Interview Christina Brooks

Below is my interview with Christina Brooks.  If you want to donate to her film Abigail you can do so by clicking here.    As always, enjoy the interview.



What is the current project you are working on?

I am currently working on my very first short called Abigail. I am extremely excited about this project since it is the first screenplay I’ve ever written and I am making it come to life with the help of some incredible people. I am extremely confident that this short will turn out beautifully because I have a very talented and wonderful director named Renata-Green Gaber attached to it and I know she will make this movie magical!

The short is about a young college graduate named Abigail who has the whole world in her hands. When she is confronted with two different choices she must make a decision that will change the course of her life forever. Choices are presented to us in life every day and we must take heed on what our decisions will be, for each choice there is a different consequence. I am showing this in my short with Abigail’s life. We are ultimately the only ones responsible for our own lives and it is up to us where we will end up.

Did you always want to be a filmmaker?

I’ve always been rooted in acting and knew that I wanted to inspire the world being an actress. Now I feel like I can inspire the world not only acting, but with creating the film as well. So to answer the question I never really thought about being an actual filmmaker until recently, and I think it’s brilliant!

What inspired you to become filmmaker?

I would have to say my teacher’s at Playhouse West. Playhouse West has been a very inspirational school that encourages us actors to write our own screenplays. They give us endless resources to help us along the way including an actual screenwriting class. They also have the Playhouse West Film Festival every year which gives us students a place to showcase our final product. It truly is inspirational to watch fellow students making movies and it gives me the confidence to so as well.

What is the best thing about being one?

The best thing about being a filmmaker is that it adds extra layers to my creativity. I’ve always loved to write and now I can utilize that and create projects that I am excited to work on. It‘s wonderful for me as an actor as well because I can write roles that challenge me and that I enjoy playing. I also love learning the process of what it takes to make a movie. I appreciate it a lot more and I feel like it gives me more dimensions as an artist and I will be able to touch and inspire more people.

What is the worst thing about being one?

I really don’t think there is a “worst” thing about being one. Yes there are challenges, but that’s what makes it fun and interesting. That’s what life is about, why do it if you don’t love it, even the hardships. The hardships are what makes you better in the long run and they are ultimately a blessing in disguise. It’s all about how you handle it.

What is the estimated number of projects you have worked on?

This is my first one of many to come!

Who is your favorite filmmaker?

How can I just name one, when there are so many. I give Kudos to all the wonderful filmmakers, you know who they are for you.

How has your life changed since you became a filmmaker?

I am excited to wake up in the morning to continue working on it, but I find it hard to sleep at night because it’s hard to shut off.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I actually have a few;

1. Believe in yourself, and don’t make excuses.

2. Face your fears, because when you do you will conquer the world.

3. Always remember to live in the moment and enjoy the journey.

4. And finally just do it. You can never go wrong when you are following your dreams.

What do you like to do besides filmmaking?

I love to be active. I run and snowboard and go to the gym and do as much as I can to stay active because it’s never fun to be stagnant.

What are some of your favorite American films? Foreign films? Television shows?

There are so many wonderful films that I could name, one of my favorite foreign films is Pan’s Labyrinth, directed by Guillermo Del Toro. I thought the story was touching and I loved the symbolism in it.

One movie I loved that I think got majorly over-looked this year was Get Low with Robert Duvall, Bill Murray, and Sissy Spacek. The acting in this movie was truly incredible and it is sad that we are forgetting about brilliant movies such as this one.

I also love older movies such as On the Waterfront, Some like it Hot, any of the Alfred Hitchcock movies, To Kill a Mockingbird, Breakfast at Tiffany’s and so on, I could go on forever with this.

I also love documentaries and one that I recommend for anyone that has a passion and wants to pursue their dreams is Every Little Step. It is truly inspiring.

I love a lot of TV shows these days since they have become better quality and are filled with some of the best acting. Some of these shows include; Dexter, Breaking Bad, United States of Tara, Boardwalk Empire, Parenthood. As for comedies I love Modern Family and a British comedy called The Coupling (this series is so funny and I recommend finding it on Netflix, you won’t be disappointed)

How would you describe the film "scene" where you live?

I live around the Los Angeles area, so I’d say it is consumed with it.

If you could go back in time and see any classic film being made. Which film would it be and why?

I would love to have been on the set of On the Waterfront and watch Marlon Brando work. His work is so organic and beautiful to watch on screen, I would have loved to be there to watch him in person. It gives me chills just thinking about it, do you know how much one person could learn from that. That would be moment of a lifetime!

What is your opinion on movie remakes?

If it is executed properly then I say go for it, but I think that remakes are starting to become a crutch in mainstream film these days. Films are starting to lack in originality, which makes things uninteresting.

What is your opinion on book to movie adaptions?

Again, if it is done properly then why not? We all know the book is always better than the movie anyway, but it’s fun to see it come to life in visual form.

Is there anything else you would like to add?

Yes I would like to say just follow your dreams, you are never too young or too old. Make your dreams a reality by doing it. Try not to listen to the many excuses you will come up for yourself, because you can make it happen if you really want it. It takes courage to be successful. Stay strong and have faith in yourself because once you do this you will conquer the world.

