Saturday, August 13, 2011

Interview With Mark Miller



Born only slightly anal retentive, Mark Miller grew up to be a full blown obsessive compulsive. When he's not eating his food in perfectly proportioned bites, he works as an assistant at Seraphim Films.

What is the current project you are working on?

It's a trailer for a horror film I've written. It's called The Sickness. It's about a self-entitled heiress who contracts a deadly disease that makes her want to eat people. It's based on a true story.

Did you always want to be a filmmaker?

I always wanted to be involved in movies. And since I can't act, I figured I'd better stay behind the camera.

What inspired you to become filmmaker?

Masochism.

What is the best thing about being one?

Seeing the final product.

What is the worst thing about being one?

Seeing the final product.

What is the estimated number of projects you have worked on?

Well under 100.

Who is is your favorite filmmaker?

The Coen Brothers

How has your life changed since you became a filmmaker?

Stress. More stress.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

If you don't like hearing the word 'no,' try a different career.

What do you like to do besides filmmaking?

I love watching story tell itself.

Have you had any other jobs before you decided to become a filmmaker?

Yes.

What are some of your favorite American films? Foreign films? Television shows?

American Films:

Being There

Marjoe

The Last Temptation of Christ

Network

The Elephant Man

Non American Films:

Throne of Blood

A Day in the Death of Joe Egg

Brazil

City of God

Anything by Monty Python

Television Shows:

South Park

How would you describe your film education?

Broad.

How would you describe the film "scene" where you live?

Hilarious.

How has social media changed the independent film industry?

I think it's too early to tell.

What's your opinion on crowdfunding?

Love it. It's a lot of work, but the people are great.

What is the casting process like?

Educational.

How does independent film differ from the mainstream?

Well, you get a lot of poo from both camps. But independent poo is whiny and mainstream poo is loud.

You could go back in time and see any classic film being made. Which film would it be and why?

Evil Dead 2. From the stories, it sounds like it was a blast to be there.

What's your favorite movie quote and why?

"Meteor shit!" - Stephen King as Jordy Verrill in Creepshow. It makes me laugh every time I say it.

You could have any super power. What would it be?

3 way tie: Teleportation, time travel, and the ability to have any food I want in my hand the moment I picture it.

Are you a fan of the movie "Kick Ass"?

I think it's Nicolas Cage's best movie since Adaptation.

What is your opinion on movie remakes?

They're just like the original, only worse.

What is your opinion on book to movie adaptions?

The Shawshank Redemption is one of my favorite movies. Midnight in the Garden of Good and Evil is unwatchable. Lesson: Ya never know.

Is there anything else you would like to add?

This is the most fun I've had all week. It was a pleasure being interviewed.

Thanks for doing the interview Mark. Keep me posted on the progress of "The Sickness".

Actor/Screenwriter/Producer Langley McArol

[caption id="attachment_1648" align="aligncenter" width="139" caption="Photo Credit: Josh Parker Photography"][/caption]

Langley began Acting in High School, and continued through college. Then, auditioned and received a national scholarship to the American Musical & Dramatic Academy in New York. In 1999, Langley relocated to North Carolina, and almost immediately began working. Soon after, he earned his Screen Actors Guild card from Director, DJ Caruso (Eagle Eye, I Am Number Four) on a short lived television series for Showtime.  Since then, he has appeared in such Television productions as Teen Spirit, One Tree Hill, and Dawson's Creek, as well as, dozens of Film productions, both mainstream and independent.   Langley is also a Screenwriter, placing in various national Film & Television competitions.  He has worked behind the camera as a Producer in several independent films.  His short film, SUPERHERO, is currently making its way through the festival circuit, and being used to raise money & awareness for Pediatric Cancer.

What is the current project you are working on? Currently, I’m performing in a stage production of “Moonlight & Magnolias,” playing legendary screenwriter, Ben Hecht (Gone With the Wind, Scarface).  I’m also promoting my short film, SUPERHERO, which was filmed last year (2010) and has been submitted to over 20 film festivals around the world.

How do you handle rejection? How does a starving monkey handle having a banana dangled in front of him and not being able to squeeze through the cage bars?  Seriously, though, I take rejection in stride.  This business is extremely subjective.  As an Actor, most of the time not getting a role has nothing to do with your ability.  Many times it’s because you’re slightly too short/tall to play opposite a previously cast Star.  Sometimes it’s political.  Sometimes it’s simply because your look doesn’t fit the Director’s vision.  Rejection is 99% of this industry.  You can’t take it personally.  I try to remind myself that, take a couple of days to mourn the loss, and move on to the next one.

Did you always want to be a filmmaker?  No.  I wanted to be a singer.  It wasn’t until college when I took my first Acting class.  I was hooked.  After struggling to book jobs, I began writing as a way to make my own potential work.  From there, I started learning how to bring my vision to life, eventually taking an interest in producing.

What inspired you to become filmmaker?  I was writing short stories, performing for anyone who would watch, and creating characters from a very young age.  I was an only child, not at all popular, and desperately seeking attention.  My mother was very artistic and funny.  I did everything I could to make her laugh.  It was fulfilling to get her laughing.  We watched a lot of sitcoms, and movies.  It was a big part of my childhood.

What is the best thing about being one?  The best thing is, at the end of the day, realizing that you’ve accomplished something that only a handful of people in the world can do and truly appreciate.  Bringing talented people together to create something based on your own imagination.  Making people laugh as an Actor or Writer.  Being able to do what I love, and being true to myself.

What is the worst thing about being one?  In the Indie film world, the worst thing is the constant financial struggle.  There is very little money, very little time, and an abundance of neh sayers.  Indie film only pays in self accomplishment, and it’s hard to get your landlord, or the grocery stores, to accept a burned DVD of your film as payment.

What is the estimated number of projects you have worked on? As an Actor, over 30 films/TV shows, close to 100 stage performances, and several voice over projects.  As a producer, half a dozen.  The writing aspect is a constant.  I have so many short scripts, feature outlines, feature scripts partially finished, and episodes of a few different spec TV pilots, all on the hard-drive.

