience with the people you do it with, and an amazing opportunity. Not many people can say they have tried stand up comedy.

Jimmy: That's a heavy question. I don't entirely know but I think it's just been really therapeutic for me. It's been a nice creative outlet.

What are qualities that a good comedian should have? 

Vincent: They should have a loose sense of humor and a lot of confidence. Whether you kill it or bomb at a show, you need to be confident. If you are confident, you can accomplish anything.

Alex: Once again i feel award giving advice, because I my self don't feel like I should be giving it. But if I had to say one thing, it would be don't hold back. If you think its funny, it probably is. But not nearly as funny as you think it is.

Jimmy: I don't think there is any definitive qualities a comedian should have. If there are, I hope I have them.


Is there anything else you would like to add?

Vincent: Love your life, be confident, and take risks. Most importantly,  don't forget to call your mother...

Alex: Regardless if its stand up comedy or something else, if you have ever wanted to do it. Try it, at least once.

Kendra Doshier Founder Of Number6 Films

Kendra Doshier is the founder of Number6 Films, an independent company run out of San Antonio, Texas. A senior Communication major at Trinity University, Doshier has concentrated her studies in Creative Writing and TV/Film Production and has broadcasted feature projects as well as several shorts. She has professional experience in writing, directing, narrative cinematography, editing, casting, and post-production. Doshier has completed several original screenplays, including Number6's upcoming feature, Rapture Police. She specializes in entertainment writing, cinematography, all aspects of Film & TV production, foreign languages, and social media. She is a champion of no-budget independent films and an industry rookie looking to expand her network! After she graduates from college, she plans to move to Los Angeles to build on her independent portfolio and continue her passion for screenwriting. At some point, she would love to work towards upgrading to better production equipment, and pursue a career in the TV & Film industry as a writer and director.

What is the current project you are working(and/or promoting) on?

Right now I'm in the middle of a few projects... a few promos here and there, and I do a lot of multimedia/videography work for theatrical productions and corporations alike (most recently:Hamletmachine, Tragedy: A Tragedy, State of Alaska Department of Revenue). For the past two years, I've been working on a drama feature called Rapture Police; the film follows a well-rounded college student caught between the academic world and the drug world, and her misadventures along the way. I directed, edited, and co-wrote the film with my good friend, Adan Gonzalez. Adan is a brilliant writer, musician, and creative thinker, so it was definitely a treat to work with him on a big project like this. The film is in post-production right now and I'm taking my time to really refine the final cut so we can premiere it at its absolute best. It was scheduled to premiere this Fall, but obviously the nature of this craft is very unpredictable and contingent upon several different factors - and since I'm a full-time college student, I had to adjust my timeframe. Right now, Rapture Police is due to premiere in the Spring of 2012. Everybody involved worked so hard to make the film come to life, so we are definitely excited to see the finished product!


How do you define success?

Fulfillment. Success is that feeling at the end of the day where you can sit down, take a deep breath, and know with every fiber of your being that you've done everything you could and you've benefitted from the choices you've made. A lot of it is accepting your struggles as part of a process, and knowing you'll be alright; being able to say "What I've done is enough, and I am happy with where I am right now." I can't really base success off of material things, trophies, winning titles, or an edge in a competition. Those things might be nice, but they don't really show for anything. Comparing your success to someone else's is just as toxic as it is counterproductive. At the end of the day, the thing that leaves me with the most hope is knowing that my success is tailored to who I am and what my goals are. So, in that sense... to me, success is knowing that you're on the right track and that you've still got a lot to look forward to. Success is momentum.

How do you handle rejection?

All across the board, rejection is a necessary evil. It's definitely something that will never go away, as it comes with the whole package of growth and self-improvement. With every gain, somewhere there is a loss. That's really the only way I can rationalize it. I really do believe that rejection builds character, as do most of the tougher things in life (Thanks, Mom!). In my professional life, I try to keep myself in check and take it as an opportunity to improve. I'm fairly competitive, so something like that will always sit at the back of my mind. There's a definite motivator there. As for my personal life, rejection stings a little less every time. I don't profess to be the almighty Oprah when it comes to personal rapports, but in the wise words of every badass in history: "Shit happens." Honestly, I'm pretty sure by the time I'm an old lady, I'll let those kind of things roll off my back and go for another bloody mary.