 

 

 

Thanks for doing the interview Christina. I'll be sure to tell people about your film. I'd love to write a review if you'll let me. :)

Interview Ray Madrigal

Click here to donate to “Voices of Pripyat, Voices of Fukushima”. You can get some cool rewards, besides that reward of helping a great documentary get made.



What is the current project you are working on?

“Voices of Pripyat, Voices of Fukushima”




This is an exploration of nuclear moments stretched. In the case of Chernobyl and the worker town Pripyat, it has been 25 years since the accident. Fukushima and its surroundings are just beginning their nuclear moment. Both places will be time stamped with the radiation acting almost as if it were a camera flash. Chernobyl and Pripyat will be April 26, 1986, Fukushima will be March 11, 201, both until they fall apart or are taken over by nature.

These places themselves are eerie, haunting places that are full of questions. The individual questions as to what has happened to the people. How has this sudden event changed their lives? In a nuclear dead zone people’s homes will still look ok, as if nothing is wrong. But, of course they are not. In other disaster areas people can rebuild. In these people cannot. They won’t even have the option of leveling their homes and starting over. A nuclear event is unlike any other. The radiation cannot be seen, touched or felt in the short run. But to stay longer….and this is why people cannot go back, although some of the old do. They have gone back to Chernobyl – resettled – while others at Fukushima have not left.

So places and the people…I’ll find people who lived at Pripyat and have left and then too interview some of the resettlers to Chernobyl. Their experiences are unique in the world and they have much to share to the rest of us, because almost all of us lie in the range of a nuclear reactor. There are 440 of them, with another 60 that are being planned. Every one of them has the capacity to spread radiation 1,000 miles or more through the wind. We’ll have these for quite some time, as we have grown dependent on the energy that is generated from them. But odds are before they are closed we will have another event.

The film is a cautionary tale, but asks some deeper questions. What is home? What is loss of home and land? What is nature’s place with man? How do we leave our mark through our unquenchable desire for energy? And with radiation…what is fear of this unseen force? How does this shape a life and many lives?

A new wrinkle on this project is that I will be also going to Fukushima. Originally I was going to just go to Chernobyl, which I have already been twice. But with the launching of a kickstarter campaign I have been asked and urged to expand this to Fukushima, since this is too a nuclear moment begun.

Did you always want to be a filmmaker?  What inspired you to become filmmaker?

I am a photographer for close to 25 years. I never thought about being a filmmaker. I had a very strong impression with my first visit to Pripyat, especially when going and photographing the kindergarten there. I felt the children somehow, knowing how many of them were to be profoundly affected by the moment. Radiation has a stronger effect on the young, less as you age. Over 5,000 cases of thyroid cancer of young people have been traced to the Chernobyl event in the Ukraine and Belarus.

So, to get back to it, when I came back to the states, it was at about that time when Fukushima happened. I could see the similarities between the two screenplays. People were not told the full story, not told that they would not be allowed to return to their homes ever. I could see how the government and companies right away began downplaying the health concerns. Something in me grew passionate towards these people and what was happening, so I decided to make a film.

Who is your favorite filmmaker?

Right now it is Terrance Malick. He has a poetic sense that I admire greatly. He also frames every scene, which I find is mostly lacking in film. I have a photographer’s eye.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I am not trying to make it in the movie business. I am making this film because it is in me to do. I am a poet as well as a photographer. These two sides give me the desire to create “things” that people feel. Many years ago while photographing my daughter I had an experience with one of the pictures that I took of her. There was an intense questioning in her eyes that went straight into me. She was about 3 and a half. Her eyes were full of wisdom and full of pain as if she was fully grown up. This led me to questions of who am I, who are we? Have we been here before? That one look has framed most of the work I have done since and influenced this project as well.

What do you like to do besides filmmaking?

I play piano. I write poetry. I photograph. I play golf.

www.StartingPointPhotography.shutterfly.com

www.photoasastartingpoint.com

What are some of your favorite American films? Foreign films?

The English Patient, The New World, Before Sunrise/Sunset, The Third Man, Vertigo, The Godfather, The End of the Affair, 2001: A Space Odyssey, Babel, My Neighbor Totoro, La Belle Noiseuse, Hud, Sorcerer, Bridge on the River Kwai, Swept Away, Ikiru, The Passion of Joan of Arc, Wings of Desire, Kagemusha, 3 Days of the Condor, Butch Cassidy and the Sundance Kid, Ordinary People…

How would you describe the film "scene" where you live?

I have a screenwriter as a roommate. Glen Berkenkamp. He is actually someone who you might want to interview. He has been around a long time and is a unique and interesting writer. Check my fb friend’s list to find his contact.

How has social media changed the independent film industry?

It has allowed people to get their work out there. This is the plus side. The negative side is that people are for the most part over saturated with information. Serious work is often not easily digested. 

What's your opinion on crowdfunding and recent crowdfunding scandals?

I don’t know about the crowdfunding scandals. I’d be interested to find this out.

You could go back in time and see any classic film being made. Which film would it be and why?

Any of the Hitchcock films, as he did not waste the film, so to speak. Also, to travel back and see Orson Wells make Citizen Kane. The new discoveries, new seeing, completely ahead of his time…that would have been quite the treasure…

What's your favorite movie quote and why?