Who is is your favorite filmmaker?  I have a few favorite filmmakers.  Ron Howard, Steven Spielberg, Jon Favreau is terrific Director.

How has your life changed since you became a filmmaker?  Honestly, my life hasn't really changed.  I certainly feel happier when I’m on a film set.  My first love is Acting.  So, when I’m on set or a stage I feel completely at home.  My life changed when I realized that I wanted to be an Actor.  I felt as if I had finally found my direction (pun intended).

What is one piece of advice you can give to someone who also wants to make it in the movie business?  I’m still trying to make it.  I guess the best advice I can offer in my current position would be to only pursue this industry if you can’t imagine doing anything else.  It’s not easy.  Go to school for 8 years and become a Doctor.  You’ll have more money, save lives, drive new cars, and be the one to tell your patients to “bend over.  This will only be uncomfortable for a moment.”  In the film industry... you’re the one usually grabbing your ankles.

What do you like to do besides filmmaking?  Aside from Acting, Producing, and Writing, I also enjoy cooking.  I’m not a “chef” by any stretch, but I do enjoy cooking a meal.  It’s relaxing.  I love singing.  Photography would be a fun hobby if I had a nice camera.  I’d also like to one day buy a baby grand piano and learn to play.  I took lessons for a bit in college, and even bought a great keyboard.  Eventually, I had to sell it for rent money.  I have since sworn that one day I will be able to afford to by all the keyboards or pianos I want.

Have you had any other jobs before you decided to become a filmmaker?  I worked my way through college as a Fitness Trainer.  I managed a Health Club for a few years.  Aside from that, my “day jobs” have always been in retail, management, and Acting.

What are some of your favorite American films? Foreign films? Television shows?  I enjoy anything that makes me laugh, or get emotional.  My taste in comedies is many.  If it makes me laugh, it’s funny.  I do especially like intellectual comedy.  Witty sarcasm.  One of my favorite comedy films is “State and Maine” by David Mamet.  I’ve never really gotten into foreign films.  I’ve seen several, and have enjoyed most of them.  However, I don’t really have a favorite.  When it comes to Television, I love the sitcoms from the ‘80s.  “Three’s Company” was my absolute favorite.  I loved “Spin City” with Michael J. Fox.  “Malcolm In The Middle” was very fun.  I didn’t really get into Television Dramas until the past 10 years.  “Picket Fences,” “The Practice,” “The Shield,” “Justified,” and several others.

How would you describe your film education? Hands on.  As an Actor, I have always tried to observe the crew, Producers, and Directors during downtime on set.  The more you understand about their jobs, the better you can do yours.

How would you describe the film "scene" where you live?  I currently live in the South East.  Lots of filming takes place in North Carolina, Georgia, and Louisiana.  Independent film is constant, as well as major productions and Television series’.  It’s a great place to learn and get some credits before heading off to larger markets, like Los Angeles, or New York.  You won’t become a celebrity here, but if you’re willing to travel a lot, you can make a decent living.

How has social media changed the independent film industry?  Social media (Facebook, Twitter, and video sites such as youtube and vimeo) has changed the way Actors audition, Filmmakers distribute their creations, and made self-promotion much more efficient.  Being able to audition by videos posted on websites makes it convenient for everyone involved in the casting process.  Being able to post your film online ensures that someone will get to see your little film shot on a digital camera for under $500.

What's your opinion on crowdfunding?  Crowdfunding has certainly helped me, and several of my fellow filmmakers.  However, unless you have countless hours to sit in front of the computer and promote it, or you can get a whole team of people to spread the word, it’s still difficult to raise serious money for those higher budget projects.

How does independent film differ from the mainstream?  Lets see if this makes sense...  Independent film verses mainstream primarily means a film that was financed with less money, or money from private sources, as apposed to a major studio footing the bill.  There are many types of “independent” films, mostly due to the budget.  They can range anywhere from the price of the pizza’s you feed your cast and crew, to the million dollar action film with a recognizable B-list celebrity.  Any “independent” film can secure distribution before or after production.  Mainstream simply means that it was given the go-ahead, along with a phat check, from the beginning and preset release dates for Cinemas across the country.

You could go back in time and see any classic film being made. Which film would it be and why?  I think I’d like to have been on set of E.T.  Just to watch Spielberg in his best years, and seeing the passion first hand that went into making that incredible film.  It was probably the best movie of my childhood.

What's your favorite movie quote and why?  I have many, but one that has always stood out to me was said by Danny DeVito in “Renaissance Man,” in which he steals a little bit from William Shakespeare;  The choices we make dictate the life we lead.  To thyne own self be true.  At the time this film came out, I was torn with a few life decisions.  This was just a line that spoke to me at the right time, and honestly helped me make choices that has led me where I am today.  For better or worse.

What is your opinion on movie remakes and sequels?  I think sequels used to be death.  In more recent years, many sequels have done well, and sometimes surpassed the first.  However, when it comes to remakes, I think there are some that can be entertaining, especially with the modern technology, but if they ever try to remake “E.T.” or “Streetcar Named Desire” I think I’ll have to take hostages.  You do not try and fix something that wasn’t broke to begin with.

What is your opinion on book to movie adaptions?  They rarely work, but put in the right hands, can be just as magical as the book.  “Sideways,” for example, was much more enteraining than the book, in my opinion.

Is there anything else you would like to add?  I fell in love with Acting because, as strange as it may sound, being aloud to become other people was the only way I felt comfortable being myself.  It’s rewarding to know that I can use my emotions, voice, words, and whatever else I have to make people laugh, cry, and feel.  Whether I’m acting, or it’s my scripted words being said, there is no other career path that I could imagine being as rewarding as this.  I hope that I can do this until the day I die, and if I could actually pay my bills solely from this industry, that would great too!

Thank you for asking me to be part of your blog, and allowing me to share my experiences and passion with your readers.

