Interview John Bosley

Born on an Air Force Base in North Dakota, John Wayne Bosley was named after the legendary actor John Wayne. At age seven he started writing short stories. By age twelve he was writing longer stories with more involved story plots and also his very first screenplay, "The Knight Story." This screenplay kicked off his film making pursuit. In 2001, Bosley wrote the script, which would later be the film: “The Allan Carter Saga Part I: Amnesia.” "Amnesia" took six and a half years from pre-production to completion and toured six theaters throughout Maine in 2008. Currently, he is producing the feature film THE HOUSE, which goes into production Sept 2011.

What is the current project you are working on?

I am currently working on producing THE HOUSE, which we are shooting in Sept-Oct. We’re currently doing a crowd funding campaign for the film on indiegogo.com

Did you always want to be a filmmaker?

I started writing since I was 7. But I didn’t realize till I was 12 that my stories were really just screenplay ideas. That’s when I wrote my first screenplay The Knight Story. Since then I’ve always wanted to make cinematic stories.

What inspired you to become filmmaker?

My stories. Usually someone will mentioned a certain film or a certain filmmaker. For me it was always about my stories. I loved watching movies, but I don’t believe at the end I would have stuck it out this long if I wasn’t motivated by my own stories. I didn’t find myself drawn to the hype, popularity or money that people see in the Hollywood lifestyle. I just felt responsible to the stories that I wrote, that they needed to come alive on the screen.

What is the best thing about being one?

The reaction on the audience members’ faces. When a scene really works and they react accordingly, then you know you did your job. The other one is having a positive influence on cast and crew members. It’s not just about the project, it’s about the people you brought along. A film, at it’s best is the “flavor of the month”, but if you made a positive influence on the people you worked with you can have a legacy which has greater value.

What is the worst thing about being one?

The loss of time. Time isn’t money. Time is priceless and every second you spend on a project, whether it is made or not, is time spent. I wish filmmaking wasn’t so time consuming. I’d love to spend more time with friends and family. But this is what I do.

What is the estimated number of projects you have worked on?

I made one feature: The Allan Carter Saga Part I:”Amnesia”. I also created AWAKENING which is a micro-pilot for a TV show that we hope to make. I am currently finishing up the micro-pilot Foreshadow that we made for The House (which will be released online for free in August). And I am currently producing The House, which is being shot in September.

Who is is your favorite filmmaker?

I don’t have a favorite filmmaker, but favorite films. I love Psycho and The Birds for their use of suspense. I love Signs for it’s use of the “deumont”/climax. I love the Michael Mann version of The Last of the Mohicans for casting, use of nature, cinematography, music and screenplay. I love Star Wars IV for it’s simplicity and epic-ness without going over the top like today’s films.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Do some serious soul searching. Find out why you really want to do this. This is one of the hardest businesses to bust into. Everyone you meet in this business is fighting to find their big break twice as much as you are.

What do you like to do besides filmmaking?

Spend time with family. Listen to music. Read books.

How would you describe your film education?

I tell people I graduated from the “James Cameron school of film“. People look at me odd after saying that. He didn’t go to film school. He owed so much money for his degrees in History and English that he had to teach himself. So he went to UCLA and read every text book they had. Then he borrowed people’s thesis papers and photocopied them so he could teach himself everything there was to know. If you want to know how to make a film, find the books, teach yourself, write your screenplays and make it happen. You only learn by making your own mistakes.

How would you describe the film "scene" where you live?

Michigan went from number #3 for a state with the most production to almost no production overnight with the new governor. We had a ton of enthusiasm for this new industry, then it dissolved. There are still some films being shot because they were OK’d for the tax incentive prior to the new governor, but things aren’t the same. But I gained something valuable. There are tons of cast and crew people in this state hungry to break in and make a name for themselves. I have connected with a ton of them. I am seriously impressed with the cast I found for The House. They are perfect for the characters I had designed. The situation may not be great for the industry in this state right now, but I have found exactly what I need to make my next film happen.

How has social media changed the independent film industry?

It has created interaction between filmmakers and the audience and has helped to create more bonds amongst the people who make the films.

What's your opinion on crowdfunding?

It’s a tool. The tool doesn’t revolutionize the business. What you do with it can. I think if you network right, give people a proper understanding of your vision and cause you can gain support. But just because the tool exist doesn’t mean it’s going to work for anyone.

What is the casting process like?

I’m very interactive. I don’t have people just read lines. I have them do many different improvisational moments. I have people read for characters opposite than what they wanted, to see what they do in different situations. I also have a tendency as an actor to also read lines with the actors as well which is unique from other directors.

How does independent film differ from the mainstream?

Independent is driven by story vs. mainstream which is driven by trends.

You could go back in time and see any classic film being made. Which film would it be and why?

Star Wars IV. Everything changed after that one was made. I liked how the vision he had was impossible but they found ways to make it happen.

What's your favorite movie quote and why?

“As you wish”- Princess Bride. It was a simple statement with a hidden meaning.

What is your opinion on movie remakes?

Don’t. Period.

What is your opinion on book to movie adaptations?

The two forms of literature are completely different and need to be seen as such in the screenplay form and on the screen. Books tell people’s thoughts, they describe things. Movies are a story in pictures.

Is there anything else you would like to add?

People who want to get involved in The House can go to http://www.indiegogo.com/The-House-film-1

 

 

 

Thanks for doing the interview.  I hope we can do another interview sometime after September, when shooting has wrapped. I'll be sure to spread the word about "The House".

Lindsey Marks, AKA Lady Jack Interview

Lindsey Marks, also known as Lady Jack, is a performer and producer in Chicago primarily working in the field of variety and burlesque entertainment. As a burlesque performer she has appeared extensively locally, as well as nationally, including the New Orleans and New York Burlesque Festivals. Lady has written full length physical theatre pieces for stage for ensemble and solo work and appeared recently as a feature performance artist at TEDx Midwest.

Lindsey arrived in Chicago with a BFA in Theatre from University of Louisville and has been making her way into film work over the last few years appearing in film shorts and music videos. She is currently working on the feature film "Heaven is Hell" in which she plays the lead character of Faith, and will be taking on a more conceptual development and writing role for the webseries "Hitwomen"

For more information and a full bio you can visit LadyJackEntertainment.com 

What is the current project you are working on?

A new action and dark comedy webseries called Hitwomen with Producer and Director Christopher Sato...we are currently raising funds on Kickstarter!

Did you always want to be a filmmaker?

My "what do you want to be when you grow up" sheet in 1st grade read, in no particular order, Writer, Actor, Singer, Psychologist. So the answer is...kind of. It's only been in the last few years that I've been afforded the opportunities to start working on film and I love it. I am primarily a physical theatre performer, Burlesque and Performance artist under the stage name Lady Jack, I produce Burlesque shows...I also work with photographers and fine artists.

What inspired you to become filmmaker?

Hitwomen will really be the first project where I'm taking an active role in the conceptual development of the idea and writing. I've worked on films as an actor prior to that, and I just deeply connect to the process. I've found that many of my ideas in terms of my own solo or group live performance work are inspired by film, are starting to incorporate multi-media ideas, and are starting to actually be short film concepts. I had worked on several projects of Chris Sato's before this, and most incorporated some level of action, and since it's my now not-so-secret goal to be an action star, it's worked out well. I love the choreography that goes into a well-executed action scene and the extreme excitement that comes with the juxtaposition of wit and violence, and exploring a fully developed character's motivations in those kinds of scenarios And, particularly in more comic-base genres, the concept of archetype and how that manifests is something I really connect with and want to pull into some of the work I do.

Who is is your favorite filmmaker?

I enjoy Tarantino, Coen Brothers, Danny Elfman to name a few

What are some of your favorite American films? Foreign films? Television shows?

Kill Bill, Inglorious Basterds, No Country For Old Men, Fargo, The Matrix, Whale Rider, Eternal Sunshine of the Spotless Mind, Little Miss Sunshine, Sunshine Cleaners (Definite sunshine trilogy there) The Dark Knight, Lost in Translation, Nightmare Before Christmas, Network, Best in Show, Kung Fu Hustle...Seinfeld, Buffy, The Muppet Show...Hard to narrow down a list.

What's your opinion on crowdfunding and recent crowdfunding scandals?

I'm not sure about scandals, but I think crowdfunding is absolutely fantastic. I used to work for a organization that offered business support for non-profit arts groups, and really there has been very little structured funding for individual artists available. I think having a more institutionalized support system due to the glory of the internet should be a welcome development.

What is the casting process like?

We prefer to hand-select from our network, and gear roles around people we are close with, like Jolie Roberson who will be playing Raven in Hitwomen and is also working on the show in other capacities. Of course, if there is something specific we're looking that we don't have in our current group we'll hold more open auditions.

How does independent film differ from the mainstream?

I think independent anything differs from mainstream anything in that it doesn't tend to have the same high financial stakes, and therefore enjoys more freedom of complete expression. When money becomes a main motivating factor, and you are dealing with mass quantities of people, making something at least somewhat easily consumable is number one...sometimes that's in line with a vision and sometimes it's not and that's where you can get a diluted piece of work.

