I got the chance to interview Casey Ryan creator and host of the online radio show "The Cutting Room Floor". For more information on Casey and his show click here. Follow Casey on Twitter @CuttingRoomMRB.
What is the current project you are working on?
While the podcast always takes priority, I’m also trying to get more writing done. Lately I’ve started writing actual reviews on some of the indie projects I’ve discussed on air and they’ve been pretty well received.
Did you always want to work in the film industry?
I don’t work in the film industry but, I’ve been fascinated by it since I was a kid. Part of me has always wanted to be a film critic but, I opted to get an education in business instead. Movies have always been my way to unwind and have fun. Studying the “film industry” is a serious hobby that I can share or debate with virtually anybody. It doesn’t matter what your background or set of interests is – everybody has an opinion about movies.
What inspired you to create the The Cutting Room Floor?
About 3 years ago, a good friend of mine named Dan Coleman owned and operated a great site (which has since been dismantled) that was dedicated to showcasing independent musicians. In addition to providing a platform for them to post their music, he also produced a talk show where the host would interview up and comers and seasoned veterans in the music business.
One day I happened to joke that he could easily adapt the talk show format to promote indie filmmakers. Being a man of few words he looked at me and said “Good idea. You do it!”. That same week, he helped produce my first episode.
I have an extensive sales background so a show like mine was a logical fit. It’s fun because I get to use my sales skills to help market my guests’ work. At the same time, I get to talk shop with all these great entertainment people which is a huge thrill for me personally.
What is the estimated number of guests you've had on your show?
As of this writing, I’ve done 112 shows and interviewed 97 different guests. Some of them have been on 2, 3 or in one case 5 times.
How do you chose which projects/people will appear on your show?
The vast majority of my interviews come from direct contacts that I make on Twitter. I do get a fair amount of additional referrals from people that grant me interviews and try to give them a certain amount of priority. I’m also sensitive of deadlines and try to accommodate anyone that is facing the last few days of a crowd-funding campaign. Beyond that, it’s on a first come, first serve basis. I’m open to talking to any type of artist – regardless of their chosen medium.
Who is your favorite filmmaker?
Norman Jewison is my favorite filmmaker. I have loads of others toward the top of the list but, keep going back to his work. It doesn’t hurt that I’m a huge Steve McQueen fan too (Cincinnati Kid and Thomas Crown Affair).
Other favorites include: Clint Eastwood, Martin Scorsese, Jon Favreau, and Quentin Tarantino.
How has your life changed since you created The Cutting Room Floor?
Being exposed to independent and micro-budget projects as much as I have over the last couple of years has opened my eyes to a lot of things. These entertainers are artfully able to sculpt a film (or novel or album) using little more than their own creativity, tenacity, and help from their peers. Often times I now find myself enjoying the independent films more than the major studio stuff – it’s just that good. I’ve also made a lot of amazing friends in the process.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
In a word, “Tilt”. “Tilt” was a film project headed up by Phil Holbrook, Jessica King and Julie Keck and symbolized exactly what a person should do to be a success in this business. Their marketing concept consisted of a fictitious “town” that was inhabited not only by characters in the movie but, people who donated to the project. They even created elaborate back-stories for their boosters.
The advice, as such, is deceptively obvious: find a good idea; assemble a team of talented, hard working people; market the project creatively and tenaciously; and engage with the fans and supporters – let them feel like they’re part of the process.
Above all else – enjoy yourself. Nobody wants to support a project where everyone looks defeatist or miserable.
Have you had any other jobs before you decided to create The Cutting Room Floor?
I’ve been working in corporate sales for over 10 years. I also sit on the Board of Directors for the Ireland-Canada Chamber of Commerce – a volunteer group that seeks to promote greater business ties between the two countries.
What are some of your favorite American films? Foreign films? Television shows?
All very long lists but, I’ll try to net out a “Best of 7” for each item.
American movies: The Great Escape; Goodfellas; Inglorious Basterds; E.T.; Rain Man; Stand By Me; The Blues Brothers.
Foreign Films: In a Better World; Life is Beautiful; The Orphanage; Taxi (original from France); Das Boot; The Crimson Rivers; The Rocket (Canada - technically not “foreign” but, largely in French).
TV Shows:
Current: Modern Family; The Big Bang Theory; Mike & Molly; Hawaii 5-0;
Not on anymore: MASH; Iron Chef (Japanese version); Lost
How would you describe your film education?
I’m a movie-buff – pure and simple. My film education consisted of a lifetime of long days in the basement with a big stack of films I’d rented. As a kid I’d go on runs where I’d pick an actor or actress I liked and rent anything I could find that had that person in it. When I wasn’t watching their movies I was reading their bios or critical essays about their work.
In high school and college, some buddies and I made an attempt at making a couple of short films instead of turning in essays. Luckily I’ve managed to destroy almost all the copies in existence but, it was fun times.
How would you describe the film "scene" where you live?
Montreal is the kind of place that has something to offer anyone. This can be true of a lot of cities but, this place is unique in it’s diversity – linguistically and culturally. As Dan Aykroyd once said “It’s like a little piece of Europe in North America”. Between Fantasia, Festival des Films du Monde, Short Cuts, Cine Gael, and all the other festivals, Montreal is a great place for a filmmaker.
How has social media changed the independent film industry?
It’s broken down a lot of barriers and helped give visibility to some phenomenal talents who otherwise would not have received any. My favorite aspect of the indie community is the level of cooperation that exists. People aren’t shy about sharing best practices or techniques. The sharing of information helps the community at large and almost everyone is willing to contribute to the betterment of the medium.
How does independent film differ from the mainstream?
Independent films are driven largely by the writers – whom I’ve said for years are the unsung heroes of the movie business. The lack of budget for special effects forces writers and directors to be a lot more creative in other areas. I find the films are a lot more character driven which leads to some highly compelling dialogue.
You could go back in time and see any classic film being made. Which film would it be?
E.T. - Steven Spielberg said that it was his most personal movie and I can see why. For people my age it was their first real taste of the magic that the movies can bring – and it’s aged pretty well. I’ve often thought it would have been a blast to work on the set.
You could be any animal. Which would you be?
A dog in a good home. Eat, sleep, play and you have a sense of smell that borders on being a super power. What more would anyone need really?
You could have any super power. What would it be?
Omni-lingualism. Being able to understand and be understood in any form of communication without prior knowledge of it would be extremely helpful and empowering. As an added bonus, you could learn all the really cool swear words.
What is your opinion on movie remakes?
When they’re done well, they’re gold but, the good ones are few and far between. For every “True Grit” there are at least 10 “Planet of the Apes”.
I also have another answer to this question. There was an article in Entertainment Weekly that said something to the effect of “don’t remake the good movies, remake the bad ones”. This makes sense. There are a lot of great story ideas out there that were just poorly executed on film.
What is your opinion on book to movie adaptations?
Books are a perfectly good source of material for movies. No matter how strong the finished product is, loyalists of “the book” will never really be happy because they go into the theater looking for things that the filmmaker left out as opposed to how strong the movie is on its own.
The one objection I do have is when an attempt is made at taking a series of books and mashing them all together into a single movie. Take a step back and enjoy the stories one at a time.
Thanks to Casey for a very informative interview. I'm going to tell all the people I interview to check out your radio show and follow you on Twitter.
Sunday, June 12, 2011
Saturday, June 11, 2011
Interview with Rudy Gold Filmmaker Behind "Abhorrence"
Below is my interview with Rudy Gold. Check out the concept trailer for his film, then read the interview.
What is the current project you are working on?
Abhorrence
Did you always want to be a filmmaker?
I guess it was always in the back of my mind. Growing up I use to skate with my buddies, but most importantly I was the camera guy and always knew I wanted to do something with film.
What inspired you to become filmmaker?
Well actually it’s the only thing I ever think about so I figure I might as well do what I love.
What is the best thing about being one?
Doing what I love
What is the worst thing about being one?
I wouldn’t know because I love everything about it.
What is the estimated number of projects you have worked on?
Some of the stuff I have done include music videos, short films, blogs, photography and lots of post production work.
Who is is your favorite filmmaker?
Robert Rodriquez and Ti west at the moment.