 

 

 

 

Thanks for doing the interview Langley. I hope to see "Superhero" when it comes to a festival near me.

Thursday, August 11, 2011

Filmmaker Kevin Armento

A writer for screen, stage, and print, Kevin has studied dramatic writing with New York University and the ICA London. His play Bets & Blue Notes was awarded Outstanding Playwright at the 2007 California Fritz Blitz of New Plays, and named Best New Play of the Year by the San Diego Union-Tribune and the San Diego Gay & Lesbian Times. His play Companion Piece has been performed at the Last Frontier Theatre Conference, OnStage Playhouse in San Diego, and with Fresh Ground Pepper in New York, and will be performed by the North American Actors Association in London in 2012. His screenplays have received honors at the Slamdance Film Festival, Los Angeles International Film Festival, New York City Horror Film Festival, Action on Film Festival, and the Washington D.C. International Horror Film Festival, where he and his partners were runner-up for the DarkHart Screenplay Award. His work has been published in BushwickBK, howaboutwe.com, Wunderkammer Magazine, Glamour Magazine, and The Huffington Post.

What is the current project you are working on?

My writing partners and I are producing a short film called KILLER GRANNY. It's based on a feature script we wrote last year that did well at some competitions, so we're making this shorter version of it ourselves, in hopes of getting the feature made. It's exactly what it sounds like: a maniacal grandma who takes matters into her own hands when she finds out her kids are going to put her in a home.

How do you handle rejection?

I make sure I always have other potentials to look forward to. I also enjoy bourbon.

Did you always want to be a filmmaker?

For a while there I wanted to be a kid.

What inspired you to become filmmaker?

Hard to say, but I used to collect film scores. I'd imagine Hermann or Morricone playing over things I'd written, and it got me all excited.

Who is your favorite filmmaker?

One's too hard, man. Here are three I love: Charlie Kaufman, Miranda July, and Jean-Pierre Melville

What is one piece of advice you can give to someone who also wants tomake it in the movie business?

I'm looking for that advice myself, actually.

What do you like to do besides filmmaking?

I write plays, and I follow politics probably too much. I live in New York, and I try to take advantage of that when I can.

Have you had any other jobs before you decided to become a filmmaker?

Ha ha.

What are some of your favorite American films? Foreign films? Television shows?

We wrote KILLER GRANNY because we love some of those old b-movies - the really high-concept stuff, like The Blob, and The Wasp Woman. On the other end of the spectrum, I love the stuff that takes its time and lulls you in, like Badlands, Le Samourai, a lot of Jim Jarmusch's stuff. The old John Ford and Sergio Leone westerns.

How would you describe your film education?

Mostly on-the-ground problem-solving. We've never produced a short of this magnitude before, so we're learning as we go. Other than that, just went to a bunch of movies growing up - lot of "double-features" with my Dad.

How has social media changed the independent film industry?

Five guys no one has ever heard of can raise $10,000 for a short film with no stars attached. And we can shoot that film in the same format Soderbergh and Peter Jackson use. It's a cool time.

How does independent film differ from the mainstream?

Explosions, bad sex, and no cigarettes?

You could go back in time and see any classic film being made. Which film would it be and why?

Probably "Battlefield Earth", so I could go up to John Travolta and say, "Listen, are you sure about this?"

What's your favorite movie quote and why?

"You're killing me, Smalls." - Ham Porter, The Sandlot

What is your opinion on movie remakes and sequels?

Sort of like playing red or black on the roulette wheel. You'll probably win a little money, but no one's going to respect you.

Thanks for doing the interview Kevin. Nice metaphor for remakes and sequels. I'll be s to do what I can to spread the word about "Killer Granny"

Wednesday, August 10, 2011

Filmmaker Ryan Levin

Ryan wrote and produced the independent film, Some Guy Who Kills People, a dark comedy starring Kevin Corrigan, directed by Jack Perez and executive produced by John Landis.  Ryan is currently writing on the Cartoon Network show, The Problem Solverz.  He has written on the shows I’m In The Band and Scrubs, has consulted on South Park, and has sold animated pilots to 20th Century Fox and Comedy Central.  He was also invited to pitch jokes and ideas to Sacha Baron Cohen (Borat, Da Ali G Show) for Cohen’s film, Brüno.  Ryan wrote and directed the short film,The Fifth, which screened at over 60 film festivals worldwide, and garnered a myriad of awards along the way.  He also wrote and directed the horror-comedy short film, Tour de Fright, after winning financing from Boost Mobile’s “Create The Next Horror Villain” Contest.  He is currently working on a screenplay based on this short film, and developing random TV projects.  


What is the current project your working on?

I'm currently working on a Cartoon Network show while promoting my feature film, SOME GUY WHO KILLS PEOPLE, an independent dark-comedy I wrote and produced. In addition, I'm trying to develop TV shows and finish a screenplay that is taking me waaaay too long to complete.

Did you always want to work in the film industry?

No, I didn't discover a desire for writing until I was 25, and that was strictly TV writing. It wasn't until 2007, when I wrote and directed a short film called THE FIFTH for fun. From there, I decided to turn that short into a feature, and ever since, have been finding myself much more interested in writing features than I ever imagined. But I still love writing for TV shows, while trying to develop my own.

What inspires you?

The most boring answer in the world: great writing. Every so often, I'll read a book or watch a film or TV show that reminds me how effective great writing can be. How one can be emotionally altered by the experience of great writing. And while I almost always think, "I'll never be 10% as great as that writer," it inspires me to try. I guess, wrapped up in that, is a certain level of inner competition. Can I become a better writer than I am now? The answer, of course, is yes. Then the question becomes, "How?" And the answer is, keep writing.

Also, the cocktail of fear, lurking failure and insecurity has a wonderful way of getting me to the desk to write.

What is the best thing about working in the film industry?