Did you always want to be a filmmaker?

I went through several phases of wanting to pursue different creative occupations. It was always something creative. I first wanted to be a writer and illustrator, because all I did was draw and write stories since I was able to hold a pencil. I used to write stories phonetically before I knew how to spell, and my mom kept all those "books" I made. Then at some point I wanted to be a singer. Then a print journalist (for newspapers - what the hell was I thinking?). Then an actress. Then a playwright. Then a magazine columnist. Since the beginning, it always came down to being a writer. I am more creatively inclined and not very skilled in left-brained tasks (sciences, logic, analyzing data, long division, other various things that most normal people can do with ease, but I cannot), so I was always in love with telling stories rather than solving problems. I was always an observer before a learner. Now that I know I want to be a writer and director, I feel like I have a lot to look forward to.

What inspired you to become a filmmaker?

People-watching. I love painting abstract pictures of people through the lens of film. While I adore cinematography and the idea of setting a tone through the picture, I spend a lot of time tending to dialogue, as it's the very stuff that gives film substance. Dialogue is my favorite aspect of writing, because it tells you a lot about characters without explicitly spelling it out for the audience. I love linguistics and self-expression, and I believe that merely learning the intricacies of a human is enough of a story by itself.


What is the best thing about being one?

Having my vision come to life is a very surreal and rewarding experience. Getting to work with new talent is always a reward on its own, but seeing that transformation from a mere idea to a full-blown creation is the best feeling in the world. It is the ultimate gift, to see and feel something so real that used to be just a thought in the back of your head.

What is the worst thing about being one?

My struggle is not so much about being a filmmaker as it is being a female filmmaker. While I am very proud of who I am and work very hard, I know my career path will be a bit more of an uphill journey than that of my male counterparts. I know at the end of the day, it comes down to passion, initiative, and savvy - but I have had instances in the past where I was the only female in a male-dominated creative field and I wasn't taken seriously. It was frustrating, but I worked very diligently at establishing myself. The catch is that I completely realize that this was just the little leagues -- I've still got a ways to go, bigger fish to fry, and more hard work ahead of me. As far as the filmmaking process goes, I never knew just how much time I'd have to sacrifice in order to carry out my vision and create a film. Editing alone has probably taken 5 years off my life. It has certainly altered my sleeping schedule forever, but I am perfectly at peace with that. I'll sleep when I'm dead. At this early juncture in my career, one of the hardest things to deal with is scheduling. Production managers are so important. When you're doing things on your own and managing a cast of 10+ actors and having to coordinate their schedules along with your own... it changes you! I don't know how I've done it for this long, but I can't wait to have a real production team one day. I know by then I will truly value all the small production roles that make up the process. The things you thought wouldn't matter all that much -- they totally matter.

What is the estimated number of projects you have worked on?

2 independent features, about 10 shorts, 8 corporate videos, and a few promos. I'd love to work on a TV series in the future; I love the idea of a continued episodic storyline.

Who is is your favorite filmmaker?

Sofia Coppola is absolutely brilliant. She has one of the most distinct styles I've seen and she approaches storytelling with such a tenderness towards detail. That's something I find to be very rare, because a lot of filmmakers sometimes get caught up in the bells and whistles that go into a production. She goes for the raw complexities of a character and doesn't lose sight of the importance of portraiture. Her ability to create a portrait, rather than just construct a scene, is remarkable. Her film Somewhere is a perfect example of her ability to tell something without spelling it out for people; she merely introduced the audience to a character, and that was it. I think she is fairly underrated, and maybe that could be attributed to her under-the-radar, muted public persona or the possibility that people are hesitant to approach her work with such confidence due to her family relations. I can't really put my finger on it. I do look forward to her future projects. I would love to achieve that caliber of abstract storytelling!