You could go back in time and see any classic film being made. Which film would it be and why?

The Great Dictator. Such a phenomenal film, and I'd love to see how Chaplin approached that.

What's your favorite movie quote and why?

Right now it's "I'm mad as hell and I'm not going to take it anymore" because I just watched Network and now realize why my father used to say that all the time.

You could have any super power. What would it be?

Oh I'd fly...shapeshift perhaps. This is the most difficult question...

What is your opinion on movie remakes?

Mostly my thought tends to be "Was that really necessary?" And...I suppose it's really not, but they can be good and particularly interesting if it's a remake of a movie made several decades prior.

What is your opinion on book to movie adaptions?

I'm all for it. People will inevitably have a preference of which they like, and often they are not stylistically spot on to each other. And also, often it's more a marketing device than a real desire to spread a story. That said, I think re-telling stories in different formats is valuable whatever the motivation.

 

 

 

Thank you for doing the interview Lindsey AKA Lady Jack. I can't wait to see Hitwomen. Keep me posted on the series' progress and let me know when it's on the web.

Joseph Brandon Interview

Joseph Brandon got the bug to pursue acting a little later in life, while he was in college. After graduation with a degree in Management and Finance he moved to Los Angeles to see what kind of career he could make for himself. Being a natural joker and being someone who doesn’t take himself to seriously, he gets along with everyone that he meets. Before this year Joseph has landed 13 lead and supporting roles in everything from shorts to feature lengths as well as numerous commercials, print work and music videos.

2011 has started out to be a great year so far. It started out by landing a spot for Mun2 (similar to a Latino MTV) which shows primarily music videos and tv shows designed for younger Latino’s with the majority of the programming in English. After that he also landing a print shoot for a pharmaceutical company. More noteworthy he has landed 3 lead roles as well as a supporting role this year playing everything from a drug dealer to a serial killer to a psychiatrist.

Wanting to expand his talent he has studied improv/sketch comedy as well as traditional scene study. He studied improv at the critically acclaim iO West Theater in Hollywood. He was also part of a group who performed a sketch comedy show earlier this year at Second City Comedy in Hollywood. Even while he is trained at improv/sketch, film and television still remain his main focus. Most recently he has studied with Gregory-Berger Sobeck, MFA who is the current winner of the Backstage West Readers Choice Awards for favorite scene study teacher.

Check Joseph out. He's all over the internet

http://www.josephbrandon.net

http://www.imdb.me/josephbrandon

http://www.facebook.com/ActorJosephBrandon

http://twitter.com/joseph_brandon

 

What is the current project you are working on?

I have a supporting role in a film called Exit 13 which should be filming next month. Shooting had to be pushed back because of scheduling issues. I'm doing a short that should be filming next week.  Also have a lead role in a film called The Religion where I am a drug kingpin named Pretty Tony, which I'm really excited about because the director, Andretti Dante, is really going to give me leeway to try a lot of new things.

Did you always want to be a actor?

No actually. I didn't really get the desire to pursue acting until college.

What inspired you to become actor?

I've always been pretty funny (in my mind anyway). I love making people laugh whether it's a physical gesture, something I say or a facial expression. I just like making people happy. Plus I love telling stories because all of the attention is on you. When the audience is captivated but what you are saying and you have their full attention it's just a really great feeling. It's kind of odd because I was a dork growing up, shy, not wanting to have the attention on me but somewhere along the way that changed. I'm not really sure when, maybe college. There are a lot of actors out there who are the same person in every role they play but 2 actors that I really love and respect are Daniel Day-Lewis and Gary Oldman. I love the way they transform into completely different characters for every role that they're in. That's very inspiring. I want to be able to do that.

What is the best thing about being one?

Acting is the closest thing we can get to, to being a kid again. When you're a kid and you say out loud, "I'm a sheriff", in your mind you are completely that thing. You are no longer a kid, you're a sheriff. Your hand is a real gun. I miss being able to do that without judgement. If I said out loud, "I'm a sheriff" and started running around in circles shooting things with my hand, people would think I'm crazy but if I didn't it in a film people would think the character is crazy, not me. Acting gives me the freedom to just let loose and have fun again. Another thing is the feeling I get when I'm completely connected to the other person. My actions and objectives are completely focused on the other person. During that scene I am living in that environment with the other actor. I forget that I'm Joseph Brandon, I forget that there are cameras, I forget that there is an entire crew there. I am that character for those few minutes. That feeling is intoxicating.

What is the worst thing about being one?

Not having the opportunities or not being given the opportunities to be able to do what I love doing. Oh and being a poor struggling actor is no picnic either.

What is the estimated number of projects you have worked on?

Total number of leads (about 10), supporting (about 10) , featured extra (about 5), extra (about 10), commercials (about 5), music videos (about 5), print work (about 5). About 50 all together. Granted the featured extra and extra work was about 3-4 years ago and shouldn't really be counted so I guess it's closer to 35.

Who is is your favorite filmmaker?

Directors, in no particular order: Francis For Coppola, Oliver Stone, Sam Mendes, Steven Spielberg, James Cameron, Robert Zemeckis, Cameron Crowe, Martin Scorsese, Christopher Nolan, Quentin Tarantino. I hope I didn't forget anybody.

How has your life changed since you became an actor?

If I didn't become an actor I would be married to girl a didn't love, live in a city I didn't like and have a job that I hated. I'm poor but I'm happy, kind of like Alanis.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Don't get into it to be rich and famous. Get into it because you love acting. You have to love it because making it as an actor is a lot of hard work and hustling, everyday. Everyday you have to do something that helps you, either on the business side or on the craft.

What do you like to do besides acting?

Usual stuff, hanging out with friends, watching movies, going to the beach, lounging by the pool, video games. I would one day like to be a licensed sky diver though. I've been twice, once in Texas and once in Hawaii and it's amazing. Especially in Hawaii, the rush you get plus the view was ridiculous.

Have you had any other jobs before you decided to become an actor?

I am the stereotypical actor, I've been a waiter for the last 3-4 years at a couple of different restaurants.

What are some of your favorite American films? Foreign films? Television shows?

This is going to be a long list. For movies: Caddyshack, Constantine, Dark Knight, The Departed, Forrest Gump, The Godfather, Inception, Jerry Maguire, The Matrix, Mr. and Mrs. Smith, Old School, Reservoir Dogs, Sideways, Training Day, Usual Suspects, 12 Monkeys, Weird Science, Tombstone, There Will Be Blood, Swingers, Super Troopers, Sixth Sense, Scarface, Pulp Fiction, National Lampoon's Vacation, Napoleon Dynamite, Menace II Society, Memento, Jurassic Park, Half Baked, Groundhog Day, Ghostbusters, Friday, Fight Club, Eternal Sunshine of the Spotless Mind, Dogma, Devil's Advocate, Clueless, Clerks, Casino Royale, Boyz N The Hood, Boondock Saints, Big Lebowski, American Beauty.

For TV: Southpark, Seinfeld, That 70's Show, It's always Sunny in Philadelphia, Sopranos, Family Guy, Glee, Fringe, Entourage, Modern Family, The Daily Show, The Mentalist, How I Met Your Mother, Colbert Report, American Dad, Hawaii Five-O, House, The Office, Tosh.O, Louis, Mad Men.

That should be enough.

How would you describe your film education?

I've studied with a lot of acting instructors. Proclaimed film acting classes, audition classes, cold reading classes but most of my training has been scene study with Gregory Berger-Sobeck. He has his Masters from the Yale School of Drama so he teaches us what he learned from Yale as well as incorporating elements of Stanislavski and Uta Hagen.

How would you describe the film "scene" where you live?

It's LA so it's where stuff happens.

How has social media changed the independent film industry?

From my experience, it's easier to get funding now as well as get the word out about a movie. You can post something of twitter, facebook, youtube and ask you're friends/follows to repost it and it just gets the word out so much faster now. You can shoot a trailer, put it on youtube to help get funding for the project. Plus sites like kickstarter are amazing at helping projects get made.

How does independent film differ from the mainstream?

I think it's more gorilla style, depending on the budget. More sacrifices have to be made since the money isn't there. But that situation can inspire true creativity because the money isn't there to do a particular scene, it has to be retooled and adjusted and it takes creative people to be able to do that successfully. I think with that in mind indies can be more story/character driven because you don't have the money for big effects so it's more about the relationship between the characters and those can be some of the greatest movies.

You could go back in time and see any classic film being made. Which film would it be and why?

Empire Strikes Back because I'm sort of Star Wars nerd. I mean I don't dress up and go to conventions but I've seen all 6 numerous times plus I've read some of the SW novels. The Jedi Academy Trilogy, The Thrawn Trilogy and some others. Empire is arguably the greatest of the 6 plus it was a relatively low budget, less than $20 million. It would be amazing to just be there and see the entire process, the different locations, the sets plus they were ahead of their time with respects to special effects.

What's your favorite movie quote and why?