The flashes of inspired writing I get about once a month. Sometimes they last for a week, sometimes a day, sometimes five minutes. But the rush is like a drug. At the same time, writing something that makes a theater full of people laugh... that's a rush that's hard to top.

What is the worst thing about it?

The fact that you feel you can always be doing more to further your career. There is no 9-5 element to the creative process, even if you're a writer who says I will only work from 9-5. Writing is a lifestyle, not just a career. I can't speak for everyone, but writing can take over my life, and, unfortunately, it often does. I'm constantly worried that if I'm not writing now, then I'm missing some job opportunity, that I'm missing the chance to write something great. Also, I am an extremely slow writer because writing helps me think. So it's not until I've spent a few hours writing that I really start to find my groove (if I find it at all). However, life does not allow me to write several hours EVERY DAY, even though I wish I could. Plus, no matter what I'm doing -- playing tennis, walking the dogs, unicycling -- the chances that I'm thinking about writing in some capacity are about 99.9%. The .1% is when I'm sleeping, and that really can go either way, too.

What is the estimated number of projects you have worked on?

A very tough question to answer because I don't know what defines "a project." I've written several screenplays, a myriad of TV pilots, a web series, several short films, numerous writing samples (ie, non-script samples that one can submit for TV jobs), produced TV scripts, one produced film, and a whole hodge-podge of other crap that will never see the light of day. I've written some of these things to get a specific job; some I've written as a sample that shows "Here is what I can do;" some I've written to try to sell, etc. The number of these projects that have or will see the light of day is depressingly small. But each "project" has helped my writing in some way, even if I don't exactly know how.

Who is your favorite filmmaker?

Not sure I have a favorite filmmaker because I can't think of anyone that has knocked it out of the park (for me) every time. I would say my favorite writer is Martin McDonagh, an Irish playwright, who also wrote and directed the film, "In Bruges." When the Coen Bros. hit it, they're tough to beat. I'd be lying if I said Fellini because I get bored too easily. My favorite filmmaker might be the documentarians, Errol Morris, Joe Berlinger & Bruce Sinofsky because I can't think of a movie they've made that I didn't either enjoy a lot, or go nuts over.

On TV, Vince Gillgan's "Breaking Bad" is my favorite drama ever ("The Wire" and "Epitafios" from Argentina are both in the mix), while the golden years of "The Simpsons" essentially defined comedy for my generation.

How has your life changed since you became involved in entertainment industry?

It's become an obsession. And not in a good way.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

That all depends on what area of the movie biz interests them. For those with creative aspirations, the key is to do what you want to do, over and over and over again, both to get better, and to eventually land on the right person's radar. Do it for free, and do it a lot. While doing this, you likely will need a survival job, so why not immerse yourself as much in the film/TV world as possible -- intern at a production company, get a PA or writers assistant job, help out a make-up artist on an indie film. Develop relationships, learn how the system works, and, on the side, pursue your true ambitions.

If you want to be on the business side, find the places that create the type of material that resonates with you, and get in the door -- as an intern, an assistant, etc. If you can't land exactly where you want, get in somewhere, and know you won't be there forever. People are constantly moving from one company to another, and you will, too.

Whether you enter the creative side or the business side, I guarantee that you will not end up exactly where you thought you would. Just get yourself on the board, and let the die take you in all sorts of directions

What do you like to do outside of the industry?

Sports. I will play any sport -- from tennis to wiffle ball to flag football (some a lot better than others). I'm not one of those people who loves sports enough to watch an Iowa State-Montana football game on Saturday afternoon, but when my teams play, or the NBA, NFL or MLB playoffs roll around, I'll watch, no matter who's playing. And the last thing I do before I get in bed every night is watch Sportscenter.

I love running, reading, playing board games, going to heavy metal concerts, playing with my dogs, hiking, and, of course, spending quality time with my fiancee. I love the occasional trip to an amusement park, too.

Have you had any other jobs before you decided to work in film?

Assistant talent agent, waiter, improv teacher, GED tutor, busboy, after-school teacher, dog kennel shit-picker-upper, horrible theater acting. I'm probably leaving some out.

What are some of your favorite American films? Foreign films? Television shows?

Oh, Jesus Christ.

American: Halloween, Seven, Dumb & Dumber, Waiting for Guffman, Spinal Tap, Best in Show, Three Amigos, Beverly Hills Cop, Better Off Dead, Coming to America, Godfather, Usual Suspects, My Father The Hero (checking to see if anyone reading this), Paradise Lost 1 & 2, American Movie, Thin Blue Line, In Bruges, Ace Ventura: Pet Detective, Psycho, The Shining. I know I'm leaving out hundreds that should be on this list.

Foreign: City of God, The Staircase, The Vanishing, Pan's Labyrinth, Let the Right One In

TV: Breaking Bad, The Wire, The Simpsons (back in the day), Modern Family, Epitafios, Arrested Development (Season 1), Damages (Season 1), Friday Night Lights (Season 1, and then random other seasons). I used to loooove Wings, but it's not funny now. I guess that's how I feel about most older shows -- they don't hold up for me.

How would you describe your film education?

Film education? Not sure I have one. I've read books, watched a lot of good and bad movies, made some shorts and watched Jack Perez shoot the feature that I wrote/produced. Beyond that, I have no film education.

How would you describe the film "scene" where you live?

I live in LA, so it's not a scene. It's the whole damn movie.

How has social media changed the independent film industry?

It's a double-edge sword. I absolutely hate spending time on Facebook and Twitter when I'm trying to promote my film because that's time I could be writing. Using these social media tools for promotion is like having a full-time job, but one for which I'm completely unskilled. I like reading hilarious tweets on Twitter, or following a link to a great article, or getting a great movie suggestion, or meeting people on-line and then in person... but because I'm on there to pimp my film, it feels like pushing a boulder up a hill where my reward is X number of followers, 1% of whom may consider buying my film once it's available.