How has your life changed since you became a filmmaker?
Well all I do is eat, breath, and shit film making, so that’s pretty much the consistency of my life.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Go with your gut feeling and work at your craft as much as possible. Practice makes perfect.
What are some of your favorite American films? Foreign films? Television shows?
I really don’t watch to much t.v but when I do I love to watch entourage and Mad men. My favorite films include House of the devil. The exorcism, Suspiria and typically anything with horror in it.
How would you describe your film education?
You tube and vimeo haha. Lots of trial and error.
How would you describe the film "scene" where you live?
I live in Pasadena so its pretty low key.
How has social media changed the independent film industry?
Great question, I think that it has made it more possible and attainable. It really helps get your work out for people to see, which is a great tool for Independent Artist.
You could go back in time and see any classic film being made. Which film would it be?
The Exorcist
You could be any animal. Which would you be?
A Bull or a great white.
You could have any super power. What would it be?
I would love to have Freddy Kruger’s powers by Freddy Krueger does not exist in the physical world, but is instead a phantasm that resides in the realm of dreams. From this ethereal plane, Freddy can insinuate his consciousness into the dreams of others.
What is your opinion on movie remakes?
If they are done well, then right on.
Thanks to Rudy for answering my questions. I'll be sure to let everyone know about Abhorrence. If readers want to donate to Abhorrence, click here.
What is the current project you are working on?
Abhorrence
Did you always want to be a filmmaker?
I guess it was always in the back of my mind. Growing up I use to skate with my buddies, but most importantly I was the camera guy and always knew I wanted to do something with film.
What inspired you to become filmmaker?
Well actually it’s the only thing I ever think about so I figure I might as well do what I love.
What is the best thing about being one?
Doing what I love
What is the worst thing about being one?
I wouldn’t know because I love everything about it.
What is the estimated number of projects you have worked on?
Some of the stuff I have done include music videos, short films, blogs, photography and lots of post production work.
Who is is your favorite filmmaker?
Robert Rodriquez and Ti west at the moment.
How has your life changed since you became a filmmaker?
Well all I do is eat, breath, and shit film making, so that’s pretty much the consistency of my life.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Go with your gut feeling and work at your craft as much as possible. Practice makes perfect.
What are some of your favorite American films? Foreign films? Television shows?
I really don’t watch to much t.v but when I do I love to watch entourage and Mad men. My favorite films include House of the devil. The exorcism, Suspiria and typically anything with horror in it.
How would you describe your film education?
You tube and vimeo haha. Lots of trial and error.
How would you describe the film "scene" where you live?
I live in Pasadena so its pretty low key.
How has social media changed the independent film industry?
Great question, I think that it has made it more possible and attainable. It really helps get your work out for people to see, which is a great tool for Independent Artist.
You could go back in time and see any classic film being made. Which film would it be?
The Exorcist
You could be any animal. Which would you be?
A Bull or a great white.
You could have any super power. What would it be?
I would love to have Freddy Kruger’s powers by Freddy Krueger does not exist in the physical world, but is instead a phantasm that resides in the realm of dreams. From this ethereal plane, Freddy can insinuate his consciousness into the dreams of others.
What is your opinion on movie remakes?
If they are done well, then right on.
Thanks to Rudy for answering my questions. I'll be sure to let everyone know about Abhorrence. If readers want to donate to Abhorrence, click here.
Thursday, June 9, 2011
Interview R. Scott Leisk
I had the opportunity to interview the Writer / Director / Producer of Mahogany Sunrise. For more information on Scott and his film click here. Follow Scott on Twitter @scottleisk. Follow @mahoganysunfilm on twitter. Check out the film on Facebook here. The interview is below.
What is the current project you are working on?
Mahogany Sunrise is my current project. It is a neo-noir, romantic action drama that was inspired by the Mexican Girl Chapters of Jack Kerouac's On The Road and Jean-Luc Godard's classic film Breathless. Essentially it is a hip, lovers on the run story with themes of greed, arrogance, chance encounters, finding love, taking chances and following your heart to do what you're meant to in life. Two star-crossed strangers happen to meet, inspire each other and fall in love. In the end their love must survive greed and the relentless pursuit of those that want to kill them.
Did you always want to be a filmmaker?
I've always been fascinated with film and how it can transport you into another state of mind and place. It wasn't until college that I really decided that I wanted to write and direct films.
What inspired you to become filmmaker?
While attending college I took two courses that changed my life and outlook on film forever, Italian and French Cinema. I became fascinated with the different style and tone of these films from the Neo-Realists to the French New Wave.
What is the estimated number of projects you have worked on?
I've written and directed multiple video projects and a short film. Mahogany Sunrise will be my first feature film.
Who is your favorite filmmaker?
That's a tough question, because I really like so many different directors. I like Michelangelo Antonioni, Federico Fellini and Jean-Luc Godard and their films from the 1960's. Modern directors I like are Wes Anderson, Quentin Tarantino, Darren Aronofsky.
How has your life changed since you became a filmmaker?
Well, I haven't become a filmmaker full-time yet, I still have to work my day job. But there is always hope.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Persevere, don't give up even when everyone says you can't.
What do you like to do besides filmmaking?
I enjoy listening to all kinds of different music, gardening and spending time with my wife and kids.
Have you had any other jobs before you decided to become a filmmaker?
Yes, I currently work as an Network Engineer and Information Assurance Officer in the IT field.
What are some of your favorite American films? Foreign films? Television shows?
American: Darjeeling Limited, Braveheart, Office Space, Dazed and Confused, Kill Bill 1&2
Foreign: The Eclipse, 8 1/2, Alphaville, Cinema Paradiso
TV: American Pickers, History Channel, Lost, Anthony Bourdain: No Reservations
How has social media changed the independent film industry?
There is a great support network on Facebook and Twitter of filmmakers, producers, actors and other artists. I think it has really opened up the world for everyone to share ideas better.
What is the casting process like?
It can be fun and it can be a nightmare. You will receive headshots from people and then they arrive for the audition and they look nothing like their photos. Other times they'll come dressed and perform the scene exactly as you imagined as was the case for my actress Camille in my short film Last Night I Fell Again. She wore the perfect outfit to the audition and she not only got the role but it was the outfit she wore for the film.
How does independent film differ from the mainstream?
Scraping for money and people doing trades the normally wouldn't on a large set. In other words, people wearing multiple hats.
You could go back in time and see any classic film being made. Which film would it be?
Fellini's 8 1/2. I would love to see him direct and follow him through the pre-production phase to the final edit to understand his thought processes.
I'll have to check out 8 1/2. You're the fourth person to mention it. I will be checking it out. I'll be sure to tell people about Mahogany Sunrise. I'd be happy to review Mahogany Sunrise, just throwing that out there.
What is the current project you are working on?
Mahogany Sunrise is my current project. It is a neo-noir, romantic action drama that was inspired by the Mexican Girl Chapters of Jack Kerouac's On The Road and Jean-Luc Godard's classic film Breathless. Essentially it is a hip, lovers on the run story with themes of greed, arrogance, chance encounters, finding love, taking chances and following your heart to do what you're meant to in life. Two star-crossed strangers happen to meet, inspire each other and fall in love. In the end their love must survive greed and the relentless pursuit of those that want to kill them.
Did you always want to be a filmmaker?
I've always been fascinated with film and how it can transport you into another state of mind and place. It wasn't until college that I really decided that I wanted to write and direct films.
What inspired you to become filmmaker?
While attending college I took two courses that changed my life and outlook on film forever, Italian and French Cinema. I became fascinated with the different style and tone of these films from the Neo-Realists to the French New Wave.
What is the estimated number of projects you have worked on?
I've written and directed multiple video projects and a short film. Mahogany Sunrise will be my first feature film.
Who is your favorite filmmaker?
That's a tough question, because I really like so many different directors. I like Michelangelo Antonioni, Federico Fellini and Jean-Luc Godard and their films from the 1960's. Modern directors I like are Wes Anderson, Quentin Tarantino, Darren Aronofsky.
How has your life changed since you became a filmmaker?
Well, I haven't become a filmmaker full-time yet, I still have to work my day job. But there is always hope.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Persevere, don't give up even when everyone says you can't.