Monologues are more to my liking.

The English Patient – as Katherine is dying in the desert she says:

We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That's all I've wanted — to walk in such a place with you, with friends, on earth without maps

Wings of Desire – Marion meets her Angel

It's time to get serious.... I was often alone, but I never lived alone. When I was with someone I was often happy. But I also felt it's all a matter of chance. These people are my parents, but it could have been others. Why was that brown-eyed boy my brother, and not the green-eyed boy on the opposite platform? The taxi driver's daughter was my friend, but I could just as well have embraced a horse's head. I was with a man. I was in love. But I could just as well have left him there, and continued on with the stranger who came toward us.... Look at me, or don't. Give me your hand, or don't. No, don't give me your hand, and look the other way.... I think there's a new moon tonight. No night is more peaceful. No blood will be shed in the whole city.... I never toyed with anyone. And yet, I never opened my eyes and thought: 'This is it.'... It's finally getting serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely. Neither when I was alone, nor with others. I would have liked to be alone at last. Loneliness means at last I am whole. Now I can say it because today I am finally lonely. No more coincidence.... The new moon of decision. I don't know if destiny exists, but decision does exist. Decide. Now we are the times. Not only the whole city, but the whole world is taking part in our decision. We two are more than just two. We personify something. We are sitting in the People's Plaza, and the whole plaza is filled with people, who all wish for what we wish for. We are deciding everyone's game. I am ready. Now it's your turn. You're holding the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours. That of man and woman. It will be a story of giants. Invisible, transposable. A story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone on the plaza. Last night I dreamt of a stranger. Of my man. Only with him could I be lonely. Open up to him. Completely open, completely for him. Welcome him completely into myself. Surround him with the labyrinth of shared happiness. I know it is you.

Is there anything else you would like to add?

Yes, I think that there will soon come a time where consciousness and films begin to come more into play, films showing a possible different future in which people are more aware of themselves, their neighbors and the planet in which we live. Almost all-futuristic films (at least mainstream) show an apocalyptic world where either we have blown ourselves up (a few survive) or have to do battle with robots or aliens who try to take over the world. I think this is an era of final cut and DSLR’s that will allow some men and women to make different kinds of films that would never have been possible before. Of course distribution is still in the hands of the few. And yet the Internet holds different possibilities in order to get work out. Perhaps there will be a time where the web can support artists, a few dollars at a time. Kickstarter is one example.

So, back to an imagining…some films being made as models for a different kind of future, not so much a KUMBAYA, as human beings will always struggle with aspects of loneliness and abandonment, fear and hurt, but a different kind of world where there are men an women who fight less with each other, with less divide in terms of understanding, a world where children are seen not as fodder for unrealized dreams of adults, but more as wise little beings who understand innately about concepts of love, acceptance and play, a world where man has understood his place in nature and works with the environment rather than against. There have been films that touch on this, mostly sci-fi where a wise being/alien comes to the Earth and is pitted against ignorant, fearful human beings: i.e. THE DAY THE EARTH STOOD STILL, or STARMAN.

I think it would be great for humanity to shoot higher, so to speak, give ourselves models of possibility rather than no possibility. My sincere hope would be that these films be made by skilled filmmakers… New Age attempts with poor production values; bad actors, bad cinematography, bad lighting, bad scripts, etc. There is not much value with any of this. Truer works of arts that enter people’s hearts and psyches and begin to shake the dream we seem to live of struggle, fear and worry…my two cents.

 

 

Thank you for doing the interview. I hope I can interview you again when you come back from FUKUSHIMA and CHERNOBYL.

Hayley MacFarlane Interview

[caption id="attachment_970" align="aligncenter" width="225" caption="Photo by Campbell Irvine"][/caption]

Below is my interview with Hayley MacFarlane. If you want to donate to her film  Hummingbirds, you can do so by clicking here. Before you read the interview check out the video below.

[vimeo http://vimeo.com/24294325]

 

What is the current project you are working on?

I am currently working on a short film called Hummingbirds.  It’s a ‘coming of age’ film that deals with friendship, family, sexual abuse and ultimately decision making.  I’m also in post-production on a music video for band The Medics

Did you always want to be a filmmaker?

I’ve always been interested in films and when I was younger I really wanted to be an actor. As I got older though I became more drawn to the behind the scenes. 


What inspired you to become a filmmaker?

It was this amazing world that I was always drawn towards.  I can’t remember ever really deciding ‘That’s what I want to do’.  It’s sort of always been there inside me somewhere.


What is the best thing about being one?

Always being on your toes and no two days ever being the same.




What is the estimated number of projects you have worked on? 

Hard to say. However, as a writer/director I’ve worked on 3 music videos and 2 short films.

Who is your favorite filmmaker?

Sofia Coppola. She has such a beautiful way of telling stories and portraying life as she sees it.

How has your life changed since you became a filmmaker?

Well, I’m still on the road to becoming one but it's definitely a lot more stressful however a lot more interesting!

What is one piece of advice you can give to someone who also wants to
make it in the movie business?

Definitely perseverance. If someone tells you, you can’t, prove them wrong.


 

What do you like to do besides filmmaking? 

Reading, playing sport, going to band gig’s, and spending time with family and friends.