However, without Facebook and Twitter, how the hell would I spread word about my movie (outside of festivals)? I suppose I would have gotten the trailer out there, and gotten some interest off that. The situation is that there are so many indie movies out there, and somehow, some way, you need to stand out from all the noise (I don't mean "noise" in the derogatory sense; just the noise generated by all the other filmmakers pushing their own projects). Despite my film getting some great reviews, and great receptions at festivals, and knowing there is definitely a demo that will eat this film up, I still haven't figured out how to break through and achieve the desired "buzz." People in the indie film genre world likely know about, or have heard something about it, but that has not translated to Facebook "likes" and Twitter "followers," numbers I never thought I'd give a shit about. But I do, because I know buyers do. Actually, I should care about these numbers because some of these people are fans who have really supported the movie, have told friends about it, and will buy it when it's available.

Facebook and Twitter are not all bad -- not by a long shot. I've met some great people on-line, and then in person, and that's "real." That means something to me. And I like being able to post behind-the-scenes videos on Facebook, or throwing out random thoughts on Twitter, and I always find cool articles from the people I follow on Twitter... so there is a big upside to social media

What's your opinion on crowdfunding?

I have no personal experience with it, but I think it's a simple and ingenious idea. It's also inspiring and uplifting to think that people are willing to give money to total strangers because they truly believe in a project. Yeah, the prizes play a role, but I can't help but feel it's a sign that music, film, etc audiences have appetites that are not being satiated by the mainstream, but they are finding projects on the crowdfunding sites that really appeal to them. So much so that they are willing to pay to make them a reality. Of course, I'm quite curious to see how the projects that get their money from crowdfunding turn out. I believe the film, Absentia, got its money from crowdfunding, and it's tearing up the fest circuit. But are most of these projects being seen to completion? Are they delivering on what was promised? Are they good? Are they satisfying the strangers who paid to make them happen? In the next year or so, we should start hearing about more crowdfunded projects that go on to succeed in their respective areas, and truly stand out. As for all the others that raise the money... well, I'm curious.

What is the casting process like?

I absolutely love it. One of may favorite parts of the process. For me, I spend X number of years writing a script, often times with certain actors in mind that could play each role. Sometimes those actors are pipe dreams; other times they're just friends who I can't wait to see play the roles. But to watch good/great actors come in and read your material and bring out things you never knew were in the text, that's just plain cool. And fun. To see all the different ways one can read the same line, or interpret the same character. As someone who spent a while studying acting, but never got very good at it, I just love watching good actors read anything, let alone my material.  Having only done one feature, it was surreal to see actors for whom I had the utmost respect giving life to words I jotted down at some point. Then, on top of casting for each role, you need to cast for the whole movie -- the entire ensemble. If you're casting a family of 4, you can't just pick the four best actors. You need to find the actors that can act, and that will look like a family. I get so frustrated when I see films (indie or mainstream) with 2 actors or actresses that look the same -- family members, a group of friends, etc. Even if I can keep track of who is who, it's just a waste. With all the great actors out there, why cast two people who look the same and usually end up blurring together?

How does independent film differ from the mainstream?

The two biggest differences are (no surprise) creative and financial.

There are so many different types of indie films in terms of what makes them indie. Sometimes the director has final word. Sometimes it's the person who put up the money who gets to call the shots. Or, in my case, it was me -- the writer/producer. I obviously listened to everyone around me, and usually realized I was wrong and they were right, but in the end, I had final say. That situation does not exist in the studio (mainstream) system.

If, hypothetically, I sold my script to a studio, it would likely bear no resemblance whatsoever to what I sold them. It would become a teenage comedy about a kid who gets beaten up and then defeats all his bullies in a dance contest. But when made independently, that script will be the blueprint for the movie, and the finished product will be what the director, actors, producers and crew decide through their collaboration. Not what the execs decide.

Yes, certain directors can do whatever they want and keep the studio execs at bay throughout the process, but even before that step, the script that the A-list director is working on has probably been re-written by 12 different people (which, I can only guess, has rarely, if ever, made a script better). Rewrites are essential. Input from other writers and non-writers is invaluable. But to run it through that many writers... I'd have to guess you start to get diminishing returns.

My guess is that even the top non-directing writers in Hollywood do not have much (if any) say in the final product. Their job is done, and maybe they've moved on to another project. Obviously, there are exceptions -- where a studio film is made exactly the way the writer/director wants it. But then once they're thrilled with the final cut, I'm sure they end up hating the poster or trailer or something. The more cooks in the kitchen, the greater chance one will throw in way too much nutmeg.

You could go back in time and see any classic film being made. Which film would it be and why?

One of the Ernest movies.

What's your favorite movie quote and why?

I'll give you two very different ones (again, my apologies for not quoting Robert Towne or Paddy Chayefsky):

"'I come home one day and the house is empty, and I mean completely empty. She even took the ice cube trays out of the freezer. What kind of a sick bitch takes the ICE CUBE trays out of the FREEZER?" -- Gib (Tom Arnold) from True Lies.

Should my favorite quote be from a James Cameron script? Probably not. But I just pretend that line was improvised or written by someone else.

I also love, "Become vengeance, David. Become wrath." -- John Doe (Kevin Spacey) in Seven.

His plan has worked perfectly and he's in total control of the situation, despite being handcuffed and bound for a lifetime in prison. He's telling Brad Pitt's character exactly what he wants, and he knows Brad Pitt will not be able to resist falling right into the trap. Plus, it sounds bad-ass.

You could have any super power. What would it be?

Either flight, or the power to be creative on cue. They'd both eliminate a lot of headaches.

Is any publicity good publicity?

I don't think a movie being ripped to shreds by every critic is good for that movie. I might argue that any controversy is good publicity.

What is your opinion on movie remakes?

The only remake I've ever see that's better than the original is Ocean's 11. I heard Let Me In is almost as good as Let The Right One In but I can't imagine it's better. The only reason I could fathom doing a remake (finances aside) is if it's a completely different (and better) interpretation of the original. There are just too many good scripts not being made that to do a remake without adding anything original... well, it's a shame.