There are so many amazing movie quotes but when you ask a question that broad, I can't focus, it's just too opened ended. I guess I'll go with "I gotta pee" from Forrest Gump. It's silly and stupid and I get to say it everyday. It just makes me laugh, but you have to do it with the voice or it doesn't work.

You could have any super power. What would it be?

Teleportation. It would save me so much time traveling. I wouldn't have to worry about traffic, no car payment, vacations would be sweet. Wake up, teleport to Paris, spend the day, then teleport back home before I have to go to work the next day.

What do you think would of happened if the dinosaurs didn't go extinct?

I don't think humans would have made it.

What is your opinion on movie remakes?

I would say 90-95 percent of them aren't necessary but every once and awhile you'll get an Ocean's Eleven. Scarface and The Departed are both classics.

Is there anything else you would like to add?

Hopefully one day you'll see me on the big screen.

 

 

 

Thanks Joseph for doing the interview.  I appreciate a good Alanis Morissette. I'm a big fan of the Exit 13 cast/crew. Good luck with the rest of filming :)

Daniel Knight Interview

Daniel has fast built a reputation as one of Melbourne’s most prolific short-form directors. With sixteen year’s worth of experience in theatre and film, Daniel has won awards both locally and internationally. Daniel has a vivacious appetite for differing production styles and moods and has directed commercials, corporate videos, short films, documentaries, web serials and music videos. 

You can watch Daniel’s film at www.snowgumfilms.com and see the Troll Bridge Kickstarter page at www.kickstarter.com/projects/snowgumfilms/terry-pratchetts-troll-bridge

What is the current project you are working on?

I’m currently knee deep in two projects! We’ve almost wrapped up post-production for an intimate short film called Blood On The Game Dice, which is inspired by my days playing Dungeons & Dragons. We’re also in the middle pre-production for a stupidly large scale, short film called Troll Bridge, adapted from a short Discworld story by Terry Pratchett. I guess I’m a bit of a fantasy nerd.

Did you always want to be a filmmaker?

I knew I always wanted to be an entertainer… I just didn’t know how or in what field. When I was a kid I wanted to be a magician and used to perform magic shows for my family in the living room. Later on I discovered acting, and thoroughly enjoyed it to the point of pursuing it heavily in theatre after High School. I ended up packing everything up and moving to the other side of the country to follow that dream. Filmmaking obviously came after all this, but it was these steps that lead me to where I am now.

What inspired you to become filmmaker?

While I was acting, I was directing on the side – it was something I was interested in and I thought it would give me a better insight into acting and improve my performance ability. Eventually I came to the realisation I was getting more excited by directing than acting. I’ve found myself directing ever since!

What is the best thing about being one?

It’s a job that requires equal parts art and technology, and I’m a huge fan of both. Is also requires such a broad spectrum of the arts, from performance, to writing, to set design and costuming and makeup, to musical scoring and photography… there really isn’t another art form that reaches out to as many other art forms. I love the collaboration with other artists and working to that singular goal.

What is the worst thing about being one?

The demand I think. It’s not something you can go into half-hearted and you have to really embrace the sacrifices you need to make to pursue it.

What is the estimated number of projects you have worked on?

Over 40, not including the stuff I’ve acted in, and not including my theatre work.

Who is is your favorite filmmaker?

Currently it’s Danny Boyle. I’m a huge fan of his focus on characters in what are essentially genre flicks.

How has your life changed since you became a filmmaker?

I’ve met a lot of awesome likeminded people! It’s feels great to belong to an extended family of creative storytellers.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

I wouldn’t classify myself as someone who has made it in the movie business, but I never shy away from giving advice so here goes:

Just to go out there and do it. Don’t worry about film school, or expensive equipment, or (for that matter) even trying to get it right first time. You won’t. The important thing is to have passion – make a heap of mistakes – and learn from them. Provided you are making content, you are moving forward.

Beyond that – your two most important things are your script and your actors. You can’t make a decent film without either of those things being decent – don’t think for a moment that the whole of a film can be better than its individual ingredients – it can’t. Write and act as much as you can so you learn to recognise what is good and bad. That actually goes for all departments, but I find that bad acting and writing particularly grate me. It’s something that is very easy to get right – but people screw it up all the time.

What are some of your favorite American films? Foreign films? Television shows?

My favourite film has always been The Dark Crystal, but I also love films such as Moulin Rouge, Old Boy and Braindead. I might have eclectic tastes. Television wise, I loved the work that was done for The Wire and Deadwood, and I’m currently thoroughly enjoying Spartacus and Game Of Thrones. Also a massive fan of British television comedy with The League Of Gentlemen and Red Dwarf being pinnacles for me.

How would you describe your film education?

Home Schooled predominantly. I applied everything I had already learned through theatre, and integrated it into film. Which is maybe why I’m very passionate about writers and actors – in theatre it’s pretty much the one consistent you can’t get away with screwing up.

How would you describe the film "scene" where you live?

Complicated. We currently have an art focus which isn’t on genre (although that is slowly changing). All of my films are very genre driven for genre audiences – so it’s very difficult to get funding support here. But that doesn’t really stop me or other genre-driven filmmakers here from making the content we ourselves would like to see.

But that doesn’t really describe the “scene”. I’d say that there are a lot of filmmakers here who are happy to help each other out where we can. We’re all in the same boat together, so we’re very supportive of one-another.

How has social media changed the independent film industry?

It’s been essential for us. Without it we wouldn’t have been able to get funding for Troll Bridge for starters! It has also allowed us to reach and keep our audience informed at a minimal expense. This is extremely important to us given we’d rather put all our dollars into the actual films.

What is the casting process like?

Always enjoyable. As mentioned - I like actors and I write my films for them first and foremost - so it’s always a buzz watching them bring your characters to life.

How does independent film differ from the mainstream?

Here in Australia it really doesn’t. There is almost no such thing as an Australian mainstream film. It’s mostly art-house wank… excuse my language. I don’t have a problem with art-house, it has a place, but not at the expense of genre or films that get bums on seats. Our mainstream content is dominated by the US who seem to thrive on genre. Love it – I wish Australian films were as audience focused!

Independent film must source their own budgets – while mainstream films usually have studio backing. Because studios are much more focused on turning a profit, their films are catered to a larger crosscut of the audience spectrum. Personally I believe it’s possible to be both independent and mainstream, and the internet is making it easier to achieve that. Filmmaking in the future will be very democratic with funding only going to those films that people actually want to see get made.

You could go back in time and see any classic film being made. Which film would it be?

Without a doubt The Dark Crystal. That thing is utterly magical.

You could be any animal. Which would you be?

An otter! Always my favourite animal to see at the zoo.

You could have any super power. What would it be?

Laser eyes! Everyone loves laser eyes!

 

 

 

Thanks for doing the interview Daniel. I'm  gonna to watch "Dark Crystal".  Keep me posted on the progress of "Blood On The Game Dice" and "Troll Bridge". I do my best to spread the word about your projects.

Interview Govind Chandran

Govind, known as 'Guv', is a Malaysian film director/producer with a 1st Class Honours Degree in Film Studies from Oxford Brookes University. In the last few years he has worked predominantly on short films which have been featured in film festivals across the world. For the last year he has worked as the Technical Specialist in Film Studies at Brookes, and this July is producing and co-directing his feature film debut, The Mask of Sanity.

What is the current project you are working on?

I am currently working on my debut feature film, a psychological thriller called 'The Mask of Sanity'.

Did you always want to be a filmmaker?

Nope. Originally was thinking of doing Law, but never quite had the same passion for it as I do for filmmaking. In hindsight I couldn't imagine studying anything but film.

What inspired you to become filmmaker?

Filming little filler bits for plays in highschool. We used to project some film stuff between scene changes to tie things together and I was asked to help film that. It was a lot of fun n I loved that. Then reading a lot about independent filmmaking and watching low budget films put it into the context of 'this is definitely something I can do!'.

What is the best thing about being one?

You genuinely love what you are doing. I think you'll find very few people who aren't passionate about their job if they choose film. For me I just love the whole process from start to finish, and seeing the end result is absolutely amazing.

What is the worst thing about being one?

It is a struggle. Breaking into the industry, or even making enough money to be able to do it full time is a very difficult thing.

What is the estimated number of projects you have worked on?

So far I've worked on mostly short films (directed 5 of my own) and corporate videos or online ads.

Who is is your favorite filmmaker?

At the moment I would have to say Chris Nolan and David Fincher. Both I feel are able to make films that are intelligent and thought provoking, and original, yet entertaining.

How has your life changed since you became a filmmaker?

I'm still young, and haven't really known professional life outside of filmmaking!

What is one piece of advice you can give to someone who also wants to make it in the movie business?

It's possible, but be realistic and work at it! What is incredibly common is people that want to make it in the movie business, yet aren't seizing every opportunity, and aren't working their asses off to build up a reputation, portfolio, gain experience, learn new skills, etc. At the same time it's not going to be a jump from nothing to blockbuster director overnight, but have a plan and put in the effort and things are achievable.