Have you had any other jobs before you decided to become a filmmaker?

I coached gymnastics for around 8 years after I stopped. I loved it and it has definitely helped me as a filmmaker; the discipline, working with kids, the mental mindset, perseverance and group work. 

What are some of your favorite American films? Foreign films? Television shows?

TV wise I watch Entourage and Breaking Bad. Two of my favourite Australian films are Somersault and The Castle. I’m not a huge thriller fan however I love the Austrian film Funny Games by Michael Haneke. And American; Somewhere by Sophia Coppola.

How would you describe your film education?

It never ends. I try and pick the brains of the filmmakers around me as much as I can and really learn from their experiences. Going to film school has helps endlessly however I think the real learning comes from being on professional sets and surrounding myself by the people that are better and more experienced than me.

How would you describe the film "scene" where you live?

There’s a nice mix of independent filmmakers keeping the scene alive however the fight to get funding and jobs seems to not be easing. With the Australian dollar being so high at the moment that also means that international productions are not coming over to film. It’s a catch 22 with the Australian dollar.


How has social media changed the independent film industry?

It’s really opened up that wall between writers, filmmakers and the audience. It’s easier to find out what audiences want and what they don’t want. Social media also comes into play in post-production. Marketing takes on a whole new approach with ability to reach more people on a tighter budget, which is great for independent filmmakers.

What's your opinion on crowdfunding and recent crowdfunding scandals?

Getting funding is a constant battle and filmmakers are forced to find new mediums to get projects funded. I think crowdfunding is great. It’s a way for people who wouldn’t normally have the opportunity to contribute to a film to do so.  It is of course something that needs to be monitored.

What is the casting process like?

It’s a lot of fun… at the beginning. I am constantly channeling the characters in the script and visualizing the auditionees in to that. If you’re really lucky you’ll get someone that walks in and blows you away and you just know they’re completely right for the part. I had that happen with my latest film.

My producer James Woods and I don’t cast someone unless we both agree they are right for the role. Having written the script its great to have opinions from people who have read the story and interpreted it in their own ways and envision the characters in their own ways.  


You could go back in time and see any classic film being made. Which
film would it be and why?

Does Moulin Rouge count? Otherwise The Birds, Alfred Hitchcock


What is your opinion on movie remakes?

I’m not a big fan. Its been done, do something new! If it’s a classic, it’s a classic cause it was great. Leave it in all its glory.

The one remake I do support is Haneke’s remake of his own film Funny Games 10 years after its first release.  He literally remade it shot for shot however he agreed to it in order to allow the film to open up to a much wider audience, remaking it in English. 

What is your opinion on book to movie adaptions?

I love reading so I think it’s nice to see books made into films. It’s a pity when filmmakers don’t stay true to the book though.

 

Thanks to Hayley for doing the interview.  I'll be sure to tell people about Hummingbirds.

Interview Margot Paez

Before you read the interview check out the video below. For more information about Margot's  film click here.  Check out Margot's production company Darn Box Productions.  Follow "The Young Vidals" on Twitter @theyoungvidals.



 

What is the current project you are working on?

We are currently in post-production for my first feature film, The Young Vidals and in I am in the writing stages of a few screenplays and a stage play. Although, not all at once.

Did you always want to be a filmmaker?

I have always been an actor. Filmmaking came out of my increasing interest in how films are made. I love performing and when we made The Young Vidals, I realized how much I loved the whole process that goes on behind the scenes. I have made short films, but this was something on a grander scale. I guess what I am saying is that I didn't always want to be a filmmaker, but my passion for film was just a natural extension of who I already was as a curious performer.

What inspired you to become filmmaker?

I think just my interest and admiration for the film genre. I love movies and generally if I really like something I want to learn how to do it, and make more of that something. It becomes an obsession. Film can do so many things, affect people in so many different ways. Plus I love writing stories so filmmaking is just a way to make those stories a little more real.

What is the best thing about being one?

Best thing about being a filmmaker is being able to create something you can be proud of and something you can share. Something that can encapsulate a moment in time, a set of feelings, an idea. Once you have it, you can always come back to it and relive those moments, or re-interpret them, or whatever. It's there for as long as the medium is accessible and considering I can still watch movies from 1914, I'll have to say what you create as a filmmaker can be accessible well beyond your life span.

What is the worst thing about being one?

Funding. I say that with a laugh because money is necessary for anything. Raising funds to make your project a reality is a challenge but it's not impossible. Other than that, I can't really think of anything about it that's so bad. I guess I'm not too jaded yet!

What is the estimated number of projects you have worked on?

As a filmmaker, I've worked on two short films before the Young Vidals. So three, I guess.

Who is is your favorite filmmaker?

Woody Allen is my big one. Charlie Chaplin, is another. I really have a longer list but those are the big ones, I guess. Ok, Buster Keaton...Mabel Normand...Sophia Coppola...Mel Brooks...Wes Anderson. I mostly love filmmakers who do everything, acting, writing, directing. Those are my favorites.

How has your life changed since you became a filmmaker?