How has your life changed since you became a writer/filmmaker?

I never wasn't a writer. Since I've ventured into filmmaking, I can confidently say that I sleep less.

What is some advice you can give to someone who also wants to become a filmmaker?

1. Use Twitter

2. Buy a camera

3. Start small, use your friends as actors

4. Find internships tailored to your interests

5. Write, write, write

6. Grow a thick skin and keep trudging through


What do you like to do besides writing and filmmaking?

I like to go people-watching. Airports, coffee shops, malls, restaurants... as horrifyingly creepy as it sounds, I just love observing people. I think it helps my writing, because I can get a sense of how different people operate and I can have a realistic gage of human interaction. It's not like I sit outside a complete stranger's house and throw pebbles at their window at 4 AM - I am just a professional eavesdropper. Also, I love to perform. Most of my friends know me as this sort of creative volcano/goofy troll. I like to participate in theatre, especially improv comedy. I am a member of an all-female a cappella group, Trinity AcaBellas and I arrange all our music. The catch is that I can't read music! I think maybe it's more that I refuse to learn how to read music, so I just arrange by ear. Honestly, when I'm not writing and directing, I'm happiest when making music. In short: the right side of my brain is the only side that really works.


Have you had any other jobs before you decided to become a filmmaker?

I wrote for the Anchorage Daily News for four years in high school; I was a staff member for a teen column, Perfect World, and got paid to basically be a typewriter monkey who lived off caffeine, pop culture, offensive jokes, and deadlines. Every week I cranked out strange and irrelevant articles about painfully idiotic topics, but I always had a snarky approach to journalism, so I didn't chew my own legs off out of pure boredom. I've done several internships, but the most interesting one was for the State of Alaska Department of Revenue. I worked in media management and made corporate videos for the Alaska Pipeline Office for the entire summer; I basically learned a lot about the oil industry (Oh God) as well as how to troll downtown Anchorage for cheap art and free hotdogs (useful life skills). It was the ideal Summer job because it was so different and out of my comfort zone, and my coworkers were absolutely fantastic to work with. They thought I was a multimedia angel sent from Heaven above, when I was really just a poor college kid who was really good at Twitter, website building, and Final Cut Pro. I lucked out.

How would you describe your film education?

Self-taught with a few courses in video production, broadcasting, and screenwriting. I've had plenty of hands-on experience to sort of circumvent the formal teachings, but I'm always open to learn more.

What are some of your favorite American films? Foreign films? Television shows?

AMERICAN FILM

Eternal Sunshine of the Spotless Mind, Virgin Suicides, Annie Hall, Chicago, Cool Hand Luke, Rachel Getting Married, Running With Scissors, Brief Interviews With Hideous Men, Girl, Interrupted, Somewhere.

FOREIGN FILM

Dogtooth (Greece), Io Non Ho Paura (Italy), Martyrs (France), Respiro (Italy), Angela’s Ashes (Ireland), Circumstance (Iran), Alexandra’s Project (Australia).

TELEVISION

Six Feet Under, The L Word, 30 Rock, Curb Your Enthusiasm, Glee, The Walking Dead, Modern Family, Golden Girls.

How would you describe the film "scene" where you live?

In Anchorage, the film scene has just exploded over the past few years (tax breaks, hey!). A buddy of mine has worked on a couple of really cool projects already, and they're so eager to hire local talent and crew. They did a Drew Barrymore flick called "The Miracle" (used to be "Everybody Loves Whales") and just recently wrapped "Frozen Ground" with John Cusack, Nic Cage, and Vanessa Hudgens. John Voight was also doing a couple of projects up there - I know he was in Anchorage for quite a while working on a TV pilot. I'm not quite sure where things are headed as of right now, but I definitely know that Alaska has a lot of promise for those who are looking for hands-on experience in film. I'm considering going back for a while just so I can jump right into things. As for San Antonio, Texas - this place is pretty lame. Not a whole lot going on over here unless you're interested in public broadcast or guerilla indie projects. Head west like the rest of 'em.