What do you like to do besides filmmaking?
I enjoy listening to all kinds of different music, gardening and spending time with my wife and kids.
Have you had any other jobs before you decided to become a filmmaker?
Yes, I currently work as an Network Engineer and Information Assurance Officer in the IT field.
What are some of your favorite American films? Foreign films? Television shows?
American: Darjeeling Limited, Braveheart, Office Space, Dazed and Confused, Kill Bill 1&2
Foreign: The Eclipse, 8 1/2, Alphaville, Cinema Paradiso
TV: American Pickers, History Channel, Lost, Anthony Bourdain: No Reservations
How has social media changed the independent film industry?
There is a great support network on Facebook and Twitter of filmmakers, producers, actors and other artists. I think it has really opened up the world for everyone to share ideas better.
What is the casting process like?
It can be fun and it can be a nightmare. You will receive headshots from people and then they arrive for the audition and they look nothing like their photos. Other times they'll come dressed and perform the scene exactly as you imagined as was the case for my actress Camille in my short film Last Night I Fell Again. She wore the perfect outfit to the audition and she not only got the role but it was the outfit she wore for the film.
How does independent film differ from the mainstream?
Scraping for money and people doing trades the normally wouldn't on a large set. In other words, people wearing multiple hats.
You could go back in time and see any classic film being made. Which film would it be?
Fellini's 8 1/2. I would love to see him direct and follow him through the pre-production phase to the final edit to understand his thought processes.
I'll have to check out 8 1/2. You're the fourth person to mention it. I will be checking it out. I'll be sure to tell people about Mahogany Sunrise. I'd be happy to review Mahogany Sunrise, just throwing that out there.
Tuesday, June 7, 2011
Interview With Adam Berry and Sarah Linda
Below is my interview with Adam Berry and Sarah Linda. For more information on Sarah and Adam click on their names above. Follow Sarah and Adam on Twitter @Sarah_M_Linda and @AdamBerryActor
What is the current project you are working on?
Adam: We are currently working on a Short Film called 'Losing It'. It is a tale of desperation, manipulation, love, and naivety all in one. I play Dan, who is the lead character and I am in a relationship with Kelly. You meet us in a pub, on a very strange day...I can't really say more than that as it will begin to give away the story but I promise you it will be worth watching their day unfold.
Sarah: Adam and I are both producing and acting in 'Losing It'. Currently we are towards the end of our campaign for funding through a website called Indiegogo, we are selling producer packages for people passionate about our concept and those wanting to be a part of Losing It, receiving IMDB credits along with other goodies for their contribution, if anyone is interested they can become a part of Losing It here http://www.indiegogo.com/losingit
Did you always want to be a filmmaker?
Adam: No. I actually have only ever wanted to act. I figure this is a means to that end. When I came out of Drama School, everything was very much in the air, and to keep me busy I started doing some short films, and the results were pretty amazing. So I figured, why don' I just start making my own that I can act in? Keep myself busy, keep on top of my craft and keep experienced. It's so easy for actors to moan and blame their agents for lack of work and things but in this day and age if you want to do it, you have to do it yourself.
Sarah: Similarly to Adam I also went to Drama School and am a professional actress. Being a film maker you have more of a say in the creative process where as an actress you are in the hands of the Director. Adam and I had worked on a couple of short films together and decided we wanted to create one ourselves using our own ideas.
What inspired you to become filmmaker?
Adam: I love telling stories. I love making people enjoy themselves, and I can only hope that my performances do that.
Sarah: I love film and wanted to create my own short that takes the audience on a journey and makes them think. I enjoy the art of film making, there are so many people involved in their separate roles, so much money and time and all that work ends up in this final product that you can be proud of and many can enjoy!
What is the best thing about being one?
Adam: The constant surprises you get. When one person you have never met says, that film was great. I really liked your work. That is all you ever want, and hope for.
Sarah: Like I said previously, to create a film that moves people and that can be seen in many years to come and hopefully still have the same effect. I love being creative and being a film maker you can be very hands on, days vary and you get to work with lots of interesting people.
What is the worst thing about being one?
Adam: Getting everything done. So much goes into making a film, and it is a really long and slow process. You really need to make sure that every little detail is covered.
Sarah: It's stressful! You work under a lot of pressure and to tight deadlines.
What is the estimated number of projects you have worked on?
Adam: As a Producer. Two. As an actor, I have no idea. Around 50.
Sarah: I don't keep count, it's got to be around 40. Some I have worked on for a day some over a month.
Who is is your favorite filmmaker?
Adam: Probably Shane Meadows. His work is something to behold. He works so hard on gritty story telling, and really appreciates the work of an actor.
Sarah: Mike Leigh and Christopher Nolan.
How has your life changed since you became a filmmaker?
Adam: I think my blood pressure has gone up a little!
Sarah: My roles have become more varied I could be publicising the film one day to working on the visual elements the next. Every day is different!
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Adam: Don't. Or if you are going to. Make sure it is your number one priority. You cannot produce a film if it is only in the back of your mind. It has to be driving you crazy all day every day.
Sarah: Do it if you love film, if you are prepared to work for free in order to make contacts, gain experience and learn the craft. You need motivation, passion and lots of ambition. Make sure you make the right impression and go the extra mile, a lot of it is about who you know. I think you make your own luck so make sure you are brave and approach the people you need to.
What are some of your favorite American films? Foreign films? Television shows?
Adam: TV Shows: The West Wing. It is like watching the theatre in a box. Really a superb piece of television making.
American Film: Probably American History X. It tells such a good story, and at the heart of it has some sublime performances. That or Juno. For the exact same reasons.
Foreign Films: City of God is pretty good. But it has to be everything Guillermo Del Torro has made.
Sarah: Foreign film? I love The Motorcycle Diaries by Walter Salles.
American films, theres a lot! Into The Wild, Romeo and Juliet also they do comedy best, Forgetting Sarah Marshall, Superbad and I Love You Man are a few of my favourites.
TV shows? The recent Walking Dead was pretty awesome! The Inbetweeners, Misfits, Summer Heights High, Green Wing, The Office, 90210, The Vampire Diaries, True Blood.
How would you describe your film education?
Adam: Basic. I'm not a huge film buff. I love acting. And the education I have had in that is pretty unique.
Sarah: Asking questions and keeping an eye and ear out! I have acting training but no professional film education. I have learnt on the job and made sure I make the effort to learn. As for my film knowledge I am getting there! I read magazines such as Empire and Total Film and talk to film buffs!
How has social media changed the independent film industry?
Adam: In many ways it has made it a lot easier to make, and spread the word. Crowd Funding sites are pretty amazing things. But then we have all the other stuff like Twitter, and Facebook, and it is great to clog up your feeds with progress, and it keeps everyone involved in your project who is interested in it.
Sarah: It is more accessible through social media sites, you can drum up a lot of support and publicity through sites such as Facebook and Twitter.
What is the casting process like?
Adam: For our film it is pretty simple. But in general, it is definitely worth taking the time out to get it right.
Sarah: As an actress i have experienced both sides of this! Most of our casting for 'Losing It' is through our contacts and actors we know. Casting can be a tricky process, a lot of the time it goes down to looks if you fit that role however sometimes someone unexpected can enter the audition room blow you away and see the role from a different perspective challenging your ideas.
How does independent film differ from the mainstream?
Adam: Money. It changes everything. If you can get a mainstream film budget into the Independent Film World then I think Cinemas, and UK Film making would be better off for it.
Sarah: Obviously the budgets are different, Independent film doesn't get the budget of a blockbuster so sometimes the production values are lower. However independent films are often passion pieces as the film makers create emotive stories which they feel strongly about. Some mainstream films are made purely to make money so sometimes the story lines are weak and the movie sells due to an in demand actor playing a role, the SFX or if it's 3D, they try and get the punters in. Obviously this is not always the case but i feel Independent film usually are made down to the film makers love of film.
You could go back in time and see any classic film being made. Which film would it be?
Adam: I have been on some pretty big budget film sets, and so would love to avoid films that have a lot of green screen creation and things. I think probably A film like Hook where everything is there for real. Plus it is an awesome film, with a brilliant cast. But I would have to say to sit next to Hitchcock making North by Northwest would be pretty good.