It's definitely more creative than it has been in the past and I really love that. I think about movies differently, I think about writing differently. I try to observe the world more so I can see which elements I want to bring into my next story. I think I'm all around a happier person since I came out as filmmaker, so to speak.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Do your own thing. The world is changing and with technology so inexpensive and accessible, the internet and so on, you can really do anything. You can get attention even with the smallest of budgets. Just stick to your guns and as Woody Allen says, "If people don't like your work, keeping doing your own thing and either they'll wise up or you'll find yourself out of work and deserving to be. If people hate your work, let them-they might be right. Or not." I would also add, listen to what other people tell you. Take it all with a grain of salt, but learning to take criticism is going to be your biggest strength because people who can do that are the ones who can grow.

What do you like to do besides filmmaking?

I like to watch movies and read the news. I also read books, non-fiction mostly, and I enjoy being around friends.

Have you had any other jobs before you decided to become a filmmaker?

Yes. freelancing as a web designer/developer. Although I did work for a specific company full-time for about a year called Acxiom Digital where I worked with fortune 500 companies on their email marketing campaign. Not particularly glamorous but it has helped me become more established as a freelancer.

What are some of your favorite American films? Foreign films? Television shows?

I love so many of Woody Allen's movies, of course everyone loves his masterpiece, Annie Hall. I love comedy silent films, especially those by Charlie Chaplin, Mabel Normand, and Buster Keaton. The Great Dictator by Charlie Chaplin is of course just a phenomenal piece of work. Buster Keaton's Go West is a favorite of mine. Anything that has Donald O'Connor is great also. I was a huge fan of Arrested Development and I try to follow Mitch Hurwitz's latest projects, otherwise, I like a lot of the dark humor stuff that comes out of Adult Swim. I am trying to get more into foreign cinema, Herzog...Polanski...Bergman.

How would you describe your film education?

Mostly self-taught. I read books and watch movies. I analyse what I see. Which is why my style for my first feature is very reminiscent of Woody Allen's. I read Eric Lax's extensive collection of interviews that covered Allen's whole process and approach to filmmaking, and watched as many of his films as I could. I really do love his approach and I tried to incorporate it, or use it as a foundation, for my own style. Anyway, as it is, I have a masters degree, so I figured out how to study and learn a long time ago, you don't need a classroom--not always.

How would you describe the film "scene" where you live?

Well I live between LA and NYC, although most of my film "scene" experience has been in LA. I think I am more involved with self-starters and new media types. I think it is important to try to find new ways to bring a film to the audience. The old model is dying fast. What is the new model? I'm not sure. We are in a situation similar to what Mozart found himself in. The court patronage was dying and private patronage was not yet a solid thing, which is how Beethoven lived. Mozart couldn't adapt and ended up in poverty. It's just a time of uncertainty but it is probably the best time to create a new world. So it's exciting.

How has social media changed the independent film industry?

A lot I think. My problem is that I am a younger, greener filmmaker, so my first experience with putting something out there has been with social media already a common thing. Social networking is a great way to get your message across, a great way to raise funds, it's just great. The only problem is the potential for over-saturation, but that is likely for anything. I think the internet and the low cost of good equipment is what is really changing the scene. I think being a self-starter in this day in age couldn't be easier.

What's your opion on crowdfunding and recent crowdfunding scandals?

I am new to this sort of thing. At first I was hesitant because I didn't like the idea of taking money from my friends, but it has actually been a great thing--so far. We are trying to take the idea a few steps further than using indiegogo (we do in fact have a campaign with them). I have not heard about the scandals, the only big scandal I can think of is Bernie Madoff, but that was not crowd funding. I think there are just so many avenues for people to be taken advantage of, and "crowd funding" is just one other way. Just know who you are giving your money to, that's the best I can say, even though, that isn't a 100 percent guarantee, either.

What is the casting process like?

A lot of fun. I really enjoyed casting. You see so many different people with different ideas about the character they are coming in for. When you find the perfect person, you get so excited. It's very fulfilling. It can be a little gruesome, in terms of the amount of effort you have to put in, but it's very rewarding. I remember when we found our Augi (the youngest of the Vidal family). We knew he was the one from the moment he opened his mouth and started asking us questions. But it is also an empowering experience coming from my background as an actor, to be on the other side of the table.

How does independent film differ from the mainstream?

The idea of independent film (in my opinion) is that you should have more freedom of expression. You are not necessarily out to make millions of dollars, you are out there to make something very meaningful. Hollywood is out there to make money and lots of it. So you get a lot of formula, you get a lot of unnecessary explosions, and expensive cars. You get films in 3-D that are not particularly worth the effort. I enjoy people centric films. Which I guess is why I take to Woody Allen so. Woody Allen is even independent by most standards today. He doesn't work on huge budgets, but he had a great deal of devot backers, so he is quite lucky. However, I think even independent filmmaking has become co-opted by "mainstream" or Hollywood. Nowadays, a lot of indie films have big names or are produced by smaller arms of bigger studios. You hear a lot of, "well if you don't have a big name, don't talk to me" from aging film people. That is why I feel it is important to do your own thing and be intelligent about what you do. Because, you know, those people will eventually retire.

You could go back in time and see any classic film being made. Which film would it be and why?