 How has social media changed the independent film industry?

Let's be real, social media has changed every industry. It makes distribution and word-of-mouth much easier on independent filmmakers. There is power in the Retweet! Personally, I think social media has helped me in terms of spreading the word about my upcoming projects... and without Twitter, I'd incessantly spout off useless crap and make sassy comments regarding pop culture to my friends and would end up being a cat lady. Thanks, Twitter. You've given me a channel to spread the sass.


How does independent film differ from the mainstream?

There's this grainy, edgy, raw aspect of independent film that is completely absent in mainstream film. I can't quite put my finger on it, but it's awesome. And I know how much independent filmmakers pour their heart and soul into their projects, and usually that is very evident when you see their productions. That's priceless.

 What's your opinion on crowdfunding?

Without it, a lot of brilliant projects would never have come to life. It's daunting to think about, and I've never tried it, but I am completely open to it for future endeavors. Sometimes, we all need a little push! I've helped with a couple indie projects in the past, but I'm hesitant to immediately trust who I'm helping. I know every dollar counts. Crowdfunding is a fantastic work in progress, and I think sites like Indie Go-Go and Kickstarter have the right idea. Sometimes it's an all-encompassing effort in order to make art and execute quality productions - we get by with a little help from our friends! (Not sorry for that tacky Beatles ref)

You could go back in time and see any film being made. Which film would it be and why?

Ghost. I would have loved to be a fly on the wall of that set while they were filming that excruciating clay-wheel scene with Demi Moore and Patrick Swayze. To burst into hysterical laughter, or not to burst into hysterical laughter? But... in all seriousness, I would want to go back and watch them make Dawn of The Dead or any of the Harry Potter films. I can't even begin to think of how cool that would be.

What's your favorite movie quote and why?

If this were open to television, anything that Sue Sylvester from Glee says is pure gold. As far as movies go... it's a three-way tie between these:

"What's your name?"

"Claire."

"CLAIRE?"

"Yeah, it's a family name."

"No, it's a fat girl name."  - The Breakfast Club

"What a loss to spend that much time with someone, only to find out that she's a stranger." -Eternal Sunshine of the Spotless Mind

"The fourth dimension will collapse upon itself. You stupid bitch." - Southland Tales


What is your opinion on movie remakes and sequels?

I'm of the class of thought that sequels and remakes are never as good as the original. What immediately comes to mind: I nearly keeled over when I saw them remake Dirty Dancing andFootloose. They're just revamped with light shows, sluttier actors, and hip-hop music. Appalling.


What is your opinion on book to movie adaptions?

I'm sure the books are always better, but I respect those who try to make the films just as good. On the other hand, if it's a bad book - probably a bad movie. It's a coin toss.

Is there anything else you would like to add?

Thanks so much for the interview, I'm so honored! Your support of all the starving artists is so awesome... without people like you to notice us, we'd still be starving.

Number6 Website: www.number6films.com

Vimeo: www.vimeo.com/doshier6

Twitter: @LaKendrus

Filmmaker Chris LaMartina

Chris LaMartina is a 26 year old filmmaker from Baltimore, MD. To date, he's produced five features films, created the web series, "Lost Trailer Park: Never Coming Attractions", and has won numerous awards at film festivals across the country... the latest being "Best Director" at the 2011 Killer Film Fest for his role on the film, "Witch's Brew".

What is the current project you are working on?

We're currently writing three screenplays. Two of which are horror-comedies we're looking to produce ourselves (can't reveal the titles/concepts just yet), and the other is a more serious horror/thriller for a buddy of ours in LA.

Why did you decide to create "Witch's Brew"?

"Witch's Brew" stemmed from the title first. I really wanted to produce a film about witches because I thought they'd been under-utilized in modern horror flicks. We came up with the title and from the title, the concept seemed obvious: a horror flick about cursed beer. Since most people drown their horror film screenings in alcohol abuse, a horror film about hexed beer seemed like a perfect fit for our core audience.

Will you share some behind the scenes "fun facts" about "Witch's Brew?