What is your opinion on book to movie adaptions?

I'm all for for them, as long as the movie is good.

Is there anything else you would like to add?

I'm a nobody. I think I've said far too much already.

 

 

 

Thanks for doing the interview Ryan. I saw the trailer and it looks awesome. Readers please check out the  website for"SOME GUY WHO KILLS PEOPLE".  Join the fan mailing list. Don't forget to click the Facebook "like" button while your there.

Filmmaker Jeanne Dasaro

Jeanne Dasaro is a social entrepreneur, artist, and activist with extensive experience in nonprofit management and community journalism. Jeanne has spent the past 3 years connecting people across Boston and beyond as co-founder of The New Prosperity Initiative, an organization that works to build social and economic prosperity in communities. She believes stories have the ability to inform, inspire and connect.

What is the current project you are working on?

I recently launched, North End Stories. It is a digital narrative project that aims to collect, preserve, and share the stories of Italian-Americans whose families immigrated to Boston’s North End in the late 19th and early 20th century.

How do you handle rejection?

Although rejection can bruise the ego, I try to use it as a learning experience. It can be an opportunity to gain valuable feedback on a project which in turn can help spur new ideas and improvements.

Did you always want to be a filmmaker?

Although, I’ve always believed stories have the ability to inform, inspire and connect, creating and sharing stories using film is a recent interest of mine.

What inspired you to become filmmaker?

I’ve always learned best through conversation and/or watching someone do a task. With that in mind, I began focusing my efforts on video projects or projects that try to communicate information visually. Short videos and things like Infographics would be examples of what I mean. For me, I find I am able to capture emotions and ideas in a video that I am unable to create in the written word.

What is the estimated number of projects you have worked on?

Thus far only 3 very different projects, a nonprofit news and media organization, The New Prosperity Initiative, that reports on the nonprofit sector, Why Not Boston, a small web comedy show, and now my North End Stories project.

Who is your favorite filmmaker?

Wong Kar-wai, a film maker from Hong Kong. “In the Mood for Love” is my favorite film of his. He creates highly stylized, visually striking films that I am in love with.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I can’t really speak to making it in the movie business, since I haven’t quite done that. What I have done is left behind work and lifestyles that didn’t suit me. I no longer work a 9-5 office job, instead of work on projects I enjoy with people that inspire me. Anyone can do this. It takes a little bit of risk, some determination, changing your life around a bit, but in the long run, waking up each day excited about what you do makes it all worth it.

What do you like to do besides filmmaking?

I’m an activist and community builder, meaning I bring folks together around specific issues. I love urban farming, crochet, and riding my bike around Boston.

Have you had any other jobs before you decided to become a filmmaker?

Yes plenty. I was an accounting clerk, a makeup artist, an event planner, an operations manager, a co-founder of a non-profit, and now at 30 years old I work on a variety of independent projects.

How would you describe your film education?

Formal education is quite limited. Everything I know has come in 1 of 2 ways, by trying things myself and learning from my errors or by asking my network for help and guidance, specifically those who have the knowledge I am looking for.

What's your opinion on crowdfunding?

I love it. It’s wonderful on many levels. It connects micro-funders to projects they want to support and it allows artist, entrepreneurs, etc. to produce work outside of traditional funding models. I've had countless friends raise money to publish their book, revamp their company's website, produce a documentary film, and to me that's pretty awesome.

What is your process for conducting interviews for your narrative project?

It is a combination or research and relationship building. I spent several months researching the history of the neighborhood, business owners, active community members, and local publications. Once that list was created I began reaching out to individuals on the list to gauge their interest and willingness to participate. I also have the benefit of having family members who have been life-long residents of this particular neighborhood which means they have also been able to make introductions and foster relationships for the project. Over the next few weeks I will schedule and conduct interviews with those interested in being a part of the project.

How does independent film differ from the mainstream?

I think independent art forms in general (music, art, etc.) have more authenticity to them. There is less focus on what will sell or what people want. Instead the creator makes what they love, what they feel connected to.

Thanks for doing the interview Jeanne. I'll be sure to spread the word aboutNorth End Stories" and The New Prosperity Initiative.

Sunday, August 7, 2011

Filmmaker Chloe McFeters



Chloé McFeters is a writer and documentary filmmaker based in Boston, Massachusetts (USA).  In 2008, she founded Tortoise and Finch Productions with actor and director, Kevin Cirone.  Her first film, “You Look a Lot Like Me”, a feature-length documentary focused on the issue of intimate partner violence, is presently in post-production. 

What is the current project you are working on?

I am currently in post-production on a feature-length documentary, titled, “You Look a Lot Like Me”.  The film focuses on raising awareness about the issues of intimate partner violence and domestic abuse.

Did you always want to be a filmmaker?

No. Not at all.  I have always had a love affair with film, but never had the desire to create films myself.  I did, however, have the desire to write them.  That desire is not nearly as strong these days.

What inspired you to become a filmmaker?

I don’t know that I had any interest in becoming a filmmaker.  I still have trouble thinking of myself in those terms. I don’t feel I’ve really earned that title yet. Time will tell, I guess…

What I did have was an incredible passion regarding the issue of domestic violence. I wanted to create something, something that would allow for individuals whose lives had been affected by this issue to have a voice, and a voice that could and would be heard by many, many people.  Creating a film on the subject seemed like a very effective way to achieve that aim.

I had a friend who owned some camera equipment, and who was kind enough to let me use it for this film. With that key aspect covered, I wrote up a project overview, and began approaching organizations.  I guess you could say that I haven’t looked back since. That was more than four years ago now.

What is the best thing about being one?

In this case, it has been the connections I have made, both with the incredible and courageous individuals I’ve interviewed, and with the crew I’ve been blessed to gather around me along the way. I can’t say enough about the people I have worked with these past four years. I have made lifelong friendships with these men and women.  We have shared in a very powerful experience together and that sort of thing bonds you forever, I think.

What is the worst thing about being one?