What do you like to do besides filmmaking?

At the moment, beyond socializing, and the usual relaxing (watching tv, films, music, etc) there hasn't been all that much time for anything else!

Have you had any other jobs before you decided to become a filmmaker?

No, I studied Film Studies at university and have been making films since then so my whole adult life has been based on this.

What are some of your favorite American films? Foreign films? Television shows?

My taste in films and tv is quite diverse. I do love films by Nolan, Fincher, and am quite into comic-book films, swords and sandals films (Gladiator being the peak of that but even older ones like Ben Hur), but also love Science Fiction (and am definately a Star Wars geek).

How would you describe your film education?

I studied Film Studies at Oxford Brookes University. The course was predominantly theory based (analyzing films, looking at film movements, etc) however there were a few practical modules. I would have to say though that a lot of my filmmaking 'education' came from just doing it - making independent shorts with my course-mates and learning by doing. The theory and practical modules at University provided a good backing, but there was a lot we picked up on the fly.

How would you describe the film "scene" where you live?

Sporadic.

How has social media changed the independent film industry?

It's definately made it easier to reach your audience, or at least get some exposure. However, it's also made it a much bigger pond and it's now up to us as filmmakers to distinguish ourselves and our film, which is quite a struggle at times in such a saturated crowd.

What's your opinion on crowdfunding and recent crowdfunding scandals?

I've had two very distinctly different crowdfunding experiences. The first time I tried using it, I received a grand-total of £5 and it was not worth the effort put into promoting it. The second time (which is now for The Mask of Sanity), we have raised (at the time of writing) over $8000. So personally I have not had issues with scandals relating to this but I have found that it does need to be used for the right project, targeted to the right people, and does take a lot of effort to really use well and not just be a simple thing of sending it once to your family and friends and hoping they contribute.

What is the casting process like?

The response (we use internet sites, including StarNow.co.uk and Mandy.com to advertise) has been quite varied depending on the project. For 'The Mask of Sanity' the response was terrific and we had a very wide and varied group to chose from, however I have been on previous projects where you are very limited in your options, and really just need to use who you've got available.

How does independent film differ from the mainstream?

Finance, infrastructure, support, etc. I do think it's quite silly when you get films with millions of dollars in budget, by a studios 'independent' sub-label advertising itself as an indie film. It's quiet a big difference from what I would say is independent films that you see filmmakers putting together and producing themselves that most get screenings at festivals rather than a big theatrical release.

What's your favorite movie quote and why?

I could list about a hundred favorite quotes, can't really narrow it down to just one!

You could have any super power. What would it be?

Prof X. powers from the X-Men would be pretty good to have. You could keep it low key and get by being incredibly amazing at whatever really.

What is your opinion on movie remakes?

Don't remake new films. Don't remake films shot for shot. Don't remake them just because they are in a different language or not from the states. However, if you take a film and 'remake it' by changing it and just taking core ideas from the original, after significant time has passed, then that I'm all for. Look at Oceans Eleven. I think both the original and the Clooney-Pitt version are fun films yet very different so it's not a direct remake, and enough time had passed that many of my generation haven't seen the original.

What is your opinion on book to movie adaptions?

Hit and Miss. Lord of the Rings was fantastic in how the approached it. Loyal to the books yet willing to change to make a good film! And Peter Jackson constantly said this was 'his interpretation' of the books rather than a direct adaptation and that's really the best way to go about it in my opinion.

Is there anything else you would like to add?

Follow us on twitter (http://twitter.com/#!/TheMaskOfSanity) and Facebook (https://www.facebook.com/themaskofsanityfilm)

 

 

 

 

Thanks Govind for doing the interview. Let me know when "Mask Of Sanity" comes out. I'd love to write a review.

Oktay Ege Kozak Interview

Oktay Ege Kozak is a Turkish screenwriter and film critic living in The Bay Area. So far, he wrote 7 feature screenplays and is working on his eight. He wrote and/or directed more than 10 professionally-made short films, one of which won Best Film at the 2008 48-Hour Film Festival. One of his feature screenplays attracted great interest from some of the biggest film studios in India. A TV show he co-created was put in development at CNBC-E in Turkey. He is also a film critic for Beyazperde.com, Turkey’s premier source for film reviews, showtimes and news.

What is the current project you are working on?

Director Salvador Luna and I are trying to put together the funds to make our first feature a reality. It's called In Another Life. I wrote the script and it's about a lonely young man who becomes convinced that a pretty book store clerk is his wife in another dimension. Kind of a Romance with a fantasy twist. We have all the shooting and editing equipment we need. We also have our 2 leads almost cast. We just need funds for locations and crew to make this happen.

We have our Indiegogo fund raising page at http://www.indiegogo.com/IN-ANOTHER-LIFE where people can donate and receive perks such as signed DVDs, invitations to the premiere and even producer credit!

I'm also in talks with a Turkish producer to cover our original $25.000 budget for distribution rights in Turkey. I figured the Turkish audience might be interested in an American film written and produced by a Turkish filmmaker (Me).

Did you always want to be a filmmaker?

Ever since I can't even remember. Apparently when I was 5, I used to watch Disney movies on TV and tell my mother "I'm going to make one of these one day". Still waiting for that "one day".

What is the best thing about being one?

The creative rush while being lost in the middle of writing a screenplay. Unfortunately, it only arrives once every couple of years or so. The rest is painfully dragging myself to the computer to get some writing done.

What is the worst thing about being one?

Not actually being able to be one. You know, one that does it full time and actually gets paid and appreciated for his/her efforts.

What is the estimated number of projects you have worked on?

I wrote 7 features and over 20 short films so far. I have around 10 professionally made short films either directed by me or other people. A short film I co-wrote won the 2008 48 Hour Film Festival.

Who is is your favorite filmmaker?

Akira Kurosawa. I read a book about him that described him as the "trunk" of cinema. Meaning if all of film is a tree and the directors are branches, he is the trunk where all the inspiration and life power comes from. The more Kurosawa you watch, the more you can't help but agree to that.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Don't do it, the last thing I or any other struggling filmmaker needs is more competition. Also, your parents will thank you later on when they won't have to still pay your rent at 30.

I'm sorry, I don't mean to be Mr. Crankypants, but it's also kind of a test. The one common word I hear from every successful filmmaker regarding the answer to this question is "Tenacity".

No matter what anyone tells you, no matter what happens to you, you don't give up. Apparently, you have to be one dedicated and stubborn bastard and that's what I'm trying to be. So if you weren't even one bit discouraged by the negative comment above and KNOW that you can make it somehow, that's a step in the right direction, I hope.

What do you like to do besides filmmaking?

I'm also a professional film critic. I write for Beyazperde.com, Turkey's most read film publication with over a million visitors a month.

How would you describe your film education?

Too much money spent with not much to show for it. I have a BA in Film Theory from Istanbul Bilgi University and an MFA in screenwriting from Academy of Art University in San Francisco.

What is your opinion on movie remakes?

As an original screenwriter trying to get anything noticed in this cutthroat market, I have a more personal beef with remakes. There are tons of great, unproduced stuff out there and with all the remakes, prequels, sequels and reboots, it's getting harder to sell and produce original material.

Is there anything else you would like to add?

Please visit http://www.indiegogo.com/IN-ANOTHER-LIFE and donate whatever you can. Don't say "They're probably not going to reach their goal before the deadline, it's a waste of time". We get to keep whatever amount we can reach and any amount helps!

You can also download the screenplay from the Gallery section and decide for yourself if this is a story worth making. I hope you'll enjoy it!

 

 

Thanks for doing the interview.  I'll spread the word about  "In Another Life".

Davan Holt Interview

Davan Leland Holt Jr. is from North Carolina, born December 26th, 1969. His parents divorced when he was young. Davan and his brother to New York with their Mother alternating regularly between the two very culturally different states. After graduating High School he joined the Army where he became a cameraman.

Davan cut his teeth for a few years on some DIY projects, even aired a couple on a local cable channel before catching a break in 2008. A producer liked his script and they made his first screenplay into a movie; “Jury Of Our Peers”. The movie enabled him to acquire an agent who believes in his work.

He is currently working on a collaboration that he feels good about. Davan is also pitching four screenplays, three television series, a couple reality shows, and a game show in addition to directing my own romantic comedy this summer. He just loves creating!

Davan is happily married to Regina Kay Holt and they reside in North Carolina where the majority of their family lives.

What is the current project you are working on?

I'm never really working on just one it seems. I've forgotten what that feels like. I'm going to say 'Good/Bad Advice' . An in house indie rom/com I'm developing with aspirations to shoot this summer. I'm working with a great group of people who specialize in improv. The concept is basically about a young guy who takes every and anyone's advice about how to woo the girl of his dreams.

Did you always want to be a filmmaker?

No!

What inspired you to become filmmaker?

Probably the combination of having had camera experience in the Army then receiving creative writing praise in college. I had an idea one day and said I'm going to make a movie which turned into Jury Of Our Peers.

What is the best thing about being one?