Sarah: Ben Hur would be pretty incredible with all those horses! Or maybe an old MGM film with all the dancing-girls and glamour! You can't beat old Hollywood!
You could be any animal. Which would you be?
Adam: A dolphin. I would love to swim around the world. Do flips, and go really really really fast.
Sarah: A big cat or a meerkat!
You could have any super power. What would it be?
Adam: To turn things into gold. That would really help with this business.
Sarah: To transport. To be able to click my fingers and jump across the other side of the world. Fancy a day out in the Serengeti or a shopping trip to New York, easy. Want some sun? I would be in Oz in a flash!
Do you believe on life on other planets?
Adam: I don't think so. I'm not a huge Sci-Fi guy, but I just don't think it is there. Not like ET anyway...
Sarah: I am sure there is life out there but I don't believe in the generic 'alien'. There may be plant life for example and maybe a form of bacteria but to have another Earth out there? I'm not sure.
CHECK OUT THE SHOW REELS FOR ADAM AND SARAH:
[vimeo http://vimeo.com/22465763]
Thanks to Adam and Sarah for answering all my questions. I'll be sure to let everyone know about 'Losing It'.
What is the current project you are working on?
Adam: We are currently working on a Short Film called 'Losing It'. It is a tale of desperation, manipulation, love, and naivety all in one. I play Dan, who is the lead character and I am in a relationship with Kelly. You meet us in a pub, on a very strange day...I can't really say more than that as it will begin to give away the story but I promise you it will be worth watching their day unfold.
Sarah: Adam and I are both producing and acting in 'Losing It'. Currently we are towards the end of our campaign for funding through a website called Indiegogo, we are selling producer packages for people passionate about our concept and those wanting to be a part of Losing It, receiving IMDB credits along with other goodies for their contribution, if anyone is interested they can become a part of Losing It here http://www.indiegogo.com/losingit
Did you always want to be a filmmaker?
Adam: No. I actually have only ever wanted to act. I figure this is a means to that end. When I came out of Drama School, everything was very much in the air, and to keep me busy I started doing some short films, and the results were pretty amazing. So I figured, why don' I just start making my own that I can act in? Keep myself busy, keep on top of my craft and keep experienced. It's so easy for actors to moan and blame their agents for lack of work and things but in this day and age if you want to do it, you have to do it yourself.
Sarah: Similarly to Adam I also went to Drama School and am a professional actress. Being a film maker you have more of a say in the creative process where as an actress you are in the hands of the Director. Adam and I had worked on a couple of short films together and decided we wanted to create one ourselves using our own ideas.
What inspired you to become filmmaker?
Adam: I love telling stories. I love making people enjoy themselves, and I can only hope that my performances do that.
Sarah: I love film and wanted to create my own short that takes the audience on a journey and makes them think. I enjoy the art of film making, there are so many people involved in their separate roles, so much money and time and all that work ends up in this final product that you can be proud of and many can enjoy!
What is the best thing about being one?
Adam: The constant surprises you get. When one person you have never met says, that film was great. I really liked your work. That is all you ever want, and hope for.
Sarah: Like I said previously, to create a film that moves people and that can be seen in many years to come and hopefully still have the same effect. I love being creative and being a film maker you can be very hands on, days vary and you get to work with lots of interesting people.
What is the worst thing about being one?
Adam: Getting everything done. So much goes into making a film, and it is a really long and slow process. You really need to make sure that every little detail is covered.
Sarah: It's stressful! You work under a lot of pressure and to tight deadlines.
What is the estimated number of projects you have worked on?
Adam: As a Producer. Two. As an actor, I have no idea. Around 50.
Sarah: I don't keep count, it's got to be around 40. Some I have worked on for a day some over a month.
Who is is your favorite filmmaker?
Adam: Probably Shane Meadows. His work is something to behold. He works so hard on gritty story telling, and really appreciates the work of an actor.
Sarah: Mike Leigh and Christopher Nolan.
How has your life changed since you became a filmmaker?
Adam: I think my blood pressure has gone up a little!
Sarah: My roles have become more varied I could be publicising the film one day to working on the visual elements the next. Every day is different!
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Adam: Don't. Or if you are going to. Make sure it is your number one priority. You cannot produce a film if it is only in the back of your mind. It has to be driving you crazy all day every day.
Sarah: Do it if you love film, if you are prepared to work for free in order to make contacts, gain experience and learn the craft. You need motivation, passion and lots of ambition. Make sure you make the right impression and go the extra mile, a lot of it is about who you know. I think you make your own luck so make sure you are brave and approach the people you need to.
What are some of your favorite American films? Foreign films? Television shows?
Adam: TV Shows: The West Wing. It is like watching the theatre in a box. Really a superb piece of television making.
American Film: Probably American History X. It tells such a good story, and at the heart of it has some sublime performances. That or Juno. For the exact same reasons.
Foreign Films: City of God is pretty good. But it has to be everything Guillermo Del Torro has made.
Sarah: Foreign film? I love The Motorcycle Diaries by Walter Salles.
American films, theres a lot! Into The Wild, Romeo and Juliet also they do comedy best, Forgetting Sarah Marshall, Superbad and I Love You Man are a few of my favourites.
TV shows? The recent Walking Dead was pretty awesome! The Inbetweeners, Misfits, Summer Heights High, Green Wing, The Office, 90210, The Vampire Diaries, True Blood.
How would you describe your film education?
Adam: Basic. I'm not a huge film buff. I love acting. And the education I have had in that is pretty unique.
Sarah: Asking questions and keeping an eye and ear out! I have acting training but no professional film education. I have learnt on the job and made sure I make the effort to learn. As for my film knowledge I am getting there! I read magazines such as Empire and Total Film and talk to film buffs!
How has social media changed the independent film industry?
Adam: In many ways it has made it a lot easier to make, and spread the word. Crowd Funding sites are pretty amazing things. But then we have all the other stuff like Twitter, and Facebook, and it is great to clog up your feeds with progress, and it keeps everyone involved in your project who is interested in it.
Sarah: It is more accessible through social media sites, you can drum up a lot of support and publicity through sites such as Facebook and Twitter.
What is the casting process like?
Adam: For our film it is pretty simple. But in general, it is definitely worth taking the time out to get it right.
Sarah: As an actress i have experienced both sides of this! Most of our casting for 'Losing It' is through our contacts and actors we know. Casting can be a tricky process, a lot of the time it goes down to looks if you fit that role however sometimes someone unexpected can enter the audition room blow you away and see the role from a different perspective challenging your ideas.
How does independent film differ from the mainstream?
Adam: Money. It changes everything. If you can get a mainstream film budget into the Independent Film World then I think Cinemas, and UK Film making would be better off for it.
Sarah: Obviously the budgets are different, Independent film doesn't get the budget of a blockbuster so sometimes the production values are lower. However independent films are often passion pieces as the film makers create emotive stories which they feel strongly about. Some mainstream films are made purely to make money so sometimes the story lines are weak and the movie sells due to an in demand actor playing a role, the SFX or if it's 3D, they try and get the punters in. Obviously this is not always the case but i feel Independent film usually are made down to the film makers love of film.
You could go back in time and see any classic film being made. Which film would it be?
Adam: I have been on some pretty big budget film sets, and so would love to avoid films that have a lot of green screen creation and things. I think probably A film like Hook where everything is there for real. Plus it is an awesome film, with a brilliant cast. But I would have to say to sit next to Hitchcock making North by Northwest would be pretty good.
Sarah: Ben Hur would be pretty incredible with all those horses! Or maybe an old MGM film with all the dancing-girls and glamour! You can't beat old Hollywood!
You could be any animal. Which would you be?
Adam: A dolphin. I would love to swim around the world. Do flips, and go really really really fast.
Sarah: A big cat or a meerkat!
You could have any super power. What would it be?
Adam: To turn things into gold. That would really help with this business.
Sarah: To transport. To be able to click my fingers and jump across the other side of the world. Fancy a day out in the Serengeti or a shopping trip to New York, easy. Want some sun? I would be in Oz in a flash!
Do you believe on life on other planets?