"Witch's Brew" was shot in about thirty days during the summer of 2010. Our total budget was around $16K ($13K was funded through the online donation site, Kickstarter). Three weeks before shooting, I got laid-off from my job as a producer/director for the Baltimore city government tv channel. It was a rough time for me personally, but my amazing cast and crew pulled me through it. It was an intense, grueling summer... one of the hottest on record. There were a million things that went wrong: actors losing their voice, locations falling through, props breaking, make-up sweating off (cuz of the heat), thunderstorms, exploding spray cans, and minor injuries. It all pulled together though, mostly under the supervision of my amazing producing partner, Jimmy George, who oversaw an epic production - gratuitous nude scenes, a dozen wild locations, forty speaking roles, and over sixty practical make-up effects. It was a huge undertaking, but somehow... it all came together.

How do you measure success?

How I measure success changes with every film I make. I find myself becoming more and more self-critical as I progress as an artist/filmmaker. I think you're selling yourself short if you aren't your own worse critic. Walking out of a premiere or a screening and hearing folks discuss their favorite scenes or character is always a rewarding experience. I got into filmmaking because I wanted to tell stories, and when I hear an audience connecting with one of my tales... it's just a fantastic experience.

On a similar token, getting fan mail or a nice email about someone's affinity for one of my film is very inspiring. It keeps me going as a storyteller.



How do you handle rejection?

Getting mean-spirited reviews is tough sometimes. When they're right in their criticism, I don't mind (I know when my shit sucks... and I have yet to make a 'perfect film'..... hell, I probably never will) ... but some reviewers have a tendency of being excessively-rude to pander to a cynical fan base who value reading angry reviews more than enjoying a micro budget film for 'what it is' and not what they 'wish it was'.

I'm not worried about getting film festival rejections or distributer turn-downs. You never know why someone says 'no'... everything is so different and subjective. Our film, "Book of Lore" was rejected by own distributer in 2007 only to be released by the same distributer three years later. Maybe it was just a bad morning the first time they checked it out? Who knows? I don't and I try not to fester my insecurities on 'what could have beens'. We just move on to the next project, knowing it's going to be better because we're stronger with every consecutive flick.
Did you always want to be a filmmaker?


I grew up telling stories. As the youngest of three, I had a natural inclination to 'show-off' and make ridiculous tales up. I used to make my Aunt sit down at her typewriter and dictate scary stories to her. As I got older, I wanted to be a cartoonist (and I used to write comics for my college paper and I've produced a few animation shorts). Eventually, I stumbled across my family camcorder, caught the filmmaking bug, and ruined any chance of having a 'real career'. Oh well I guess...

What inspired you to become filmmaker?

I just love telling stories and telling them visually is an amazing avenue. When I was younger, watching someone's reactions or making someone laugh from telling a tale was a very rewarding encounter. I wanted to get an emotional response from folks just like I responded to my favorite films/tv shows. I grew up watching fun, trashy cinema and I enjoy creating work that draws on the films of my youth, especially horror comedies and ensemble films.

What is the best thing about being one?

Making art and having someone enjoy your art (or at the very least... react to it in any capacity) is one of the best feelings in the world. It's never been about publicity or "exposure" for me (although, I'd be lying if I didn't say those are nice too)... it's about sharing stories with an audience: the modern equivalent of telling tales around the campfire. It keeps you warm, too.
What is the worst thing about being one?

It's not lucrative... at least I haven't figured out that part yet. It puts intense emotional strain on plenty of relationships (friends, family, lovers). You sacrifice a lot of your personal life to bring your words to life. It's labor-intensive and swallows up many, MANY waking-hours.  There's a financial burden if you're self-funding them (as we have done) and if you're using investors, there's a potential threat of having your vision (all you have, really) compromised and shifted in a direction you might not believe in. It definitely has its moments... but not without a lot of agony. A wise man once told me, "Nothing worth doing in life is easy"... so I try to consider that every time a filmmaking venture hits a bumpy patch (and trust me, they ALL do).