The creative license to create these these wonderful worlds, characters and situations. Then to be a part of a team and watch them come to life and getting that surprise when a scene turns out even greater than you imagined. i would also say the ability to entertain people and cause them to feel various emotions.

What is the worst thing about being one?

Money! All mighty dollar! Having to constantly search for new ways to fund your vision.

What is the estimated number of projects you have worked on?

15

Who is is your favorite filmmaker?

I really don't have one. I enjoy and identify with so many movies. Anyone who leaves me in awe or wonder or makes me feel like a kid again.

How has your life changed since you became a filmmaker?

The prospect of having a career as opposed to a job.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Be full of hope. Don't let your emotions go to high so you won't have as far to fall. Because you will face plenty of lows after many many rejections.

What do you like to do besides filmmaking?

Laugh with my wife, read and watch movies/tv shows.

Have you had any other jobs before you decided to become a filmmaker?

Yes and still do. The Army, textile plant and Walmart.

What are some of your favorite American films? Foreign films? Television shows?

Sixteen Candles, Godfather, Friday, Malcolm X, The Color Purple, Bridges Of Madison County, Tombstone

The Office, The Big Bang Theory, Castle, Bones, Weeds, Dexter, Curb Your Enthusiasm, House Of Payne, Meet The Browns

I haven't seen that many foreign films.

How would you describe your film education?

On the go training! I try an create what I like to see.

How would you describe the film "scene" where you live?

Very small however larger than I initially thought. Some very talented people with big dreams. We do have the Wilmington scene and HollyWood does shoot quite a bit in little old North Carolina.

How has social media changed the independent film industry?

Wow! Major! Now everyone has access to people and resources to better compete and make a good product. Big advantage in marketing. You can find out what technology everyone is using. And the camraderie of my peers who are in the same boat. Instead of being alone we're in one big boat together.

What's your opinion on crowdfunding and recent crowdfunding scandals?

As with everything ever created a small percentage of people will find a way to pervert it, pimp it out and take advantage. Good old human nature. What would we do with out it?

What is the casting process like?

Fun, I enjoy seeing different actors takes on chracters. I learn from them.

How does independent film differ from the mainstream?

I feel that our movies are more story driven with more love and TLC. It's not all about numbers or a return. We hope but we know that outside of family and friends no one may ever see our movie.

You could go back in time and see any classic film being made. Which film would it be and why?

Hmmmm. The Wizard Of Oz because it looks like they had the most fun ever. I could be wrong but the imagination and creativity was off the charts.

What's your favorite movie quote and why?

Once again I have many but I'll say Tombstone's Doc Holliday, Val Kilmer's favorite line "I'm your huckleberry" . It sounds funny but he said it such sincere menace and bad intentions that it was scary.

You could have any super power. What would it be?

Wolverine's invulneralbility. I could take a severe beating and fully recover which we do a lot of but recovery takes a while and we wear the scars. At least on the inside.

What is your opinion on movie remakes?

Ugggh, but I understand trying to reintroduce material to new generations but sometimes it's okay to reinvent the wheel.

What is your opinion on book to movie adaptions?

Lord Of The Rings was so great! The best I've seen. I like a lot of them.

Is there anything else you would like to add?

First, thank you so much for this opportunity! Take the time and support your local indie filmmakers. You never know who can be the next breath of fresh air on the screeen; big and small.

Thanks for doing the interview Davan. You have a lot going on. Keep me posted. Maybe we can do another interview on one of  your future projects.

Meg Messmer Interview

Meg Messmer is an up and coming producer having worked in film, television and on the web.

She began her career working with Dancing Pictures' documentary “Jewel”, and promoted it for its Award of Merit in the Los Angeles Cinema Festival of Hollywood.

Working recently with Mandeville Films, she learned from Founder David Hoberman, recently producing two-time Academy Award winner, “The Fighter,” and the upcoming, “Muppets.”

She has also been working with Gambit Films on the Paramount Lot, who is producing three upcoming indie features, which she saw through to production, as well as nurturing a new post-production company Zero Gravity Media from the ground up.

She is founder of the production company, Mesmerize Films. She was executive producer on “Pigeon Hunter,” which she also co-wrote, the upcoming “Dominic and Maria” which recently sold to Animal Planet for a July release and has numerous projects in development.

Follow her @MeganMessmer and  find her on Facebook.

 

What is the current project you are working on?

I am producing and directing a documentary called, "Dominic and Maria: A Man and His Goose" It's the story about the unlikely relationship between a man and his goose; A love story!

Did you always want to be a filmmaker?

When I was in 5th grade I won the "When I grow up" contest. I wanted to be an animator, but, I kinda stink at drawing.

What inspired you to become filmmaker?

I've always been good at telling stories. I'm a visual learner...so I kinda fell into it. The fact that there are cheaper cameras available that still yield beautiful results just upped the ante. I would've never been able to do this film four years ago.

What is the best thing about being one?

Going on the Price is Right and telling Drew Carey that I'm a "documentary filmmaker." When it came out of my mouth, I thought..."Holy crap....I AM."

What is the worst thing about being one?

Ugh. Watching movies and catching ALL the mistakes! These days, it takes a REALLY good movie to get me to sit through 2 hours without daydreaming about when is the last time my dog went outside and if I turned the oven off.

What is the estimated number of projects you have worked on?

I'm constantly working on projects. Whether it's my production company's or the other three I run with, we're always in development, reading scripts, figuring out how to fix an edit. Plus, I'm a comedy actress, so if you count all those sets, we're talking 200+

Who is is your favorite filmmaker?

This is always a tricky question. Do I say someone obscure to sound smart? Or the "Pop" filmmakers like James Cameron, etc.?

I really like Morgan Spurlock and Michael Moore. Both of them are super cool guys that go balls out on their projects. I love that!

I like Rebecca Miller, Debra Granik, Terrence Mallick. All of them write these amazing stories that are truthful to life, they have their own gritty style, and they ask the audience to challenge themselves. Those are my favorite kinds of films.

How has your life changed since you became a filmmaker?

I feel like I have more control over my life. Instead of watching a movie and rolling my eyes when the zombie gets up the 3rd time after the hero kills him (called it!), I can make something different, unpredictable, and hopefully interesting.

It's also super stressful, especially with a documentary, because the story is never over. Everything that happens to my subject could be the "perfect" story piece. I have to get it! And it has to happen now! There's no re-shoots. With this film, Maria got taken to the zoo and they clipped her wings. All of our previous footage is gold now! We can't go back to re-shoot them flying together.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Just start! You learn by making stuff. I never went to film school, but I worked as a PA, AD, AC, Actor, Director. I think you only learn by doing. While I was moving around the furniture in my house, my roommate said what my famous quote will be, "Let's not talk about it, let's just do it." But, somebody probably already said that.

What do you like to do besides filmmaking?

Filmmaking is Life.

No, just kidding, sort of. My husband and I record music. I perform in an improv comedy group at IO Theatre in Hollywood. We like to go cliff-jumping. I take pictures. I love taking camping trips and getting out of LA.

Have you had any other jobs before you decided to become a filmmaker?

I worked at my parents chocolate and ice cream shop. I ate a LOT of free ice cream.

What are some of your favorite American films? Foreign films? Television shows?

Films....Eternal Sunshine of the Spotless Mind, Waking Life, The Machinist, Monsters Inc, Love Actually, White Christmas, FernGully, Good Will Hunting. I'm even giving you the embarrassing ones.

Foreign Films....In America.

TV...I haven't owned one for 9 years. But I like watching episodes online. I'll watch everything once just to know what's in the market.

How would you describe your film education?

On the job.

How would you describe the film "scene" where you live?

I live in LA. It IS the film scene. :)

How has social media changed the independent film industry?

It's caused the industry to stand on their tip-toes. Everyone's in sprint mode just waiting for what's "next" and then they'll take off. But there's not just one answer anymore.

Mostly, it's helped the lowly filmmaker, like me, actually have a chance to be heard in the world. That's how you got my information, from my Indie Go Go campaign.

What's your opinion on crowdfunding and recent crowdfunding scandals?

I know nothing about any scandals. Whoops. I guess I'll do some research.

How does independent film differ from the mainstream?

Indie film is always a passion project, somebody's vision. Sometimes, mainstream scripts get hacked apart by everybody involved: producers, directors, writers, actors, studio heads. They're all worried about something different. It's like 'too many cooks in the kitchen' syndrome. Eventually, it's not the writer's story anymore. And a lot of time, the film suffers because of it.

You could go back in time and see any classic film being made. Which film would it be and why?

Ben Hur. From what I remember reading, they filmed that crazy huge production, blocking off streets in Hollywood, with 300 sets scattered over 340 acres. It was a gamble for MGM who was going bankrupt. I definitely would've loved to be there for that.

What's your favorite movie quote and why?

"Get your ugly yellow no good keister off my property before I pump your guts full of lead." Home Alone

Why? Because everybody knows it.

You could have any super power. What would it be?

To FLY. Are you kidding? Sign me up. I already attempt it with skydiving and cliff jumping.