Adam: I don't think so. I'm not a huge Sci-Fi guy, but I just don't think it is there. Not like ET anyway...
Sarah: I am sure there is life out there but I don't believe in the generic 'alien'. There may be plant life for example and maybe a form of bacteria but to have another Earth out there? I'm not sure.
CHECK OUT THE SHOW REELS FOR ADAM AND SARAH:
[vimeo http://vimeo.com/22465763]
Thanks to Adam and Sarah for answering all my questions. I'll be sure to let everyone know about 'Losing It'.
Interview With Nic Baisley Creator of FilmSnobbery
Below is my interview with the the creator of FlimSnobbery Nic Baisley.
FilmSnobbery.com shines a spotlight on independent filmmakers and their projects, and gives exposure to great films that would otherwise be ignored by the mainstream media.
FilmSnobbery Live! is a web broadcast live interview show that takes an in depth look at the rapidly changing world of indie film. Host and film critic Nic Baisley gets up close and personal with the people at the leading edge of indie film to uncover the stories behind the making of their movies.
You can watch it all happen, and participate in our live chat room, every Thursday night at 10 EST/7 PST at http://live.filmsnobbery.com
FilmSnobbery.com… a Voice for Indie Film (Source: http://filmsnobbery.com/about/)
What is the current project you are working on?
A: I'm always working on ten projects at once. Right now the main three projects we're working on are hiring some more staff to help increase our cashflow, we're working on producing several more shows in addition to FilmSnobbery Live!, and we're also trying to plan out the rest of our year in terms of speaking engagements, screening series', and film festival coverage.
Did you always want to be a filmmaker?
A: I've never really wanted to be a filmmaker. I don't think that I have the skillset needed to be behind the camera like that. I do feel I'd make an excellent producer though. One of the many questions I get all the time is "you're a film critic, so where's your script?". The truth is, I've got many ideas floating around in my head, but right now I'm concentrating on making other people's dreams come to fruition.
What inspired you to become involved in the independent film industry?
A: At the end of the day it just comes down to passion and levels of exposure. Will Smith doesn't need my voice to hype his latest multi-million dollar project, but there are a lot of filmmakers who would appreciate someone talking about their low budget first attempt at filmmaking.
What is the best thing having your own talk show?
A: I think the best thing is just hearing the variety of personal stories that our guests get to tell. Every project is unique and so are the people who are behind them. Also the interraction we have with our audience really gives the show that "clubhouse" feel. Like we're all in this group together, fostering support for everyone's projects.
What is the worst thing about having your own talk show?
A: The worst part is when I have a guest who just can't relate to the audience, or doesn't speak with passion about their own projects. It's amazing how there are some directors out there who just seem to have no idea what their film is REALLY about, but instead just spout off soundbites that they THINK is what myself and the audience wants to hear. Also, people who are on just to promote promote promote without engaging myself or the audience is a big turn off. Buy me dinner first before you try to sleep with me, right?
What is the estimated number of projects you have worked on?
A: That's a tough question because it depends on your definition of "worked on" is. If you mean how many films have I worked on personally, then only a few. If you mean how many have I helped to promote through interviews, reviews, screenings, etc., then the answer is hundreds.
Who is is your favorite filmmaker?
A: Kevin Smith. But the funny part is, as much as I admire his early work as a filmmaker, I'm more anamored now with his ability to hold onto and increase his audience outside of the film world. There aren't many people, nevermind directors, that can keep people riveted for 8 or more hours. When I saw him live in Red Bank, NJ he spoke for about 7 hours and the crowd was still amped for more when it was over.
How has your life changed since you became the host of your own show?
A: Honestly I sometimes wonder what the REAL impact the show has had on what I do. But I'll say that FilmSnobbery in general has changed my life dramatically. I'm traveling all over the country more often, meeting new creative people everyday, and it is finally nice to do something that doesn't feel like a "job". I put 100% into FilmSnobbery and I get all that and more everyday. I'd do this for free, if I could, every day for the rest of my life.
What is one piece of advice you can give to someone who wants to make it in the movie business?
A: Learn how to accept the word "NO" a lot, and persevere. Don't let it break your down. Just listen to a lot of Matthew Wilder's "Break My Stride", that always helps me.
What are some of your favorite American films? Foreign films? Television shows?
A: Favorite American films are kinda cliches like Clerks, Star Wars, and Reservoir Dogs. My favorite foreign films are Battle Royale, Shaun of the Dead, and Pan's Labyrinth. For TV shows I generally enjoy Doctor Who, Bones, and Castle.
How would you describe your film education?
A: Tarantino-esque
How would you describe the film "scene" where you live?
A: Lively but isolated. There are a ton of film festivals in the Boston area, but so very few people getting together on their own and helping to make and promote film in any public forum. I'd love to be proven wrong about that though!
How has social media changed the independent film industry?
A: You can now engage your audience in your underwear, from anywhere. You don't have to have a 50 million dollar P & A budget to get the word out about your film anymore, you just have to have the patience and the passion to get other people to care on a 1 to 1 basis about your project.
What is the interview process like?
A: For me I like to keep it really simple. I try to make the guest feel as comfortable as possible. Hopefully we promote everything he/she wants to, but mostly I just want my audience to care about them as people. Almost all of our live shows are unscripted, which I think makes the answers to my questions a bit more real and honest.
How does independent film differ from the mainstream?
A: Most of it comes down to budget. Some might say passion as well but I don't think many directors (it might be a little different for PA's and grips, etc.) go into filmmaking not being in love with film. I think the further you go down the food chain of film credits, the more it is just a job, but I personally don't know anyone in the film world who doesn't have a love for film in general who works in it, even if they're not thrilled about the film they are currently working on.
You could go back in time and see any classic film being made. Which film would it be?
A: Citizen Kane
You could be any animal. Which would you be?
A: Monkey, because that's not too far removed from where I am currently.
You could have any super power. What would it be?
A: The funny answer would be shape-shifting, but I think teleportation would be the real answer, so I could be anywhere I was needed at any time to cover as much of the indie film world as I could.
Remember readers FilmSnobbery Live airs on Thursdays at 10PM EST. Thanks to Nic for an informative interview.
FilmSnobbery.com shines a spotlight on independent filmmakers and their projects, and gives exposure to great films that would otherwise be ignored by the mainstream media.
FilmSnobbery Live! is a web broadcast live interview show that takes an in depth look at the rapidly changing world of indie film. Host and film critic Nic Baisley gets up close and personal with the people at the leading edge of indie film to uncover the stories behind the making of their movies.
You can watch it all happen, and participate in our live chat room, every Thursday night at 10 EST/7 PST at http://live.filmsnobbery.com
FilmSnobbery.com… a Voice for Indie Film (Source: http://filmsnobbery.com/about/)
What is the current project you are working on?
A: I'm always working on ten projects at once. Right now the main three projects we're working on are hiring some more staff to help increase our cashflow, we're working on producing several more shows in addition to FilmSnobbery Live!, and we're also trying to plan out the rest of our year in terms of speaking engagements, screening series', and film festival coverage.
Did you always want to be a filmmaker?
A: I've never really wanted to be a filmmaker. I don't think that I have the skillset needed to be behind the camera like that. I do feel I'd make an excellent producer though. One of the many questions I get all the time is "you're a film critic, so where's your script?". The truth is, I've got many ideas floating around in my head, but right now I'm concentrating on making other people's dreams come to fruition.
What inspired you to become involved in the independent film industry?
A: At the end of the day it just comes down to passion and levels of exposure. Will Smith doesn't need my voice to hype his latest multi-million dollar project, but there are a lot of filmmakers who would appreciate someone talking about their low budget first attempt at filmmaking.
What is the best thing having your own talk show?
A: I think the best thing is just hearing the variety of personal stories that our guests get to tell. Every project is unique and so are the people who are behind them. Also the interraction we have with our audience really gives the show that "clubhouse" feel. Like we're all in this group together, fostering support for everyone's projects.
What is the worst thing about having your own talk show?