In thinking about this project in particular, I’d say it’s having to make difficult decisions with regard to editing in order to comply with very reasonable, well established, and specific time constraints. Almost all of the footage we have shot is footage I feel needs to be seen. It’s challenging to effectively explore just a fraction of what needs to be said on this issue in an hour and a half or two hours. It’s just not enough time. So, that has recently been a frustrating element for me and for those who know the footage as intimately as I do.

What is the estimated number of projects you have worked on?

As far as film is concerned, I’ve worked on a handful of narrative indie projects, as either a writer or producer.  I’ve found that I love to produce.  This is the first project, though, where I have served as writer/director/producer.

 Who is your favorite filmmaker?

There are definitely a few for me.  Kieślowski, Wong Kar Wai, Spielberg, Pedro Almodovar…anything by Wes Anderson or Noah Baumbach…

How has your life changed since you became a filmmaker?

Apart from the traveling (and there is a LOT of traveling), I think most of the changes are internal, emotional, almost spiritual changes.  You can’t spend four years listening to the stories I’ve listened to, meeting the amazing people I have met -- hug them, eat dinner in their homes, hold their god children or their grandchildren -- and not come away from those sets of experiences profoundly altered in some way. I wouldn’t know how to begin to describe it. But it’s a difference, for sure.

What is one piece of advice you can give to someone who also wants to make it in the movie business? 

I don’t know that I’d know anything about how to “make it” in the movie business. I think I would say, no matter what you are doing, to work hard, to find something you care about deeply, something that inspires you in some way, and then dedicate yourself to it. Commit to your dream becoming a reality. That’s a lot easier said than done, I know.  And luck and timing have so much to do with it.  But, that would be my advice. Work hard, and enjoy your work. Oh! - and only floss the teeth you want to keep; don’t waste your time on the others…

What do you like to do besides filmmaking?

I write.  I write a lot.  I love to cook.  I love to garden.  I sit home and watch movies.  I am a pretty boring lady, truth be told.

Have you had any other jobs before you decided to become a filmmaker?

Ha ha – yes.  Oh yes.

What are some of your favorite American films? Foreign films? Television shows?

American films…Schindler’s List, English Patient, Royal Tenenbaums, Squid and the Whale, Half Nelson, Hereafter, Elegy…

Foreign Films…Three Colors: Blue, In the Mood for Love, The Adventures of Antoine Doinel, The Secret in Their Eyes, Habla con Ella…

I don’t generally watch television, ever.  But whenever I’m on a flight, the only thing I want to watch is Curb Your Enthusiasm.  It’s genius.  I love it.  I laugh before it even starts.  I laugh in anticipation.

How would you describe your film education?

Hands-on.

What's your opinion on crowdfunding?

Given the pretty incredible run we’ve had so far on Kickstarter, right about now, I’d have to say I love it!  Joking aside though, I think it’s a really interesting and engaging way to fund your creative endeavors. I’m a fan. There’s a lot of really amazing stuff out there.  Huge talent.  And now people can really be a part of allowing that talent to blossom and grow.

In its design, a platform like Kickstarter allows for anyone, really, to be able to be a part of something creative, and that, I think, feels good.  It’s really difficult for the average person today, for the average family. People are struggling financially all over this country, and so many others, and that’s an incredibly scary space to exist in. There is such uncertainty about their jobs, their homes, how they are putting food on the table from week to week, so I am very cognizant of that fact that it’s incredibly difficult for people to justify reaching into their pockets for something that is not an absolute necessity.

On the other hand, I think most individuals are giving creatures, generous creatures, and even given what is sometimes an immense set of financial challenges, we still want to feel that we can, and are in a position to, contribute to something outside of ourselves and our immediate sphere. It can be incredibly rewarding watching someone else’s dream become a reality, particularly when you believe in that dream. A platform like Kickstarter allows for active and affordable participation in that process. If giving $100.00 is not an option, then, you know, maybe giving $5.00 is, and if $5.00 isn’t an option, then maybe $1.00 will work more comfortably for you. Those are pretty liberating options. Anyone who has ever worked on an independent project of any kind knows all too well that that $1.00 is of great value, and it’s humbling for me anytime someone thinks enough of my work or my vision to contribute that dollar. I can think of a million other places it could be spent, especially today. That vote of confidence and support is definitely not lost on me.

I also think most of us understand the critical and invaluable role that art plays in any society. At a time when other, more traditional, forms of funding for artists are evaporating all across the country, crowdfunding platforms provide opportunity where there is otherwise none.  I think the concept will continue to evolve, like anything else, but I don’t see it going anywhere anytime soon.

What is the casting process like?

I love it.  I’ve always really enjoyed casting.  The process was obviously entirely different for my current film, being a documentary, and also given the subject matter, but in terms of narrative projects, yeah, I enjoy it. There’s something really great about the fearlessness involved, and also the vulnerability. On those rare occasions, when you can feel that actor become someone else, it’s almost magical.

You could go back in time and see any classic film being made. Which film would it be and why? 

It’s a Wonderful Life. That ear-to-ear telephone scene must have been something to observe.  That and falling in the pool looked fun…

What's your favorite movie quote and why?

“Lloyd, Lloyd all null and void. Looking for the truth, but trying to avoid, Lloyd. Not sure what to do, dissed in the Malibu.”  - Gas 'n' Sip Guys, Say Anything

Its profundity leaves me speechless.

Is there anything else you would like to add?

I think that last response really says it all, don’t you?  I don’t think I could possibly top that.

I would just like to mention that the Kickstarter campaign for the film, “You Look a Lot Like Me” runs until August 26th.  I am really thrilled to be able to share that we are 116% funded after just three weeks, and we’re not done yet!  Any additional contributions received between now and the end of the campaign will be used to help cover costs associated with distribution, advertising, marketing and promotions.