What is your opinion on movie remakes?

I was really offended when they remade the Karate Kid. Nobody replaces Ralph Macchio. Or Mr. Miyagi.

What is your opinion on book to movie adaptions?

The book is always better.

Is there anything else you would like to add?

Thanks for asking me to interview. I'm flattered. And thanks to all the folks who read through this!

More fun times, http://twitter.com/#!/meganmessmer, www.facebook.com/meganmessmerfanpage

Or to follow my film,www.facebook.com/dominicandmaria

 

 

 




Thanks for doing this interview Meg. I'll definitely will be checking out  your film's Facebook page.

Interview Dave Charest

When not acting, playing music or being a loving husband and dad - Dave inspires indie artists to make simple, wicked smaht (yes, he's originally from Massachusetts) changes to their marketing for better results. You should follow him on Twitter And be sure to sign-up for his free Wicked Smaht New Media Marketing Made Simple e-Course.

What is the current project you are working on?

Personally, I'm creating on my first online course - Do Better Online: The Starter Guide to Compelling Web Copy (For people who don't have time for a full-blown course). I'm pretty excited about it as it'll provide people with simple adjustments they can make quickly and build on with each lesson. There's also a hands on component where people get to work with me directly in a members only forum. At the end of the day doing better online boils down to how effectively you can communicate and connect with your message. That's extremely important. Especially today when so many people are using crowdfunding sites to fund their own projects.

In my role as Marketing Director / Producer with Astoria Performing Arts Center, we just finished a revival of Galt MacDermot's musical The Human Comedy. That was a lot of fun. And we had a very successful 4 week run. Galt even came out to the show and he was thrilled with it.

Can you tell me some interesting behind the scenes facts from your show?

The Human Comedy is essentially a story about home and the community you have there. It takes place during World War II where members of this small town are getting drafted and others are receiving notices about the death of loved ones. They all come together to help each cope with loss while still continuing on with every day life. We actually lost a couple of cast members during the production. They didn't die or anything but they were drafted to other productions, one being The Book Of Mormon on Broadway. So in a way we were dealing with our own loss and the need to continue on.

Did you always want to work in the indie industry?

I'm not sure I've always wanted to work in the indie industry, but rather I enjoy working with people who share a system of beliefs - hard work, treating people fairly and pushing each other to achieve goals. Life is a collaborative endeavor. I'd rather be around people who know this rather than waste time with people who come at it from a selfish angle. There are lot of brilliant people in the indie world and thanks to these new media tools there are more ways to find opportunities to shine and share with each other.

What inspired you to create your podcast, New Media Conversations?

As a I mentioned before there are a lot of brilliant people out there. I started the podcast as a way to learn from them but also to introduce them to a new audience. There's nothing better than chatting with people who have something to say.

What is the estimated number of guests you've had on your show?

To date I've had about 22 people on the show. And I've just scheduled about 10 more on a variety of topics such as building an organic community, producing in Hollywood, online engagement and more. There's going to be a lot of great info in these conversations. I'm excited about it.

Who is your favorite filmmaker?

At the moment I'd have to say two come to mind, Darren Aronofsky and Christopher Nolan.

What is one piece of advice you can give to someone who also wants to make it in your business?

This is the advice I give to anyone trying to make it in any business because I believe the fundamentals are always the same: 1. Believe in something 2. Set goals 3. Surround yourself with people who can help you achieve those goals 4. Always be learning

Have you had any other jobs before you decided to create your show?

Oh sure and I still do. Currently I make my money consulting, coaching and selling my guides. But I'm always looking for the right opportunities and people to work with.

What are some of your favorite American films? Foreign films? Television shows?

Let's see American films: Babe (Yep, the one about the pig. And it's Australian-American so I guess that counts as both.) The Departed, Natural Born Killers, Cinderella Man, Ransom, Jacob's Ladder, Election, Happiness to name a few. Foreign films: Life Is Beautiful, Amelie, Cinema Paradiso, Run Lola Run. TV: Arrested Development, The Office (Both), Parenthood, Friends, Weeds, Dexter, Friday Night Lights.

How would you describe your education?

Ongoing. I do have a Bachelor's Degree. But I'm always looking for new things to learn and how they can be applied.

How would you describe the independent "scene" where you live?

I'm in NY so I'd say vibrant. :)

How has social media changed the independent industry?

My belief is that it's extended the network of opportunity. We are the media the now. Create and connect.

How does independent film differ from the mainstream?

From an audience member perspective the stories that get told can be a lot different. I love when an indie makes it to the mainstream. That opens a whole new world for those involved. It can be life changing.

If you could go back in time and see any classic film being made. Which film would it be?

Wow. Good question. I'd say Citizen Kane would be pretty great. I'm fascinated with Orson Welles. His whole process would be pretty amazing to watch.

 If you could be any animal. Which would you be?

A tiger. I have no idea why.

If you could have any super power. What would it be?

Teleportation.

What is your opinion on crowdfunding?

I think it's great. But before you give it a go it's important to work on building your networks first. I've seen so many fail because they have no where to go once they start a campaign. Without the right support in place you may never get your project off the ground.

What is your opinion on movie remakes?

Hmm... It's one of those weird things. Sometimes they're good. And sometimes you want to scream.

What is your opinion on book to movie adaptations?

See above.

 

 

 

Thanks for doing the interview Dave. I'm going to check out your podcast, sign up for your course, and follow you on Twitter.

Interview Julie Keck and Jessica King

[caption id="attachment_1096" align="aligncenter" width="300" caption="Julie (Right) Jessica (Left)"][/caption]

Julie Keck and Jessica King, who work and play together as King is a Fink, write and direct movies with small budgets and big stories that are at once familiar, uncomfortable, demented, and exhilarating. Julie's a little bit country; Jess is a little bit shut-the-fuck-up. They don’t mind getting a little dark, and they don’t mind getting a little dirty. This is what makes their movies so fun. Keep up with them on Twitter (http://twitter.com/kingisafink), Facebook (http://www.facebook.com/kingisafink), or their website (kingisafink.com).

Did you always want to be filmmakers?

Nope. Mini-Julie wanted to be an author/astronaut; Lil Jess wanted to be a rock star. As practical kids of practical parents, we pursued traditional jobs in social services and education. Later we explored film as a way to safely (and humorously) explore scary, embarrassing, or awkward trains of thought.

What inspired you to become filmmakers?

A porno. We saw something that was way over our 'line,' and we decided to deal with our anxiety by making fun of it. On film. Via a series of 5 shorts. There's obviously something wrong with us. The first one got into a film festival, and seeing our work on the big screen was very heady and encouraging, so we kept going.

What is the best thing about being filmmakers?

Having something to do other than just eat, sleep, and go to work.

What is the worst thing about being filmmakers?

There's no set or logical way to 'make it.' With other professions, you earn your degree/certification, start at the bottom, get promotions, and, with a lot of hard work, get to the top. With filmmaking, there seems to be a lot of the 'hard work' part and very little of the 'getting to the top' part. The good news is: we have time, we have energy, and we have ideas. We have no reason not to keep on keepin' on.

Who are your favorite filmmakers?

Jessica's is Guy Maddin; Julie's is Almodovar. These can be switched at pretty much any time.

How has your life changed since you became filmmakers?

Our lives have changed in many ways, but the biggest is that we're happier. We had a strong connection to one another before making movies, but now we have a common goal that gives us something exciting to plan and brainstorm together 24/7. We wake up talking about our projects; we fall asleep talking about our projects. We never run out of things to talk about over dinner. It's a great way to live.

What advice can you give to someone else who thinks they might want to make a movie?

Get on it! Be bold. Get an affordable camera, write a short script, and make a movie. Find friends who like to work as hard as you, feed them well for their time and effort, and have fun. Don't be afraid to make mistakes. Do NOT go into debt making them. On your deathbed, you won't regret that week of no sleep or those long hours you spent learning how to use Final Cut; you might, however, regret never giving yourself a chance.

How would you describe your film education?

Watching + experimenting + learning to do everything ourselves + seeing what sticks. No formal schooling.

How has social media affected your film career?

We wouldn't have found any of our current collaborators without social media, specifically Twitter. We met Phil Holbrook on Twitter, which lead to TILT, which lead to pretty much every other collaboration we're involved with today. No, not pretty much...all. All of our current collaborations can be traced back to Twitter.

What are your current projects?

We're lucky to be juggling several projects at the moment. Here are some highlights:

We've teamed up with director Christopher Grimes' 5414 Productions for a friendly fire documentary called A SECOND KNOCK AT THE DOOR (http://www.asecondknockatthedoor.com/). Jess is a writer/producer; Julie is an associate producer. Film festivals have just started calling with acceptance messages.

Our first feature, a thriller called TILT (http://tiltthemovie.com) directed by Phil Holbrook, is in post-production in the masterful hands of editor Jeremy Doyle; we're hoping to unleash it this fall.

Our next feature script is for New York-based indie director Gary King (http://grking.com/) (HOW DO YOU WRITE A JOE SCHERMANN SONG; WHAT'S UP LOVELY).