A: The worst part is when I have a guest who just can't relate to the audience, or doesn't speak with passion about their own projects. It's amazing how there are some directors out there who just seem to have no idea what their film is REALLY about, but instead just spout off soundbites that they THINK is what myself and the audience wants to hear. Also, people who are on just to promote promote promote without engaging myself or the audience is a big turn off. Buy me dinner first before you try to sleep with me, right?
What is the estimated number of projects you have worked on?
A: That's a tough question because it depends on your definition of "worked on" is. If you mean how many films have I worked on personally, then only a few. If you mean how many have I helped to promote through interviews, reviews, screenings, etc., then the answer is hundreds.
Who is is your favorite filmmaker?
A: Kevin Smith. But the funny part is, as much as I admire his early work as a filmmaker, I'm more anamored now with his ability to hold onto and increase his audience outside of the film world. There aren't many people, nevermind directors, that can keep people riveted for 8 or more hours. When I saw him live in Red Bank, NJ he spoke for about 7 hours and the crowd was still amped for more when it was over.
How has your life changed since you became the host of your own show?
A: Honestly I sometimes wonder what the REAL impact the show has had on what I do. But I'll say that FilmSnobbery in general has changed my life dramatically. I'm traveling all over the country more often, meeting new creative people everyday, and it is finally nice to do something that doesn't feel like a "job". I put 100% into FilmSnobbery and I get all that and more everyday. I'd do this for free, if I could, every day for the rest of my life.
What is one piece of advice you can give to someone who wants to make it in the movie business?
A: Learn how to accept the word "NO" a lot, and persevere. Don't let it break your down. Just listen to a lot of Matthew Wilder's "Break My Stride", that always helps me.
What are some of your favorite American films? Foreign films? Television shows?
A: Favorite American films are kinda cliches like Clerks, Star Wars, and Reservoir Dogs. My favorite foreign films are Battle Royale, Shaun of the Dead, and Pan's Labyrinth. For TV shows I generally enjoy Doctor Who, Bones, and Castle.
How would you describe your film education?
A: Tarantino-esque
How would you describe the film "scene" where you live?
A: Lively but isolated. There are a ton of film festivals in the Boston area, but so very few people getting together on their own and helping to make and promote film in any public forum. I'd love to be proven wrong about that though!
How has social media changed the independent film industry?
A: You can now engage your audience in your underwear, from anywhere. You don't have to have a 50 million dollar P & A budget to get the word out about your film anymore, you just have to have the patience and the passion to get other people to care on a 1 to 1 basis about your project.
What is the interview process like?
A: For me I like to keep it really simple. I try to make the guest feel as comfortable as possible. Hopefully we promote everything he/she wants to, but mostly I just want my audience to care about them as people. Almost all of our live shows are unscripted, which I think makes the answers to my questions a bit more real and honest.
How does independent film differ from the mainstream?
A: Most of it comes down to budget. Some might say passion as well but I don't think many directors (it might be a little different for PA's and grips, etc.) go into filmmaking not being in love with film. I think the further you go down the food chain of film credits, the more it is just a job, but I personally don't know anyone in the film world who doesn't have a love for film in general who works in it, even if they're not thrilled about the film they are currently working on.
You could go back in time and see any classic film being made. Which film would it be?
A: Citizen Kane
You could be any animal. Which would you be?
A: Monkey, because that's not too far removed from where I am currently.
You could have any super power. What would it be?
A: The funny answer would be shape-shifting, but I think teleportation would be the real answer, so I could be anywhere I was needed at any time to cover as much of the indie film world as I could.
Remember readers FilmSnobbery Live airs on Thursdays at 10PM EST. Thanks to Nic for an informative interview.
Interview Ricky Lewis Jr
Below is my interview with Ricky Lewis Jr. Check out his latest short film "The Monkey's Paw" here.
What is the current project you are working on?
I'm currently at work on a short called "Le Marie Originale" about a woman who makes the best apples pies in town and explores beauty in the eye of the beholder. And a feature adaptation of a famous book.
Did you always want to be a filmmaker?
Absolutely. My father made a lot of films with 8mm when he was younger, and I was fascinated with his loopy imagination and the fact that he made them with this small box and a piece of glass. That was my first realization of the concept that films could be made by an individual. Then there was the Saturday Morning Matinee on television that broadcast Tarzan films, Abbott & Costello, Marx Brothers, and Hammer Horror. Huge inspiration. I watched that stuff religiously and played with my action figures along with it. Then I was taught how to use the 8mm camera and it took off from there.
What inspired you to become filmmaker?
Along with what I described above. The further inspiration was George Lucas and Steven Spielberg. Their early work of course.
What is the best thing about being one?
You get to step into your imagination, craft it, play with it, then share it with anyone.
What is the worst thing about being one?
I don't think there truly is one. At times you struggle with ideas. There is always the issue of money, etc. But I kind of like the struggle. Keeps you grounded and hungry as an artist.
What is the estimated number of projects you have worked on?
Lots.
Who is your favorite filmmaker?
Every few years there is a new one. Current times I have deep respect and admiration for Christopher Nolan, Jean Pierre Jeunet, Terry Gilliam and David Fincher. For growing up and continued favorite... David Lean, Spielberg and Coppola.
How has your life changed since you became a filmmaker?
I'm constantly interested in the world around me and ahead of me.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
First I say have other interests and live lots of life outside of making movies. Then bring that in with you. Be ever pursuing. The business is becoming a harder industry to survive in. So many people I know are out of work and these are individuals with big credits. It's a rapidly changing industry. But you can always make movies. 'Making it' should mean finding a way to create a film that is pleasing to you and that an audience shares. The internet is giving you the audience. Go out and make a film even if your day-job is as an accountant. And always strive to be better at the craft.
What do you like to do besides filmmaking?
I love art. I'm an illustrator and painter. I also pursue fine-art photography. And I drink a lot of wine.
Have you had any other jobs before you decided to become a filmmaker?
Only anything that kept the roof over my head and left spending cash to make films.
What are some of your favorite American films? Foreign films? Television shows?
The Third Man, Lawrence of Arabia, Godfather, Raiders of The Lost Ark, Star Wars, and Amelie. Those are some, thought the list is much longer. For television I think 'Friday Night Lights' is hands down one of the best shows to have ever been broadcast. There is such beauty in its subtlety, simplicity and truthfulness of life.
How would you describe your film education?
I did study in college, but it's truly making lots of mistakes. And then some more. And then they help me get better every time. And study the masters. Steal from them and give it my own voice.
How would you describe the film "scene" where you live?
Crowded. I have always found it odd how many are in this pursuit to become famous and wealthy. It makes them become as hollow and superficial as their films. Those are truly amatuers. It takes so much out of your life to invest in a film and strive for excellence that if you only want to do it for money -- there are other ways to make lots of money. And are probably far easier. If you factor in the amount of time it takes to make a film and then the money that you might make -- typically it shows you're working for minimum wage. That's a bit sarcastitc I know, but hopefully you see what I'm getting at. There are some great professions out there that I think could use some of those who enter the film business. There are guys I've met who could be aeronautical engineers, yet they decide to haul around a hundred pounds of cable or sand bags. But every now and again you meet those individuals who have talent and a love of the craft that meets your own and it's a joy to be around and collaborate. Then it's just so much fun!
How has social media changed the independent film industry?
What is so awesome about the new outlets is you can share your work with a worldwide audience. And your collaborations can extend to a worldwide network. You and a guy or girl in India could co-direct a piece and share it on Vimeo. One day there will be these massive plastic panels everywhere, like in a subway station or on a pole on a street streaming films as artwork that a group from all over the world created or just one guy.
What is the casting process like?
I dig it. You get to find a human being who matches the voice and look of a character that has lived inside your head. Now he or she stands before you. Hopefully.
How does independent film differ from the mainstream?
Well, what is labeled as indepedent truly isn't. They have studios behind them and marketing muscle. Sometimes effectively so, sometimes not. True independents are like some of those pieces you find on a web-site like Vimeo or possibly a film-festival.
You could go back in time and see any classic film being made. Which film would it be?
Raiders of The Lost Ark. What a blast that would be. And you're among some of the finest craftsman ever!
You could be any animal. Which would you be?
A horse.
You could have any super power. What would it be?
Flight.
What is your opinion on movie remakes?