Oh boy. Wow. So many choices. I would go back and watch a silent film being made, possibly. I wish I could have seen Chaplin in action. He did everything. He performed, he wrote, he directed, he produced, he scored his films. I want to see someone like that in action because that is what I strive to be. A jack of all trades filmmaker. I can compose, I can act, I can write and direct. So to be there, by his side, would be a dream. So maybe Modern Times or The Gold Rush. The Great Dictator would have been fantastic, but it is a talkie and I said silent.

What's your favorite movie quote and why?

The end speech from The Great Dictator. I have it printed out and taped to one of the walls of my desk. This is the point in the film where Chaplin's character, the Jewish Barber, is confused for the dictator of the country, who is supposed to be Hitler. They tell him he must give a speech, so he does. His speech reminds us of what is good about humans, and how the evil that people do is not forever. That we should rise up against oppression and fight for our rights as human beings. It is funny that such a speech, from 1940, could still be so relevant today. So much of what he says, if not all, is true for today. In a way, its relevancy is magnificent, but in another way, it is tragic, because it reminds us that we have evolved very little as people. We still war, we still murder, we still oppress each other because we are superficially different. I long for the day that his message is irrelevant.

You could have any super power. What would it be?

I want to be able to transport myself instantly to different places in the world. I don't know what that is called outside of Star Trek's transporter room. It would make traveling so much easier.

What is your opinion on movie remakes?

Generally not a fan. Although sometimes it can be better than the original. The problem is that so many good films are remade just for the prospect of making a quick buck. True Grit was pretty good and so was Manchurian Candidate. But that's just a few out of so many bad ones.

What is your opinion on book to movie adaptions?

I think it is alright. It can often encourage people to read the book after they have seen the film, which is generally more fulfilling. Although, I was reading an interview with a famous Indian female author, Arundhati Roy, who was asked a similar question about one of her books and she didn't like the idea because she felt that every single one of her readers had their own vision of what the story was and to make a film of it would unfairly limit it to only one view. So I think that is a fair thing to say as a writer and I can understand where she is coming from, but personally, I don't have an objection so long as it translates well.

Is there anything else you would like to add?

Just that I really enjoyed the interview and feel fortunate to have been able to be a part of it!

Thanks Margot for doing the interview. I'll be sure to let people know about "The Young Vidals".

Interview Devon Hicks

For more information on Devon's film click here. Follow Devon on twitter @craftydevon.



What is the current project you are working on?

It's 'Saying Gay: A documentary about SB49'. The film was born out of a need to address a bill in Tennessee that would effectively ban discussion between students and public school employees about homosexuality in grades K-8. My concern is that this bill will make LGBT students feel like there's something wrong with them, and that it will be harder to address bullying that occurs commonly with LGBT students. The film will provide analysis of the bill, and a look into the lives of GLBTQ students and their families. I really want to give these young people a voice.

Did you always want to be a filmmaker?

I've always had an interest in film as a creative medium, but had never really dug into it.

What inspired you to become filmmaker?

The thought that something I create could go on to effect the way someone thinks, maybe inspire them to help make change and/or get them engaged in a discussion about a subject really appeals to me. I realized that through film I could sit people down and share a story with them.

What is the best thing about being one?

So far for me it has been the community and the feeling I spoke of above. Even as a total "noobie" I felt accepted as I went on my search for answers.

What is the worst thing about being one?

While I am sure something exists, I'm still to early on my journey to find it.

How has your life changed since you became a filmmaker?

I consume everything a lot differently now that I know "hey, that's how they did that!", and I begin to analyze and look at things like the lighting and composition. It's a interesting way to look at things, but it becomes annoying when I just want to enjoy a film.

What do you like to do besides filmmaking?

I currently work as a web designer, but my true passion is working as a activist.

What are some of your favorite American films? Foreign films? Television shows?

I've been in the mood lately for slightly older films like Indiana Jones and the original Star Wars. When it comes to TV I'm a sucker for shows like Fringe and CSI.

How would you describe your film education?

I'm a huge fan of "learning by doing". Currently I'm consuming every article, forum post, and video I can get my hands on.

How would you describe the film "scene" where you live?

We have a few neat festivals, such as the 24 Hour Film Festival, but I've yet to really dive into it and see how big it is.

How has social media changed the independent film industry?

I think it has given filmmakers a platform to spread their films to a much wider audience, and also receive more support from their peers.

What's your opinion on crowdfunding and recent crowdfunding scandals?

As someone who is working to crowdsource their film, I think it's a great way for dedicated first time filmmakers to get into the game and follow their dream, empowering people that otherwise might not have been able to make their creations.

How does independent film differ from the mainstream?

I think we have the unique ability to "do it our way" without having to worry about what corporate has to say, and to reach niche audiences that would otherwise be ignored.

You could go back in time and see any classic film being made. Which film would it be and why?

I'd love to back on the original Star Trek film sets and see their approach to how they did their FX work.

You could have any super power. What would it be?

I'd enjoy having the Green Lantern's ring.

What is your opinion on movie remakes?

When done well, I think they're great. I enjoy seeing new technology applied to older sci-fi and action flicks (I really enjoyed the new Star Trek film, though I know many Trekkies who hated it)

What is your opinion on book to movie adaptions?

I usually hate them to be honest, I'm a purist and find that most movies end up swaying far from the book. I demand a remake of the last 5 Harry Potter films!

Is there anything else you would like to add?