We're also proud to be working with Chicago-based production company tello films (http://www.tellofilms.com/) on a game show called WHO KNOWS HER BETTER and a play called I HATE TOMMY FINCH which will hit the boards this fall and then be featured on the tello site as a web series.

We have a series of "kinky cuties," short, sex-positive films that are in various stages of play: our first, LIBIDOLAND (http://kingisafink.com/our-films/the-idville-collection/libidoland/), is slated to screen in Sao Paulo, Brazil, this summer; WIGGLE ROOM (http://kingisafink.com/our-films/wiggle-room/) is currently touring with the Cinekink Kinky Film Festival (http://cinekink.com/); and we're in pre-production on our third, a story about a unique reunion.

We're also chomping at the bit to work with documentarian Ruth Leitman (http://ruthlessfilms.com/) (WILDWOOD, NJ; LIPSTICK AND DYNAMITE). She's crazy-busy on tour with her latest project (TONY AND JANINA'S AMERICAN WEDDING: http://tonyandjanina.com/), but we're patient. Sort of.

Should we include our accordion lessons and circus acts here, John, or is there another spot for those?

If you could have any super power, what would it be?

Jessica is much too practical for super powers; Julie wants all of them. If hard-pressed, Julie would like the super power of knowing how to play the banjo really well for just one night so that she could jam with Steve Martin. Pretty please.

Do you believe on life on other planets?

Have you looked at pictures of space lately? Seriously, go to the NASA online image gallery (http://www.nasa.gov/multimedia/imagegallery/) right now, and look at pictures of Saturn's rings and nebulae and the moon's surface and far away supernovas. Our universe is so vast and so mysterious. It'd be arrogant for us to think that no other life exists. Plus, the idea of life on other planets fits with our overactive imaginations.

If you could be any animal, which would you be?

Jess would be a bonobo. Julie wouldn't mind being a turtle as long as Jessica promised not to dig her out of her shell with a pointy stick and eat her.

 

 

Thanks for doing the interview Julie and Jessica. You definitely have a lot of projects going on. I will be seeing Tilt when it comes to a festival near me. I'm going to do a google search on a bonobo because I'm not sure exactly what that is.

Interview Byron Tully of Indie Friendle

 

Byron Tully grew up in Houston, Texas, under the influence of both Baptist preachers and beer joint owners. He attended the University of Texas at Austin. There he met student filmmakers and started working with them on their graduate film projects. Planning to open a liquor store in his hometown after graduation, he heeded his father's advice that he 'do something with his writing' and abruptly left for Los Angeles to pursue a career in film. He and partner Weatherford Bradley produce Indie Friendlie, a weekly television show that spotlights independent filmmakers from around the world. A cigar-smoking vegetarian, he continues to write screenplays and songs and hopes to one day make his own independent film.

What is the current project you are working on? INDIE FRIENDLIE, THE SHOW THAT SPOTLIGHTS INDEPENDENT FILMMAKERS FROM AROUND THE WORLD.

Did you always want to be a filmmaker? ACTUALLY, I WAS GOING TO OPEN A LIQUOR STORE. MY DAD WASN'T THRILLED WITH THAT PLAN AND SAID, "I ALWAYS THOUGHT YOU'D DO SOMETHING WITH YOUR WRITING." TWO WEEKS LATER I WAS ON INTERSTATE 10, HEADING TO LOS ANGELES. I MOVED INTO A VERY DICEY APARTMENT BUILDING IN HOLLYWOOD AND STARTED WRITING SCREENPLAYS.

What inspired you to become involved in the independent film industry? MY PARTNER, WEATHERFORD BRADLEY AND I GREW A LITTLE BORED WITH MOST STUDIO FILMS. NOT ALL, JUST MOST. SO WE STARTED WATCHING FOREIGN FILMS AND SMALLER FILMS, AND WE LOVED THEM. WE TALKED TO OUR FRIENDS ABOUT THE FILMS, BUT THEY'D NEVER HEARD OF THEM. THIS PISSED US OFF. SO, LAST NOVEMBER, WE WERE SITTING IN A COFFEE SHOP AT SUNSET AND VINE, AND WE CAME UP WITH THE IDEA FOR INDIE FRIENDLIE TO GET THE WORD OUT ABOUT INDIE FILMMAKERS AND THEIR FILMS.

What is the best thing having your own show? YOU GREENLIGHT YOURSELF.

What is the worst thing about having your own show? ONCE YOU GET THE GREENLIGHT FROM YOURSELF, YOU HAVE TO FINANCE YOURSELF.

What is the estimated number of projects you have worked on? I'VE WORKED ON PROBABLY A DOZEN FEATURE FILMS IN VARIOUS CAPACITIES.

Who is is your favorite filmmaker? LUC BESSON, THE FRENCH FILM DIRECTOR.

How has your life changed since you became the host of your own show? FILMMAKERS HAVE BEEN SO GENEROUS AND APPRECIATIVE ABOUT WHAT WE'RE TRYING TO DO WITH THE SHOW. MY LIFE IS RICHER BECAUSE I'VE MET AND TALKED WITH THEM.

What is one piece of advice you can give to someone who wants to make it in the movie business? BE POLITE AND MODEST. YOU CAN BE THE MOST TALENTED PERSON IN THE WORLD AT WHATEVER IT IS YOU DO OR WANT TO DO, BUT THERE ARE VERY TALENTED PEOPLE GETTING OFF THE BUS EVERY DAY IN L.A. HOLLYWOOD IS NOT A DOOR YOU BREAK DOWN. IT'S A CLUB YOU'RE INVITED TO JOIN.

What are some of your favorite American films? MATEWAN, BY JOHN SAYLES; CASABLANCA; GODFATHER I AND II; HUD; COOL HAND LUKE; Foreign films? STARMAKER, IL POSTINO, MESRINE, JEAN DE FLORETTE AND MANON OF THE SPRING; EVEN THE RAIN; THE SECRET IN THEIR EYES. Television shows? THE SOPRANOS, MI-5.

How would you describe your film education? INFORMAL, INCOMPLETE, AND ONGOING.

How would you describe the film "scene" where you live? IT'S LA, SO IT'S VERY SUPERFICIAL IN SOME RESPECTS, BUT VERY GENUINE OVERALL. YOU'VE GOT PEOPLE COMING HERE FROM ALL OVER THE WORLD BECAUSE THEY LOVE FILM. IT MAKES CONVERSATIONS EASY TO STRIKE UP.

How has social media changed the independent film industry? IT'S A MIXED BLESSING. IT HAS LEVELED THE PLAYING FIELD WITH REGARDS TO PEOPLE HAVING ACCESS TO MORE CONENT. BUT IT HAS ALSO FLOODED THE PLAYING FIELD WITH A CERTAIN AMOUNT OF CONTENT--AND EVEN MORE HYPE--THAT DROWNS OUT THE QUALITY FILMS THAT ARE BEING MADE. THE AUDIENCE STILL NEEDS GATEKEEPERS AND GUIDES. NOT CRITICS NECESSARILY, BUT SHOWS LIKE INDIE FRIENDLIE THAT CAN WATCH A LOT OF FILMS AND SAY, HEY, AMERICA, WORLD! YOU NEED TO SEE THIS FILM; THIS FILMMAKER HAS SOMETHING TO SAY.

What is the interview process like? IT'S FAIRLY STRAIGHTFORWARD. WE WANT TO KNOW WHERE THE FILMMAKER'S FROM; WHAT INSPIRED THEM TO MAKE THE FILM THEY MADE; WHAT THE FILM'S ABOUT; AND WHAT'S NEXT FOR THEM. THOSE ARE THE BASICS I TRY TO COVER IN A SHORT PERIOD OF TIME. BUT IF THEY SAY SOMETHING THAT RESONATES, THEN I'LL FOLLOW UP AND WHO KNOWS WHERE THE CONVERSATION GOES.

How does independent film differ from the mainstream? INDIE FILMS ARE MUCH MORE PERSONAL. MOST OF THE TIME, YOU AS AN AUDIENCE MEMBER ARE GETTING A VERY INTIMATE GLIMPSE OF THE FILMMAKER'S PERSONALITY. WHAT THEY BELIEVE, WHAT MOVES THEM. WHAT THEY THINK IS FUNNY. WHAT THEY THINK IS TRAGIC. THEY'RE ALSO MUCH MORE PERSONAL BECAUSE INDIE FILMMAKERS DON'T HAVE THE BUDGET TO BLOW UP BUILDINGS, SO THEY HAVE TO ADDRESS RELATIONSHIPS.

You could go back in time and see any classic film being made. Which film would it be and why? I THINK CASABLANCA, JUST TO BE AROUND THE CAST. CONRAD VEIDT, THE ACTOR WHO PLAYED THE NAZI GENERAL WAS A JEWISH IMMIGRANT WHO HAD FLED GERMANY WHEN HITLER CAME TO POWER. SIDNEY GREENSTREET AND PETER LORRE WOULD HAVE BEEN A HOOT TO HAVE A DRINK WITH.