Hollywood has been doing it since it began. But in the old days it was because a film didn't work out originally, so it was an opportunity to get it right. Well, these days they're re-making films that already got it right. The corporations and filmmakers who do them think "Hey this time you don't have to see the wires! We can do it with better special effects." Idiots! They miss the whole point of story is king. It doesn't matter if it was told in the 70's with oil painted matte paintings. No one has stopped watching "The Wizard of Oz" because it came out in 1939 and didn't have CG. Remaking foreign films is just as bad. Give credit to people out there. They'll read subtitles if it's A GOOD STORY. Well... the remakes all fail anyway. Corporate Hollywood will never understand. Too afraid of taking a risk and finding something with a fresh voice. And they question why attendance continues to decline.
What is your opinion on book to movie adaptions?
There are some that work and some that don't. Again, this has gone on since the early days of filmmaking. It's nothing new. Perhaps what is new is some novels today are written more like screenplays. They don't want to exist as a piece of literature that stirs the mind. Just as a spring-board to get a movie made. It's a shame when that happens because no matter how hard we try as filmmakers, the imagination is always the greatest film.
Thanks for a wonderful interview Ricky. I hope I'll get to see "Le Marie Originale" sometime. I'll be to check out "The Monkey's Paw". Check out the trailer below.
[vimeo http://vimeo.com/18033795]
What is the current project you are working on?
I'm currently at work on a short called "Le Marie Originale" about a woman who makes the best apples pies in town and explores beauty in the eye of the beholder. And a feature adaptation of a famous book.
Did you always want to be a filmmaker?
Absolutely. My father made a lot of films with 8mm when he was younger, and I was fascinated with his loopy imagination and the fact that he made them with this small box and a piece of glass. That was my first realization of the concept that films could be made by an individual. Then there was the Saturday Morning Matinee on television that broadcast Tarzan films, Abbott & Costello, Marx Brothers, and Hammer Horror. Huge inspiration. I watched that stuff religiously and played with my action figures along with it. Then I was taught how to use the 8mm camera and it took off from there.
What inspired you to become filmmaker?
Along with what I described above. The further inspiration was George Lucas and Steven Spielberg. Their early work of course.
What is the best thing about being one?
You get to step into your imagination, craft it, play with it, then share it with anyone.
What is the worst thing about being one?
I don't think there truly is one. At times you struggle with ideas. There is always the issue of money, etc. But I kind of like the struggle. Keeps you grounded and hungry as an artist.
What is the estimated number of projects you have worked on?
Lots.
Who is your favorite filmmaker?
Every few years there is a new one. Current times I have deep respect and admiration for Christopher Nolan, Jean Pierre Jeunet, Terry Gilliam and David Fincher. For growing up and continued favorite... David Lean, Spielberg and Coppola.
How has your life changed since you became a filmmaker?
I'm constantly interested in the world around me and ahead of me.
What is one piece of advice you can give to someone who also wants to make it in the movie business?
First I say have other interests and live lots of life outside of making movies. Then bring that in with you. Be ever pursuing. The business is becoming a harder industry to survive in. So many people I know are out of work and these are individuals with big credits. It's a rapidly changing industry. But you can always make movies. 'Making it' should mean finding a way to create a film that is pleasing to you and that an audience shares. The internet is giving you the audience. Go out and make a film even if your day-job is as an accountant. And always strive to be better at the craft.
What do you like to do besides filmmaking?
I love art. I'm an illustrator and painter. I also pursue fine-art photography. And I drink a lot of wine.
Have you had any other jobs before you decided to become a filmmaker?
Only anything that kept the roof over my head and left spending cash to make films.
What are some of your favorite American films? Foreign films? Television shows?
The Third Man, Lawrence of Arabia, Godfather, Raiders of The Lost Ark, Star Wars, and Amelie. Those are some, thought the list is much longer. For television I think 'Friday Night Lights' is hands down one of the best shows to have ever been broadcast. There is such beauty in its subtlety, simplicity and truthfulness of life.
How would you describe your film education?
I did study in college, but it's truly making lots of mistakes. And then some more. And then they help me get better every time. And study the masters. Steal from them and give it my own voice.
How would you describe the film "scene" where you live?
Crowded. I have always found it odd how many are in this pursuit to become famous and wealthy. It makes them become as hollow and superficial as their films. Those are truly amatuers. It takes so much out of your life to invest in a film and strive for excellence that if you only want to do it for money -- there are other ways to make lots of money. And are probably far easier. If you factor in the amount of time it takes to make a film and then the money that you might make -- typically it shows you're working for minimum wage. That's a bit sarcastitc I know, but hopefully you see what I'm getting at. There are some great professions out there that I think could use some of those who enter the film business. There are guys I've met who could be aeronautical engineers, yet they decide to haul around a hundred pounds of cable or sand bags. But every now and again you meet those individuals who have talent and a love of the craft that meets your own and it's a joy to be around and collaborate. Then it's just so much fun!
How has social media changed the independent film industry?
What is so awesome about the new outlets is you can share your work with a worldwide audience. And your collaborations can extend to a worldwide network. You and a guy or girl in India could co-direct a piece and share it on Vimeo. One day there will be these massive plastic panels everywhere, like in a subway station or on a pole on a street streaming films as artwork that a group from all over the world created or just one guy.
What is the casting process like?
I dig it. You get to find a human being who matches the voice and look of a character that has lived inside your head. Now he or she stands before you. Hopefully.
How does independent film differ from the mainstream?
Well, what is labeled as indepedent truly isn't. They have studios behind them and marketing muscle. Sometimes effectively so, sometimes not. True independents are like some of those pieces you find on a web-site like Vimeo or possibly a film-festival.
You could go back in time and see any classic film being made. Which film would it be?
Raiders of The Lost Ark. What a blast that would be. And you're among some of the finest craftsman ever!
You could be any animal. Which would you be?
A horse.
You could have any super power. What would it be?
Flight.
What is your opinion on movie remakes?
Hollywood has been doing it since it began. But in the old days it was because a film didn't work out originally, so it was an opportunity to get it right. Well, these days they're re-making films that already got it right. The corporations and filmmakers who do them think "Hey this time you don't have to see the wires! We can do it with better special effects." Idiots! They miss the whole point of story is king. It doesn't matter if it was told in the 70's with oil painted matte paintings. No one has stopped watching "The Wizard of Oz" because it came out in 1939 and didn't have CG. Remaking foreign films is just as bad. Give credit to people out there. They'll read subtitles if it's A GOOD STORY. Well... the remakes all fail anyway. Corporate Hollywood will never understand. Too afraid of taking a risk and finding something with a fresh voice. And they question why attendance continues to decline.
What is your opinion on book to movie adaptions?
There are some that work and some that don't. Again, this has gone on since the early days of filmmaking. It's nothing new. Perhaps what is new is some novels today are written more like screenplays. They don't want to exist as a piece of literature that stirs the mind. Just as a spring-board to get a movie made. It's a shame when that happens because no matter how hard we try as filmmakers, the imagination is always the greatest film.
Thanks for a wonderful interview Ricky. I hope I'll get to see "Le Marie Originale" sometime. I'll be to check out "The Monkey's Paw". Check out the trailer below.
[vimeo http://vimeo.com/18033795]
Monday, June 6, 2011
Interview With Philip Chidel
I got the chance to interview Philip Chidel. The creator of the film "Subject Two" is working on another film called "Til Death" Enjoy the interview.
What is the current project you are working on?
I am working on a short film called TIL DEATH, a macabre and haunting love story about an extreme case of sympathy sickness: A man is mourning his late wife, but HE is the one who starts to decompose. I have a Kickstarter campaign going on right now for it: http://kck.st/lISGZc Check it out! :)
Did you always want to be a filmmaker?
I had actually wanted to be a doctor. Then I took chemistry, so I said no (too boring!). Then I wanted to be a novelist. But I realized my greater inspirations came from images, so then I wanted to be a filmmaker.
What inspired you to become filmmaker?
Don't know the first thought about filmmaking, but when I was in college, I took a 'boot camp' style of film class at NYU for a summer — and I was hooked. We were assigned to groups of 5 people, and for 6 weeks, every day we did a different job on the crew, including directing. It was a beginner's class, but it was intense — and I was hooked. From then on, I never turned back.