I think that filmmakers such as myself are living in a great time. Technology is getting cheaper, distribution is getting cheaper, and more and more people are consuming content from "the little guys". If your willing to take the time to learn and realize there are people willing to listen, you can do amazing things.

Thanks for doing the interview Devon. I'll be sure to spread the word about your film "Saying Gay".

Interview With Erotica Novelist Eden Baylee

Eden Baylee remembers hiding under the blankets with a flashlight and reading an erotic novel. It was past her bedtime—she was eleven.

Since then, she has continued to read and write erotica. Equipped with an active imagination, few inhibitions, and a passion for words, she is fortunate to have experienced much of what she writes about, and she integrates many of her favorite things into her stories.

Fall into Winter is Eden’s first book. Visit her website to find out where it’s sold.

Connect with Eden on her *Website, on Twitter, and on Facebook.

*Website is adults only

What is the current project you are working on?

I’m finishing my second anthology of erotic novellas entitled Spring into Summer. It’s currently in “edit-mode.” At the same time, I’m also promoting my current book, Fall into Winter.

 

 

Did you always want to be a writer?

It’s not like it was ever a burning urge inside me, but I thought it would be a cool way to earn a living. That’s been my thought from the time I was fifteen, and I’ve continued to write since then.

What inspired you to become a writer?

I’ve always loved to read. I picked up Story of Owhen I was eleven and got lost in the world of BDSM and a whole new vocabulary. I had never experienced anything quite like that book, and it left an indelible mark on my psyche.

What is the best thing about being a writer?

Writing. I do it everyday, and it’s never boring. Another great thing is the people I’ve met—some inspiring indie authors through the social networks. Some are published, some not, yet we have a connection that is unique to people in the field. It’s not to sound exclusive, but when you go through similar experiences of writing and publishing, it’s a real gift to meet people whom I can talk to about it.

What is the worst thing about being one?

Right now, it’s the juggling of writing, editing, and promoting. There will never be enough time in a day for me just to write, let alone do all three. Unlike most authors I’ve met, I don’t have a day job, so I certainly have more time to devote to this than most, but there’s always the realization that time is a finite commodity. Sleep is what usually suffers when I have to get it all done.

Who is your favorite author?

There are so many, but the ones whom I love to read for the erotic elements are: Henry Miller, Anais Nin, Charles Bukowski, John Fowles, and Vladimir Nabokov.

For laughs: Carl Hiaasen, Elmore Leonard, Tom Robbins.

For some mindless entertainment: Jeffrey Deaver or any other paperback on the NY Times Bestseller list.

Currently, I’m reading books from many of the indie authors I’ve connected with, and I’m so impressed with the quality of the writing. I follow some excellent writers.

How has your life changed since you became a writer?

I was a banker for twenty years before I took the leap to writing full-time in January 2010, so it’s been a major shift in routine. I actually love that I don’t have to go into an office daily and work with people. I’m an introvert and enjoy my own space. I’ve had the great fortune to re-create myself and do what I want to do, so my creative juices feel like they’re in overdrive some days.

Don’t get me wrong, this isn’t a bad thing, and I’m not complaining, but I go back to the point I made earlier about time being a “finite commodity.”

What is one piece of advice you can give to someone who also wants to become a writer?

Three simple things: Keep writing. Be persistent. Believe in yourself.

What do you like to do besides writing?

Music: I’m a bit of a music snob, so I love listening to it or going to live concerts when the opportunity arises. I have a feature called “Musical Mondays” on my blog where I write about music, songs, and musicians whom I enjoy. You’ll find a very eclectic selection of blues, jazz, guitarists, and rock ‘n roll. Most of the musicians on there are dead, which just goes to show you that I’m not much into modern music, though I’m open to listening to new stuff.

Travel: I love to travel because it opens up my world to new experiences, people, and languages. Learning anything new is the best way to inspire my writing.

Food: I love to eat because I’m usually with people when I do, and it’s a very social thing for me. When I’m alone and writing. I usually forget to eat.

Have you had any other jobs before you decided to become a writer?

As I said earlier, I was a banker. For ten years, I was a financial advisor, and the last ten was spent in fraud consulting building programs to catch bad guys.

What are some of your favorite books?

The Magus by John Fowles

Ham on Rye and Post Office by Charles Bukowski or any of his books of poetry

Tropic of Cancer by Henry Miller

And of course, Story of O by Pauline Reage.

How would you describe your education?

Heavy on the sciences. I wanted to pursue psychiatry at one point, but decided I didn’t want to devote all that time to med school. I was horrible with sciences anyway. My undergrad was filled with psych courses, and that’s what I majored in.

How would you describe the writing "scene" where you live?

My writing “scene” is primarily virtual. It’s a solitary profession to be a writer, and I don’t go out with authors and discuss writing. I have friends who are writers, but it’s rare we talk about the profession unless there’s a book launch or signing, then of course, we call on each other for support.

I’ve only been at this for a little over a year, so I’m still learning. The virtual aspect of blogging, giving online interviews, and doing radio shows is pretty much my “scene.”

How has social media changed the publishing industry?

I can only speak for myself, but it’s given me tremendous power to connect with people such as: authors, editors, publishers, interviewers, bloggers, etc.