We have some really amazing and generous artists involved with this fundraising campaign, so I hope that people will stop by and check out the unique and creative wares being offered as rewards.

http://www.kickstarter.com/projects/tortoiseandfinch/you-look-a-lot-like-me

Your readers can also learn more about the film and my production company, Tortoise and Finch Productions, at www.tortoiseandfinch.com.

Thank you for your interest in my work and in the film.  I really appreciate this opportunity and I wish you continued success.

Thanks for doing the interview. I wish you the best of luck with your film and future projects.

Actress Alyssa Freedman



What is the current project you are working on?

I'm currently involved with an independent film called "Mark of the Dog Rose." It's the second project Astropiano Films has produced, and I am so excited to be a part of it. I'm playing Antonia (Toni) Marcel.

Did you always want to be a actress?

I have since I was very young, but I always considered it one of those "unattainable dreams" that would never come true. I guess it's just proof that you should never say never.

What inspired you to become actress?

Back when I was probably 10 or so, I went to a performance done by my best friend's acting class at the Burlington Park Playhouse. It looked like so much fun, so I enrolled in the next class. I absolutely fell in love with acting and never wanted to give it up. I continued learning and performing in any way possible throughout the years, although it got tricky as my academic work load increased. I'm so lucky to have been given the opportunity to continue doing what I love...this time on camera instead of on stage!

What is the best thing about being one?

Becoming an actress is no longer a little girl's dream, I AM one. I made my own dream come true. I don't think you can do any better than that :)

What is the worst thing about being one?

People sometimes assume I'm going to act snobby or like a diva because I can say I've been in a movie. Anyone who truly knows me will tell you that I am far from either.

What is the estimated number of projects you have worked on?

This is my second film project. I played Kerri in Astropiano Films' first project "Sunblocked." As for stage productions, I did a bunch when I was younger...I've completely lost count.

Who is is your favorite filmmaker?

It's a tie between Quentin Tarantino and Darren Aronofsky. I love how absolutely insane Tarantino is. His movies always have a certain tone to them, and it always impresses me that just by the "feel" of the film I can tell who the director is. I love Aronofsky because I am amazed at his uncanny ability to make people squirm (if anyone remembers the hangnail scene from "Black Swan," they'll know exactly what I'm talking about). Both filmmakers bring the art back to film making, because they have their own styles and their own signatures.

How has your life changed since you became an actress?

Well for a while, I wasn't able to do any performing or take acting classes. My high school and college work loads just got overwhelming, so it left no time for rehearsals or lessons. Working on films, however, involves working with people who have daytime jobs, and similar time constraints to my own. I'm once again able to do something I love that also fits into my schedule. I'm probably much happier now too, because acting (especially alongside Astropaino Films' wonderful cast and crew) brings me so much joy.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

NEVER SAY NEVER!! I just happened to be talking to Jess [Cook, our director] one day about life and she mentioned "Sunblocked." I offered to help her with anything she needed, and she invited me to audition! I never ever ever thought I would do anything remotely close to acting in indie films, but here I am, playing a major role in my second feature film.

What do you like to do besides acting?

I love to travel. I've been to Spain three times (once was for 5 months when I studied abroad), Italy, Australia, and New Zealand. I get antsy if I stay in one place for too long...plus I absolutely love learning about other cultures. Otherwise I'm pretty simple: I enjoy what I'm studying at UNH (Psychology and Spanish), I love music, and I love to dance.

Have you had any other jobs before you decided to become a actress?

Acting isn't my job, it's my passion. It's a pastime, a hobby, and one of those things that allows me to just let go of everything else in life and enjoy myself. But as for my job history, I worked as a religious school teacher's aide as well as a special needs tutor for a few years. Currently I work part time as a host at a local restaurant. The hosting job has helped me with my acting I think, because I can observe peoples' mannerisms and behaviors and potentially use them later in creating a character. Plus I'll also admit it comes in handy when I need to act reallllly nicely to rude, angry people. :p

What are some of your favorite American films? Foreign films? Television shows?

Favorite American films: Requiem for a Dream, Donnie Darko, Good Will Hunting, and The Fountain (which has the most unbelievably stunning soundtrack I've ever heard)

Foreign Films: The Lives of Others, a German film that left me speechless.

Television shows: I am admittedly obsessed with Criminal Minds. Not only do I dream of being a criminal profiler, but I have to say I'm also in love with Shemar Moore, Matthew Gray Gubler, and Thomas Gibson. The highlight of my life was when Matthew Gray Gubler spoke at UNH and I got to meet him. Another unattainable dream: attained.

How would you describe the film "scene" where you live?

I love that more and more films are being made in and around Boston. It gives me a sense of pride to see areas I know on the silver screen. Just a few years ago the Hollywood buzz was all around my hometown of Burlington, MA, as Kevin James was at our mall filming the comedy Paul Blart: Mall Cop. It's such an exciting atmosphere. Everyone loves a little taste of Hollywood and film making...and it's even more buzz-worthy if it involves local people like in our project.

What's your favorite movie quote and why?

There's a scene in Good Will Hunting when Robin Williams and Matt Damon's characters are sitting at the Boston Public Gardens. Williams delivers one of the most amazing monologues I have ever heard, saying things such as "I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable." At the end of the speech, I had tears in my eyes. I was blown away both by the performance, and by the actual dialogue.

What is your opinion on movie remakes and sequels?

If we're being honest, I think Hollywood has kind of run out of good ideas, so they're just banking on remakes and sequels. So few sequels have matched up to the original (Toy Story is the only one that comes to mind at the moment), I just don't understand why they continue to try. Remakes tend to frustrate me. Like this upcoming "Footloose" remake? How dare they. You can't replace Kevin Bacon. You just can't.

What is your opinion on book to movie adaptions?

I have never seen a film adaptation that adequately represented the book. There always comes that point when you say, "But they left out the part when...." Books and film are two different mediums and should probably be kept that way.

Is there anything else you would like to add?

Thanks so much for the interview, John! And to everyone else, stay on top of updates by following Mark of the Dog Rose on Twitter and becoming a fan on Facebook!