What is the best thing about being one?
Every film you make is different. Different topics, locations, people, problems and possibilities. I love the variety of it all.
What is the worst thing about being one?
The work is unsustainable on a personal level — unless, of course, you're making a gob of money, but how many of us are doing that? Getting financing is always too difficult, and maintaining a reasonable lifestyle is also too difficult. Especially when you're trying to maintain a good marriage and raise a kid. The hard adrenaline-driven nature of production is great when you're in your 20s... but after that, it just gets very very hard, because other goals (i.e: Real Life) start getting in the way!
What is the estimated number of projects you have worked on?
Um... Dozens?? Hard to say.
Who is is your favorite filmmaker?
This changes all the time. I've always loved Eastwood's directorial work, and I am also a big fan of the Korean filmmaker, Bong Joon-ho.
How has your life changed since you became a filmmaker?
I don't think it has changed. I've always been a filmmaker! :)
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Don't focus on the business. If you do, then become an agent. Focus instead on what makes you tick: emotionally, spiritually, intellectually. Work hard, and work as much as you can — but stay focused on what you want to do, and don't stagnate in one place too long. Mix it up. (Wait... that was more than one piece of advice, wasn't it. Sorry).
What are some of your favorite American films? Foreign films? Television shows?
In no particular order: LOVE the films: The King's Speech, Letters from Iwo Jima, The Host, Audition, Chicago, Pan's Labyrinth. Love the TV shows: Dexter, Deadwood, Justified
How would you describe your film education?
Continuing. (I had a BA in film from U-Michigan, but learned real film from working. Now I'm a teacher at the Academy of Art University, and I learn as I teach as well)
How would you describe the film "scene" where you live?
In the SF Bay Area, it's primarily documentaries. Which is a strong and vibrant scene here. Most narrative productions are indie and socially-minded. Occasional Hollywood productions, crop up, but they seem to always be directed by Phillip Kaufman, who lives here.
How has social media changed the independent film industry?
It's a tremendous change, a seismic shift. Now indie filmmakers don't have to rely on Hollywood powers-that-be to fund, produce or distribute films. There are more options, and more voices, than ever before, and everyone is still searching for the magic formula that makes it all work. There may not be a magic formula for all — but every project does have its own needs and considerations, and social media is allowing more of those needs and considerations to be met. So it's a tremendous thing. It's very exciting.
What is the casting process like?
I love the casting process. I don't stress out about finding the 'perfect' actor — because there isn't one. Instead, I enjoy meeting all the actors that come in, and love the opportunity to play with them during the audition. (I mean that in a good way, not a 'mess with their head' kind of way). I keep auditions as light and fun as I can. They're already inherently stressful, so why make it worse than it is?
How does independent film differ from the mainstream?
At its best, indie film offers new voices and new perceptions of key issues (Social, emotional, political, what have you) that mainstream films cannot provide. BY their nature, mainstream films MUST appeal to a broad common denominator in order to protect their massive investment. But indie films can operate on a smaller niche level — and provide the diverse voices and opinions that all art and entertainment needs.
You could go back in time and see any classic film being made. Which film would it be?
The Ten Commandments, or any Cecil B DeMille production. I'd love to see the Cast of Thousands in action!!
You could be any animal. Which would you be?
Wolverine. Go Blue.
You could have any super power. What would it be?
Metal claws coming out of my fists. Because that's a Wolverine.
Do you believe on life on other planets?
Only if they believe in me.
You can follow Philip on Twitter @pchidel. You can rent Subject Two on Netflix or purchase it here. For more information on "Til Death" visit the films official website here. Thanks to Philip for allowing me to interview him.
What is the current project you are working on?
I am working on a short film called TIL DEATH, a macabre and haunting love story about an extreme case of sympathy sickness: A man is mourning his late wife, but HE is the one who starts to decompose. I have a Kickstarter campaign going on right now for it: http://kck.st/lISGZc Check it out! :)
Did you always want to be a filmmaker?
I had actually wanted to be a doctor. Then I took chemistry, so I said no (too boring!). Then I wanted to be a novelist. But I realized my greater inspirations came from images, so then I wanted to be a filmmaker.
What inspired you to become filmmaker?
Don't know the first thought about filmmaking, but when I was in college, I took a 'boot camp' style of film class at NYU for a summer — and I was hooked. We were assigned to groups of 5 people, and for 6 weeks, every day we did a different job on the crew, including directing. It was a beginner's class, but it was intense — and I was hooked. From then on, I never turned back.
What is the best thing about being one?
Every film you make is different. Different topics, locations, people, problems and possibilities. I love the variety of it all.
What is the worst thing about being one?
The work is unsustainable on a personal level — unless, of course, you're making a gob of money, but how many of us are doing that? Getting financing is always too difficult, and maintaining a reasonable lifestyle is also too difficult. Especially when you're trying to maintain a good marriage and raise a kid. The hard adrenaline-driven nature of production is great when you're in your 20s... but after that, it just gets very very hard, because other goals (i.e: Real Life) start getting in the way!
What is the estimated number of projects you have worked on?
Um... Dozens?? Hard to say.
Who is is your favorite filmmaker?
This changes all the time. I've always loved Eastwood's directorial work, and I am also a big fan of the Korean filmmaker, Bong Joon-ho.
How has your life changed since you became a filmmaker?
I don't think it has changed. I've always been a filmmaker! :)
What is one piece of advice you can give to someone who also wants to make it in the movie business?
Don't focus on the business. If you do, then become an agent. Focus instead on what makes you tick: emotionally, spiritually, intellectually. Work hard, and work as much as you can — but stay focused on what you want to do, and don't stagnate in one place too long. Mix it up. (Wait... that was more than one piece of advice, wasn't it. Sorry).
What are some of your favorite American films? Foreign films? Television shows?
In no particular order: LOVE the films: The King's Speech, Letters from Iwo Jima, The Host, Audition, Chicago, Pan's Labyrinth. Love the TV shows: Dexter, Deadwood, Justified
How would you describe your film education?
Continuing. (I had a BA in film from U-Michigan, but learned real film from working. Now I'm a teacher at the Academy of Art University, and I learn as I teach as well)
How would you describe the film "scene" where you live?
In the SF Bay Area, it's primarily documentaries. Which is a strong and vibrant scene here. Most narrative productions are indie and socially-minded. Occasional Hollywood productions, crop up, but they seem to always be directed by Phillip Kaufman, who lives here.
How has social media changed the independent film industry?
It's a tremendous change, a seismic shift. Now indie filmmakers don't have to rely on Hollywood powers-that-be to fund, produce or distribute films. There are more options, and more voices, than ever before, and everyone is still searching for the magic formula that makes it all work. There may not be a magic formula for all — but every project does have its own needs and considerations, and social media is allowing more of those needs and considerations to be met. So it's a tremendous thing. It's very exciting.
What is the casting process like?
I love the casting process. I don't stress out about finding the 'perfect' actor — because there isn't one. Instead, I enjoy meeting all the actors that come in, and love the opportunity to play with them during the audition. (I mean that in a good way, not a 'mess with their head' kind of way). I keep auditions as light and fun as I can. They're already inherently stressful, so why make it worse than it is?
How does independent film differ from the mainstream?
At its best, indie film offers new voices and new perceptions of key issues (Social, emotional, political, what have you) that mainstream films cannot provide. BY their nature, mainstream films MUST appeal to a broad common denominator in order to protect their massive investment. But indie films can operate on a smaller niche level — and provide the diverse voices and opinions that all art and entertainment needs.
You could go back in time and see any classic film being made. Which film would it be?
The Ten Commandments, or any Cecil B DeMille production. I'd love to see the Cast of Thousands in action!!
You could be any animal. Which would you be?
Wolverine. Go Blue.
You could have any super power. What would it be?
Metal claws coming out of my fists. Because that's a Wolverine.
Do you believe on life on other planets?
Only if they believe in me.
You can follow Philip on Twitter @pchidel. You can rent Subject Two on Netflix or purchase it here. For more information on "Til Death" visit the films official website here. Thanks to Philip for allowing me to interview him.
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