You could be any animal. Which would you be and why? A DOG. ALL THEY DO IS GIVE UNCONDITIONAL LOVE TO OTHERS, AND THEY'RE TAKEN CARE OF THEIR ENTIRE LIVES.

You could have any super power. What would it be? TO BE INVISIBLE. YOU CAN'T FIGHT WHAT YOU CAN'T SEE.

Thanks for doing the interview Byron, I'll definitely let any filmmakers I chat with know about your show. I'll be tuning in.

Interview Tom Dowler

Tom, an ex-pat Brit, studied English Literature at the University of York, where he founded the University of York Film-making Society, and produced, directed and edited more than a dozen short films. He also has a master’s degree in feature film production from Goldsmiths College London. Since moving to the US Tom has focused on producing corporate video work, with an emphasis on making complex value propositions easy to understand. He is co-founder of marriage blog The Long Haul Project

What is the current project you are working on?

Melissa - my wife - and I are working on a couple of different projects. We're making a documentary short called 24 Hours at the South Street Diner about our local neighborhood haunt, Boston's South Street Diner. We're also working on an ongoing feature documentary about marriage called The Long Haul Project (http://thelonghaulproject.com)

Did you always want to be a filmmaker?

I knew from the time I was in college. I founded a student film-making society and went on to do a masters at Goldsmiths College, London in film.

What inspired you to become filmmaker?

I always wanted to be a storyteller, and as a teenager I spent a lot of time catching up on classic movies I'd never seen. It was probably that experience that inspired me the most.

What is the best thing about being one?

The feeling of creation is pretty hard to beat. When a great shot comes off, or you get a great interview with someone, it's a real buzz.

What is the worst thing about being one?

The pay.

What is the estimated number of projects you have worked on?

Around 20.

Who is is your favorite filmmaker?

Scorsese as a director. PT Anderson as a writer (love his directing too, but it's just a little derivative of Scorsese). Also very impressed with Miranda July.

What are some of your favorite American films? Foreign films? Television shows?

Magnolia is my favorite movie ever. I just saw Four Lions and was blown away by it. Chris Morris is a genuine genius.

How has social media changed the independent film industry?

Social media has made it easier for filmmakers to connect with each other, and that can only be a good thing.

You could go back in time and see any classic film being made. Which film would it be and why?

Probably Star Wars just because of the sheer amount of innovation that took place on set. So many things were done for the first time on that movie. That or Apocalypse Now.

What's your favorite movie quote and why?

"Stop saying that, Withnail. Of course he's the fucking farmer!" because it's a very funny, quotable line in a movie crammed full of funny, quotable lines.

You could have any super power. What would it be?

The ability to correct out of focus shots in post.

What is your opinion on movie remakes?

I think they're sad but inevitable. I wish Hollywood had bigger balls and took a few more risks. Remakes are safe, but boring bets.

What is your opinion on book to movie adaptions?

They're fine when they're done well, but often they're not. A novel and a film are usually very different dramatic forms, and the only way to adapt a book is to take from it the elements that will work in service of the drama that a movie requires. Too often, adaptations are very faithful to the book, and as a result don't work very well dramatically on screen.

 

 

 

Thanks for doing the interview. I live outside of boston and would be interested in seeing "24 Hours at the South Street Diner".  Keep me posted.

Interview Sid Kali and Wayne Daniells

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Sid Kali (Slice Of Americana Films) teamed up with  filmmaker Wayne Daniells (LiarDice Productions) and visual artist Paul While (Graphic Delusions) to create "PSORO" (http://psorothemovie.com/). Enjoy the interview.

What is the current project you are working on?

Sid: I’m one of the writers and producers of a “mental horror gore” featurette called PSORO. I threw in with UK filmmaker Wayne Daniells and visual artist Paul While on this project. Now viewers are going to get an intense story with the UK as a backdrop and a small mix of Southern California flavor. Using real makeup and prosthetics to pay homage to 80’s horror films with a modern slant is more interesting than doing it with CGI.

Wayne: Intense horror gore featurette titles Psoro (latin for ITCH)

Did you always want to be a filmmaker?

Sid: No. I wanted to make a living is a shorty story writer. I had a high school creative writing teacher that really dug one of my stories. My Pops and friends always liked what I wrote, but it’s always different hearing it from an outside opinion.

Wayne: Ever since I was able to operate a camera I wanted to be a visual story teller

What inspired you to become filmmaker?

Sid: Watching Menace II Society from the Hughes Brothers made me think. Great filmmakers off that one movie. Coming up with good people around me I related to the story they wanted to tell from the outside looking in. I wanted to tell a story from the inside looking out.

Wayne: My father was a great inspiration to me. Always making me watch the makings of movies and studying the film techniques and formulas. This lead to me wanting to bring stories to visual life and entertaining audiences.

What is the best thing about being one?

Sid: The gamble. You invest and hope it pays off.

Wayne: Being able to entertain the masses and reach out to the world

What is the worst thing about being one?

Sid: Paying for health insurance for a family as a self-employed person is an expensive choice.

Wayne: Raising the budget!

What is the estimated number of projects you have worked on?

Sid: The projects that have had meaningful movie distribution are America’s Wildest Bachelor Parties reality series, Consignment, In with Thieves, Fantasy Striptease Private Shows. I still like a short film I did with childhood friend Hollywood Ruben Navarro and Supermodel Joanna Krupa.

Wayne: 10 projects of which consisted of films, music videos, corporate media and art installations

Who is is your favorite filmmaker?

Sid: I have two. Russ Meyer (I like the honesty) and Robert Rodriguez.

Wayne: Hard question, as it would depend on genre, but my respect goes to Robert Rodriguez as he is one of the modern day auteur.

How has your life changed since you became a filmmaker?

Sid: I’m addicted to thinking about scripts I can shoot.

Wayne: Life has stayed the same, although it feels a lot more complete and fulfilling. Nothing better than making something that can be shown forever in time

.

What is one piece of advice you can give to someone who also wants to make it in the movie business?

Sid: Kill your ego. Your ego will kill you at the indie film level.

Wayne: Study the greats and learn from them, but form your own style. Stick to the formula and language of film but once you know that, remember you can bend it to fit your needs

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What do you like to do besides filmmaking?

Sid: I am a book junkie that likes to gamble on the horses and play roulette at the MGM GRAND. The host that takes care of things is a rock star in my eyes.

Wayne: Being a devoted father and husband, reading comics and enjoying life

What are some of your favorite American films? Foreign films? Television
 shows?

Wayne: Surprisingly I don’t watch TV. Most of the films I like tend to be British but I guess funded with American studios, Dark Knight, Easy Rider, The Graduate, all Coen Brothers films. Foreign cinema I love french films ie. Delicatessen and City of the lost children. And Mid 1990’s Hong Kong action cinema such as The Killer and Bullet in the Head. Plus of course the true master of film Akira Kurasawa’s films.

How would you describe your film education?

Wayne: Everything I learned I taught myself. I studies movies in depth with the sound off sometimes, watched makings of and also read a lot of cinematography and lighting techniques. I believe the best way to learn is throw yourself in the deep end and a style of your own will form.

How would you describe the film "scene" where you live?

Sid: I live in the Inland Empire outside of Los Angeles. As cinematographer Royce Dudley told me…oh shit I can’t say his great line here or people will get pissed.

How has social media changed the independent film industry?

Sid: It’s made PSORO interesting. I’m working with two UK based creative souls. I call Wayne my UK amigo, we will make more movies and Paul is a real master of gore. Wayne and Paul could have went CGI, but these two UK wild men want to go old school blood and gore. Hell yeah!

What's your opinion on crowdfunding and recent crowdfunding scandals?

Sid: Not against any other indie filmmakers that go this path. I know money is tight. Slice of Americana Films will never go down that road only to avoid a future fight. The big punch indie filmmakers might not see coming is the crowd fund donations, even for a dollar, some might think they own a part of the movie and you as a filmmaker. There are supporters that want nothing but to see you make your movie.

This could happen. What if your movie was the next hot thing? Every donator would expect something. Crowd funding to me is like Avon. If you have a good movie go to investors, if they don’t bite, then put your own money into it.

What is the casting process like?

Sid: Always act like your one of the PA crew in the waiting room to see how an actor is. When they think you’re a PA see how they treat you. I had one actor with a nasty ego tell the PA they had been there 5 minutes. I apologized for the wait and offered them water. I went to take a piss on that note and asked the casting director on my way not to cast them. In indie filmmaking actors lose their gigs in the waiting room over ego.

How does independent film differ from the mainstream?

Sid: Nobody to answer to. You can take risks on making a movie with the resources you have.

Is there anything else you would like to add?

Sid: Yeah. John if PSORO does not deliver on the visual bang I will have director Wayne Daniells send you a couple of free shirts from the movie. I forgot. SHAAAAAAAW! (inside joke we use)

Thanks Sid and Wayne for doing interview. I hope I can see PSORO sometime. It's an interesting concept. I like how you guys are  going "old school" with the makeup and FX.