What is the estimated number of projects you have worked on?

I've directed five features to date - "Dead Teenagers", "Book of Lore", "Grave Mistakes", "President's Day", & "Witch's Brew". The last four were co-produced by my best friend/frequent writing partner, Jimmy George. Outside of that, I created the web series "Lost Trailer Park: Never Coming Attractions" and produced countless short films (both live action and animation).
Who is is your favorite filmmaker?


I can't just pick one. Some of my favorite filmmakers are: John Carpenter, Todd Solondz, Fred Dekker, Tom Holland, Rob Reiner, Wes Craven, Robert Rodriguez, JR Bookwalter, the list goes on... but those are the ones I consistently come back to.

How has your life changed since you became a filmmaker?

I have tendency of zoning-out every ten minutes and scheming movie titles. I eat horribly for two months and then spend the rest of my year trying to lose weight. I sacrifice a good social life to tell a good story. I'm really great at getting fake blood stains out of carpet. I can convince your mother-in-law to let me shoot a nude scene in her basement. Those are things that have changed for me. I wasn't like that before.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

If you want to pursue filmmaking as a career, go to college for BUSINESS, not filmmaking. If I could go back in time, I'd major in business and minor in film. Outside of that, say "Thank You"... that's most important factor on set. People work a lot harder for folks who treat them with respect and dignity.

What do you like to do besides filmmaking?

Outside of filmmaking, I play in various punk bands (guitar/bass/drums/vocals), watch way too much C-Span (I'm a political junkie), explore abandoned buildings, collect spoken word records, and read lots about folklore.
Have you had any other jobs before you decided to become a filmmaker?

Let's see here. My first job was a copy boy at Kinkos. Man, that was a horrible job, but I learned a lot about work ethic and met many crazy characters (some of which will undoubtedly be in a film sooner or latter). During college, I worked a vintage clothing shop, at a used cd/dvd store, and even as projectionist at a small Afrocentric movie house. It was a great experience and I was exposed to a ton of weird flicks. I even booked screenings and bought film prints during that time period. It ruled. After school, I worked three years as a producer/director for the Mayor's Office of Cable & Communication here in Baltimore. I got laid-off there right before we shot "Witch's Brew". Currently, I work as an editor at a production company in Baltimore.

What are some of your favorite American films? Foreign films? Television shows?

My favorite film of all time is "Harold & Maude" - I even have the back patch sewn on my hoodie to prove my affinity. Most of my favorite films are American. I just love eighties American cinema... especially regional low budget horror flicks and ensemble pictures. Foreign wise, "Let the Right One In" ranks pretty high, as does "Wild Zero", and the films of Peter Jackson.  As for television, I love "The Wire" (best television show ever... I'd fight someone over this fact), "The Daily Show", and anthology tv shows ("Tales from the Darkside", "Monsters" etc).




How would you describe your film education?

I went to Towson University where I get a BS in Electronic Media and Film Production. Some people think film school is a waste of time, but I'll say this: it's what you make it. I did a ton of networking which continues to help me to this day, I learned a ton about theory, and I made some solid professional friendships. Productionwise, I could have learned everything outside of the classroom... which is just fine. You have to learn inside and outside of the classroom. Education does not exist in a vacuum.

How would you describe the film "scene" where you live?

Baltimore has a very vibrant film community. There is a long history of exploitation/genre films being made here... going back to John Waters and Don Dohler. Currently, there are dozens of filmmakers who I consider good friends that produce movies here as well. My buddies, Mark Colegrove and Mark Leake produced an amazing low cannibal spoof, "Isle of the Damned". My fx guy, Jason Koch is in the middle of editing his first feature, "7th Day". My sound guy, Jonathan Boushell is premiering his feature, "Fang" in a few weeks. There are tons of great avenues to meet kindred spirits. We host "Mondo Baltimore" (a monthly meeting of trashy cinema enthusiasts) at the Wind-up Space (where we shot "Witch's Brew"). There are places like the Creative Alliance where you can book screenings and rent film gear. It's a wonderful environment to create and co-exist in. Baltimore is definitely something special.