I may have learned about self-publishing via the Internet, but the meat of what I needed to know was through my connection with other authors and learning their best practices. Without a doubt, the community of indie authors has been the greatest source of knowledge for me.

What is your thought process like when you’re writing?

Wow, that’s a really open question, John! I’m not sure I have a thought process.

I’m not one who deconstructs my writing, and I’m the ultimate “pantser” because I dislike organization. Sure, I know there is some structured thought process in what I do, but not much. Sometimes I jot notes, sometimes I talk into a tape recorder if I have ideas, and most of the time, I come up with great plots while taking a shower. It makes for long showers and expensive water bills.

Ultimately, because I write erotica, I must be able to “feel” my stories when I’m writing them. Given that, much of what I write needs to arouse me first, otherwise I cannot expect it to arouse anyone else.

If you could have any book in the world. Which would it be?

To possess a book is not important to me. I’m a minimalist, really, because “things,” including books are not what excite me. What turns my crank is what I get out of it. Once a book is read, I’d prefer to pass it on and let someone else get enjoyment from it. A rare book in my collection would just gather dust.

If you could be any animal. What would it be?

I think elephants are amazing animals because of their incredible memories and intelligence. They are also self-aware creatures and exhibit social behavior similar to humans.

If you could have any super power. What would it be?

I’ve answered this once before in another interview and will give the same response here: Orgasma Girl - My superpower would be my sex-ray vision. I’d fly around the world seeking out the sexually repressed. Once I find them, I’d use my Orgasma Ogling technique to restore their sex lives.

What is your opinion on book to movie adaptations?

I think if it’s done well, then it’s great. There are always going to be nuances in a book that cannot be captured on the big screen. It’s important to know this and watch the film with an open mind especially if you really loved the book.  In the hands of a skilled director, I think any good book can be turned into a good film, but you need to start with a strong script. Some of the ones I like are:

• Stephen King’s The Shining


• Cormac McCarthy’s No Country for Old Men.


• Irvine Welsh’s Trainspotting.

 

Thanks John for your kind invitation to your blog. I really enjoyed the interview with you!

Thanks for doing the interview Eden. Come back to discuss your next book.

Interview David Lunday

Below is my interview with David Lunday. For information on David and his production company click here. Follow David on Twitter @davidlunday



What is the current project you are working on?

I’m producing the feature film “The Maestro.” We’re currently working on raising finishing funds at kickstarter. http://kck.st/j5P5Or

Did you always want to be a filmmaker?

I don’t think I ever thought seriously about making films, even though one of my first creative endeavors was a short little horror film I made with a friend when I was about 9 years old. Still, I always considered myself a musician/composer.

What inspired you to become filmmaker?

I think what inspired me was actually music. My most recent music actually has character voices and singing along with orchestral works (yes may sound weird and to some it is) in somewhat of a straight ahead commercial style. It just seemed that I needed to make the jump into film to try and have everything make sense as a whole. The addition of the visual aspect was obviously big for me.

What is the best thing about being one?

The best thing about it all is the actual possibility of fully realizing my innermost thoughts as they relate to everything in both the physical and non-physical world.

What is the worst thing about being one?

Hmm, that’s a tough one. I actually love all aspects of the creative process because they’re all very important parts to the whole. Maybe it’s having enough money to finish everything properly…but sometimes this just makes it so you have to be more creative, so…

What is the estimated number of projects you have worked on?

About 5 different projects…but this is my first feature. The others were either commercials or shorts.

Who is is your favorite filmmaker?

Wow, don’t really have one. Although; I’ve really grown to appreciate the organic style of Clint Eastwood’s work. The way his movies are lit and the way the audio mixes sound…but this is just recently. Any director that is consistent with putting out good movies really.

How has your life changed since you became a filmmaker?

I would say overall I am just much happier. I really enjoy the process…and that is the big key to anything.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be prepared for the long haul.

What do you like to do besides filmmaking?

Spend time with my daughter.

Have you had any other jobs before you decided to become a filmmaker?

Guitar teacher and a Pari-mutuel Clerk (horse racing & dog racing)…so music and gambling, perfect experience for making motion pictures!

What are some of your favorite American films? Foreign films?

Regardless of genre (American): The Shawshank Redemption, Caddyshack, etc.

(Foreign): Life is Beautiful, Barry Lyndon, To Be and to Have etc.

How would you describe the film "scene" where you live?

Everyone, with digital technology, wants to make the next great movie despite having no money.

What's your opinion on crowdfunding and recent crowdfunding scandals?

I wasn’t aware of the scandals so much but crowdfunding seems to work for a lot of people as long as they have a pretty strong support network to begin with. I think it’s a great concept for independents.

What is the casting process like?

I love it. There’s nothing like finding the right actor for a role.

How does independent film differ from the mainstream?

Well, obviously budget…but usually much more engaging characters and stories. But, remember, an independent film may still have a budget of $15-30 million…the term “independent” can be a bit squirrelly…just means the financing does not come from a studio.

What is your opinion on book to movie adaptions?

Sometimes they work, sometimes they don’t…back to that gambling thing again.

Is there anything else you would like to add?

Yeah, thanks for having me John!

 

 

 

 

Thanks David for doing the interview. I'll be sure to let people know about The Maestro.