How has social media changed the independent film industry?

Social media has made the pre-production agony a lot easier. Organizing casting call, gathering last minute extras, finding cheap props and locations are just some of the perks to a more interconnected world. On the downside, now... everyone is a filmmaker, and while, that's great to a degree (we can see more diverse story lines and styles) the market is unbelievably over-saturated and it's hard to get through a old of phony movies. So many IMDB pages exist for films that aren't going to happen. It can be very frustrating to siphon through the fake projects produced by folks who are more talk than anything else.
What's your opinion on crowd funding?

Well, we raised $13K of the "Witch's Brew" budget on Kickstarter. So, I'm definitely pro-crowd funding, but on the flip side, I would NOT do it for every project. Hell, I don't know if I can ever do it again. For a minute, everyone was using that site or Indiegogo and we began to see "Kickstarter Fatigue". Some projects saw no donations because everyone had already given to another link or were tired of donating to creative endeavors.

Some people have written off crowd-funding as internet panhandling, which I completely disagree with. Sites like Kickstarter are ways for your friends, family, "fans", and even complete strangers to help out  even if they can't aid you physically. A $50 donation is just as valuable as someone letting you borrow their cop costume or shooting a scene in their backyard (well, ok... I might have a slightly awkward take on the 'barter system', but you get the idea).
How does independent film differ from the mainstream?

Well, this depends how we define "independent". There are million-dollar 'independent movies' that are produced fairly similarly to mainstream motion pictures... generally. As a whole, an artist has more creative control as an independent filmmaker, but less resources. The studio system has built-in infrastructure for production, marketing, and distribution. Independent filmmakers have to figure out their own path. It's tricky most of the time, but some of the most successful films of all time have been independent productions and I think that's testament to the fact that independent films can take 'chances' that mainstream films won't take because they are worried about 'broad audience appeal'.

You could go back in time and see any film being made. Which film
would it be and why?

Man... that's tough. Hmmm... Y'know, I'd have to say (and perhaps this is ridiculous, I don't know...) "Dead Next Door". I think the entire existence of a Super8 zombie epic being produced in the mid-eighties is incredibly fascinating. So much value and energy ends up in the final version of that flick, that I would have loved to see what went into production. I've seen behind-the-scene videos, but I'd love to know what it was like for Bookwalter, as a young director, to be at the helm of such an intense project. It's remarkable.

What's your favorite movie quote and why?

"Harold and Maude". When Maude says, "You see, Harold... I believe most of the world's sorrow comes from people who are this, but allow themselves to be treated like that". Why is this my favorite movie quote? Because it's true.

What is your opinion on movie remakes and sequels?

I can't hate on remakes because there are some remakes that are generally great (John Carpenter's "The Thing", "The Blob" (88), I even enjoyed "Hills Have Eyes). There are obviously some that are atrocious and those ones were most-likely produced by folks with dollar-signs in their eyes, not with passion for the original. Generally, I kind-of love sequels... even the bad ones, because when as a horror film series progresses it starts to lean toward self-parody ("Leprechaun in the Hood", anyone?) and that's entertaining too. It's enjoyable in a different sense, but enjoyable none the less. Sure, there are some sequels that are so bad... that they are bad, but I'm speaking generally.

What is your opinion on book to movie adaptions?

A lot of times you lose intricate/intimidate details of a story when try to crunch a  300 page novel into a 90 minute movie. Obviously, there are a ton of great book-to-film adaptations, but it's a sneaky beast. The screenwriter has to be a master surgeon and figure out what are the essential elements to the story without losing the heart of its style. That's the essence, really... figuring out a way to show the atmosphere visually that is only implied in the reader's imagination. If the author has done the groundwork with strong visuals in their book, it will work itself out more easily... but there are some stories that can't be easily shown (the work of HP Lovecraft comes to mind).
Is there anything else you would like to add?

Thanks so much for the interview! I really appreciate it. If anyone's interested in speaking further, they can find me on Facebook. Cheers!